Amazing. If this was the genuine item, he wanted it for himself.
In fact, on consideration, he could think of an even better use for it. He and the now-deceased Heydrich were not the only high-ranking Nazis with a passion for classical music. What an opportunity for Krebs to ingratiate himself at the very highest level.
‘Entschuldigung, mein Obersturmbannführer—’ Jundt’s voice at his ear, breaking in on his thoughts.
‘What is it, Jundt?’
‘We cannot find the boy. Every room has been searched but he is missing.’
‘What do you mean, you can’t find him? How is that possible?’ Krebs was more irritated by the interruption than the news of a missing brat. ‘He must be hiding somewhere.’
‘The parents and sister refuse to say where, mein Obersturmbannführer.’
‘They do, do they? We will see about that.’ Krebs rose from the piano stool and marched towards the hallway. Moments like these called for a little greater authority than the likes of Jundt could sum up. Krebs drew his Walther service automatic from its flap holster.
As Krebs reached the crowded hallway, he heard a sudden sound behind him and turned in surprise to see the young boy who seemed to have appeared from nowhere and was now racing across the salon, heading for the piano.
Jundt shouted, ‘There he is!’ As though his commanding officer were blind.
Miriam Silbermann screamed, ‘Gabriel!’
Krebs realised that the boy must have been hiding behind the wood panels, watching him as he sat at the piano. Running to the instrument, the twelve-year-old snatched the manuscript off its rest, and clutched it tightly. He yelled, ‘Filthy Boches, you won’t take our family treasure!’
His elder sister screamed, ‘Run, Gabriel!’ One of the soldiers silenced her with a harsh blow from his rifle butt.
And Gabriel ran, still grasping the precious manuscript to his chest as though nothing could persuade him to let it go. He made for the French window and slipped through, dashing towards the lawned garden and the fence at the bottom.
Krebs watched him go. Then calmly, unhurriedly, he walked towards the French window. Stepped through it, feeling the sun’s warmth on his face.
The boy was running fast. If Krebs let him run very much further, he would reach the fence and disappear into the trees, and it might take an entire Waffen-SS unit all day to scour the surrounding countryside in search of the brat.
Krebs raised his Walther and took careful aim at the running child’s back. It was a long shot, but Krebs was an accomplished pistol marksman.
The gun’s short, sharp report cracked out across the garden. Inside the house, Vidette Silbermann howled in anguish.
The boy stumbled, ran on two more staggering paces, then fell on his face and lay still.
More screams from the house, once again cut short by the soldiers. The Obersturmbannführer walked over to where Gabriel Silbermann lay dead, hooked the toe of his shiny jackboot under his body and rolled him over. A trickle of blood dribbled from the child’s lips. He was still clutching the music manuscript as if he wouldn’t give it up, even in death.
Krebs bent down and removed it from the boy’s fingers. It sickened him to see that there was blood on it, but not because it was the blood of an innocent child he had just killed. Rather, it was like seeing a rip in an old master painting. The manuscript had survived all these years, just to be indelibly stained by the blood of a filthy Jew. Disgusting. Krebs carefully slipped the precious object inside his coat before more harm could come to it. Then walked back towards the house to resume his duties. A pretty much routine day had turned out to be a lucky one for him.
Soon, the rest of the Silbermann family would be taken to their temporary new home at the Drancy internment facility, along with more than thirteen thousand other Jews rounded up by Nazi troops and French police in what was known as ‘Opération Vent Printanier’, or ‘Operation Spring Breeze’. From Drancy, not long afterwards, Abel, Vidette and Miriam would find themselves on the train to the death camp of Auschwitz.
Only one of them would ever return.
Chapter 1
Oxfordshire
Many years later
The country estate covered a spread of some seventy-five acres: a fraction of the grounds it had commanded in former, grander days, but still large enough to keep it nicely secluded from neighbouring properties and the nearest village that had, over the last two or three centuries, sprawled outwards into a small town. The estate was entirely surrounded by a ten-foot-high stone wall, built long ago by an army of local labourers, nowadays impossibly expensive to put up. Its main entrance gates were tall and imposing, all gothic wrought-iron and gilt spikes, set into massive ivied pillars crowned with carved stone heraldic beasts of Olde England that had guarded the gateway since 1759 and bore just the right amount of weathering and moss to convey an impression of grandiosity without looking scabby and decayed.
Neatly hidden among the ivy of the pillars were the electronic black box and mechanism for opening and shutting the gates, as well as the small intercom on which visitors had to announce themselves in order to be let in; the rest of the time, the gates were kept firmly shut. Nor could you see it from the ground, but the walls themselves were topped all the way around with broken glass cemented into the stonework, to deter unwanted callers. Technically illegal without a warning sign, but the property’s owner was little concerned with their duty of care to protect the safety and wellbeing of potential burglars, vandals or other intruders.
Entering the gates and following the long, winding driveway that led through a corridor of fine old oak trees and eventually opened up to reveal the clipped lawns and formal gardens, and then the house itself, few people could have failed to be impressed by the scale and majesty of one of the nobler country piles in the region. The manor stood on five floors, comprising over thirty bedrooms and many more reception rooms than were ever in use at any given time. Its multiple gabled roofs sloped this way and that. The red and green ivy that clung thickly about its frontage was kept neatly trimmed away from its dozens upon dozens of leaded windows. Clusters of chimney stacks poked like missiles into the blue Oxfordshire sky, providing a lofty perch for the crows that circled and cawed in the tranquil silence. Down below, parked on the ocean of ornamental gravel surrounding the big house, were rows of Aston Martins and Bentleys and classic Porsches, nothing as vulgar as a Ferrari.
The place might have been the personal residence of someone extremely wealthy, a marquis or a viscount, or the ancestor of some Victorian merchant dynasty still reaping the fruits of the family empire. Old money. Or new money, like a dot-com multimillionaire or whizzkid software developer who had struck lucky with some new gadget that had set the world on fire. Whatever the case, they would have required a live-in service staff to keep it on an even keel. At least one butler, maybe two, plus the requisite contingent of housekeepers and kitchen staff and gardeners. Or else it might have been open to the public, as a gallery or a museum or a National Trust heritage venue ushering crowds of visitors through its many grandiose rooms during the months of the tourist season.
It was none of those things. Instead, it was a place of business. A going concern, providing a variety of services to its clients. A polished brass plaque above the doorway read, in bold gothic font, THE ATREUS CLUB. Named after a king of ancient Greece, the father of Agamemnon and Menelaus, not that the name bore any connection to the nature and purpose of the establishment. A nature and purpose to which, in turn, few people were ever privy.
The Atreus Club was strictly private, hence the locked gates, and hence the broken glass on the walls. Members only. Expensive to join, and only certain individuals need apply to enjoy the secluded and discreet haven it provided for its exclusive, distinguished membership.
And for good reason, considering some of the activities those pillars of society enjoyed there.
Behind a tall balcony window, up on the fourth floor, one of those activities was c
urrently taking place. The room was large but quite sparsely decorated. It had been a bedroom, and sometimes still was, depending on need. Today, though, it was something else. At its centre stood an antiquated wooden school desk, the kind with the flip-up top and a recess for an inkwell. In front of it was a larger teacher’s desk, behind which stood an equally old-fashioned classroom blackboard, complete with chalk and duster. Scrawled in slanting chalk script across the board were the words, ‘I must not be a naughty boy; I must not be a naughty boy’. Over and over.
At the far side of the room, in the light from the tall window, stood a metal frame, seven feet high with a steel bar supported between sturdy mounts either side. Attached to the overhead bar, arms raised above his head by the rubber manacles and rubber chains that bound him firmly in place, stood one of the room’s two occupants.
He was naked apart from his socks. A man in his early sixties, grey-haired, tall, slightly stooped, and not in the best of shape physically. His bare buttocks were pinched and somewhat shrivelled and very white, except for where they were striped red from the whipmarks that the room’s other occupant had spent the last few minutes inflicting on him.
She was blonde, and at least forty years younger than her client. But not naked, not yet, as specified by the instructions that had to be followed to the exact letter. All part of the expensive services provided by the Atreus Club. And this particular client had specified, as he always specified on his many visits here, that the girl be wearing a mortarboard and one of the abbreviated black academic gowns that Oxford University tradition dubbed a commoners’ gown. Both items duly obtained from the official university outfitters, Shepherd and Woodward’s of the High. No expense spared. Aside from the academic garb and the matching black fish-net stockings, garters and suspender belt, she was wearing nothing else. Again, as per instructions. The instrument of torture was a whippy rattan cane, the type that schoolmasters had once used to inflict corporal punishment on disobedient pupils, back in the day. The client had never been caned at school, however. He had always been a model pupil, set for academic glory.
‘Have you had enough, you bad, bad professor, you?’ the blonde asked with a wicked smile on her red lips. She spoke with an Eastern European accent that drove him even more crazy.
‘No! Hit me again! Ah!’
The client’s cry of pain and pleasure was drowned out by the whoosh and sharp crack of the cane as she whipped it through the air and added another fresh, livid stripe to his pale rear end. The velvety tassel on her mortarboard swung with the movement.
‘Again! More!’
Whoosh. Crack.
This could go on for quite some time. As the blonde knew very well, because it usually did and she was his regular pick. She had the technique down better than any of the other girls. Something in the wrist action. For some reason, she was a natural at it. He knew her as Angelique, which, needless to say, wasn’t her real name. The instructions were to call him ‘professor’ and that was the sum total of her knowledge about him. He could be a judge, for all she cared. Or a cop. A couple of senior Thames Valley Police officers were regulars.
What ‘Angelique’ didn’t know – what neither of them could have known – was that their supposedly private session was, in fact, anything but.
The fine mature oak tree on the front lawn was about as close to the house as it was possible to get without being spotted from the windows, and you could reach it easily enough by darting from hedge to bush. Plenty close enough for the man who was perched high up in its branches. The only challenging part of his job had been getting over the wall unscathed. The rest was easy. Almost fun. He had an excellent view through the window in question, and at this range the telephoto lens on his camera was capable of producing crystal-clear close-ups of both the client and the girl whipping him.
The watcher wasn’t so interested in the girl. The client was another matter. Just a few more snaps, and the watcher would descend unseen from his perch and make his way back out of the grounds and over the wall to his vehicle.
The watcher permitted himself a smile as he watched the blonde step back to give herself space, then swing the cane and whack the old perv again. He could almost hear the snap of the thin rattan against soft, loose, white flesh. Framed in the viewfinder the client’s eyes were rolled upwards and his mouth was open with a sigh of ecstasy.
The shutter clicked one more time.
A perfect shot.
Someone was going to be happy.
Chapter 2
Ben Hope sat on the edge of the single bed with his old green canvas bag wedged between his feet and gazed around him at his strange, yet so familiar, surroundings.
And wondered, What the hell am I doing back here?
In some ways he felt like much the same person who had once lived in this very room, studied at the desk by the window, slept in this very bed, done all the things that a restless nineteen-year-old with the devil inside him and too many troubles for his young mind to bear is wont to do. In other ways, he was a very different person now. Twenty-something years of the kind of existence he had led since leaving this place couldn’t but profoundly change a man, if it didn’t kill him altogether.
But one thing was for sure. The place itself had barely changed at all during his long, long absence. Old Library 7 still had the same fusty smell of a building overdue for renovation by a century or so. The yellowed and chipped woodwork of the ancient bow window was maybe a little more in need of repair, at least a fresh coat of paint. The carpet was still worn in all the same places as he remembered. The thinly-upholstered armchairs were the same ones he’d sprawled in evening after evening, meant to be reading but usually ending up asleep with the book upturned and dog-eared on his lap. Even the battered desk was original equipment, still bearing the black marks of cigarette burns and the scar from the time he’d smashed a bottle against it in some drunken fit of anger.
He’d been angry a lot of the time back in those days. Drunk even more of the time. Not the best of memories.
The only thing missing from the room was the old piano that had once stood over by the window, its place now taken by a saggy couch. Which seemed to make more sense. Quite why the college authorities had ever seen fit to put a piano in an undergraduate’s room had always been a mystery to him. He’d never even opened the lid, having never touched a musical instrument of any variety in his life before or since.
Ben stood up from the edge of the bed and walked past where the piano had been. He undid the Victorian sash window latch, painted over so many times that it needed force to open it, and worked the stubborn window frame upwards until it was far open enough to lean out. The view of the quadrangle below was exactly the same as it had been twenty-something years ago, with the rear façade of Meadow Buildings facing him. The wide open space of Christ Church Meadow lay beyond. Here in the middle of a hundred and sixty thousand people, the college’s nearly forty acres of unspoilt fields and woodland were a tranquil haven for wildlife, and for Ben. He could smell the river and hear the traffic rumble in the distance. It was a crisp and sunny Easter-time morning, in the break between Hilary and Trinity terms, and the usual troop of camera-toting tourists were bustling about the quad. Spanish, judging by the barking narrative of the guide who was busily ushering them around the hallowed college grounds.
It seemed an ironic coincidence that he should have been given his old room. Or was it? Maybe he had Seraphina to thank for it, looking up old records and being over-efficient. Perhaps she thought he’d go all mushy and nostalgic and be forever grateful to her for the gesture. In which case, she obviously didn’t know enough of his history with the place, or the circumstances under which he’d left it.
Which in turn brought him once again to asking himself the same question that had been in his mind ever since he’d arrived in Oxford early that morning.
What the hell am I doing back here?
Where Ben Hope goes, trouble always follows…
The first i
n an explosive two-book sequence.
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About the Author
Scott Mariani is the author of the worldwide-acclaimed action-adventure thriller series featuring ex-SAS hero Ben Hope, which has sold millions of copies in Scott’s native UK alone and is also translated into over 20 languages. His books have been described as ‘James Bond meets Jason Bourne, with a historical twist’. The first Ben Hope book, The Alchemist’s Secret, spent six straight weeks at #1 on Amazon’s Kindle chart, and all the others have been Sunday Times bestsellers.
Scott was born in Scotland, studied in Oxford and now lives and writes in a remote setting in rural west Wales. When not writing, he can be found bouncing about the country lanes in an ancient Land Rover, wild camping in the Brecon Beacons or engrossed in his hobbies of astronomy, photography and target shooting (no dead animals involved!).
You can find out more about Scott and his work, and sign up to his exclusive newsletter, on his official website:
www.scottmariani.com
By the same author
Ben Hope series
The Alchemist’s Secret
The Mozart Conspiracy
The Doomsday Prophecy
The Heretic’s Treasure
The Shadow Project
The Lost Relic
The Sacred Sword
The Armada Legacy
The Nemesis Program
The Forgotten Holocaust
The Martyr’s Curse
The Cassandra Sanction
Star of Africa
The Devil’s Kingdom
To find out more visit www.scottmariani.com
The Babylon Idol Page 37
