Dark Mysteries of the Vatican
Dark Mysteries of the Vatican
H. Paul Jeffers
CITADEL PRESS
Kensington Publishing Corp.
www.kensingtonbooks.com
To Jennifer and Mark Nisbit
For there is nothing hid, which shall not be made manifest: neither was it made secret, but that it may come abroad.
—Jesus Christ (Matthew 4:22)
Contents
Introduction Keys to the Kingdom
1 Thou Shalt Not Read
2 The Truth About the Templars
3 Vatican Treasures
4 Naughty Priests
5 Murder in Holy Orders
6 The Mystery of the Pope’s Banker
7 From Russia with Malice
8 Opus Dei: The Pope’s Cult
9 The Papacy and the Nazis
10 Spooks and Rats
11 A Fit of Madness
12 Vatican Espionage
13 The Devil, You Say
14 Myths, Rumors, and Presidents
15 And God Created Aliens
16 The Vatican and the End of the World
Vatican Library Chronology
Vatican Archives Chronology
The Popes
Chinon Parchment
The Lateran Treaty of 1929 (excerpts)
Further Reading
Index
Dark Mysteries of the Vatican
Introduction: Keys to the Kingdom
Almost from the moment Jesus Christ changed the fisherman Simon’s name to Peter and gave him the keys to the kingdom of Heaven, the religion that was built in Christ’s name began keeping secrets out of necessity. Deemed by the Roman emperors to be dangerous, Christians literally went underground by gathering to worship in catacombs and caves. They came up with secret hand signals, symbols, and other signs of recognition and means of communication to avoid detection and persecution. From its outset, Christianity was a religion of secrets.
After three centuries of suppression, the outlaw status of followers of Christ ended when the Emperor Constantine converted to the religion after literally seeing the light. While on the way to battle his most powerful rival, Maxentius, at the Tiber River in A.D. 312, “he reported seeing the cross of Christ superimposed on the sun with the words ‘In hoc signo vinces’ (In this sign you shall conquer).” He ordered his men to put crosses on their shields and won the battle. “The very next year, he met with Emperor Licinius, ruler of the Roman Empire’s eastern provinces, to sign the Edict of Milan, giving equal rights to all religious groups within the Roman Empire. He returned property seized from Christians, built a large number of churches, donated land,” sent his mother to Jerusalem to find the place where Christ was crucified and build a church on the spot, and ordered the bishops of the religion to convene in the “first Council of Nicaea in A.D. 325 to deal with false teaching within the church.” Results of this conclave were a formal list of Christian beliefs (the Nicaean Creed) and approval of texts for inclusion in the Holy Bible.
In this process of “canonization,” by which excluded texts were deemed to be heretical, the bishops who met at Nicaea claimed an absolute authority to decide what knowledge could be disseminated and what should be kept secret that the Roman Catholic Church continues to assert. When Constantine constructed the Basilica of St. Peter on Vatican Hill in the heart of Rome as the throne of Peter’s successors, it became the Holy See.
The current location of St. Peter’s Basilica is the site of the Circus of Nero in the first century. After Constantine officially recognized Christianity, he started construction (in 324) of a great basilica on the spot where tradition placed the crucifixion and burial of St. Peter. In the mid-fifteenth century, it was decided to rebuild the old basilica. Pope Nicholas V asked architect Bernardo Rossellino to start adding to the old church. Construction on the present building began under Pope Julius II in 1596 and was finished in 1615 under Pope Paul V. Surrounding structures that constitute Vatican City include buildings that house the Vatican Secret Archives.
As “defender of the faith” for more than sixteen centuries and the repository of the suppressed knowledge of centuries, the Vatican has become the focus of people who weave countless legends, myths, and tales of mysterious doings, sinister secrets, and dark criminal conspiracies concocted within its walls. Contributing to suspicions surrounding the Vatican is an aura of mystery that has surrounded the Roman Catholic Church for centuries, including use of Latin in ceremonies, secrecy in the selection of popes, symbolic robes and headpieces, rituals of worship, belief in miracles and apparitions of saints, and the Church’s historic claim that in matters of faith the pope was infallible. All this left non-Catholics feeling that the Church was rooted in secrecy.
Nothing has been more fascinating to those who believe that the Vatican hides things than the Vatican Secrect Archives. From the years immediately after the crucifixion of Jesus, popes carefully preserved manuscripts in the scrinium Sanctae Romanae Ecclesiae. Today the files of 264 popes and the Vatican hierarchy fill thirty miles of shelves of documents tied with red ribbon (the origin of the term “red tape”). Housed in Renaissance buildings not far from the Sistine Chapel in Vatican City in the heart of Rome, there are files on not only the entire history of Christianity but on Western civilization. No one, including the pope, can state with certainty how many secrets and scandals lie in the archives. “The oldest document dates back to the end of the 7th century, while the archives have an almost uninterrupted documentation starting from 1198. The Secret Vatican Archives are primarily used by the Pope and his Curia, that is [the] Holy See. In 1881, under Pope Leo XIII, the Archives were opened to be freely consulted by scholars, thus becoming the most important center of historical research in the world.”
Some material has been made available on the Internet. More than six hundred archival sources extending over more than fifty-two miles of shelves, covering over eight hundred years of history, can now be visited on the Vatican website (www.vatican.va).
“The oldest document dates back to the 7th century, while uninterrupted documentation is maintained from the year 1198 onward…. It i possible to see Michelangelo Buonarotti’s letter to the Bishop of Cesena ( January 1550), the minutes of the trial of Galileo (1616–33),” letters about Henry VIII and his desire to annul his marriage to Catherine of Aragon so he could wed Anne Boleyn, and the parchment in which Pope Clement V granted absolution to the leaders of the Knights Templar (August 17–20, 1308), after they were burned at the stake.
Widespread belief that the Vatican archives are crammed with dark secrets arose in 2003 with the publication of Dan Brown’s novel The Da Vinci Code and later with the movie based on it. The fictional story presented an elaborate centuries-old plot by the Church dating to the years when the Knights Templar conspired with the Church to suppress proof that Jesus was married to Mary Magdalene, that they had a daughter, that the child was “the holy grail,” that she was taken to France, and that her descendants, the bloodline of Christ, are walking around the world today. Although the facts contained in the novel have been subsequently exposed as false or misleading, the effect of the novel and movie has been to strengthen the belief that the Vatican will go to any length to keep its secrets from being revealed.
While The Da Vinci Code presented an imaginary conspiracy, the history of the Vatican is replete with actual events that the Holy See was eager to keep secret and with incidents that outsiders were just as eager to whip up into fantastic theories involving murder, poisoned popes, illicit sex, conniving with Nazis, Communist conspiracies, stolen gold and art treasures, and other nastiness in which the truth was suppressed.
Arrang
ed chronologically and thematically, this book explores this fascinating saga of the dark secrets of the Vatican to sift fact from fable and illuminate the truth of what lies in the archives, from sexual escapades of popes and priests, murders in holy orders, financial scandal, and international intrigue to stories of UFOs, and prophecies about the end of the world.
CHAPTER 1
Thou Shalt Not Read
When movie director Ron Howard requested permission in 2008 to shoot scenes for Angels & Demons, the latest movie thriller by Dan Brown, that takes place in the Vatican and Rome’s churches, Archbishop Velasio De Paolis, head of the Vatican’s Prefecture for Economic Affairs, banned use of any Church property in Rome. He said that the author of The Da Vinci Code had “turned the gospels upside down to poison the faith.”
Calling the best-selling novel’s premise that Jesus and Mary Magdalene married and had a child “an offense against God,” Da Paolis asserted, “It would be unacceptable to transform churches into film sets so that his blasphemous novels can be made into films in the name of business.” He added that Brown’s work “wounds common religious feelings.”
“Father Marco Fibbi, spokesman for the Diocese of Rome, said, ‘Normally we read the script but this time it was not necessary. The name Dan Brown was enough.’”
When the movie version of The Da Vinci Code was released, a top Vatican official urged all Roman Catholics to boycott it. Calling the book “stridently anti-Christian,” Archbishop Angelo Amato, a close aide to Pope Benedict XVI, said it was “‘full of calumnies, offenses and historical and theological errors regarding Jesus, the Gospels and the church…. If such lies and errors had been directed at the Koran or the Holocaust, they would have justly provoked a world uprising…. Instead, if they were directed against the Catholic Church and Christians, they remained unpunished.”
As the second-ranking official in the Vatican’s doctrinal office, Amato urged a boycott similar to the one in 1988 against The Last Temptation of Christ, directed by Martin Scorsese. When The Da Vinci Code was published in 2003, Catholic leaders and some other Christians were outspoken against it. In the weeks before the film was released, Opus Dei, the lay Catholic group whose members were portrayed as villains in the story, sponsored forums and other public events to refute the book’s premise and dispute its suggestions that the group is shadowy and secretive.
Banning Howard from filming Angels & Demons in any of Rome’s churches and at the Vatican and the earlier protests against Brown’s book and its film version were echoes of a time when the Vatican exercised unquestionable power to control dissemination of knowledge in books that was made possible by means of printing presses using moveable type. Invented by Johann Gutenberg in 1454, the press revolutionized the world of religion by making the Bible widely available, and introducing printed books to the world.
This proliferation of published material resulted in an effort by the Vatican to dictate what Catholics could read. It did so by establishing the Index Librorum Prohibitorum (The Index of Prohibited Books). “Active from 1559 until 1966, the [Index] listed books that Catholics should neither own nor read under pain of excommunication.
“During the Index’s long life,” noted an article in America, the National Catholic Weekly, “the public was told about the latest bans, but not the reasons for them. Behind closed doors, though, the Vatican officials held long and sometimes heated debates about the books of the day.” After more than a decade of studying the Index, a diocesan priest and history professor at Münster University in Germany, the Reverend Hubert Wolf stated, “Nowhere else in the world did an institution try to control the medium of modern times, the book, for over 400 years.”
The archives covering Church debates about thousands of books offer a unique insight into centuries of Vatican thinking on theology, philosophy, history, politics, science, and world literature. Stored in a basement of what was once known as the Holy Office, now called the Congregation for the Doctrine of the Faith, the files were closed to outside researchers for centuries. Building the archives started in earnest with the Inquisition in 1542 to combat the Protestant Reformation that began with Martin Luther’s challenge to papal authority. After he nailed his “95 theses” to the church door in Wittenberg, Germany, in 1515, they were printed in Leipzig, Nuremberg, and Basel and distributed widely. The Holy Office was soon overwhelmed by the combination of the printing press and prolific Protestant authors who employed it to foster a publishing explosion as influential in its time as the Internet is today. The Vatican established a separate office, the Congregation of the Index, to deal just with books in 1571.
“The first Index,…published in 1559, banned all books by Luther, John Calvin and other Protestant reformers. Since translating the Holy Bible into vernacular language was a Protestant specialty, all Bibles but the Roman Catholic Latin Vulgate were banned. The Talmud and the Koran were also taboo.” The Index also listed “books that should be purged of passages that were in conflict with Church teaching. Classical writers—including Plato, Aristotle, Cicero, Virgil, Homer, Euclid, Hippocrates, Thucydides and others—were put on the expurgatio list because they reflected pagan beliefs. Books translated by Protestants had to be filtered for offending passages. In some cases, a book only had to be printed in a ‘Protestant’ city to earn a place on the list of objectionable works….”
The Index Congregation met three or four times a year in Rome. Two “consultors” were named for each book being surveyed. Their findings were discussed at a meeting of cardinals in the congregation. The congregation’s decision was then brought to the pope for approval. This produced a vast accumulation of files, written in Latin or Italian and divided into the Diarii, which recorded the congregation’s sessions, and the Protocolli, with all kinds of other papers. The Inquisition congregation met weekly but handled only 2 or 3 percent of the censorship cases, usually theology books.
“Over the centuries, the Index managed to condemn a large number of writings that eventually became classics of European culture. Banned philosophy books included works by Descartes, Spinoza, Locke, Hume, Rousseau, Voltaire, Pascal, Kant and Mill. Among the novelists listed were Balzac, Flaubert, Hugo, Zola, D’Annunzio and Moravia. Books by the novelists Daniel Defoe and Jonathan Swift were blacklisted. The censors’ zeal varied over the years and lost steam as the 20th century wore on. One of their last targets was [Jean Paul] Sartre, whose complete works were banned as early as 1948.”
Suppression of “forbidden books” began with a conference on the contents of the Holy Bible for Christians in A.D. 393 at which the church elders compiled the Old Testament and the “approved” gospels of Mark, Matthew, Luke, and John; the book of Revelations; letters of Peter and Paul; and the Acts of the Apostles. With all other texts banned, the Church began sixteen centuries of forbidding possession and reading of disapproved books and accumulation of a Vatican library of literature that was forbidden to Catholics. “Ever since St. Paul’s new converts at Ephesus burned their old magic books, the Church has waged war against books that might damage the faith or morals of its communicants.”
The Index “listed books which Catholics were not to read. They included non-Catholic editions of the Bible, books attacking Catholic dogma, those defending ‘heresy or schism,’ and those which ‘discuss, describe or teach impure or obscene matters,’ such as Lady Chatterley’s Lover.” However, “any Catholic with a ‘good reason’ for reading a banned book could get permission from his bishop. Many U.S. bishops give temporary blanket permissions to students to read books necessary for their studies.” Although the Vatican no longer issues an Index, the Church continues to condemn books, along with films, that are either contrary to Christian doctrine or offensive to the Church and morally wrong.
This militant stance frequently resulted in a desire by some authors to have their books “banned in Boston” in the belief that official disapproval by the Catholic Church would produce brisk sales among non-Catholics. Condemnation of The Da Vinci Code, an
d all the resulting controversial publicity, contributed to the novel’s phenomenal commercial success.
After centuries of screening books for Christian orthodoxy and moral acceptability, the Vatican accumulated the world’s largest collection of religiously and morally condemned books and manuscripts. But the Vatican Library is also the repository of volumes of science, history, and philosophy dating to the Middle Ages and earlier. The present library was founded in 1451 by Pope Nicholas V (1147–1455). Eugene IV bequeathed 340 manuscripts and Nicholas V added his own collection to form the basis of the library. A century before printing, he increased the holdings by employing monks to copy manuscripts that could not be bought from their owners. He also gathered materials that had belonged to the Imperial Library at Constantinople after the city fell to the Byzantines. When Nicholas died, he had increased the library to 1,200 manuscripts. When Pope Sixtus IV (1471–84) housed the library in the Vatican Palace, it became known as the Palatine Library. Today the Vatican Library is open to scholars and academics who submit a letter of accreditation from a university or research institute. Its collection consists of about 1.6 million volumes, including some 75,000 manuscripts and 8,300 incunabula (printed books from the second half of the fifteenth century).
“The Vatican Secret Archives have been estimated to contain fifty-two miles of shelving, and there are 35,000 volumes in the selective catalogue alone. ‘Publication of the indexes, in part or as a whole, is forbidden,’ according to the regulations current in 2005.” According to the Vatican website, the oldest surviving document dates back to the end of the eighth century. Movement of the material from one location to another, and political upheavals, nearly “caused the total loss of all the archival material preceding [the reign of] Pope Innocent III. From 1198 onward more complete archives exist, although documentation is scarce before the 13th century.” Of most interest to historians are documents related to the Inquisition.
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