by Jenni Mills
Steve is uncharacteristically quiet.
He wasn’t belted in, crouched at the back of the helicopter behind me, watching the shots unroll on the monitor. I twist in my webbing straps to see if he’s OK.
He’s lying on his back staring up at me, on the stoved-in wall of the helicopter. It looks like he’s reaching out one hand to catch the camera, which has landed beside him, its eye pointed towards him and the red light still winking, the black plastic rim of the lens smeared with thick red. Colour, angle, geometry: all fit perfectly, all come together to centre the shot on the ugly dent in the side of his forehead.
CHAPTER 2
Autumn Equinox
‘India! Been a fair old time since you phoned. Orright? Did you get my birthday card?’
‘Sorry, John. Should’ve been in touch sooner.’
I can picture him in the kitchen of his cottage at West Overton, his feet up on the scarred pine table, setting September sun refracting through the quartz crystals that dangle at the window, making a dappled pattern of light. It’s late enough in the afternoon for his lovely ladies, the middle-aged country wives who drive over in their 4 × 4s for reflexology and a shag, to have gone home. He’ll be rolling a spliff one-handed. There’ll be a home-baked loaf on the breadboard, and maybe even a rabbit suspended by its feet from the hook on the back of the kitchen door, waiting for him to skin and stew it. John grew up in suburban Sutton Coldfield, but he embraced rural life with a vengeance when he moved to Wiltshire after my mother left him. He’s good at it too, maybe because he was once in the army.
‘So, how’s life in the big city? You running the BBC yet?’
‘Not exactly. Um, John, I’m ringing because…’
‘You OK, our kid?’
‘Yeah, fine, just–wanted to ask if you think it’s a good idea to come to Avebury.’
When I tell people I’ve known John for ever, he’ll give me that look that says, Yeah, really for ever, baby girl, because he’s a shaman and into reincarnation and all those books about how life is a spiritual journey and you’ll meet up with the same group of significant people every time round. John believes the three Rs get you through life: reflexology, reiki, and rebirthing. He and my mother were a lopsided kind of item for about five years, though even an eight-year-old could tell the devotion was one way: all his to her. Mum wasn’t the most faithful of partners. Or the best of mothers, when it comes down to it.
When John does my feet, kneading and probing and smoothing with his long reflexologist’s fingers, he says he can feel two big hard knots of anger just back from my toes. I walk on my fury.
‘Why shouldn’t you come back?’ he says. ‘Love to see you. There’s a band Sunday night at the pub in Devizes, if you don’t have to drive back early.’
‘Not just the weekend. I mean for the foreseeable future.’
‘Right.’ There’s a pause, John holding the idea up to the light at his end, turning it carefully this way and that, as he always does. ‘I thought you were involved with some big ghost-watching series for ITV.’
‘UFOs, actually, and it was for a digital channel. That’s been–cancelled.’
‘Bad luck.’
‘Yeah.’
Another pause. I can hear John taking a long, deep drag on his rollie. ‘This wouldn’t have anything to do with a fatal helicopter crash over Alton Barnes way last month, would it? Bunch of Americans and a camera crew, overloaded chopper?’
The tears have started rolling down my face. ‘Oh, John, I’ve fucked up again, I’ve really fucked up this time…’ Voice all choked and clotted. I’m beginning to shudder.
‘Hey, hold on. Way I heard it, the pilot crashed the helicopter, not you. He’ll probably lose his licence.’
‘Yes, but–’
‘No but. Listen, darling girl, you haven’t fucked up. Not then, not now. Believe me, I’m a world expert in fuck-ups. Blame Wyrd, if you like, web of fate, will of God, karma, whatever else carries us through the night, but it was not your fault!
‘You don’t understand. I killed someone. I should have held on to the camera but I didn’t and it killed him, there was this hole in his head, it was awful–I’ll never get another job in television.’ I’ve thought this through. I ponder it every night, sweating when police helicopters fly over the block of flats, while the Australian girls heave and struggle with their lovers on the other side of the thin wall. ‘Who’d want me? I’m bad luck. And, oh, God, John, he’s dead, and I didn’t like him very much but I so wish he wasn’t dead, he was twenty-three, his parents…’ I keep remembering his mother’s stricken face when they came to the office to collect his stuff. Soon as I realized who she was I went and locked myself into the loo. ‘There was this piece about him in Broadcast, saying how talented he was and stuff…’
‘Hey hey hey. You been sitting on this for a month, mithering, all by yourself in London?’
Can’t manage even a yes. John takes gulping silence for confirmation. ‘Listen to me. Get on the train. Don’t even think about driving. Come straight down. I’ll pick you up at Swindon. We can fetch your car some other time. Don’t go to Frannie’s, come to me, for tonight at least. Then tomorrow I’ll drive you back to London, load up your stuff, and…maybe it’s time you came home.’
There it is. The H word. A shudder goes through me, relief this time, though mixed with something darker. Avebury tugging at my string, reeling me back in.
Get in the van, Indy
‘Do you good to hang out at Fran’s as long as it takes.’ John’s gone into fatherly mode, he being the nearest thing I have to a dad, Lars (or whatever the Icelandic backpacker’s name was–I’ve never known) being blissfully unaware of my existence. ‘She always keeps the bed made up, she’d love to see you–there’s more room there than in that shithole of yours in London.’ The voice coming down the phone line is like the water of a hot bath. I can feel myself relaxing, letting the warmth slip over my tense skin. ‘Find a job, nothing demanding. They’re always looking for people in the caf or the shop.’ Easing it all away. I can almost smell the scented steam. ‘Give yourself time. Frannie could do with some help.’
An unexpected drip from the cold tap. ‘What do you mean?’ ‘Only that she’s over eighty. Not as spry as she was. And she sold the car a couple of months ago, said she was too old to drive.’ ‘She told me she still walks a couple of miles every day’.
‘Oh, yeah, she’s up and down that path from Trusloe to the post office at Big Avebury, rain or shine. But you might see a change.’ Another long draw on the roll-up. Anyway, that’s not the point. You get your arse down here and we’ll talk everything through.’
I can feel myself getting tearful again. ‘John, I don’t know…’ Because I’m bad luck. I’m widdershins. I’m not safe to be near.
‘None of us know, Indy That’s bleedin’ life. Stop thinking so hard, and live it.’
A dusty golden harvest moon is hanging low on the horizon as I drive my rust-nibbled red Peugeot past the art-deco garage on the road into Avebury, two days later. Alban Elfid, the autumn equinox: strictly speaking, still a few days away, but who cares with a moon like that casting its magic?
Alban Elfid, said John in London this morning, as we loaded the back of his pickup for him to drive ahead with my stuff. Harvest home. Whatever you like to call it. A time for reflection and healing. I know you don’t believe any of it, Indy, but doesn’t matter, I believe it for you. You couldn’t be coming back at a better time.
The road bends, passing a high bank and an enormous diamond-shaped stone, and I’m inside the Avebury circle. It gives me a jolt every time: the stones gleaming like big scary teeth in a smile that sweeps towards the church tower rising out of the trees. My route takes me through the old cottages and the circle, and out again towards Avebury Trusloe, with its grid of twentieth-century former council houses. Poor old Frannie–she’d have loved to live in a thatched cottage in Big Avebury but, buy or let, they’re way beyond reach of her pension. So she�
�s in Little Avebury, as Avebury Trusloe is known locally, with the rest of the exiles.
Past the cricket field, past the National Trust car park, off the main road, and a bit of a wiggle takes me into the cul-de-sac where Frannie bought Bella Vista, a red-brick semi, after I left home four years ago. Whoever named it was incurably optimistic. It has a view mostly of identical red-brick semis and bungalows, although from the bedroom window, if someone held your ankles, you might glimpse an awe-inspiring panorama of waterlogged fields and the odd telegraph pole. Frannie adores it.
When I climb out of the car, she’s already opened the front door, standing there with a beaming smile bunching the smoker’s wrinkles that seam her cheeks. Suddenly I can’t think why I stayed away.
‘Hello, stranger,’ she says, in her gravelly voice–such a big voice, I always thought, for such a small person. ‘Your bed’s made up. Beans and bacon for tea.’
Our ritual every year when the home-grown runners were ready in the garden at Chippenham. It was the first meal she made me when Social Services left me with her in 1989, the year she took over my upbringing. I’m vegetarian, I said to her. Bollocks, she said. Eight years old? Too young to be vegetarian. You ever tried bacon? ‘Tidn’ really meat.
I give her a hug, feeling the boniness of her back through her lumpy hand-knitted cardigan. I’d swear she’s shrunk: I have to stoop. Her hair’s cut badly–why do hairdressers always hack old people’s hair as if they won’t mind the shape so long as it’s short?–but still the colour of sweet sherry. She seems to think I don’t realize she dyes it; that I never noticed her locking herself in the bathroom every six weeks, leaving clots of purplish foam clinging to the back of the tap after she’d wiped the basin and let herself out.
‘You OK?’ I say to her.
‘I’m OK. What about you?’
‘I’m OK.’ And I am, now I’m home.
I follow her along the hallway to the kitchen. Not quite so spry, maybe, but still a bounce in her step. She is OK.
Then I see the tin on the table.
‘Not fresh beans, then?’ Trying to make it casual, uneasy all the same. Fran never serves tinned vegetables she could grow herself or buy fresh.
‘Lor’ sake, India,’ she says. ‘Don’t you know there’s a war on?’
While Frannie wields the tin opener, humming ballads from the Blitz, I go upstairs to check where John’s put my things. Mostly, it seems, in the front bedroom, where the bed’s made up for me. ‘Fran! Mind if I shift some of my things down into the dining room?’
A clatter, a muffled ‘Oh, buggeration,’ from the kitchen. That sounds like the old Frannie. She comes out into the hall. ‘You can’t, India, I’m sleeping in there.’
‘You what? I lean over the banisters. She’s standing at the foot of the stairs with her hands on her hips.
‘John moved my bed downstairs in the summer.’
‘What’s the matter with upstairs?’ A worm twists in my gut. I can hear myself sounding like a social worker jollying her along. ‘Don’t tell me you’re too old to climb stairs. John said you were down the post office showing them how to hokey-cokey the other week. Left leg in, left leg out, shaking it all about like a spring lamb.’
‘Lights,’ she says. ‘Bloody lights, can’t sleep at night because of ‘em.’
‘Your room’s at the back. No lights out there, apart from the people in the bungalows, and far as I remember their average age is ninety-two. Anyway, you could’ve moved into the other bedroom. I don’t mind swapping.’
There’s a guilty but defiant look on her face. ‘Buggerin’ lights. Keep me awake. Rather be down here.’
‘What brought you back?’ she asks over supper.
‘Bored with London.’ Steve’s staring eyes, which a part of me never stops seeing, accuse me of cowardice, as well as murder, but I can’t burden her with the truth. ‘And to be honest, Fran, I don’t think I’m getting anywhere in television. You need connections, or luck, or mega-talent, preferably all three, and I haven’t any of those.’
‘Don’t be silly,’ she says briskly, the way she always does. ‘You’re a clever girl, India. Don’t know where you got it from, but you are. Anyway, you stay here long as you want. John said you needed a good rest.’
‘I’ll find a job.’ I take hold of her hand as she reaches for her glass of water. Her knobbly fingers are cold between my warm ones. ‘Can’t ask you to support me.’
‘You’ve no idea what money I got.’ She’s grinning.
‘Millions, probably, all under the mattress. I don’t care. I’m not going to sponge off you.’
‘Well, that’s a relief. Can I drink my glass of water now?’
I let go of her hand reluctantly. Millions under the mattress wouldn’t compensate if I lost Fran. Then something comes to me out of nowhere.
‘I’ve been meaning to ask,’ I say.
Frannie pauses with the glass halfway to her lips. There’s a wary expression in her eyes. ‘Yes?’
‘Grandad.’
The story I’ve been told is that Grandad’s plane fell out of the sky a few months before my mother was born. But Fran has never talked about him, and the impression grew, during childhood, that it was better not to ask: the briefest of answers would escape through tight lips. Now I’m all too conscious that one day the opportunity to find out more will be gone for ever.
‘Which one?’ Her eyes have slid away from mine, and she’s put down the water glass to fiddle with a bean that has escaped onto the tablecloth. Have I upset her? Surely not, he died more than sixty years ago. Then the weirdness of her response hits me.
‘What d’you mean, which one? You never met my father, let alone his family’
‘Course I didn’t. No bloody idea about his lot. Could all’ve bin in Reykjavik prison far as I’d know. Your mother had terrible taste in men. Family trait, mind.’
I take this to be a reference to my unfortunate affair with the tutor at uni, which ended in an abrupt return to Chippenham and floods of tears. Although it brought the near implosion of my degree, Fran was amazingly non-judgemental. I wondered if she’d been through something similar when she was young, though I never liked to ask. She’d have told me not to be nosy, same as she always did if I asked anything that struck her as invasive. Personal information, in Fran’s book, is something to be offered, if you’re lucky, rather than extracted.
‘I mean your husband,’ I say, knowing I’m crossing a boundary from the uneasy look on her face. ‘What was his name? David?’ I’d seen his photograph once, when I was a kid and nosing through the drawers of Fran’s dressing-table. It was in a polished rosewood box, Fran’s name engraved on the lid, that must once have contained a watercolour set, though its pans were empty and scrubbed clean. Now it held only a faded watercolour sketch of the stone circle, seen through the window of one of the cottages, an early sun lengthening the shadows of the stones, and Grandad’s picture. Even with the ageing parted-and-slicked-back hairstyle men affected in the 1940s, he seemed hardly more than a boy: a Brylcreemed cowlick falling over his forehead, wide, heavy-lidded eyes, and a cheeky grin. When I’d asked whose photo it was, Fran had been surprisingly curt.
Lovely chap. Navigator in the RAE Hardly trained, then he was killed. Long time ago, though.
Killed on a bombing raid?
A flicker of impatience around her mouth. On a mission, she said firmly. Her lips pursed.
So…
So that was it. Sad, but it happened a lot in the war. Had to get used to it. Frannie had eyes like knives. That’s why I don’t talk about ‘im, easier not to, see?
Her eyes have that same steely flash now. ‘Davey,’ she says. ‘That was his name.’
‘Where’s he buried? You never–’
‘He in’t buried. He’s with what was left of his aeroplane, ashes mostly. There’s a headstone to him in Yatesbury churchyard.’
This is so much more than I’ve gleaned previously that it almost drives the gruesome picture of
Grandad’s cindered remains out of my head. ‘Yatesbury? That’s–’
‘Coupla miles away, yes.’
‘So…’
‘India,’ she says, ‘not tonight. I’m bone tired. Don’t mind if I crawl off to bed, do you?’ Her supper is only half finished.
‘Didn’t mean to upset you.’ I take her hand again.
‘You didn’t. All a long time ago. But I don’t like digging them days up, bad time for everyone.’ She pulls her fingers out of my grasp, and stands up, leaning on the table to balance herself. ‘Can I leave you with the washing-up?’
The line of light under Frannie’s door winks out as I sit at the kitchen table after supper, the washing-up done, turning the stem of my wineglass between my fingers, seeing how the overhead light slides inside it and sparkles. My mother had a bag of polished stones she took everywhere, arranging them some nights in a circle on the fold-down table in our travellers’ van. My memory crystals, she’d say. The clear oily one with a rainbow in its heart is a Herkimer diamond. It can remember things for you: you pour thoughts into it and retrieve them later. That milky pink-banded crystal–agate–is layered, like your mind: it helps you tease out memories that are laid underneath each other. The blue boji stone is for healing hurtful ones. This is phantom quartz–see how there’s another crystal inside it, a ghost crystal? It reveals what you’ve forgotten. And that black one’s onyx, a stone for secrets. It will soak up your memories, the dark ones you want to hide.
I’ve managed to forget almost everything that led up to the moment of the crash. What time we took off, how long we were up there, what I filmed, Steve’s instructions in my headset. I hardly even remember the last part, the moment when the helicopter started to spin, the sounds of grinding and tearing as it skidded on its side over the barley field. But I do remember that we spun widdershins. And Steve’s eyes. I don’t think I’ll ever succeed in blanking out Steve’s dead eyes.
