by Jodi Picoult
Anyway, this is also why, even though my parents might have assumed my attention was otherwise occupied, I can remember the fights they had verbatim: Do you remember me, Emma? I live here, too ...
For God's sake, Henry. Are you really jealous of the time I spend with your own son?
And
I don't care how we're going to pay for it. I'm not going to pass up a treatment for Jacob just because--
Because what? Say it ... You don't think I make enough money.
Your words, not mine.
And
I want to come home from my fucking job to my fucking house and not have ten fucking strangers on my living room floor. Is that so much to ask?
Those strangers are the ones who are going to bring Jacob back to us--
Wake up, Emma. He is what he is. There's not some miracle locked inside him waiting to come out.
And
You've worked late every night this week.
Well, what have I got to come home to?
And
What do you mean, you're pregnant? We said no more. We already have too much on our plate--
I didn't exactly get pregnant by myself, you know.
You'd know. You're the one who takes the pills.
You think I tricked you? Jesus, Henry, I'm glad to know you think so highly of me.
Just get out. Get out of here.
And one day he did.
Suddenly, my father knocks on Theo's door and pokes his head into the room.
--Boys,|| he says. --How, um, how are you doing?||
Neither of us says a word.
--Jacob,|| he asks. --Can we talk?||
We sit down in my room, with me on the bed and my father on my desk chair. --Are you ...
okay with me being here?||
I look around. He isn't messing anything up on my desk, so I nod.
This makes him feel better, I think, because his shoulders relax. --I owe you an apology,|| he says. --I don't really know how to put this into words.||
--That happens to me,|| I tell him.
He smiles a little and shakes his head. Theo looks so much like him. I've heard this all my life from my mother, but now I can also see that there's a lot of my father that reminds me of me. Like the way he ducks his head before he starts a sentence. And how he drums his fingers on his thighs.
--I wanted to apologize to you, Jacob,|| he says. --There are some people--like your mother--who just won't give up. I'm not one of those people. I'm not saying it's an excuse, only a fact. I knew enough about myself, even back then, to understand that this wasn't a situation I could handle.||
--By this, || I say, --you mean me. ||
He hesitates, and then he nods. --I don't know as much about Asperger's as your mother does,|| he says. --But I think maybe we've all got something in us that keeps us from connecting to people, even when we want to.||
I like the concept: that Asperger's is like a flavoring added to a person, and although my concentration is higher than those of others, if tested, everyone else would have traces of this condition, too.
I make myself look my father in the eye. --Did you know apples can rust?|| I say.
--No,|| he says, his voice softer. --No, I did not.||
In addition to the list of apple facts, I have kept another list for my father, of questions I might ask if the chance arose:
1. If it hadn't been for me, would you have stayed?
2. Were you ever sorry you left?
3. Do you think one day we could be friends?
4. If I promised to try harder, would you consider coming back?
It is worthwhile to note that while we were sitting in my room we discussed apples, the medical examiner's testimony of yesterday, and the article in Wired magazine about whether Asperger's was on the rise in Silicon Valley due to the preponderance of math-and-science genes in the geographical area. Yet I did not ask him a single one of these questions, which are still on a list in the back of my bottommost left desk drawer.
We all ride to the courthouse together in my father's rental car. It is silver and smells like pine trees. I am sitting in my usual seat in the back behind my father, who is driving. My mother sits next to him, and Theo's beside me. As we drive I look at the spaces between the power lines on the telephone poles, which narrow at the ends and then widen in the middle, like giant canoes.
We are five minutes from the courthouse when my mother's cell phone rings. She nearly drops it before she manages to answer the call. --I'm fine,|| she says, but her face gets red.
--We'll meet you in the parking lot.||
I suppose I should be nervous, but I'm actually excited. Today is the day that Oliver gets to tell everyone the truth about what I did.
--Now, Jacob,|| my mother says. --You remember the rules?||
--Let Oliver do the talking,|| I mutter. --Pass him a note if I need a break. I'm not a moron, Mom.||
--That's a matter of opinion,|| Theo says.
She twists around in her seat. Her pupils are large and dark, and a pulse beats in the hollow of her throat. --It's going to be harder for you today,|| she says quietly. --You're going to hear things said about you that might not make sense. Things that maybe you even think aren't true. But just remember, Oliver knows what he's doing.||
--Is Jacob testifying?|| my father asks.
My mother turns to him. --What do you think?||
--I was just asking, for God's sake.||
--Well, you can't come in at the third act and expect me to tell you what you've missed,|| she snaps, and silence fills the car like sarin gas. I start to whisper the Fibonacci sequence under my breath, to make myself feel better, and Theo must feel the same way, because he says, --So ... are we there yet?|| and then laughs hysterically, as if he's told a really funny joke.
As we drive in, Oliver is leaning against his truck. It is an old pickup that, he says, is more suited to a farrier than an attorney, but it still gets him from point A to point B. We are parked in the back of the courthouse, away from the cameras and the television news vans. He glances up as we drive by, but this isn't my mother's car, so he doesn't realize it's us. It isn't until we park and step out of the rental car that Oliver sees my mother and comes forward with a big smile on his face.
And then he notices my dad.
--Oliver,|| my mother says, --this is my ex-husband, Henry.||
--Are you kidding?|| Oliver looks at my mother.
My father sticks out his hand to shake Oliver's. --Nice to meet you.||
--Um. Right. Pleasure.|| Then he turns to me. --Oh, for the love of God ... Emma, I can't let him go into the courtroom like this.||
I look down. I'm wearing brown corduroy pants and a brown shirt, with a brown tweed blazer and the stretchy brown tie that Theo tied for me.
--It's Thursday, and he's dressed in a jacket and tie,|| my mother says tightly. --You might imagine that this morning I had a lot on my plate.||
Oliver turns to my father. --What does he look like to you?||
--A UPS driver?|| my father says.
--I was thinking Nazi. || Oliver shakes his head. --We don't have time for you to go home and change, and you're too big to fit into my--|| Suddenly he breaks off and sizes up my father with one glance. --Go trade shirts with him in the bathroom.||
--But it's white, || I say.
--Exactly. The look we're going for is not modern-day serial killer, Jake.||
My father glances at my mother. --See,|| he says. --Aren't you glad I came?||
The first day I met Jess for social skills training I happened to be fearing for my very life. I had been in Mrs. Wicklow's English class that year. It wasn't a particularly interesting class, and Mrs. Wicklow had the bad fortune to have a face that looked a little like a sweet potato--long and narrow, with a few sprouting hairs at the chin and an orange spray-on tan.
But she always let me read aloud when we were doing plays, even if I sometimes had trouble remembering my place, and the time I forgot my notebo
ok on the day of the open-book exam she let me take it the next day. One day, when she was out with the flu, a boy in the class named Sawyer Trigg (who had been suspended once for bringing NyQuil to school to sell in the cafeteria) ignored the substitute teacher and plucked bits of the spider plant off, then stuck it to his chin with gum. He jammed wadded-up paper under his shirt and started prancing through the aisles between our desks. --I'm Mrs. Witchlow,|| he said, and everyone laughed.
I laughed, too, but only to fit in. Because you're supposed to respect teachers, even if they're not there. So when Mrs. Wicklow came back, I told her what Sawyer had been doing, and she sent him to the principal. Later that day, he slammed me up against my locker and said, --I could fucking kill you, Hunt.||
Well, I spent the rest of the day in an utter panic, because he could kill me, I had no doubt of that. And when Jess arrived at the school to meet me for the first time, I had a butter knife in my pocket stolen from the cafeteria--the best I could do on short notice--just in case Sawyer Trigg was lurking in the shadows of the hallways.
She told me that what I said to her was private, and that she wouldn't tell my mother about anything I wanted to keep a secret between us. I liked that--it sounded like having a best friend, at least the way it is always portrayed on television--but I was too distracted to comment. --Um, Jacob?|| Jess said, when she caught me looking over my shoulder for the eighth time. --Is everything okay?||
That was when I told her everything about Mrs. Wicklow and Sawyer Trigg.
She shook her head. --He's not going to kill you.||
--But he said--||
--That's his way of letting you know he's mad at you for tattling on him.||
--You're not supposed to make fun of teachers--||
--You're not supposed to tell on your peers, either,|| Jess said. --Especially if you want them to like you. I mean, Mrs. Wicklow has to be nice to you; it's part of her contract.
But you have to earn the trust of your classmates. And you just lost that.|| She leaned forward. --There are all kinds of rules, Jacob. Some of them are explicit, like not making fun of teachers. But others are like secrets. They're the ones you're supposed to know, even if they never get said.||
That was exactly what I never seemed to understand: those unwritten rules that other people seemed to pick up as if they had a social radar device that was missing in my own brain.
--Did you laugh when Sawyer made fun of Mrs. Wicklow?||
--Yes.||
--He thought you were on his side, that you were enjoying the performance. So imagine how he felt when you tattled on him.||
I stared at Jess. I wasn't Sawyer, and I had been adhering to a rule; whereas he was deliberately breaking one. --I can't,|| I said.
A few minutes later, my mother came to pick me up. --Hello,|| she said, smiling at Jess. --How did it go?||
Jess looked at me, making sure she caught my eye. Then she turned to my mother.
--Jacob got another boy in trouble today. Oh, and he stole a knife from the school cafeteria.||
I felt my heart go to stone in my chest, and my mouth was dry as cotton. I thought this girl was going to be my friend, was going to keep my secrets. And the first thing she did was turn around and tell my mother everything that had happened today?
I was furious; I never wanted to see her again. And I felt soft and spongy in my stomach, too, as if I had just gotten off an amusement park ride, because I knew my mother was going to want to follow up on this conversation on the drive home.
Jess touched my arm to get my attention. --That,|| she said, --is how Sawyer felt. And I will never do that to you again. Will you?||
The next day I went to school, and I waited near Sawyer's locker. --What are you doing here, prick?|| he asked.
--I'm sorry,|| I told him, and I really, truly meant it.
Maybe it was my face, or the tone of my voice, or just the fact that I sought him out--but he stood there for a second with his locker open and then he shrugged.
--Whatever,|| Sawyer said.
I decided that was his way of saying thanks. --Are you still thinking of killing me?||
He shook his head and laughed. --I don't think so.||
I'm telling you, Jess Ogilvy was the best teacher I've ever had. And she would have understood, better than anyone, why I had to do what I did.
Oliver
What happened last night was the single most remarkable experience of my sexual history, unless you count the time I was a sophomore in college and got a letter published in Penthouse--the difference being, of course, that that was fictional, whereas last night really happened.
I've been thinking about it. (Okay, I've been thinking of nothing but it.) Once Emma and I had both admitted our biggest fears to each other, we were on equal footing. Vulnerability trumps age. When you're emotionally bare, the leap to being physically bare isn't all that far.
I woke up this morning with her hair loose over my arm and her body warm against mine and I decided that I didn't care if she had slept with me out of desperation or frustration or even distraction--I wasn't going to let her go. I had charted every inch of her last night; I wanted to return to that territory until I knew it better than anyone ever had or ever would.
Which meant I had to get her son acquitted, because otherwise, she'd never want to see me again.
To that end, I came to court this morning intending to give Jacob the best defense in the history of the State of Vermont. I was single-minded and focused and determined, until I saw her emerge from another man's car.
Her ex's.
He has a right to be here, I suppose--he's Jacob's father--but Emma had led me to believe that he wasn't really in the picture.
I don't like the way Henry held on to her when we were walking up the steps of the courthouse. I don't like the fact that he's bigger than I am. I don't like the fact that the one time I touched Emma's arm, as we were about to come into the courtroom, Theo saw me do it and his brows shot up to his hairline, so I had to immediately pretend it was an accidental brush of the hand.
I really don't like the fact that I'm preoccupied with Emma when I ought to be focused solely on her son.
As the jury files in, I take my seat beside Jacob. He looks like he's had sixty cups of coffee. He's bouncing, even though he's seated next to me at the defense table. Emma is on his right side, and I swear, I can feel the heat of her skin even with her son between us. --I don't like this,|| Jacob mutters.
You and me both, kid. I think. --What don't you like?||
--Her hair.||
--Whose hair?||
--Hers,|| Jacob says, and he points to Helen Sharp without glancing at her.
Today the prosecutor is wearing her hair loose around her face. It's auburn and brushes her shoulders. It actually makes her look almost compassionate, although I know better. --Well,|| I say. --It could be worse.||
--How?||
--It could be longer.||
This makes me think of Emma last night, with her hair free and falling down her back. I'd never seen it like that, because of Jacob.
--It's a bad omen,|| Jacob says, and his fingers flutter on his thigh.
--There seems to be a lot of that going around,|| I say, and I turn to Emma. --What's Henry doing here?||
She shakes her head. --He showed up this morning when I was out for my run, || she stresses, and doesn't meet my eye. Conversation closed.
--Make sure you tell the truth,|| Jacob states, and Emma and I both jerk our heads toward him. Is Jacob more intuitive than either of us gave him credit for?
--All rise,|| the bailiff says, and the judge strides in from his chambers.
--If the defense wishes to deliver an opening statement,|| Judge Cuttings says, --you may begin.||
I would have preferred to give my opening statement back when Helen had given hers, so that the whole time the jury was watching Jacob's reactions during the prosecution's turn, they could have been thinking his inappropriate affect was because he has As
perger's--not because he is a sociopathic killer. But the judge didn't give me that opportunity, and so now, I just have to leave an impression that's twice as deep.
--The truth,|| Jacob whispers again. --You'll tell them what happened, right?||
He is talking about the jury, I realize; he is talking about Jess's murder. And there is so much riding on that one question that suddenly I have no idea how to answer Jacob without it becoming a lie. I hesitate, and then take a deep breath. --Hello. My name is Inigo Montoya,|| I murmur to Jacob. --You killed my father. Prepare to die.||
I know he's grinning as I stand up and face the jury. --During a trial, lawyers ask the jury to see in shades of gray. You're supposed to look at both sides of an issue. To not prejudge anything. To wait until you've heard all the evidence to make a decision. The judge has instructed you to do this, and will instruct you to do this again at the end of the trial.||
I walk toward them. --But Jacob Hunt doesn't know how to do that. He can't see shades of gray. To him, the world is black or white. For example, if you ask Jacob to pitch a tent, he will toss it at you. Part of Jacob's diagnosis with Asperger's syndrome means that he won't understand the concept of a metaphor. To him, the world is a literal place.|| I glance over my shoulder at Jacob, who's staring down at the table. --You might have also noticed that yesterday, during this trial, Jacob didn't look the witnesses in the eye. Or that he didn't show much emotion when the prosecution enumerated the horrors of a murder scene. Or that he might not be able to sit through testimony for long periods of time and needs a break in that room in the back. In fact, there may be many moments during this trial where it seems to you that Jacob is acting rudely, or immaturely, or even in a manner that makes him appear guilty. But ladies and gentlemen, Jacob cannot help it. Those behaviors are all hallmarks of Asperger's syndrome, a neurological disorder on the autism spectrum with which Jacob's been diagnosed. People with Asperger's might have a normal or even exceptional IQ but will also show severe deficiencies in social and communication skills.
