(LB2) Shakespeare's Landlord
Harris, Charlaine
Penguin (1996)
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Lily Bard is a loner. Fiercely protective of her independence, she concentrates on her karate skills and her work as the proprietor of a cleaning and errand-running service, and pays little attention to the town around her. When her landlord is murdered, though, she looks like the prime suspect. Uncovering the real killer may be the only way to prove her innocence, and Lily realizes that she must focus on the other residents of tiny Shakespeare. Her job gives her easy access to people's private lives, and she begins to snoop, finding plenty of skeleton-filled closets, and exposing herself to the unwanted attentions of a murderer.
LILY BARD IS
“…one of the best-drawn and most compelling
characters in contemporary mystery fiction—
complex, smart, streetwise, tough.”
—Booklist
PRAISE FOR
SHAKESPEARE’S LANDLORD
“Gripping. Harris, known for her series featuring Aurora Teagarden, takes a dark turn here, and it pays off…All in all, a fine effort from Harris.”
—Albuquerque Journal
“Harris has done an incredible job launching her new character. The author wisely makes Lily’s past as much a part of the mystery as the murder investigation. A well-constructed psychological study that moves at a steady pace.”
—Fort Lauderdale Sun-Sentinel
“A satisfying introduction to a fascinating, complex set of characters. Just keep ’em coming.”
—Arkansas Democrat-Gazette
“Harris’s finely tuned, colorful, and suspenseful tale, filled with vigorous and unique characters, will leave readers hoping it’s the start of a series.”
—Publishers Weekly
“Lily is as human and likeable as her new town. This is a sparkling series debut.”
—Tulsa World
“Harris writes about Lily with a quiet compassion that is compelling. A fine writer has written her best book yet.”
—The Dead Beat
“Harris has created an intriguing new character in this solidly plotted story.”
—Booklist
“Riveting…Lily’s triumphant progress from scarred loner to fierce fighter is very rewarding. Bravo, Ms. Harris!”
—Pen & Dagger
“Lily’s an ingratiating heroine, and the author’s easy style makes this one an engaging breeze.”
—Kirkus Reviews
“The charm of this book lies not in the plot but in its characters, particularly enigmatic Lily whose unfolding history will draw you in.”
—The Poisoned Pen
“Low-key and entertaining…exactly what you need from a mystery.”
—Seventeen
PRAISE FOR
SHAKESPEARE’S COUNSELOR
“Solid, clever, and quick.”
—Library Journal
“The best work in this fine series…The mystery is loaded with red herrings that hide the villain in plain sight so that the audience is stunned when the culprit is revealed.”
—BookBrowser
PRAISE FOR
SHAKESPEARE’S TROLLOP
“Lily is a terrific character with dark shadings and stark fears…A supporting cast of quirky characters fully rendered in quick strokes will hold readers as surely as the complex resolution in this cozy on the bleeding edge of noir.”
—Booklist
“An ending that will take everyone by surprise…an extremely compelling read.”
—Romantic Times
“Solid entertainment.”
—Library Journal
“An exciting amateur sleuth.”
—Midwest Book Review
PRAISE FOR THE SOUTHERN VAMPIRE SERIES BY
CHARLAINE HARRIS
“The goofy charm of Harris’s world, with its humor and occasional terror, is what makes Dead Until Dark so delightful.”
—The Denver Post
“Harris brings off this blend of mystery and vampires better than most.”
—San Francisco Chronicle
“Fans will appreciate this endearing protagonist who combines vulnerability with a steely spine (kind of a supernatural Steel Magnolia)…[and] will enjoy this offbeat read that combines elements of several genres to ensure that the world of Charlaine Harris seems real, one bite at a time.”
—Midwest Book Review
“A fun, fast, funny, and wonderfully intriguing blend of vampire and mystery that’s hard to put down, and should not be missed.”
—Susan Sizemore, author of Laws of the Blood
“A genre mix refreshingly free of the expected tropes.”
—Locus
“Fans of Laurell Hamilton’s Anita Blake looking for a lighter version of the vampire huntress should cotton to Sookie Stackhouse…Consistent, well-built characters and a strong, action-packed plot that will keep readers guessing to the end distinguish this frothy fusion of romance, mystery, and fantasy.”
—Publishers Weekly
“Gripping and spicy.”
—Booklist
“Delivered in well-written, fast-paced Southern twang that will keep you turning the pages.”
—Cemetery Dance
“Highly original, extraordinarily riveting, erotic, and exotic…Charlaine Harris weaves storytelling magic in a tale of vampires and small town Louisiana.”
—Lynn Hightower
Ace books by Charlaine Harris
DEAD UNTIL DARK
LIVING DEAD IN DALLAS
CLUB DEAD
DEAD TO THE WORLD
DEAD AS A DOORNAIL
DEFINITELY DEAD
Berkley Prime Crime books by Charlaine Harris
SHAKESPEARE’S LANDLORD
SHAKESPEARE’S CHAMPION
SHAKESPEARE’S TROLLOP
SHAKESPEARE’S COUNSELOR
GRAVE SIGHT
GRAVE SURPRISE
Shakespeare’s Landlord
Charlaine Harris
BERKLEY PRIME CRIME,NEW YORK
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc. 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)
Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Group (NZ), Cnr. Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd.)
Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
SHAKESPEARE’S LANDLORD
A Berkley Prime Crime Book / published by arrangement with the author
Copyright © 1996 by Charlaine Harris.
Cover art by Lisa Desimini.
<
br /> Cover design by Rita Frangie.
All rights reserved.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.
For information address: The Berkley Publishing Group, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014.
ISBN: 1-4295-2965-2
BERKLEY® PRIME CRIME
Berkley Prime Crime Books are published by The Berkley Publishing Group, a division of Penguin Group (USA) Inc.,
375 Hudson Street, New York, New York 10014.
BERKLEY PRIME CRIME and the BERKLEY PRIME CRIME design are trademarks belonging to Penguin Group (USA) Inc.
For all my fellow inmates
in Doctor Than’s House of Pain:
especially Martha, John, and Wayne
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 1
I GATHERED MYSELF, MY BARE FEET GRIPPING THE wooden floor, my thigh muscles braced for the attack. I stepped forward on the ball of my left foot, pivoting as I moved, and my right leg swung up, bent at the knee. My foot lashed out, returned instantly. The black Everlast punching bag rocked on its chain.
My right foot touched down, and I pivoted lightly on the ball of that foot, my body oriented this time facing the bag. My left leg came forward to deliver a longer, harder, thrusting mae geri. I continued the kicking, the pivoting, alternating the side kicks with the front kicks, practicing my weaker back kicks, my breathing growing deeper but never losing its rhythm—exploding out with the kick, coming in deep with the retraction.
The bag danced on the end of its chain, swinging back and forth, requiring more and more concentration on my part to plant the next kick accurately. I was tiring.
Finally, I lashed out with my stronger right leg, using all my power, dodged the backswing, and struck seiken, my hand in a smooth line with my arm, my knuckles driving into the bag.
I had finished my exercise. Automatically, I bowed, as I would have if I’d had a live sparring partner, and shook my head in disgust at my own foolishness. I reached for the towel hanging on its appointed hook by the doorknob. As I patted my face, I wondered whether my workout had been enough; if I took a shower now and got in bed, would I sleep? It was worth a try.
I washed my hair, soaped and rinsed, and was out within five minutes. After I dried myself, I put mousse on my hair and stood before the mirror to fluff it out with my fingers and a pick; I had tucked the towel around me so I couldn’t see my chest in the mirror.
My hair is short and light blond now. One of my few extravagances is getting it colored, permed, and cut at Terra Ann’s, the fanciest hairdressing salon in Shakespeare. Some of my employers get their hair done there; they never know quite what to say when they see me.
Most bodybuilders consider a deep tan part of their regimen, but I’m pale. The scarring doesn’t stand out so much that way. But I do get rid of excess hair; I pluck every stray eyebrow, and my legs and armpits are shaved smooth as a baby’s bottom.
Once upon a time, years ago, I thought I was pretty. My sister, Varena, and I had the usual rivalry going, and I remember deciding my eyes were bigger and a lighter blue than hers, my nose was straighter and thinner, and my lips were fuller. Her chin was better—neat and determined. Mine is round. I haven’t seen Varena in three years now. Probably she is the pretty one. Though my face hasn’t changed, my mind has. The workings of the mind look out through the face and alter it.
Sometimes, some mornings—the ones after the really bad nights—I look in the mirror and do not recognize the woman I see there.
This was going to be one of those really bad nights (though I had no idea how bad it was going to get). But I could tell there was no point in going to bed. My feet itched to be moving.
I dressed again, throwing my sweaty workout clothes into the hamper and pulling on blue jeans and a T-shirt, tucking in the T-shirt and pulling a belt through the belt loops. My hair was only a little damp; the blow-dryer finished the job. I pulled on a dark windbreaker.
Front door, back door, kitchen door? Some nights it takes me a while to decide.
The back. Though I keep my doors greased so they swing back and forth almost noiselessly, the back door is the quietest.
The back door is directly opposite the front door, making my house a shotgun house; from my back door, I can look down the hall and through the living room, which occupies the width of the front of the house, to check to make sure the dead bolt is shot.
It was, of course; I am not one to neglect security. I locked the back door as I left, using another key to turn the dead bolt from the outside. I pushed the key down to the very bottom of my front pocket, where it couldn’t possibly fall out. I stood on the tiny back porch for a minute, inhaling the faint scent of the new leaves on the climbing rose vines. The vines were halfway up the trellis I’d built to make the little porch prettier.
Of course, it also obstructed my view of anyone approaching, but when the first roses open in about a month, I won’t regret it. I have loved roses since I was a child; we lived on a large lot in a small town, and roses filled the backyard.
That yard of my childhood was easily five times as big as this backyard, which extends less than twenty feet, ending abruptly in a steep slope up to the railroad tracks. The slope is covered with weeds, but from time to time a work crew wanders through to keep the weeds under control. To my left as I faced the tracks was the high wooden privacy fence that surrounded the Shakespeare Garden Apartments. It’s slightly uphill from my house. To my right, and downhill, was the equally tiny backyard of the only other house on the street. It’s nearly an exact copy of my house, and it’s owned by an accountant named Carlton Cockroft.
Carlton’s lights were off, not too surprising at this hour of the night. The only light I could see in the apartment building was in Deedra Dean’s place. As I glanced up, her window fell dark.
One o’clock in the morning.
I silently stepped off my little back porch, my walking shoes making almost no noise in the grass, and began to move invisibly through the streets of Shakespeare. The night was still and dark—no wind, the moon only a crescent in cold space. I could not even see myself. I liked that.
AN HOUR AND a half later, I felt tired enough to sleep.
I was on my way home, and I was not trying to conceal myself anymore; in fact, I was being sloppy. I was using the sidewalk that borders the arboretum (a fancy name for an overgrown park with some labels on trees and bushes). Estes Arboretum takes up a block of definitely unprime Shakespeare real estate. Each of the four streets edging the park has a different name, and my street, Track, on the park’s east side, is only a block long. So there’s little traffic, and every morning I get to look out my front window and see trees across the street instead of someone else’s carport.
I rounded the corner from the south side of the arboretum, Latham Street, to Track; I was opposite the little piece of scrubland that no one claimed, just south of Carlton Cockroft’s house. I was not careless enough to linger under the weak streetlight at the corner. There is one at each corner of the arboretum, as Shakespeare’s budget can’t run to putting streetlights in the middle of the block, especially in this obscure part of town.
I hadn’t seen a soul all night, but suddenly I was aware I was not alone. Someone was stirring in the darkness on the other side of the street.
Instinctively, I concealed myself, sliding behind a live oak on the edge of the park. Its branches overhung the sidewalk; perhaps their shadow had hidden me from the presence across the str
eet. My heart was pounding unpleasantly fast. Some tough woman you are, I jeered at myself. What would Marshall think if he saw you now? But when I’d had a second to calm down, I decided that Marshall might think I was showing some sense.
I peered around the oak’s trunk cautiously. In the middle of the block, where the person was, the darkness was almost total; I couldn’t even tell if I was watching a man or a woman. I had a flash of an unpleasant recollection: my great-grandmother, in the act of saying, “Blacker than a nigger in a coal mine with his mouth shut,” and embarrassing everyone in the whole family quite unconsciously. Or maybe not; maybe that little nod of satisfaction had not been over a well-turned phrase but over the pained looks she’d intercepted passing between my parents.
My great-grandmother would have stomped out to the middle of the street and inquired what the person’s business was, quite assured of her own safety in doing so, too.
But I know better.
The person was pushing something, something on wheels.
Peering intently into the darkness, I tried to remember if I’d ever seen anyone out on my street before when I was up and wandering. I’d seen a few cars go by, residents or visitors of people in the apartment building, but I couldn’t recall ever meeting up with anyone on foot in the past four years—at least in this part of town.
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