Very melodramatic. Bosch wondered if the last quote had been made up by the reporter.
The fourth story in the file had been published a week later. By Bremmer, it was short and had been buried in the back of Metro, behind where they stuffed the Valley news. Bremmer reported that the WestLand investigation was being handled exclusively by the FBI. The LAPD provided initial backup, but as leads dried up, the case was left in the bureau’s hands. Special Agent Rourke was quoted again in this story. He said agents were still on the case full-time but no progress had been made or suspects identified. None of the property taken from the vault, he said, had turned up.
Bosch closed the file. The case was too big for the bureau to slough off like a bank stickup. He wondered if Rourke had been telling the truth about the lack of suspects. He wondered if Meadows’s name had ever come up. Two decades earlier Meadows had fought and sometimes lived in the tunnels beneath the villages of South Vietnam. Like all the tunnel fighters, he knew demolition work. But that was for bringing a tunnel down. Implosion. Could he have learned how to blow through the concrete-and-steel floor of a bank vault? Then Bosch realized that Meadows would not necessarily have needed to know how. He was sure the WestLand job had taken more than one person.
He got up and got another beer from the refrigerator. But before going back to the watch chair he detoured into the bedroom, where he pulled an old scrapbook out of the bottom drawer of the bureau. Back in the chair he drank down half the beer, then opened the book. There were bunches of photographs loose between the pages. He had meant to mount them but had never gotten around to it. He rarely even opened the book. The pages were yellowed and had gone to brown at the edges. They were brittle, much like the memories the photos evoked. He picked up each snapshot and examined it, at some point realizing that he had never mounted them on the pages because he liked the idea of holding each picture in his hands, feeling it.
The photographs were all taken in Vietnam. Like the picture found in Meadows’s apartment, these were mostly in black and white. It was cheaper back then, getting black-and-white film developed in Saigon. Bosch was in some of the shots, but most were photos that he had taken with an old Leica his foster father had given him before he left. It was a peace gesture from the old man. He hadn’t wanted Harry to go, and they had fought about it. So the camera was given. And accepted. But Bosch was not one to tell stories when he returned, and the snapshots were left spread through the pages of the scrapbook, never to be mounted, rarely to be looked at.
If there was a recurring theme of the photographs it was the smiling faces and the tunnels. In almost every shot, there were soldiers standing in defiant poses at the mouth of a hole they had probably just been in and conquered. To the outsider, the photos would appear strange, maybe fascinating. But to Bosch they were scary, like newspaper photos he had seen of people trapped in wrecked cars, waiting to be cut out by the firemen. The photos were of the smiling faces of young men who had dropped down into hell and come back to smile into the camera. Out of the blue and into the black is what they called going into a tunnel. Each one was a black echo. Nothing but death in there. But, still, they went.
Bosch turned a cracked page of the album and found Billy Meadows staring up at him. The photo had undoubtedly been taken a few minutes after the one Bosch had found at Meadows’s apartment. The same group of soldiers. The same trench and tunnel. Echo Sector, Cu Chi District. But Bosch wasn’t in this portrait because he had left the frame to snap the photo. His Leica had caught Meadows’s vacant stare and stoned smile—his pale skin looked waxy but taut. He had captured the real Meadows, Bosch thought. He put the photo back in the page and turned to the next one. This one was of himself, no one else in the frame. He clearly remembered setting the camera down on a wooden table in a hootch and setting the timer. Then he moved into the frame. The camera had snapped as he was shirtless, the tattoo on his deeply tanned shoulder catching the falling sun through the window. Behind him, but out of focus, was the dark entrance to a tunnel lying uncovered on the straw floor of the hootch. The tunnel was blurred, forbidding darkness, like the ghastly mouth in Edvard Munch’s painting The Scream.
It was a tunnel in the village they called Timbuk2, Bosch knew as he stared at the photo. His last tunnel. He was not smiling in the picture. His eyes were set in dark sockets. And neither was he smiling as he looked at it now. He held the photo in two hands, absentmindedly rubbing his thumbs up and down the borders. He stared at the photograph until fatigue and alcohol pulled him down into sleepy thought. Almost dreamlike. He remembered that last tunnel and he remembered Billy Meadows.
Three of them went in. Two of them came out.
The tunnel had been discovered during a routine sweep at a small village in E Sector. The village had no name on the recon maps, so the soldiers called it Timbuk2. The tunnels were turning up everywhere, so there weren’t enough rats to go around. When the tunnel mouth was found under a rice basket in a hootch, the top sergeant didn’t want to have to wait for a dust-off to land with fresh rats. He wanted to press on, but he knew he had to check the tunnel out. So the top made a decision like so many others in the war. He sent three of his own men in. Three virgins, scared as shit, maybe six weeks in country among them. The top told them not to go far, just set charges and come out. Do it fast, and cover each other’s ass. The three green soldiers dutifully went down into the hole. Except a half-hour later, only two came out.
The two who made it out said that the three of them had separated. The tunnel branched into several directions and they split up. They were telling the top this when there was a rumble, and a huge cough of noise and smoke and dust belched from the tunnel mouth. The C-4 charges had detonated. The company loot came in then and said they wouldn’t leave the zone without the missing man. The whole company waited a day for the smoke and dust to settle in the tunnel and then two tunnel rats were dropped during a dust-off—Harry Bosch and Billy Meadows. He didn’t care if the missing soldier was dead, the lieutenant told them. Get him out. He wasn’t going to leave one of his boys in that hole. “Go get ’im and bring ’im out here so we can get ’im a decent burial,” the lieutenant said.
Meadows said, “We wouldn’t leave any of our own in there, either.”
Bosch and Meadows went down the hole then and found that the main entry led to a junction room where baskets of rice were stored and three other passageways began. Two of these had collapsed in the C-4 explosions. The third was still open. It was the one the missing soldier had taken. And that was the way they went.
They crawled through the darkness, Meadows in front, using their lights sparingly, until they reached a dead end. Meadows poked around the tunnel’s dirt floor until he found the concealed door. He pried it open and they dropped down into another level of the labyrinth. Without saying a word, Meadows pointed one way and crawled off. Bosch knew he would go the other way. Each would be alone now, unless the VC were waiting ahead. Bosch’s way was a winding passage that was as warm as a steam bath. The tunnel smelled damp and faintly like a latrine. He smelled the missing soldier before he saw him. He was dead, his body putrifying but sitting in the middle of the tunnel with his legs straight out and spread, the toes of his boots pointed upward. His body was propped against a stake planted in the floor of the tunnel. A piece of wire that cut an inch into his neck was wrapped around the stake and held him in place. Afraid of a booby trap, Bosch didn’t touch him. He played the beam of his flashlight over the neck wound and followed the trail of dried blood down the front of the body. The dead man wore a green T-shirt with his name stenciled in white on the front. Al Crofton, it said beneath the blood. There were flies mired in the crusted blood on his chest, and for a moment Bosch wondered how they found their way so far down. He dipped the light to the dead soldier’s crotch and saw that it, too, was black with dried blood. The pants were torn open and Crofton looked as though he had been mauled by a wild animal. Sweat began to sting Bosch’s eyes and his breathing became louder, more hur
ried than he wanted it to be. He was immediately aware of this but was also aware that he could do nothing to stop it. Crofton’s left hand was palm up on the ground next to his thigh. Bosch put the light on it and saw the bloody set of testicles. He stifled the urge to vomit but could not prevent himself from hyperventilating.
He cupped his hands over his mouth and tried to slow his gasping for air. It didn’t work. He was losing it. He was panicking. He was twenty years old and he was scared. The walls of the tunnel were closing tighter on him. He rolled away from the body and dropped the light, its beam still focused on Crofton. Bosch kicked at the clay walls of the tunnel and curled into a fetal position. The sweat in his eyes was replaced by tears. At first they came silently, but soon his sobs racked his entire body and his noise seemed to echo in all directions in the darkness, right to where Charlie sat and waited. Right to hell.
PART II
MONDAY, MAY 21
Bosch came awake in his watch chair about 4 A.M. He had left the sliding glass door open to the porch, and the Santa Ana winds were billowing the curtains, ghostlike, out across the room. The warm wind and the dream had made him sweat. Then the wind had dried the moisture on his skin like a salty shell. He stepped out onto the porch and leaned against the wood railing, looking down at the lights of the Valley. The searchlights at Universal were long since retired for the night and there was no traffic sound from the freeway down in the pass. In the distance, maybe from Glendale, he heard the whupping sound of a helicopter. He searched and found the red light moving low in the basin. It wasn’t circling and there was no searchlight. It wasn’t a cop. He thought then that he could smell the slight scent of malathion, sharp and bitter, on the red wind.
He went back inside and closed the sliding glass door. He thought about bed but knew there would be no more sleep this night. It was often this way with Bosch. Sleep would come early in the night but not last. Or it would not come until the arriving sun softly cut the outline of the hills in the morning fog.
He had been to the sleep disorder clinic at the VA in Sepulveda but the shrinks couldn’t help him. They told him he was in a cycle. He would have extended periods of deep sleep trances into which torturous dreams invaded. This would be followed by months of insomnia, the mind reacting defensively to the terrors that awaited in sleep. Your mind has repressed the anxiety you feel over your part in the war, the doctor told him. You must assuage these feelings in your waking hours before your sleep time can progress undisturbed. But the doctor didn’t understand that what was done was done. There was no going back to repair what had happened. You can’t patch a wounded soul with a Band-Aid.
He showered and shaved, afterward studying his face in the mirror and remembering how unkind time had been to Billy Meadows. Bosch’s hair was turning to gray but it was full and curly. Other than the circles under his eyes, his face was unlined and handsome. He wiped the remaining shaving cream off and put on his beige summer suit with a light-blue button-down oxford. On a hanger in the closet he found a maroon tie with little gladiator helmets on it that was not unreasonably wrinkled or stained. He pegged it in place with the 187 tie pin, clipped his gun to his belt and then headed out into the predawn dark. He drove into downtown for an omelet, toast and coffee at the Pantry on Figueroa. Open twenty-four hours a day since before the Depression. A sign boasted that the place had not gone one minute in that time without a customer. Bosch looked around from the counter and saw that at the moment he was personally carrying the record on his shoulders. He was alone.
The coffee and cigarettes got Bosch ready for the day. After, he took the freeway back up to Hollywood, passing a frozen sea of cars already fighting to get downtown.
Hollywood Station was on Wilcox just a couple of blocks south of the Boulevard, where most of its business came from. He parked at the curb out front because he was only staying awhile and didn’t want to get caught in the back lot traffic jam at the change of watch. As he walked through the small lobby he saw a woman with a blackened eye, who was crying and filling out a report with the desk officer. But down the hall to the left the detective bureau was quiet. The night man must have been out on a call or up in the Bridal Suite, a storage room on the second floor where there were two cots, first come, first served. The detective bureau’s hustle and bustle seemed to be frozen in place. No one was there, but the long tables assigned to burglary, auto, juvenile, robbery and homicide were all awash in paperwork and clutter. The detectives came and went. The paper never changed.
Bosch went to the back of the bureau to start a pot of coffee. He glanced through a rear door and down the back hallway where the lockup benches and the jail were located. Halfway down the hall to the holding tank, a young white boy with blond dreadlocks sat handcuffed to a bench. A juvie, maybe seventeen at most, Bosch figured. It was against California law to put them in a holding tank with adults. Which was like saying it might be dangerous for coyotes to be put in a pen with Dobermans.
“What you looking at, fuckhead?” the boy called down the hall to Bosch.
Bosch didn’t say anything. He dumped a bag of coffee into a paper filter. A uniform stuck his head out of the watch commander’s office farther down the hall.
“I told you,” the uniform yelled at the kid. “Once more and I’m going to go up a notch on the cuffs. Half hour and you won’t feel your hands. Then how you going to wipe your ass in the john?”
“I guess I’ll have to use your fuckin’ face.”
The uniform stepped into the hall and headed toward the kid, his hard black shoes making long, mean strides. Bosch shoved the filter bowl into the coffee machine and hit the brewing cycle switch. He walked away from the hallway door and over to the homicide table. He didn’t want to see what happened with the kid. He dragged his chair away from his spot at the table and over to one of the community typewriters. The pertinent forms he needed were in slots on a rack on the wall above the machine. He rolled a blank crime scene report into the typewriter. Then he took his notebook out of his pocket and opened to the first page.
Two hours of typing and smoking and drinking bad coffee later, a bluish cloud hung near the ceiling lights over the homicide table and Bosch had completed the myriad forms that accompany a homicide investigation. He got up and made copies on the Xerox in the back hall. He noticed the dread-lock kid was gone. Then he got a new blue binder out of the office supplies closet—after finessing the door with his LAPD ID card—and hooked one set of the typed reports onto the three rings. The other set he hid in an old blue binder he kept in a file drawer and that was labeled with the name of an old unsolved case. When he was done, he reread his work. He liked the order the paperwork gave the case. On many previous cases he had made it a practice to reread the murder book each morning. It helped him draw out theories. The smell of the binder’s new plastic reminded him of other cases and invigorated him. He was in the hunt again. The reports he had typed and placed in the murder book were not complete, though. On the Investigating Officer’s Chronological Report he had left out several parts of his Sunday afternoon and evening. He neglected to type in the connection he had made between Meadows and the WestLand bank burglary. He also left out the visits to the pawnshop and to see Bremmer at the Times. There were no typed summaries of these interviews either. It was only Monday, day two. He wanted to wait until he had been to the FBI before committing any of that information to the official record. He wanted to know, exactly, what was going on first. It was a precaution he took on every case. He left the bureau before any of the other detectives had arrived for the day.
By nine Bosch had driven to Westwood and was on the seventeenth floor of the Federal Building on Wilshire Boulevard
. The FBI waiting room was austere, the usual plastic-covered couches and scarred coffee table with old copies of the FBI Bulletin fanned across its fake wood-grain veneer. Bosch didn’t bother to sit down or read. He stood before the sheer white curtains that covered the floor-to-ceiling windows and looked out at the panorama. The n
orthern exposure offered a view that stretched from the Pacific eastward around the rim of the Santa Monica Mountains to Hollywood. The curtains served as a layer of fog over the smog. He stood with his nose almost touching the soft gauze fabric and looked down, across Wilshire, at the Veterans Administration Cemetery. Its white stones sprouted in the manicured grass like row after row of baby teeth. Near the cemetery’s entrance a funeral was in progress, with a full honor guard at attention. But there wasn’t much of a crowd of mourners. Farther north, at the top of a rise where there were no tombstones, Bosch could see several workers removing sod and using a backhoe to dig up a long slice of the earth. He checked their progress from time to time as he scanned the view, but he could not figure out what they were doing. The clearing was far too long and wide for a grave.
By ten-thirty the soldier’s funeral was done but the cemetery workers were still toiling on the hill. And Bosch was still waiting at the curtain. A voice finally hit him from behind.
“All those graves. Such neat rows. I try never to look out the windows here.”
He turned. She was tall and lithesome with brown wavy hair about to the shoulder with blond highlights. A nice tan and little makeup. She looked hard-shell and maybe a little weary for so early in the day, the way lady cops and hookers get. She wore a brown business suit and a white blouse with a chocolate-brown western bow. He detected the unsymmetrical curves of her hips beneath the jacket. She was carrying something small on the left side, maybe a Rugar, which was unusual. Bosch had always known female detectives to carry their weapons in their purses.
The Black Echo (1992) Page 8
