Alcatraz

Home > Other > Alcatraz > Page 20
Alcatraz Page 20

by Brand, Max


  "By God," breathed the man. "It's true! Alcatraz, old hoss, d'you think I'd ever of tried to make a slave out of you if I'd guessed that I could make you a partner?"

  Behind them, the rattle of volleying hoofs was sweeping closer. The rain had ceased. The air was a perfect calm, and the very grunt of the racing horses was faintly audible and the cursing of the men as they urged their mounts forward. Towards that approaching fear, Alcatraz turned his head. They came as though they would run him into the river. But what did it all mean? So long as one man stood beside him, he was shielded from the enmity of all other men. That had been true even in the regime of the dastardly Cordova.

  "Steady!" gasped Red Perris. "They're coming like bullets, Alcatraz, old timer! Steady!"

  One hand rested on the withers, the other on the back of the chestnut, and he raised himself gingerly up. Under the weight the stallion shrank catwise, aside and down. But there was no wrench of a curb in his mouth, no biting of the cinches. In the old days of his colthood, a barelegged boy used to come into the pasture and jump on his bare back. His mind flashed back to that—the bare, brown legs. That was before he had learned that men ride with leather and steel. He waited, holding himself strongly on leash, ready to turn loose his whole assortment of tricks—but Perris slipped into place almost as lightly as that dimly remembered boy in the pasture.

  To the side, that line of rushing riders was yelling and waving hats.

  And now the light winked and glimmered on naked guns.

  "Go!" whispered Perris at his ear. "Alcatraz!"

  And the flat of his hand slapped the stallion on the flank. Was not that the old signal out of the pasture days, calling for a gallop?

  He started into a swinging canter. And a faint, half-choked cry of pleasure from the lips of his rider tingled in his ears. For your born horseman reads his horse by the first buoyant moment, and what Red Jim Perris read of the stallion surpassed his fondest dreams. A yell of wonder rose from Hervey and his charging troop. They had seen Red Jim come battered and exhausted from his struggle with the stallion the day before, and now he sat upon the bareback of the chestnut—a miracle!

  "Shoot!" yelled Hervey. "Shoot for the man. You can't hit the damned hoss!"

  In answer, a volley blazed, but what they had seen was too much for the nerves of even those hardy hunters and expert shots. The volley sang about the ears of Perris, but he was unscathed, while he felt Alcatraz gather beneath him and sweep into a racing pace, his ears flat, his neck extended. For he knew the meaning of that crashing fire. Fool that he had been not to guess. He who had battled with him the day before, but battled without man's ordinary tools of torture; he who had saved him this very day from certain death in the water; this fellow of the flaming red hair, was in truth so different from other men, that they hunted him, they hated him, and therefore they were sending their waspish and invisible messengers of death after him. For his own safety, for the life of the man on his back, Alcatraz gave up his full speed.

  And Perris bowed low along the stallion's neck and cheered him on. It was incredible, this thing that was happening. They had reached top speed, and yet the speed still increased. The chestnut seemed to settle towards the earth as his stride lengthened. He was not galloping. He was pouring himself over the ground with an endless succession of smooth impulses. The wind of that running became a gale. The blown mane of Alcatraz whipped and cut at the face of Perris, and still the chestnut drove swifter and swifter.

  He was cutting down the bank of the river which had nearly seen his death a few moments before, striving to slip past the left flank of Hervey's men, and now the foreman, yelling his orders, changed his line of battle, and the cowpunchers swung to the left to drive Alcatraz into the very river. The change of direction unsettled their aim. It is hard at best to shoot from the back of a running horse at an object in swift motion; it is next to impossible when sharp orders are being rattled forth. They fired as they galloped, but their shots flew wild.

  In the meantime, they were closing the gap between them and the river bank to shut off Alcatraz, but for every foot they covered the chestnut covered two, it seemed. He drove like a red lightning bolt, with the rider flattened on his back, shaking his fist back at the pursuers.

  "Pull up!" shouted Lew Hervey, in sudden realization that Alcatraz would slip through the trap. "Pull up! And shoot for Perris! Pull up!"

  They obeyed, wrenching their horses to a halt, and as they drew them up, Red Jim, with a yell of triumph, straightened on the back of the flying horse and waved back to them. The next instant his shout of defiance was cut short by the bark of three rifles, as Hervey and Shorty and Little Joe, having halted their horses, pitched their guns to their shoulders and let blaze after the fugitive. There was a sting along the shoulder of Perris as though a red hot knife had slashed him; a bullet had grazed the skin.

  Ah, but they would have a hard target to strike, from now on! The trick which Alcatraz had learned in his own flights from the hunters he now brought back into play. He began to swerve from side to side as he raced.

  Another volley roared from the cursing cowpunchers behind them, but every bullet flew wide as the chestnut swerved.

  "Damn him!" yelled Lew Hervey. "Has the hoss put the charm on the hide of that skunk, too?"

  For in the fleeing form of Red Perris he saw all his hopes eluding his grasp. With Red Jim escaped and his promise to the rancher unfulfilled, what would become of his permanent hold on Oliver Jordan? Ay, and Red Jim, once more in safety and mounted on that matchless horse, would swoop down on the Valley of the Eagles and strike to kill, again, again, and again!

  No wonder there was an agony shrill in the voice of the foreman as he shouted: "Once more!"

  Up went the shining barrels of the rifles, followed the swerving form of the horseman for a moment, and then, steadied to straight, gleaming lines, they fired at the same instant, as though in obedience to an unspoken order.

  And the form of Red Perris was knocked forward on the back of

  Alcatraz!

  Some place in his body one of those bullets had struck. They saw him slide far to one side. They saw, while they shouted in triumph, that Alcatraz instinctively shortened his pace to keep his slipping burden from falling.

  "He's done!" yelled Hervey, and shoving his rifle back in its holster, he spurred again in the pursuit.

  But Red Perris was not done. Scrambling with his legs, tugging with his arms, he drew himself into position and straightway collapsed along the back of Alcatraz with both hands interwoven in the mane of the horse.

  And the stallion endured it! A shout of amazement burst from the foreman and his men. Alcatraz had tossed up his head, sent a ringing neigh of defiance floating behind him, and then struck again into his matchless, smooth flowing gallop!

  Perhaps it was not so astonishing, after all, as some men could have testified who have seen horses that are devils under spur and saddle become lambs when the steel and the leather they have learned to dread are cast away.

  But all Alcatraz could understand, as his mind grasped vaguely towards the meaning of the strange affair, was that the strong, agile power on his back had been suddenly destroyed. Red Perris was now a limp and hanging weight, something no longer to be feared, something to be treated, at will, with contempt. The very voice was changed and husky as it called to him, close to his ear. And he no longer dared to dodge, because at every swerve that limp burden slid far to one side and dragged itself back with groans of agony. Then something warm trickled down over his shoulder. He turned his head. From the breast of the rider a crimson trickle was running down over the chestnut hair, and it was blood. With the horror of it he shuddered.

  He must gallop gently, now, at a sufficient distance to keep the rifles from speaking behind him, but slowly and softly enough to keep the rider in his place. He swung towards the mares, running, frightened by the turmoil, in the distance. But a hand on his neck pressed him back in a different direction and down into the trail
which led, eventually, to the ranch of Oliver Jordan. Let it be, then, as the man wished. He had known how to save a horse from the Little Smoky. He would be wise enough to keep them both safe even from other men, and so, along the trail towards the ranch, the chestnut ran with a gait as gentle as the swing and light fall of a ground swell in mid-ocean.

  CHAPTER XXVII

  THE END OF THE RACE

  Far behind him he could see the pursuers driving their horses at a killing gallop. He answered their spurt and held them safely in the distance with the very slightest of efforts. All his care was given to picking out the easiest way, and avoiding jutting rocks and sharp turns which might unsettle the rider. Just as, in those dim old days in the pasture, when the short brown legs of the boy could not encompass him enough to gain a secure grip, he used to halt gently, and turn gently, for fear of unseating the urchin. How far more cautious was his maneuvering now! Here on his back was the power which had saved him from the river. Here on his back was he whose trailing fingers had given him his first caress.

  He had no power of reason in his poor blind brain to teach him the why and the wherefore. But he had that overmastering impulse which lives in every gentle-blooded horse—the great desire to serve. A mustang would have been incapable of such a thing, but in Alcatraz flowed the pure strain of the thoroughbred, tracing back to the old desert stock where the horse lives in the tent of his master, the most cherished member of the family. There was in him dim knowledge of events through which he himself had never passed. By the very lines of his blood there was bred in him a need for human affection and human care, just as there was bred in him the keen heart of the racer. And now he knew to the full that exquisite delight of service with the very life of a helpless man given into his keeping.

  One ear he canted back to the pain-roughened voice which spoke at his ear. The voice was growing weaker and weaker, just as the grip of the legs was decreasing, and the hands were tangled less firmly in his mane, but now the bright-colored buildings of the ranch appeared through the trees. They were passing between the deadly rows of barbed wire with far-off mutter of the pursuing horses beating at his ear and telling him that all escape was cut off. Yet still the man held him to the way through a mingling of trails thick with the scents of man, of man-ridden horses. The burden on his back now slipped from side to side at every reach of his springy gallop.

  They came in sight of the ranch house itself. The failing voice rose for one instant into a hoarse cry of joy. Far behind, rose a triumphant echo of shouting. Yes, the trap was closed, and his only protection from the men riding behind was this half-living creature on his back.

  Out from the arched entrance to the patio ran a girl. She started back against the 'dobe wall of the house and threw up one hand as though a miracle had flashed across her vision. Alcatraz brought his canter to a trot that shook the loose body on his back, and then he was walking reluctantly forward, for towards the girl the rider was directing him against all his own power of reason. She was crying out, now, in a shrill voice, and presently through the shadowy arch swung the figure of a big man on crutches, who shouted even as the girl had shouted.

  Oliver Jordan, reading through the lines of his foreman's letter, had returned to find out what was going wrong, and from his daughter's tale he had learned more than enough.

  Trembling at the nearness of these two human beings, but driven on by the faint voice, and the guiding hands, Alcatraz passed shuddering under the very arch of the patio entrance and so found himself once more—and forever—surrendered into the power of men!

  But the weak figure on his back had relaxed, and was sliding down. He saw the gate closing the patio swing to. He saw the girl run with a cry and receive the bleeding body of Red Perris into her arms. He saw the man on crutches swing towards them, exclaiming "—without even a bridle! Marianne, he must have hypnotized that hoss!"

  "Oh, Dad," the girl wailed, "if he dies—if he dies——"

  The eyes of Perris, where he lay on the flagging, opened wearily.

  "I'll live—I can't die! But Alcatraz … keep him from butcher

  Hervey … keep him safe…."

  Then his gaze fixed on the face of Oliver Jordan and his eyes widened in amazement.

  "My father," she said, as she cut away the shirt to get at the wound.

  "Him!" muttered Perris.

  "Partner," said Oliver Jordan, wavering above the wounded man on his crutches, "what's done is done."

  "Ay," said Perris, smiling weakly, "if you're her father that trail is sure ended. Marianne—get hold of my hand—I'm going out again … keep Alcatraz safe…."

  His eyes closed in a faint.

  Between the cook and Marianne they managed to carry the limp figure to the shelter of the arcade just as Hervey and his men thundered up to the closed gate of the patio, and there the foreman drew rein in a cloud of dust and cursed his surprise at the sight of the ranchman.

  The group in the patio, and the shining form of Alcatraz, were self explanatory. His plans were ruined at the very verge of a triumph. He hardly needed to hear the voice of Jordan saying: "I asked you to get rid of a gun-fighting killer—and you've tried to murder a man. Hervey, get out of the Valley and stay out if you're fond of a whole skin!"

  And Hervey went.

  * * * * *

  There followed a strange time for Alcatraz. He could not be led from the patio. They could only take him by tying every hoof and dragging him, and such force Marianne would not let the cowpunchers use. So day after day he roamed in that strange corral while men came and stared at him through the strong bars of the gate, but no one dared enter the enclosure with the wild horse saving the girl alone, and even she could not touch him.

  It was all very strange. And strangest of all was when the girl came out of the door through which the master had been carried and looked at Alcatraz, and wept. Every evening she came but she had no way of answering the anxious whinny with which he called for Red Jim again.

  Strange, too, was the hush which brooded over the house. Even the cowpunchers, when they came to the gate, talked softly. But still the master did not come. Two weeks dragged on, weary weeks of waiting, and then the door to the house opened and again they carried him out on a wicker couch, a pale and wasted figure, around whom the man on the crutches and the girl and half a dozen cowpunchers gathered laughing and talking all at once.

  "Stand back from him, now," ordered Marianne, "and watch Alcatraz."

  So they drew away under the arcade and Alcatraz heard the voice of the master calling weakly.

  It was not well that the others should be so near. For how could one tell from what hand a rope might be thrown or in what hand a gun might suddenly flash? But still the voice called and Alcatraz went slowly, snorting his protest and suspicion, until he stood at the foot of the couch and stretching forth his nose, still with his frightened glance fixed on the watchers, Alcatraz sniffed the hand of Red Jim. It turned. It patted him gently. It drew his gaze away from the others and into the eyes of this one man, the mysterious eyes which understood so much.

  "A lone trail is right enough for a while, old boy," Red Jim was saying, "but in the end we need partners, a man and a woman and a horse and a man."

  And Alcatraz, feeling the trail of the finger tips across the velvet skin of his muzzle, agreed.

  THE END.

  End of the Project Gutenberg EBook of Alcatraz, by Max Brand

  *** END OF THIS PROJECT GUTENBERG EBOOK ALCATRAZ ***

  ***** This file should be named 11195-8.txt or 11195-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/1/9/11195/

  Produced by Suzanne Shell, Carol David, Nicolas Hayes and PG Distributed Proofreaders

  Updated editions will replace the previous one—the old editions will be renamed.

  Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away—you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

 

‹ Prev