'To be James Baldwin is to touch on so many hidden places in Europe, America, the Negro, the white man—to be forced to understand so much.'
—Alfred Kazin
'This author retains a place in an extremely select group; that composed of the few genuinely indispensable American writers.'
—Saturday Review
'He has not himself lost access to the sources of his being—which is what makes him read and awaited by perhaps a wider range of people than any other major American writer.'
—The Nation
'He is thought-provoking, tantalizing, irritating, abusing and amusing. And he uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing ... the thought becomes poetry and the poetry illuminates the thought.'
—Langsten Hughes
'He has become one of the few writers of our time.'
—Norman Mailer
OTHER JAMES BALDWIN TITLES AVAILABLE FROM DELL:
Another Country
The Fire Next Time
Going to Meet the Man
Go Tell It on the Mountain
If Beale Street Could Talk
A LAURELBOOK
Published by
Dell Publishing
a division of
Bantam Doubleday Dell Publishing Group, Inc.
666 Fifth Avenue
New York, New York 10103
Copyright® 1956 by femes Baldwin
Front cover photo: H. Armstrong Roberts
All rights reserved. No part of this book may be reproduced or transmitted
in any form or by any means, electronic or mechanical, including photocopying,
recording, or by any information storage and retrieval system, without the written
permission of the Publisher, except where permitted by law.
The trademark Laurel® is registered in the U.S. Patent
and Trademark Office.
ISBN: 0-440-32881-0
Reprinted by arrangement with Doubleday & Company, Inc.
PRINTED IN THE UNITED STATES OF AMERICA
Published simultaneously in Canada
Two previous Laurel editions
May 1988
109 8 76 S
KRI
For LUCIEN
I am the man, I suffered, I was there.
—Whitman
Chapter One
I stand at the window of this great house in the south of France as night falls, the night which is leading me to the most terrible morning of my life. I have a drink in my hand, there is a bottle at my elbow. I watch my reflection in the darkening gleam of the window pane. My reflection is tall, perhaps rather like an arrow, my blond hair gleams. My face is like a face you have seen many times. My ancestors conquered a continent, pushing across death-laden plains, until they came to an ocean which faced away from Europe into a darker past.
I may be drunk by morning but that will not do any good. I shall take the train to Paris anyway. The train will be the same, the people, struggling for comfort and, even, dignity on the straight-backed, wooden, third-class seats will be the same, and I will be the same. We will ride through the same changing countryside northward, leaving behind the olive trees and the sea and all of the glory of the stormy southern sky, into the mist and rain of Paris. Someone will offer to share a sandwich with me, someone will offer me a sip of wine, someone will ask me for a match. People will be roaming the corridors outside, looking out of windows, looking in at us. At each stop, recruits in their baggy brown uniforms and colored hats will open the compartment door to ask Complet? We will all nod Yes, like conspirators, smiling faintly at each other as they continue through the train. Two or three of them will end up before our compartment door, shouting at each other in their heavy, ribald voices, smoking their dreadful army cigarettes. There will be a girl sitting opposite me who will wonder why I have not been flirting with her, who will be set on edge by the presence of the recruits. It will all be the same, only I will be stiller.
And the countryside is still tonight, this countryside reflected through my image in the pane. This house is just outside a small summer resort —which is still empty, the season has not yet begun. It is on a small hill, one can look down on the lights of the town and hear the thud of the sea. My girl, Hella, and I rented it in Paris, from photographs, some months ago. Now she has been gone a week. She is on the high seas now, on her way back to America.
I can see her, very elegant, tense, and glittering, surrounded by the light which fills the salon of the ocean liner, drinking rather too fast, and laughing, and watching the men. That was how I met her, in a bar in Saint-Germain-des-Prés, she was drinking and watching, and that was why I liked her, I thought she would be fun to have fun with. That was how it began, that was all it meant to me; I am not sure now, in spite of everything, that it ever really meant more than that to me. And I don't think it ever really meant more than that to her—at least not until she made that trip to Spain and, finding herself there, alone, began to wonder, perhaps, if a lifetime of drinking and watching the men was exactly what she wanted. But it was too late by that time. I was already with Giovanni. I had asked her to marry me before she went away to Spain; and she laughed and I laughed but that, somehow, all the same, made it more serious for me, and I persisted; and then she said she would have to go away and think about it. And the very last night she was here, the very last time I saw her, as she was packing her bag, I told her that I had loved her once and I made myself believe it. But I wonder if I had. I was thinking, no doubt, of our nights in bed, of the peculiar innocence and confidence, which will never come again, which had made those nights so delightful, so unrelated to past, present, or anything to come, so unrelated, finally, to my life since it was not necessary for me to take any but the most mechanical responsibility for them. And these nights were being acted out under a foreign sky, with no one to watch, no penalties attached—it was this last fact which was our undoing, for nothing is more unbearable, once one has it, than freedom. I suppose this was why I asked her to marry me: to give myself something to be moored to. Perhaps this was why, in Spain, she decided that she wanted to marry me. But people can't, unhappily, invent their mooring posts, their lovers and their friends, anymore than they can invent their parents. life gives these and also takes them away and the great difficulty is to say Yes to life.
I was thinking, when I told Hella that I had loved her, of those days before anything awful, irrevocable, had happened to me, when an affair was nothing more than an affair. Now, from this night, this coming morning, no matter how many beds I find myself in between now and my final bed, I shall never be able to have any more of those boyish, zestful affairs—which are, really, when one thinks of it, a kind of higher, or, anyway, more pretentious masturbation. People are too various to be treated so lightly. I am too various to be trusted. If this were not so I would not be alone in this house tonight. Hella would not be on the high seas. And Giovanni would not be about to perish, sometime between this night and this morning, on the guillotine.
I repent now—for all the good it does—one particular he among the many lies I've told, told, lived, and believed. This is the lie which I told to Giovanni but never succeeded in making him believe, that I had never slept with a boy before. I had. I had decided that I never would again. There is something fantastic in the spectacle I now present to myself of having run so far, so hard, across the ocean even, only to find myself brought up short once more before the bulldog in my own backyard—the yard, in the meantime, having grown smaller and the bulldog bigger.
I have not thought of that boy—Joey—for many years; but I see him quite clearly tonight. It was several years ago. I was still in my teens, he was about my age, give or take a y
ear. He was a very nice boy, too, very quick and dark, and always laughing. For a while he was my best friend. Later, the idea that such a person could have been my best friend was proof of some horrifying taint in me. So I forgot him. But I see him very well tonight.
It was in the summer, there was no school. His parents had gone someplace for the weekend and I was spending the weekend at his house, which was near Coney Island, in Brooklyn. We lived in Brooklyn too, in those days, but in a better neighborhood than Joey's. I think we had been lying around the beach, swimming a little and watching the near-naked girls pass, whistling at them and laughing. I am sure that if any of the girls we whistled at that day had shown any signs of responding, the ocean would not have been deep enough to drown our shame and terror. But the girls, no doubt, had some intimation of this, possibly from the way we whistled, and they ignored us. As the sun was setting we started up the boardwalk towards his house, with our wet bathing trunks on under our trousers.
And I think it began in the shower. I know that I felt something—as we were horsing around in that small, steamy room, stinging each other with wet towels—which I had not felt before, which mysteriously, and yet aimlessly, included him. I remember in myself a heavy reluctance to get dressed: I blamed it on the heat. But we did get dressed, sort of, and we ate cold things out of his icebox and drank a lot of beer. We must have gone to the movies. I can't think of any other reason for our going out and I remember walking down the dark, tropical Brooklyn streets with heat coming up from the pavements and banging from the walls of houses with enough force to kill a man, with all the world's grownups, it seemed, sitting shrill and dishevelled on the stoops and all the world's children on the sidewalks or in the gutters or hanging from fire escapes, with my arm around Joey's shoulder. I was proud, I think, because his head came just below my ear. We were walking along and Joey was making dirty wisecracks and we were laughing. Odd to remember, for the first time in so long, how good I felt that night, how fond of Joey.
When we came back along those streets it was quiet; we were quiet too. We were very quiet in the apartment and sleepily got undressed in Joey's bedroom and went to bed. I fell asleep—for quite a while, I think. But I woke up to find the light on and Joey examining the pillow with great, ferocious care.
'What's the matter?'
'I think a bedbug bit me.'
'You slob. You got bedbugs?'
'I think one bit me.'
'You ever have a bedbug bite you before?'
'No.'
'Well, go back to sleep. You're dreaming.'
He looked at me with his mouth open and his dark eyes very big. It was as though he had just discovered that I was an expert on bedbugs. I laughed and grabbed his head as I had done God knows how many times before, when I was playing with him or when he had annoyed me. But this time when I touched him something happened in him and in me which made this touch different from any touch either of us had ever known. And he did not resist, as he usually did, but lay where I had pulled him, against my chest. And I realized that my heart was beating in an awful way and that Joey was trembling against me and the light in the room was very bright and hot. I started to move and to make some kind of joke but Joey mumbled something and I put my head down to hear. Joey raised his head as I lowered mine and we kissed, as it were, by accident. Then, for the first time in my life, I was really aware of another person's body, of another person's smell. We had our arms around each other. It was like holding in my hand some rare, exhausted, nearly doomed bird which I had miraculously happened to find. I was very frightened; I am sure he was frightened too, and we shut our eyes. To remember it so clearly, so painfully tonight tells me that I have never for an instant truly forgotten it. I feel in myself now a faint, a dreadful stirring of what so overwhelmingly stirred in me then, great thirsty heat, and trembling, and tenderness so painful I thought my heart would burst. But out of this astounding, intolerable pain came joy; we gave each other joy that night. It seemed, then, that a lifetime would not be long enough for me to act with Joey the act of love.
But that lifetime was short, was bounded by that night—it ended in the morning. I awoke while Joey was still sleeping, curled like a baby on his side, toward me. He looked like a baby, his mouth half open, his cheek flushed, his curly hair darkening the pillow and half hiding his damp round forehead and his long eyelashes glinting slightly in the summer sun. We were both naked and the sheet we had used as a cover was tangled around our feet. Joey's body was brown, was sweaty, the most beautiful creation I had ever seen till then. I would have touched him to wake him up but something stopped me. I was suddenly afraid. Perhaps it was because he looked so innocent lying there, with such perfect trust; perhaps it was because he was so much smaller than me; my own body suddenly seemed gross and crushing and the desire which was rising in me seemed monstrous. But, above all, I was suddenly afraid. It was borne in on me: But Joey is a boy. I saw suddenly the power in his thighs, in his arms, and in his loosely curled fists. The power and the promise and the mystery of that body made me suddenly afraid. That body suddenly seemed the black opening of a cavern in which I would be tortured till madness came, in which I would lose my manhood. Precisely, I wanted to know that mystery and feel that power and have that promise fulfilled through me. The sweat on my back grew cold. I was ashamed. The very bed, in its sweet disorder, testified to vileness. I wondered what Joey's mother would say when she saw the sheets. Then I thought of my father, who had no one in the world but me, my mother having died when I was little. A cavern opened in my mind, black, full of rumor, suggestion, of half-heard, half-forgotten, half-understood stories, full of dirty words. I thought I saw my future in that cavern. I was afraid. I could have cried, cried for shame and terror, cried for not understanding how this could have happened to me, how this could have happened in me. And I made my decision. I got out of bed and took a shower and was dressed and had breakfast ready when Joey woke up.
I did not tell him my decision; that would have broken my will. I did not wait to have breakfast with him but only drank some coffee and made an excuse to go home. I knew the excuse did not fool Joey; but he did not know how to protest or insist; he did not know that this was all he needed to have done. Then I, who had seen him that summer nearly every day till then, no longer went to see him. He did not come to see me. I would have been very happy to see him if he had, but the manner of my leave-taking had begun a constriction, which neither of us knew how to arrest. When I finally did see him, more or less by accident, near the end of the summer, I made up a long and totally untrue story about a girl I was going with and when school began again I picked up with a rougher, older crowd and was very nasty to Joey. And the sadder this made him, the nastier I became. He moved away at last, out of the neighborhood, away from our school, and I never saw him again.
I began, perhaps, to be lonely that summer and began, that summer, the flight which has brought me to this darkening window.
And yet—when one begins to search for the crucial, the definitive moment, the moment which changed all others, one finds oneself pressing, in great pain, through a maze of false signals and abruptly locking doors. My flight may, indeed, have begun that summer—which does not tell me where to find the germ of the dilemma which resolved itself, that summer, into flight. Of course, it is somewhere before me, locked in that reflection I am watching in the window as the night comes down outside. It is trapped in the room with me, always has been, and always will be, and it is yet more foreign to me than those foreign hills outside.
We lived in Brooklyn then, as I say; we had also lived in San Francisco, where I was born, and where my mother lies buried, and we lived for awhile in Seattle, and then in New York— for me, New York is Manhattan. Later on, then, we moved from Brooklyn back to New York and by the time I came to France my father and his new wife had graduated to Connecticut. I had long been on my own by then, of course, and had been living in an apartment in the east sixties.
We, in the days when I
was growing up, were my father and his unmarried sister and myself. My mother had been carried to the graveyard when I was five. I scarcely remember her at all, yet she figured in my nightmares, bünd with worms, her hair as dry as metal and brittle as a twig, straining to press me against her body; that body so putrescent, so sickening soft, that it opened, as I clawed and cried, into a breach so enormous as to swallow me alive. But when my father or my aunt came rushing into my room to find out what had frightened me, I did not dare describe this dream, which seemed disloyal to my mother. I said that I had dreamed about a graveyard. They concluded that the death of my mother had had this unsettling effect on my imagination and perhaps they thought that I was grieving for her. And I may have been, but if that is so, then I am grieving still.
My father and my aunt got on very badly and, without ever knowing how or why I felt it, I felt that their long battle had everything to do with my dead mother. I remember when I was very young how, in the big living room of the house in San Francisco, my mother's photograph, which stood all by itself on the mantelpiece, seemed to rule the room. It was as though her photograph proved how her spirit dominated that air and controlled us all. I remember the shadows gathering in the far corners of that room, in which I never felt at home, and my father washed in the gold light which spilled down on him from the tall lamp which stood beside his easy chair. He would be reading his newspaper, hidden from me behind his newspaper, so that, desperate to conquer his attention, I sometimes so annoyed him that our duel ended with me being carried from the room in tears. Or I remember him sitting bent forward, his elbows on his knees, staring towards the great window which held back the inky night. I used to wonder what he was thinking. In the eye of my memory he always wears a grey, sleeveless sweater and he has loosened his tie, and his sandy hair falls forward over a square, ruddy face. He was one of those people who, quick to laugh, are slow to anger; so that their anger, when it comes, is all the more impressive, seeming to leap from some unsuspected crevice like a fire which will bring the whole house down.
Giovanni's Room Page 1
