The New York Trilogy

by Paul Auster

  As for Fanshawe’s father, there is little I can say with any certainty. He was a cipher to me, a silent man of abstracted benevolence, and I never got to know him well. Whereas my father tended to be around a lot, especially on the weekends, Fanshawe’s father was rarely to be seen. He was a lawyer of some prominence, and at one time he had had political ambitions— but these had ended in a series of disappointments. He usually worked until late, pulling into the driveway at eight or nine o’clock, and often spent Saturday and part of Sunday at his office. I doubt that he ever knew quite what to make of his son, for he seemed to be a man with little feeling for children, someone who had lost all memory of having been a child himself. Mr. Fanshawe was so thoroughly adult, so completely immersed in serious, grown-up matters, that I imagine it was hard for him not to think of us as creatures from another world.

  He was not yet fifty when he died. For the last six months of his life, after the doctors had given up hope of saving him, he lay in the spare bedroom of the Fanshawe house, watching the yard through the window, reading an occasional book, taking his pain-killers, dozing. Fanshawe spent most of his free time with him then, and though I can only speculate on what happened, I assume that things changed between them. At the very least, I know how hard he worked at it, often staying home from school to be with him, trying to make himself indispensable, nursing him with unflinching attentiveness. It was a grim thing for Fanshawe to go through, too much for him perhaps, and though he seemed to take it well, summoning up the bravery that is possible only in the very young, I sometimes wonder if he ever managed to get over it.

  There is only one more thing I want to mention here. At the end of this period—the very end, when no one expected Fanshawe’s father to last more than a few days—Fanshawe and I went for a drive after school. It was February, and a few minutes after we started, a light snow began to fall. We drove aimlessly, looping through some of the neighboring towns, paying little attention to where we were. Ten or fifteen miles from home, we came upon a cemetery; the gate happened to be open, and for no particular reason we decided to drive in. After a while, we stopped the car and began to wander around on foot. We read the inscriptions on the stones, speculated on what each of those lives might have been, fell silent, walked some more, talked, fell silent again. By now the snow was coming down heavily, and the ground was turning white. Somewhere in the middle of the cemetery there was a freshly dug grave, and Fanshawe and I stopped at the edge and looked down into it. I can remember how quiet it was, how far away the world seemed to be from us. For a long time neither one of us spoke, and then Fanshawe said that he wanted to see what it was like at the bottom. I gave him my hand and held on tightly as he lowered himself into the grave. When his feet touched the ground he looked back up at me with a half-smile, and then lay down on his back, as though pretending to be dead. It is still completely vivid to me: looking down at Fanshawe as he looked up at the sky, his eyes blinking furiously as the snow fell onto his face.

  By some obscure train of thought, it made me think back to when we were very small—no more than four or five years old. Fanshawe’s parents had bought some new appliance, a television perhaps, and for several months Fanshawe kept the cardboard box in his room. He had always been generous in sharing his toys, but this box was off limits to me, and he never let me go in it. It was his secret place, he told me, and when he sat inside and closed it up around him, he could go wherever he wanted to go, could be wherever he wanted to be. But if another person ever entered his box, then its magic would be lost for good. I believed this story and did not press him for a turn, although it nearly broke my heart. We would be playing in his room, quietly setting up soldiers or drawing pictures, and then, out of the blue, Fanshawe would announce that he was going into his box. I would try to go on with what I had been doing, but it was never any use. Nothing interested me so much as what was happening to Fanshawe inside the box, and I would spend those minutes desperately trying to imagine the adventures he was having. But I never learned what they were, since it was also against the rules for Fanshawe to talk about them after he climbed out.

  Something similar was happening now in that open grave in the snow. Fanshawe was alone down there, thinking his thoughts, living through those moments by himself, and though I was present, the event was sealed off from me, as though I was not really there at all. I understood that this was Fanshawe’s way of imagining his father’s death. Again, it was a matter of pure chance: the open grave was there, and Fanshawe had felt it calling out to him. Stories happen only to those who are able to tell them, someone once said. In the same way, perhaps, experiences present themselves only to those who are able to have them. But this is a difficult point, and I can’t be sure of any of it. I stood there waiting for Fanshawe to come up, trying to imagine what he was thinking, for a brief moment trying to see what he was seeing. Then I turned my head up to the darkening winter sky—and everything was a chaos of snow, rushing down on top of me.

  By the time we started walking back to the car, the sun had set. We stumbled our way through the cemetery, not saying anything to each other. Several inches of snow had fallen, and it kept coming down, more and more heavily, as though it would never stop. We reached the car, climbed in, and then, against all our expectations, couldn’t get moving. The back tires were stuck in a shallow ditch, and nothing we did made any difference. We pushed, we jostled, and still the tires spun with that horrible, futile noise. Half an hour went by, and then we gave up, reluctantly deciding to abandon the car. We hitch-hiked home in the storm, and another two hours went by before we finally made it back. It was only then that we learned that Fanshawe’s father had died during the afternoon.

  3

  Several days went by before I found the courage to open the suitcases. I finished the article I was working on, I went to the movies, I accepted invitations I normally would have turned down. These tactics did not fool me, however. Too much depended on my response, and the possibility of being disappointed was something I did not want to face. There was no difference in my mind between giving the order to destroy Fanshawe’s work and killing him with my own hands. I had been given the power to obliterate, to steal a body from its grave and tear it to pieces. It was an intolerable position to be in, and I wanted no part of it. As long as I left the suitcases untouched, my conscience would be spared. On the other hand, I had made a promise, and I knew that I could not delay forever. It was just at this point (gearing myself up, getting ready to do it) that a new dread took hold of me. If I did not want Fanshawe’s work to be bad, I discovered, I also did not want it to be good. This is a difficult feeling for me to explain. Old rivalries no doubt had something to do with it, a desire not to be humbled by Fanshawe’s brilliance—but there was also a feeling of being trapped. I had given my word. Once I opened the suitcases, I would become Fanshawe’s spokesman—and I would go on speaking for him, whether I liked it or not. Both possibilities frightened me. To issue a death sentence was bad enough, but working for a dead man hardly seemed better. For several days I moved back and forth between these fears, unable to decide which one was worse. In the end, of course, I did open the suitcases. But by then it probably had less to do with Fanshawe than it did with Sophie. I wanted to see her again, and the sooner I got to work, the sooner I would have a reason to call her.

  I am not planning to go into any details here. By now, everyone knows what Fanshawe’s work is like. It has been read and discussed, there have been articles and studies, it has become public property. If there is anything to be said, it is only that it took me no more than an hour or two to understand that my feelings were quite beside the point. To care about words, to have a stake in what is written, to believe in the power of books—this overwhelms the rest, and beside it one’s life becomes very small. I do not say this in order to congratulate myself or to put my actions in a better light. I was the first, but beyond that I see nothing to set me apart from anyone else. If Fanshawe’s work had been any less than it wa
s, my role would have been different—more important, perhaps, more crucial to the outcome of the story. But as it was, I was no more than an invisible instrument. Something had happened, and short of denying it, short of pretending I had not opened the suitcases, it would go on happening, knocking down whatever was in front of it, moving with a momentum of its own.

  It took me about a week to digest and organize the material, to divide finished work from drafts, to gather the manuscripts into some semblance of chronological order. The earliest piece was a poem, dating from 1963 (when Fanshawe was sixteen), and the last was from 1976 ( just one month before he disappeared). In all there were over a hundred poems, three novels (two short and one long), and five one-act plays—as well as thirteen notebooks, which contained a number of aborted pieces, sketches, jottings, remarks on the books Fanshawe was reading, and ideas for future projects. There were no letters, no diaries, no glimpses into Fanshawe’s private life. But that was something I had expected. A man does not spend his time hiding from the world without making sure to cover his tracks. Still, I had thought that somewhere among all the papers there might be some mention of me—if only a letter of instruction or a notebook entry naming me his literary executor. But there was nothing. Fanshawe had left me entirely on my own.

  I telephoned Sophie and arranged to have dinner with her the following night. Because I suggested a fashionable French restaurant (way beyond what I could afford), I think she was able to guess my response to Fanshawe’s work. But beyond this hint of a celebration, I said as little as I could. I wanted everything to advance at its own pace—no abrupt moves, no premature gestures. I was already certain about Fanshawe’s work, but I was afraid to rush into things with Sophie. Too much hinged on how I acted, too much could be destroyed by blundering at the start. Sophie and I were linked now, whether she knew it or not—if only to the extent that we would be partners in promoting Fanshawe’s work. But I wanted more than that, and I wanted Sophie to want it as well. Struggling against my eagerness, I urged caution on myself, told myself to think ahead.

  She wore a black silk dress, tiny silver earrings, and had swept back her hair to show the line of her neck. As she walked into the restaurant and saw me sitting at the bar, she gave me a warm, complicitous smile, as though telling me she knew how beautiful she was, but at the same time commenting on the weirdness of the occasion—savoring it somehow, clearly alert to the outlandish implications of the moment. I told her that she was stunning, and she answered almost whimsically that this was her first night out since Ben had been born—and that she had wanted to “look different.” After that, I stuck to business, trying to hang back within myself. When we were led to our table and given our seats (white tablecloth, heavy silverware, a red tulip in a slender vase between us), I responded to her second smile by talking about Fanshawe.

  She did not seem surprised by anything I said. It was old news for her, a fact that she had already come to terms with, and what I was telling her merely confirmed what she had known all along. Strangely enough, it did not seem to excite her. There was a wariness in her attitude that confused me, and for several minutes I was lost. Then, slowly, I began to understand that her feelings were not very different from my own. Fanshawe had disappeared from her life, and I saw that she might have good reason to resent the burden that had been imposed on her. By publishing Fanshawe’s work, by devoting herself to a man who was no longer there, she would be forced to live in the past, and whatever future she might want to build for herself would be tainted by the role she had to play: the official widow, the dead writer’s muse, the beautiful heroine in a tragic story. No one wants to be part of a fiction, and even less so if that fiction is real. Sophie was just twenty-six years old. She was too young to live through someone else, too intelligent not to want a life that was completely her own. The fact that she had loved Fanshawe was not the point. Fanshawe was dead, and it was time for her to leave him behind.

  None of this was said in so many words. But the feeling was there, and it would have been senseless to ignore it. Given my own reservations, it was odd that I should have been the one to carry the torch, but I saw that if I didn’t take hold of the thing and get it started, the job would never get done.

  “You don’t really have to get involved,” I said. “We’ll have to consult, of course, but that shouldn’t take up much of your time. If you’re willing to leave the decisions to me, I don’t think it will be very bad at all.”

  “Of course I’ll leave them to you,” she said. “I don’t know the first thing about any of this. If I tried to do it myself, I’d get lost within five minutes.”

  “The important thing is to know that we’re on the same side,” I said. “In the end, I suppose it boils down to whether or not you can trust me.”

  “I trust you,” she said.

  “I haven’t given you any reason to,” I said. “Not yet, in any case.”

  “I know that. But I trust you anyway.”

  “Just like that?”

  “Yes. Just like that.”

  She smiled at me again, and for the rest of the dinner we said nothing more about Fanshawe’s work. I had been planning to discuss it in detail—how best to begin, what publishers might be interested, what people to contact, and so on—but this no longer seemed important. Sophie was quite content not to think about it, and now that I had reassured her that she didn’t have to, her playfulness gradually returned. After so many difficult months, she finally had a chance to forget some of it for a while, and I could see how determined she was to lose herself in the very simple pleasures of this moment: the restaurant, the food, the laughter of the people around us, the fact that she was here and not anywhere else. She wanted to be indulged in all this, and who was I not to go along with her?

  I was in good form that night. Sophie inspired me, and it didn’t take long for me to get warmed up. I cracked jokes, told stories, performed little tricks with the silverware. The woman was so beautiful that I had trouble keeping my eyes off her. I wanted to see her laugh, to see how her face would respond to what I said, to watch her eyes, to study her gestures. God knows what absurdities I came out with, but I did my best to detach myself, to bury my real motives under this onslaught of charm. That was the hard part. I knew that Sophie was lonely, that she wanted the comfort of a warm body beside her—but a quick roll in the hay was not what I was after, and if I moved too fast that was probably all it would turn out to be. At this early stage, Fanshawe was still there with us, the unspoken link, the invisible force that had brought us together. It would take some time before he disappeared, and until that happened, I found myself willing to wait.

  All this created an exquisite tension. As the evening progressed, the most casual remarks became tinged with erotic overtones. Words were no longer simply words, but a curious code of silences, a way of speaking that continually moved around the thing that was being said. As long as we avoided the real subject, the spell would not be broken. We both slipped naturally into this kind of banter, and it became all the more powerful because neither one of us abandoned the charade. We knew what we were doing, but at the same time we pretended not to. Thus my courtship of Sophie began—slowly, decorously, building by the smallest of increments.

  After dinner we walked for twenty minutes or so in the late November darkness, then finished up the evening with drinks in a bar downtown. I smoked one cigarette after another, but that was the only clue to my tumult. Sophie talked for a while about her family in Minnesota, her three younger sisters, her arrival in New York eight years ago, her music, her teaching, her plan to go back to it next fall—but we were so firmly entrenched in our jocular mode by then that each remark became an excuse for additional laughter. It would have gone on, but there was the babysitter to think about, and so we finally cut it short at around midnight. I took her to the door of her apartment and made my last great effort of the evening.

  “Thank you, doctor,” Sophie said. “The operation was a success.”

&n
bsp; “My patients always survive,” I said. “It’s the laughing gas. I just turn on the valve, and little by little they get better.”

  “That gas might be habit-forming.”

  “That’s the point. The patients keep coming back for more— sometimes two or three operations a week. How do you think I paid for my Park Avenue apartment and the summer place in France?”

  “So there’s a hidden motive.”

  “Absolutely. I’m driven by greed.”

  “Your practice must be booming.”

  “It was. But I’m more or less retired now. I’m down to one patient these days—and I’m not sure if she’ll be coming back.”

  “She’ll be back,” Sophie said, with the coyest, most radiant smile I had ever seen. “You can count on it.”

  “That’s good to hear,” I said. “I’ll have my secretary call her to schedule the next appointment.”

  “The sooner the better. With these long-term treatments, you can’t waste a moment.”

  “Excellent advice. I’ll remember to order a new supply of laughing gas.”

  “You do that, doctor. I really think I need it.”

  We smiled at each other again, and then I wrapped her up in a big bear hug, gave her a brief kiss on the lips, and got down the stairs as fast as I could.