Pointless. I switch on my reading lamp, and gaze around my room. The Vietnamese urn, the scroll of the monkey regarding its own reflection, Lucas Marinus’s harpsichord from Nagasaki obtained by Xi Lo as a gift after a strenuous and improbable hunt … I turn to my place in Lucretius’s De Rerum Natura, but my thoughts, if not my soul, are still a mile or two to the west. This never-ending, accursed War. On my weakest days, I wonder why we Atemporals of Horology, who inherit resurrection as birthright, who possess what the Anchorites kill to obtain a twisted variation of, why don’t we just walk away from it? Why do we risk everything for strangers who’ll never know what we’ve done, win or lose? I ask the monkey troubled by its mirrored self: “Why?”
THE HOLY SPIRIT entered Oscar Gomez during last Sunday’s service at his Pentecostal church in Vancouver as the congregation recited Psalm 139. He described it to my friend Adnan Buyoya a few hours later as “knowing what lay in the hearts of his brothers and sisters in Christ, what sins they had yet to repent or to atone for.” Gomez’s conviction that God had bestowed this gift upon him was unshakable, and he was setting about God’s work without delay. He took the SkyTrain to Metropolis, a large suburban shopping mall in the city, and started preaching at the main entrance. Christian street preachers in secular cities are more ignored or mocked than they are listened to, but soon a crowd clotted around the short, earnest Mexican Canadian. Total strangers at Metropolis were baited, often to their astonishment, by Gomez’s startling specificity. One man, for example, was exhorted by Gomez to confess to fathering his sister-in-law Bethany’s baby. A hairdresser was begged to return the four thousand dollars she had stolen from her employer at the Curl Up and Dye hair salon. Gomez told a college dropout called Jed that the cannabis he was growing in his frail grandmother’s garden shed was disfiguring his life and could only end in a custodial sentence. Some blanched, their jaws dropping, and fled. Some angrily accused Gomez of hacking into their slates or working for the NSA, to which he replied, “The Lord has all our lives under surveillance.” Some began to weep, and ask for forgiveness. By the time the mall security guys arrived to escort Gomez from the premises, several dozen slates were filming the proceedings and a protective cordon of onlookers was surrounding the “Seer of Washington Street.” The city cops were summoned. YouTube uploads caught Gomez asking one of his arresters to confess to stamping on the head of an Eritrean immigrant—named—three nights before, while beseeching the other officer to seek counseling for his child pornography addiction, naming both the officer’s log-in and the Russian website. We can only guess at the conversation in the squad car, but en route to the precinct HQ, the destination was changed to Coupland Heights Psychiatric Hospital.
“Swear to God, Iris,” Adnan emailed me that evening, “I walked into the interview room and my first thought was, A seer? This guy looks straighter than my accountant. Straightaway—as if I’d spoken out loud—Oscar Gomez told me, “My father was an accountant, Dr. Buyoya, so maybe I get my straightness from him.” How do you conduct an assessment after that? I thought (or hoped?) I had spoken my initial thought aloud, but soon Gomez was referring to those events from my boyhood in Rwanda that I’d only ever told you and my own analyst about during training.” In Adnan’s second email, sent two hours later, patients at Coupland Heights were worshiping the new inmate as a god. “It’s like ‘The Voorman Problem,’ ” Adnan said, referring to a Crispin Hershey novella we both admired. “I know what my grandparents would call Gomez in Yoruba, but there’s no way to talk about witchcraft in English and keep my job. Please, Iris. Can you help?”
VENI, VIDI, NON vici. By the time I’d located my car in the vast, rainy parking lot, I was drenched, and I got a run in my tights as I clambered in. I was also hammered by anger, despair, and a sense of impotence. I’d failed. My device warbled as a message arrived:
2late marinus 2late. will mrs gomez believe the truth?
Answers and implications slid into place, like a self-solving Rubik’s Cube. Topmost was the most obvious, that my device had been hacked by a Carnivore, a gloating Anchorite, who might be incautious and inexperienced enough to let his identity slip. I messaged a half-bluff:
hugo lamb buried his conscience but it never quite died
There was a chance that the “Saint Mark” who had promised to accompany Oscar Gomez up Jacob’s Ladder was “Marcus Anyder,” the Anchorite name of Hugo Lamb. My device sat in my clammy hand for one minute, two, three. Just as I gave up, a message arrived.
consciences r 4 bone clocks marinus, u r 1 beaten woman
My bluff had worked, unless I was being double-bluffed back. But, no, a carnivorous psychodecanter acting alone wouldn’t pass up the chance to rub my nose in my wrong guess, and the “beaten woman” phrase matched L’Ohkna’s profile of Hugo Lamb’s misogyny. As I considered how best to make use of this contact, surely unsanctioned by Constantin or Pfenninger, a third message arrived:
c yr future marinus c yr rearview mirror
Instinctively, I ducked and tilted the rearview mirror until I could see through the rear window. The glass was beaded with rain. I switched on the car’s battery, and clicked on the rear wiper, to remove the—
The passenger-side window exploded into a thousand tiny hailstones, and the mirror above my head was a brittle supernova of plastic and glass. One shard of plastic shrapnel, the size and shape of a fingernail clipping, lodged itself in my cheek.
I crouched, afraid. A logical portion of my mind was arguing that if the marksman had intended to kill me I would now be staring across the Dusk. But I stayed down for several minutes longer. Atemporality neutralizes death’s poison, but it doesn’t defang death, and old habits of survival linger on, even in us.
THAT IS WHY we prosecute the War, I remind myself in 119A, four days later. The window in my room turns under-ice gray. We bother because of Oscar Gomez, Oscar Gomez’s wife, and his three children. Because nobody else would believe in the animacides committed by a syndicate of soul thieves like the Anchorites or by “freelancers” hunting alone. Because if we spent our metalives amassing the wealth of empires and getting stoned on the opiates of wealth and power, knowing what we know yet doing nothing about it, we would be complicit in the psychoslaughter of the innocents.
My device buzzes. It’s Ōshima’s tone. I fumble the thing like a panicky contestant, drop it, retrieve it, and read:
Done. No incidents.
Arkady returning now.
Will shadow Slim Hope.
I fill my lungs with oxygen and blessed relief. The Second Mission is one step closer. Daylight now leaks in around the window. 119A’s ancient plumbing shudders and clanks. I hear feet, a toilet cistern, and cupboard doors. Two or three rooms away, Sadaqat is up.
“SAGE, ROSEMARY, THYME …” Sadaqat, our warden, minder, and would-be traitor, plucks a weed from the raised beds. “I planted parsley too, so we could dine on ‘Scarborough Fair’ but late frost killed it. Some herbs are feebler than others. I’ll try again. Parsley’s rich in iron. Here I planted the onions and leeks, tough customers, and I have high hopes for the rhubarb. Do you remember, Doctor, we grew rhubarb at Dawkins Hospital?”
“I remember the pies,” I tell him.
We’re speaking quietly. Despite the fine-sieved rain and his busy night, Arkady, my fellow Horologist, is practicing Tai Chi among the myrtle and witch hazel across the rooftop courtyard. “This will be a strawberry patch,” Sadaqat points, “and the three fruiting cherry trees I’ll fertilize with the tip of a paintbrush, due to a scarcity of bees here in the East Side. Look! A red cardinal, on the momiji maple. I bought a book about birds, so I know. Those birds on the cloister roof, those are mourning doves. We have starlings nesting under the eaves, up there. They keep me busy with the scrubbing brush, but their droppings make a nutritious fertilizer, so I don’t complain. Here we have the fragrant quarter. Wintersweet, waxflower, and these thorny sticks will become scented roses. The trellis is for honeysuckle and jasmine.”
I notice that Sadaqat’s up-and-down British-Pakistani accent is flattening out. “You’ve worked magic up here, truly.”
Our warden purrs. “Plants want to grow. Just let them.”
“We should have thought of a garden up here decades ago.”
“You are too busy saving souls to think of such things, Doctor. The roof had to be reinforced, which was a challenge …”
Watch out, subwarns Arkady, or he’ll tell you about load-bearing walls and girders until you lose the will to live.
“… but I hired a Polish engineer who proposed a load-bearing—”
“It’s an oasis of calm,” I interrupt, “that we’ll cherish for years.”
“For centuries,” says Sadaqat, brushing droplets of mist off his vigorous but graying hair, “for you Horologists.”
“Let’s hope so.” Through an ornate wrought-iron screen in the cloister wall, we look down on the street four floors below. Cars crawl along and honk in vain. Umbrellas overtake them, parting for joggers running contraflow. Level with us on the much taller building across the road, an old woman with a neck brace waters the marigolds in her window boxes. New York’s skyscrapers vanish in cloud at about the thirtieth storey. If King Kong were up on the Empire State today, no one at our lowly altitude would believe the truth.
“Mr. Arkady’s Tai Chi,” Sadaqat murmurs, “reminds me of your magickings. How your hands draw on air, you know?” We watch him. Arkady may be gangly, Hungarian, and ponytailed, but the Vietnamese martial-arts master of his last self is still discernible, somehow.
I ask my former patient, “Are you still content with life here?”
Sadaqat is alarmed. “Yes! If I’ve done anything wrong …”
“No. Not at all. I just worry, sometimes, that we’re depriving you of friends, a partner, family … The trappings of normal life.”
Sadaqat removes his glasses and wipes them on his corduroy shirt. “Horology is my family. Partner? I am forty-five. I prefer to go to bed with The Daily Show on my slate, or a Lee Child novel and a cup of chamomile tea. Normal life?” He sniffs. “I have your cause, a library to explore, a garden to tend, and my poetry is becoming a little less awful. I swear, Doctor, every day when I shave I tell myself in the mirror, ‘Sadaqat Dastaani, you are the luckiest schizophrenic, middle-aged, balding, British Pakistani in all Manhattan.”
“If you ever,” I strive to sound casual, “think differently …”
“No, Dr. Marinus. My wagon is hitched to Horology’s.”
Careful, Arkady subwarns me, or he’ll smell a guilty rat.
I can’t quite let it go. “The Second Mission, Sadaqat. We can’t guarantee anyone’s safety. Not yours, not ours.”
“If you want me to go from 119A, Doctor, use your magickery-pokery because I won’t jump ship of my own accord. The Anchorites prey on the psychiatrically vulnerable, yes? If I’d had the correct type of”—Sadaqat taps his head—“soul, they might have taken me, yes? So. Horology’s War is my War. Yes, I am only a pawn, but a game of chess may hinge upon the conduct of a single pawn.”
Marinus, our guest’s arriving, Arkady subinforms me.
With a bruised conscience I tell Sadaqat, “You win.”
Our warden smiles. “I am glad, Doctor.”
“Our guest has arrived.” We walk back to the ironwork to look down on Holly in her Jamaican head-wrap. Across the road, Ōshima shows his outline in the room we have above the violin maker’s: I’ll watch the street, he subsuggests, in case any interested parties pass by. Holly approaches the door with the green key I gave her yesterday at the Santorini Café. The Englishwoman’s having a very strange morning. On a wand of willow very near my shoulder, a puffed-up red-winged blackbird performs a loop of arpeggios.
“Who’s a handsome devil, then?” whispers Sadaqat.
I SPEAK FIRST. “We’ve been expecting you, Ms. Sykes. As they say.”
“Welcome to 119A.” Arkady’s voice has a teenage croaky waver.
“You’re safe, Ms. Sykes,” says Sadaqat. “Don’t be afraid.”
Holly is flushed after her climb, but upon seeing Arkady her eyes widen: “It is you … you … you … isn’t it?”
“Yes, I have some explaining to do,” agrees Arkady.
Down in an alley, a dog is barking. Holly’s trembling. “I dreamt you. This morning! You—you’re the same. How did you do that?”
“The acne, right?” Arkady brushes his cheek. “Unforgettable.”
“My dream! You were at my desk, in my room, in my hotel …”
“Writing this address on the jotter.” Arkady picks up the sequence. “Then I asked you to bring Marinus’s green key here and go in. I said, ‘See you in two hours.’ And here we are.”
Holly looks at me, at Arkady, at Sadaqat, at me.
“Dreamseeding,” I comment, “is one of Arkaday’s métiers.”
“My range is lousy,” says my colleague, showing off his modesty. “My room was across the corridor from yours, Ms. Sykes, so I didn’t have far to transverse. Then, when my soul was back in my body, I hurried back here. In a taxi. Dreamseeding of civilians runs counter to our Codex, but you needed some proof of the wild claims made by Marinus the other day, and we’re at war, so I’m afraid we dreamseeded you anyway. Forgive us. Please.”
Holly’s at a nervous loss. “Who are you?”
“Me? Arkady Thaly, as of this self. Hi.”
Up in the low cloud an airplane drags itself along.
“This is our warden,” I turn to Sadaqat, “Mr. Dastaani.”
“Oh, I’m just a glorified dogsbody, really,” says Sadaqat, “and normal, like you—well, ‘normal,’ eh? Call me Sadaqat. It’s said ‘Sa-dar-cutt’ with the stress on the ‘dar.’ Think of me as an Afpak Alfred.” Holly looks none the wiser. “Alfred? Batman’s butler. I take care of 119A when my employers are away. I cook. You’re vegetarian, I am told? So are the Horologists. It’s the”—he twirls his finger in the air—“body-and-soul thing. Who’s hungry? I’ve mastered eggs Benedict with smoked tofu, a fine breakfast for a disorienting morning. Could I tempt you?”
119A’S FIRST-FLOOR GALLERY is dominated by an elliptical table of walnut wood that was here when Xi Lo bought the house in the 1890s. The chairs are mismatched, from various eras since. Pearly light enters through the three arched windows. The paintings on the long walls were gifts to Xi Lo or Holokai from the artists: a blushing desert dawn by Georgia O’Keeffe, A. Y. Jackson’s view of Port Radium, Diego Quispe Tito’s Sunset over the Bridge of San Luis Rey, and Faith Nulander’s Hooker and John in Marble Cemetery. At one end is Agnello Bronzino’s Venus, Cupid, Folly, and Time. It is worth more than the building and its neighbors combined. “I know this one,” says Holly, staring at the Bronzino. “The original’s in the National Gallery, in London. I used to go and see it in my lunchbreak, when I worked at the homeless center at St. Martin in the Fields.”
“Yes,” I say. Holly doesn’t need a story about how the National’s copy and the original got switched in Vienna in 1860. Anyway, she’s moved on to the Bronzino’s unworthy companion, Self Portrait of Yu Leon Marinus, 1969. Holly recognizes the face and turns to me accusingly. I nod, sheepishly. “Absurd, of course, and sheer arrogance to hang it in this company, but Xi Lo, our founder, insisted. We keep it there for his sake.”
Sadaqat enters from the door by the astrolabe, bringing our drinks on a tray. Nobody has the stomach for eggs Benedict. He asks, “Now, where is everyone sitting?” Holly chooses the gondola chair at the end, nearest the way out. Sadaqat asks our guest, “Irish Breakfast blend, Ms. Sykes? Your mother’s Irish, I believe.”
“She was, yes,” says Holly. “That’s grand, thanks.”
Sadaqat places a matching willow-pattern teapot and teacup, a jug of milk, and a bowl of sugar on a mat. My green tea is brewing in a black iron teapot owned by Choudary Marinus, two selves ago. Arkady drinks coffee from a bowl. Sadaqat puts a lit candle in a stained-glass cup as a centerpiece. “To brighten the place up. It can get
a little tomblike in here.”
In a parallel universe the man’s a design fascist, subsays Arkady.
“Just what we need, Sadaqat,” I say. He leaves, pleased.
Holly folds her arms. “You’d better begin. I’m too …”
“We’ve invited you here this morning,” I say, “to learn about us and our cosmology. About Atemporals and psychosoterics.”
This sounds like a business seminar, Marinus, subsays Arkady.
“Hold on,” says Holly. “You lost me at ‘Atemporals.’ ”
“Prick us, we bleed,” says Arkady, cupping his coffee bowl, “tickle us, we laugh, poison us, we die, but after we die, we come back. Marinus here has gone through this—thirty-nine lives, is it?”
“Forty, if we include poor Heidi Cross at her bungalow by the Isle of Sheppey.” I notice Holly watching me for signs of a second head or a maniacal cackle.
“I’m still a newbie,” says Arkady, “on my fifth self. Dying still really freaks me out, in the Dusk, looking over the Dunes …”
“What dusk?” asks Holly. “What dunes?”
“The Dusk,” Arkady says, “between life and death. We see it from the High Ridge. It’s a beautiful, fearsome sight. All the souls, the pale lights, crossing over, blown by the Seaward Wind to the Last Sea. Which, of course, isn’t really a sea at all, but—”
“Wait wait wait.” Holly leans forwards. “You’re saying you’ve died? That you’ve seen all this yourselves?”
Arkady drinks from his coffee bowl, then wipes his lips. “Yes, Ms. Sykes, to both your questions. But the Landward Wind blows our souls back, like it or not. Back over the High Ridge, back into the Light of Day, and then we hear a noise like … a town being dropped, and everything in it smashing to bits.” Arkady asks me, “Fair description?”
“It’ll do. Then we wake up in a new body, a child’s, usually in need of urgent repair, just vacated by its previous owner.”
The Bone Clocks Page 48
