The Breach - Ghost Country - Deep Sky

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The Breach - Ghost Country - Deep Sky Page 59

by Patrick Lee


  “Why desperate?” Travis said.

  Carrie met his eyes in the mirror. “Because Ruben Ward knew what’s on the other side of the Breach.”

  Chapter Eleven

  Travis felt a chill crawl over his scalp. It had nothing to do with the air pouring through the bullet hole in the roof.

  “How is that possible?” Paige said. “How could anyone know that?”

  “I’ll tell you the parts I know,” Carrie said, “in the order they happened.” She went quiet again, thinking. “They took Ward to Johns Hopkins right after they got him out of the VLIC. He was unconscious for something like two weeks after that, and then he was in and out, never fully awake, but maybe halfway at times. He started talking a little, almost all of it incoherent. His wife was there with him—Nora, his only living relative. In one of his more lucid moments Ward asked her to write down everything he said, no matter how strange it sounded. So she did. She bought a notebook and jotted every word she heard him say. Later—a lot later—she would tell Peter that it seemed like science fiction. She thought Ward was drawing it from the books he’d read all his life. Crazy ramblings about a wormhole, alien technology, and something about a war. It was all absurd—but also consistent. Like a story.”

  She paused for a few seconds and then went on. “At the same time, in those weeks at the hospital, there were guards outside Ward’s room at all hours. Federal officers of one kind or another. The accident at the VLIC was so sensitive, everything connected to it was under protective watch, including Ward. But whoever made that decision must’ve relaxed after enough time went by; the guards left on May 7, and late that night, after Nora went back to her hotel room, Ward extracted his own feeding tube and made his exit. Took the notebook with him, stole some orderly’s street clothes from a locker down the hall, and eventually found his way out.”

  “Nobody tried to stop him?” Paige said. “After two months on his back he’d have been staggering like a drunk.”

  “Once he was out of the coma unit, all he encountered were strangers,” Carrie said. “To them he probably looked like a physical-therapy patient. I know there were camera feeds the cops studied the next morning; they pieced it all together. From what I recall, it took Ward something like twenty minutes to get out of the building. He went out a north exit onto Monument Street and that was it. No one who knew him saw him alive again.”

  They were two miles up 550 now. The last outposts of the town—a few motels and a campground strung out along the canyon—slid by, and then the terrain opened to flat emptiness bound by pasture fencing.

  “Three months later, the suicide. I think the LAPD identified him by his prints; he’d been arrested at a couple war protests in college. Everything about the scene was straightforward. He checked in alone, killed himself, no sign of foul play. No sign of the notebook, either—not that anyone was even thinking about it by then. And my understanding of the story goes blank at that point, until June of 1981, when Nora remarried. Some of the wedding guests were old friends who’d known both her and Ruben, including former VLIC people who now belonged to Tangent. Peter Campbell was there too. He and Nora talked about Ruben—about how it wasn’t his fault what’d happened to him. He just wasn’t himself at the end. Nora reinforced that point by mentioning the notebook—all the sci-fi things he’d said in his stupor. Peter asked her to elaborate. What kind of sci-fi things, specifically? Nora rattled off what little she remembered, and as I’m told, Peter had to set down his drink to keep from spilling it. I suppose, technically, the investigation began at that moment, right there in that reception hall. Peter asked Nora if she could set aside a few hours the next morning, before leaving for her honeymoon, and speak to him at length about the notebook. I doubt she was thrilled at that idea, but she did it, and in those hours she managed to recall a little more, including a visual description of the notebook, for what it was worth: black cover, with the word Scalar in the bottom corner. The company that made it, I’m sure. Nora remembered that easily enough. It was the stuff inside the book she had trouble with. All she could summon by then were bits and pieces, which I’m sure were maddening for Peter to try to make sense of. In the end, though, those scraps were enough to give him a rough sketch of what had happened. Enough to scare the hell out of him.”

  Far out across the open ground on either side of the highway, the yard lights of ranch houses glided past. Steep foothills rose beyond them, just discernible against the near-black sky.

  “It all reduces to something like this,” Carrie said. “In the days after the accident at VLIC, when Ward was still in the bunker, he wasn’t entirely unconscious. He was aware of conversations around him—the fear and the tension down there. But there was something else he was aware of. Something he referred to as ‘tunnel voices.’ ”

  “Breach Voices?” Paige said.

  Carrie nodded. “Ward could hear them from inside the bunker, just like everyone else. But unlike everyone else, he could understand them.”

  Paige had been staring forward at the snowfall in the headlights. Now she turned in her seat. Her eyes went back and forth between Carrie and Travis.

  “Understand them?” Paige said.

  Carrie nodded again. “They really are voices. And they’re saying something. A message that repeats every few minutes, endlessly.”

  Paige shook her head. “We’ve analyzed the Breach Voices to death. Not with human ears, obviously, but microphones and every kind of pattern-recognition software. From the very beginning there were people who hoped those sounds contained a message, but the computers never turned up a thing.”

  “Computers can’t decipher whale song either,” Carrie said, “but biologists are convinced it has meaning. In principle that meaning could be expressed in a human language if we had a translator.”

  “You’re saying Ward was our translator for the Breach Voices?” Travis said. “That whatever knocked him unconscious gave him that ability? Wouldn’t that imply that someone on the other side wanted him to understand?”

  “Peter believed that very thing after talking to Nora.”

  Travis considered the idea. At a glance it seemed impossible: the Breach had been created by an accident of human origin, the VLIC’s first shot. A prepared message from the other side—bundled with some effect to grant a witness the means to understand it—didn’t fit that scenario at all. Had it been an accident? Or had the Breach always been intended to open? Had it been waiting for the human race—or any race out there in the great black yonder—to build the right kind of ion collider and switch it on? Why would someone on the other side have set things up that way? There would have to be a purpose for it—but what?

  “How do we know Ward wasn’t just crazy?” Paige said. “Like everyone originally assumed?”

  “There were things he said that craziness couldn’t account for. Rough descriptions of entities that didn’t even emerge until months after he was dead. He couldn’t have known about those things unless someone told him. Someone—or something—over there.”

  “Christ,” Travis said.

  “But that’s only a small part of the picture. There were bigger issues, though they were less clear, at least given what Peter could get from Nora.”

  “Like what?” Paige said.

  “There was a sense that the message contained general information about the place on the other side, though Nora had forgotten essentially all of it. Understandably, I guess—that stuff would’ve made the least sense in the first place. Like if I asked you to transcribe a few pages from a legal brief, and then quizzed you on them three years later.”

  “You said there was something about a war,” Travis said. “Did she remember anything else about it?”

  Carrie shook her head. “No details. Ward had spoken in detail about it, and Nora had written it all down, but none of it was still in her head in 1981.” She went quiet a moment. Then: “There was something else. Probably the most compelling part of the message. A step process of some kind—a s
et of instructions. But again, Nora had lost the specifics.”

  The chill returned to Travis. It arced like electricity down his neck and along the skin of his arms.

  “The Breach gave Ruben Ward instructions?” he said.

  Carrie nodded. “He walked out of Johns Hopkins in May of 1978 with a set of orders literally in hand. Presumably he spent the next three months following them, and when he was done he put a bullet in his brain.”

  Chapter Twelve

  Nobody spoke for a long time. Travis watched the highway roll out of the darkness ahead. Snow and tire ruts and wind-scoured pavement.

  “What could the instructions have been?” Paige said.

  “That’s what Scalar was about,” Carrie said. “That question. Where did Ward go that summer? What did he do? What had he been told to do?”

  “Did they make any headway on it?” Travis said.

  “I really don’t know. I learned about the run-up like everyone else in Border Town, but once the investigation started Peter kept it tightly contained. Even the files in the archives were stored in secure cases. He and five or six others handled it all. Worked with the government to use their resources when necessary—probably things like law-enforcement databases, or even command of federal agents to follow up on leads. Once in a while we’d get a sense that there’d been some progress, but we never got the specifics. The only concrete thing I ever heard about the investigation was how it ended. Peter and the others flew somewhere—maybe D.C., but it could’ve been anywhere—to meet with a small group of very powerful people. From what little I heard they seemed to be a mixed bag: people way up in politics, intel, maybe even finance. The one detail I know is that Peter and the rest of his team prepared a report for these people before leaving Border Town. Some kind of summary of what Scalar had turned up, as well as a response plan. Like, Here’s what Ruben Ward did in 1978, and here’s what needs to be done about it. The rest of us called it the cheat sheet, because even though we never read it, we saw that it comprised just a single page.”

  “Pretty concise plan, whatever it was,” Travis said.

  “Important ones often are,” Carrie said. “And I had the feeling that whoever they met with agreed to it. Peter seemed relieved when he got back. He called us all together and said the investigation was over—Tangent’s role in it was, anyway. He said what mattered most now was simply forgetting about it. Said the subject was taboo.” She shrugged. “That was it. As far as we knew, the whole thing was settled for good.”

  Travis thought of Paige’s encounter with Peter in her memory. The man’s fear that she’d mentioned Scalar to someone outside Border Town. That she might have triggered some unthinkable chain of events simply by doing so. Peter had harbored those fears just five years ago—two decades after shutting down the investigation. Whatever Scalar had uncovered, Travis was pretty certain it wasn’t settled for good.

  “What exactly are we saying?” Paige said. “The moment the Breach opened it gave Ruben Ward instructions to do something, right? Something on behalf of whoever’s on the other side. They wanted him to do it. And he did. Then years later, my father learned about it—learned enough anyway, by the end of Scalar, to know Ward’s actions had to be countered.” She paused, thinking. “It’s like Ward set something in motion, and my father stopped it. Halted it, at least, got a lid on it—and spent the rest of his life terrified that the lid would come off. That means whatever this thing was, whatever Ward did, there’s no question it was something bad. Something very bad, with long-term consequences.”

  “That’s about the only way to read it,” Carrie said. The fear had risen in her voice again.

  Paige looked at her, then at Travis. “So whoever they are on the other side of the Breach,” she said, “they’re … malignant. They’re flat-out bad. That’s what we’re saying.”

  Travis glanced at her. Saw her expression drawn tight, her own fear unmistakable. And something else—almost a sense of betrayal. He understood why. For as long as he’d known her, Paige had been the closest thing Tangent had to an optimist. She harbored no illusions that those on the other side of the Breach were especially good—there was no basis for believing that—but she’d long held onto the idea that they were at least ambivalent. That they’d never meant for their dangerous technology to come spilling into human hands. That they probably didn’t even know about the accident that’d tapped into one of their transit tunnels. The Breach was dangerous, but only in the way that earthquakes and hurricanes were dangerous. There was no intent behind any of it. Whoever they were over there, they weren’t trying to do us harm. That belief had shored up Paige’s world for a long time. Probably since the first day she’d set foot in Border Town.

  The betrayed look flickered through her eyes for maybe a second, and then it was gone, vastly eclipsed by the fear that came with it. Her breathing accelerated and shallowed. For a moment she seemed overwhelmed, unsure how to respond.

  Travis felt it too. No doubt Peter had felt the same, by the time he’d finished speaking to Nora. By the time he’d grasped even the basics:

  Ward had done something for them.

  Something he’d needed to keep secret.

  Something he’d killed himself over, after the fact.

  Maybe Ward had followed the instructions against his will, his mind as fried by the Breach Voices as David Bryce’s had been.

  Travis tried to imagine Peter’s mindset on that first day, in the summer of 1981—knowing that Ruben Ward’s work from three years before must still be playing out. That somewhere out there, at that moment, the dominoes were falling. Scalar had been a mad scramble to understand. To find the dominoes and stop them before the last one tipped.

  Peter had stopped them.

  So why was someone trying to set them falling again? One way or another, the people who’d killed Garner and laid the trap in Ouray were working against the end result of Scalar. Someone behind it all, pulling the strings, wanted to overturn the outcome. In all likelihood they’d already begun to do so.

  “Whatever Peter did was in all of our best interests,” Travis said. “Who could possibly have the motive to undo it?”

  The words hung in the air. No one had an answer. Snowflakes swirled in the headlights like stars broken free of the sky.

  “We need details,” Paige said. “We need to know who my father met with in 1987. We need to find one of them, preferably one who still has a copy of the cheat sheet locked away somewhere.”

  “It’d be a tall order getting your eyes on that document,” Carrie said. “It’s right up there with finding the original Scalar notebook, which Ward probably burned in a vacant lot before he killed himself.”

  At the edge of his vision Travis saw Paige turn to him. He looked at her and didn’t have to ask what she was thinking.

  “The Tap,” she said.

  “Nora,” Travis said.

  Chapter Thirteen

  Even as hope flared in Paige’s eyes it guttered. On the one hand it’d be trivially easy for Nora to revisit the notebook in her memory—she’d written the damn thing; she could drop in and reread it at some point just before Ward disappeared. On the other hand, the Tap could kill her before it was even fully into her head. Forget whatever had happened to Gina Murphy; the pain and stress and increased pulse rate would be bad enough.

  “If it worked, we’d know everything,” Paige said. “I just don’t have any confidence that it would.”

  “Are you talking about an entity?” Carrie said.

  Paige nodded, and explained the basics of the Tap in less than a minute—including the part about Gina. By the time Paige had finished, Carrie looked skeptical. Just like everyone who’d ever heard of the thing, before using it themselves.

  “You can forget about Nora, in any case,” Carrie said at last. “She died of breast cancer in 1989.” A silence. Then: “What if I gave it a try? I was thirty years old in 1978, and living in New York. If this thing works the way you describe it, I could g
o back, take a drive to Baltimore, and get my hands on the notebook without much trouble.”

  “The guards outside the room might be a problem,” Travis said. “Not to mention Nora herself.”

  “I’m not talking about sneaking in. I could walk up and introduce myself as a colleague of Ruben’s. I wasn’t, but I was close enough. I’d certainly followed his work. I only ended up with Tangent because I swam in the same academic circles as people like him and Peter Campbell. I could wing it with Nora, easily. Go in and sit at the bedside, wait for some distraction and grab the book.”

  Travis glanced at Carrie in the mirror.

  “How’s your heart?” he said.

  She shrugged with her eyebrows. “It’s not great. I’ve had a systolic murmur all my life. It’s louder in recent years, but that’s expected.”

  “Sorry to be blunt,” Travis said, “but your age alone is an issue. I’m forty-four and I thought it was going to kill me when I used it.”

  He didn’t add the rest of his thought—the part that was even more blunt: Carrie would have to think the Tap back out of her head once it was inside, a task she might not have the focus for in the middle of a fatal heart attack. What would happen if she died with it still inserted? Would the thing extract itself and revert to its cube shape, or would it just be stuck in there, useless forever? Carrie’s life was a lot to risk, but so was the Tap. As much as Travis hated the thing, there was no denying its usefulness.

 

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