And so, still clutching the hunk of bread, he drew his feet out of his valenki, deftly leaving inside them his foot rags and spoon, crawled barefoot up to his bunk, widened a little hole in the mattress, and there, amidst the sawdust, concealed his half-ration. He pulled off his hat, drew out of it a needle and thread (hidden deeply, for they fingered the hats when they frisked you; once a guard had pricked his finger and almost broken Shukhov's skull in his rage). Stitch, stitch, stitch, and the little tear in the mattress was mended, with the bread concealed under it. Meanwhile the sugar in his mouth had melted. Every nerve was strained to breaking point. At any moment the roster guard would begin shouting at the door. Shukhov's fingers worked fast but his mind, planning the next move, worked faster.
Alyosha the Baptist was reading the Testament under his breath (perhaps especially for Shukhov--those fel lows were fond of recruiting).
"If you suffer, it must not be for murder, theft, or sorcery, nor for infringing the rights of others. But if anyone suffers as a Christian, he should feel it no disgrace, but confess that name to the honor of God."
Alyosha was smart--he'd made a chink in the wall and hidden the little book in it, and it had survived every search.
With the same rapid movements as before, Shukhov hung up his coat on a crossbeam and pulled what ho wanted from under the mattress: a pair of mittens, a second pair of old foot rags, a length of rope, and a piece of cloth with tapes at each end.
He smoothed the sawdust in the mattress (it was lumpy and dense), tucked in the blanket, arranged the pillow, and slid down onto his bare feet and started binding them with the rags, first with the good ones, thea, on top, with the torn.
Just then Tiurin stood up and barked: "Sleep's over, One hundred and fourth! Out you go."
And at once the entire squad, drowsing or not, got up, yawned, and went to the dcor. Tiurin had been in for nineteen years and never turned his men out for the roll call a moment too soon. When he said, "Out you go," it meant you'd better.
And while the men with heavy tread and tight lips walked into the corridor one by one and then onto the porch, and the leader of the 20th, following Tiurin's example, called in turn "Out you go," Shukhov drew his valenki over the double thickness of foot rags, slipped his coat over his wadded jacket, and fastened a rope tightly around him (leather belts had been removed from zeks who had them--leather belts weren't allowed in "special" camps).
So Shukhov managed to get everything done and to catch up with the last of his companions, lust as their numbered backs were passing through the door onto the porch.
Looking rather bulky, for they had wrapped themselves up in every garment they possessed, the men shuffled diagonally toward the parade ground in single file, making no attempt to overtake one another. The only sound was the crunch of their heavy tread on the snow.
It was still dark, though in the east the sky was beginning to glow with a greenish tint. A light but piercing breeze came to meet them from the rising sun.
There is nothing as bitter as this moment when you go out to the morning roll call--in the dark, in the cold, with a hungry belly, to face a whole day of work. You lose your tongue. You lose all desire to speak to anyone.
A junior guard was rushing around the parade ground.
"Well, Tiurin, how long do we have to wait for you? Late again?"
Maybe Shukhov might get scared of him but not Tiurin, oh no. He wouldn't waste breath on him in the cold. Just stomped on in silence.
And the squad followed him through the snow. Shuffle, shuffle, squeak, squeak.
Tiurin must have greased them with that pound of salt pork, for the 104th had gone back to its old place in the column--that could be seen from the neighboring squads.
So one of the poorer and stupider squads was being sent to the "Socialist Way of Life"
settlement. Oh, it'd be cruel there today: seventeen degrees below zero, and windy. No shelter. No fire.
A squad leader needs a lot of salt pork--to take to the planning department, and to satisfy his own belly too. Tiurin received no parcels but he didn't go short of pork. No one in the squad who received any lost a moment in taking him some as a gift.
Otherwise you'd never survive.
The senior roster guard glanced at a small piece of board.
"You have one away on sick leave today, Tiurin. Twenty-three present?"
"Twenty-three,"
said Tiurin with a nod.
Who was missing? Panteleyev wasn't there. But surely he wasn't ill.
And at once a whisper ran through the squad: Panteleyev, that son of a bitch, was staying behind again. Oh no, he wasn't ill, the security boys were keeping him back. He'd be squealing on someone.
They would send for him during the day, on the quiet, and keep him two or three hours. No one would see, no one would hear.
And they'd fix it all up with the medical authorities.
The whole parade ground was black with coats as the squads drifted forward to be searched. Shukhov remembered he wanted to have the numbers on his jacket touched up, and elbowed his way through the crowd to the side. Two or three prisoners stood waiting their turn with the artist. He joined them. They spelled nothing but trouble, those numbers: if they were distinct the guards could identify you from any distance, but if you neglected to have them repainted in time you'd be sure to land in the guardhouse for not taking care of your number.
There were three artists in the camp. They painted pictures for the authorities free of charge, and in addition took turns appearing at roll call to touch up the numbers. Today it was the turn of an old man with a gray beard.. When he painted the number on your hat with his brush it was just like a priest anointing your brow.
The old man painted on and on, blowing from time to time into his glove. It was a thin, knitted glove. His hand grew stiff with cold. He only just managed to paint the numbers.
He touched up the S 854 on Shukhov's jacket, and Shukhov, holding his rope belt in his hand and without bothering to pull his coat around him--very soon he'd be frisked--caught up with the squad. At once he noticed that his fellow squad member Tsezar was smoking, and smoking a cigarette, not a pipe. That meant he might be able to cadge a smoke. But he didn't ask straight away; he stood quite close up to Tsezar and, half turning, looked past him.
He looked past him and seemed indifferent, but he noticed that after each puff (Tsezar inhaled at rare intervals, thoughtfully) a thin ring of glowing ash crept down the cigarette, reducing its length as it moved stealthily to the cigarette bolder.
Fetiukov, that jackal, had come up closer too and now stood opposite Tsezar, watching his mouth with blazing eyes.
Shukhov had finished his last pinch of tobacco and saw no prospects of acquiring any more before evening. Every nerve in his body was taut, all his longing was concentrated in that cigarette butt--which meant more to him now, it seemed, than freedom itself--but he would never lower himself like that Fetiukov, he would never look at a man's mouth.
Tsezar was a hodgepodge of nationalities: Greek, Jew, Gypsy--you couldn't make out which. He was still young. He'd made films. But he hadn't finished his first when they arrested him. He wore a dark, thick, tangled mustache. They hadn't shaved it off in the camp because that was the way he looked in the photograph in his dossier.
"Tsezar Markovich," slobbered Fetiukov, unable to restrain himself. "Give us a puff."
His face twitched with greedy desire.
Tsezar slightly raised the lids that drooped low over his black eyes and looked at Fetiukov. It was because he didn't want to be interrupted while smoking and asked for a puff that he had taken up a pipe. He didn't begrudge the tobacco; he resented the interruption in his chain of thought. He smoked to stimulate his mind and to set his ideas flowing. But the moment he lighted a cigarette he read in several pairs of eyes an unspoken plea for the butt.
Tsezar turned to Shukhov and said: "Take it, Ivan Denisovich."
And with his thumb he pushed the smoldering cigare
tte butt out of the short amber holder.
Shukhov started (though it was exactly what he had expected of Tsezar) and gratefully hurried to take the butt with one hand, while slipping the other hand under it to prevent it from dropping. He didn't resent the fact that Tsezar felt squeamish about letting him finish the cigarette in the holder (some had clean mouths, some had foul) and he didn't burn his hardened fingers as they touched the glowing end. The main thing was, he had cut out that jackal Fetiukov, and now could go on drawing in smoke until his lips were scorched. Mmm. The smoke crept and flowed through his whole hungry body, making his head and feet respond to it.
Just at that blissful moment he heard a shout:
"They're stripping our undershirts off us."
Such was a prisoner's life. Shukhov had grown accustomed to it. All you could do was to look out they. didn't leap at your throat.
But why the undershirts? The camp commandant himself had issued them. No, something was wrong.
There were still squads ahead of them before it was their turn to be frisked.
Everyone in the 104th looked about. They saw Lieutenant Volkovoi, the security chief, stride out of the staff quarters and shout something to the guards. And the guards who, when Volkovoi wasn't around, carried out the frisking perfunctorily, now flung themselves into their work with savage zeal.
"Unbutton your shirts," the sergeant shouted.
Volkovoi was as unpopular with the prisoners as with the guards--even the camp commandant was said to be afraid of him. God had named the bastard appropriately. *[*
_Volk_ means wolf in Russian.] He was a wolf indeed, and looked it. He was dark, tall, with a scowl, very quick in his movements. He'd turn up from behind a barracks with a
"What's going on here?" There was no hiding from him. At first, in '49, he'd been in the habit of carrying a whip of plaited leather, as thick as his forearm. He was said to have used it for flogging in the cells. Or when the prisoners would be standing in a group near a barracks at the evening count, he'd slink up from behind and lash out at someone's neck with a "Why aren't you standing in line, slobs?" The men would dash away in a wave.
Stung by the blow, his victim would put a hand to his neck and wipe away the blood, but he'd hold his tongue, for fear of the cells.
Now, for some reason, Volkovoi had stopped carrying his whip.
When the weather was cold the guards were fairly lenient in the morning, though not in the evening. The prisoners untied their belts, and flung their coats wide open. They advanced five abreast, and five guards stood waiting to frisk them. The guards slapped their bands down the belted jackets, ran over the right pants pocket, the only one permitted by regulation, and, reluctant to pull off their gloves, felt any object that puzzled them, asking lazily: "What's that?"
What was there to look for on a prisoner at the morning roll call? A knife? But knives weren't taken out of the camp, they were brought into it. In the mornlag they had to make certain a prisoner wasn't taking six pounds of bread with him, meaning to escape with it. There was a time when they were so scared of the quarter-pound hunks the prisoners took to eat with their dinner that each of the squads had to make a wooden case for carrying the whole ration, after collecting it, piece by piece, from the men. What they reckoned to gain by this stupidity was beyond imagining. More likely it was just another way of tormenting people, giving them something extra to worry about. It meant taking a nibble at your hunk, making your mark on it, so to speak, and then putting it in the case; but anyway the pieces were as alike as two peas--they were all off the same loaf. During the march it preyed on your mind: you tortured yourself by imagining that somebody else's bit of the ration might be substituted for yours. Why, good friends quarreled about it, even to the point of fighting! But one day three prisoners escaped in a truck from the work site and took one of those cases of. bread with them. That brought the authorities to their senses--they chopped up all the boxes in the guardroom. Everyone carry his own hunk, they said.
At this first search they also had to make sure that no one was wearing civvies under the camp outfit. But, after all, every prisoner had had his civvies removed from him down to the very last garment, and they wouldn't be returned, they were told, until they'd served their terms. No one had served his term in this camp.
Sometimes the guards frisked you for letters that might have been sent through civilians. But if they were going to search every prisoner for letters they'd be fussing around till dinnertime.
Volkovoi, however, had shouted that they were to search for something and so the guards peeled off their gloves, ordered everyone to pull up his jacket (where every little bit of barrack-room warmth was treasured) and unbutton his shirt. Then they strode up to run their paws over the zeks and find out whether any of them might have slipped on something against the rules. A prisoner was allowed to wear a shirt and an undershirt--he was to be stripped of anything else: such were Vollcovoi's instructions, passed down the ranks by the prisoners. The squads that had been frisked earlier were in luck. Some of them had already been passed through the gates. But the rest had to bare their chests. And anyone who had slipped on an extra garment had to take it off on the spot, out there in the cold.
That's how it started, but it resulted in a fine mix-np--a gap formed in the column, and at the gates the escort began shouting, "Get a move on, get a move on." So when it was the turn of the 104th to be frisked they bad to ease up a bit: Volkovoi told the guards to take the name of anyone who might be wearing extra garments--the culprits were to surrender them in person to personal property that evening with a written explanation of how and why they had hidden the garments.
Shukhov was in regulation dress. Come on, paw me as hard as you like. There's nothing but my soul in my chest. But they made a note that Tsezar was wearing a flannel vest and that Buinovsky, it seemed, had put on a vest or a cummerbund or something.
Buinovsky protested--he'd been in the camp less than three months, a former Navy commander who still couldn't get his destroyer out of his system.
"You've no right to strip men in the cold. You don't know Article Nine of the Criminal Code."
But they did have the right. They knew the code. You, friend, are the one who doesn't know it.
"You're not behaving like Soviet people," Buinovsky went on saying. "You're not behaving like communists."
Volkovoi had put up with the reference to the criminal code but this made him wince and, like black lightning, he flashed: "Ten days in the guardhouse."
And aside to the sergeant: "Starting from this evening."
They didn't like putting a man in the cells in the morning--it meant the loss of his work for a whole day. Let him sweat blood in the meantime and be put in the cells in the evening.
The prison lay just over there, to the left of the parade ground. A brick building with two wings. The second wing had been added that autumn--there wasn't room enough in the first. The prison had eighteen cells besides those for solitary confinement, which were fenced off. The entire camp was log-built except for that brick prison.
The cold had got under the men's shirts and now it was there to stay. All that wrapping-up had been in vain.
Shukhov's back was giving him hell. How he longed to be in bed in the infirmary, fast asleep! He wanted nothing else. Under the heaviest of blankets.
The zeks stood in front of the gates, buttoning their coats, tying a rope around their bellies. And from outside the escort shouted: "Come on. Come on."
And from behind, the guard urged them on: "Move along. Move along."
The first gate. The border zone. The second gate. Railings along each side near the gatehouse.
"Halt!" shouted a sentry. Like a flock of sheep. "Form fives."
It was growing light. The escort's fire was burning itself out behind the gatehouse.
They always lit a fire before the prisoners were sent out to work--to keep themselves warm and be able to see more clearly while counting.
One of the gat
e guards counted in a loud brisk voice: "First. Second. Third . . ."
And the prisoners, in ranks of five, separated from the rest and marched ahead, so that they could be watched from front and behind: five heads, five backs, ten legs.
A second gate guard--a checker--stood at the next rail in silence verifying the count.
And, in addition, a lieutenant stood watching.
That was from the camp side.
A man is worth more than gold. If there was one head short when they got past the barbed wire you had to replace it with your own.
Once more the squad came together.
And now it was the turn of the sergeant of the escort to count.
"First. Second. Third."
One Day in the Life of Ivan Denisovich (Signet Books) Page 4
