The old men read the newspaper. We already know that one of them is illiterate, he is therefore more generous when it comes to making comments, his opinions are a way of balancing the scale. If one man knows, the other explains. I say, this story about Loon Six Hundred is really very funny, I've known him for years, I knew him when he drove a tram, he was always crashing into carts and wagons, he loved it, they put him in jail thirty-eight times and finally sacked him, he was incorrigible, but the cart drivers were partly to blame, they go at a snail's pace, never hurry, and there was Loon Six Hundred stamping on the bell with the heel of his boot, foaming at the mouth until he could stand it no longer, so he rammed them, bang, and there was a fight, and the police came and marched everybody off to jail, but now Loon Six Hundred drives a cart too and fights with the tram drivers, his former colleagues, because they treat him the way he used to treat the cart drivers, as the old saying goes, As ye sow. Thus concluded the old man who could not read, with an aphorism, which had a medicinal, binding effect on his speech. Ricardo Reis was seated on the same bench, a rare occurrence, but today all the others were occupied. Aware that the old man's monologue was for his benefit, he asked, This nickname Loon Six Hundred, how did he get it. Whereupon the illiterate replied, Six hundred was his number when he worked for the tram company and people called him Loon because of his behavior. I see. When the old men went back to their reading, Ricardo Reis allowed his thoughts to wander, What nickname would suit me, perhaps Doctor Bard, Back-from-Brazil, the Spiritualist, Jack the Ode Maker, Chess Player, Casanova of Chambermaids. Suddenly the old man who was reading said, Orphan of Fortune, the nickname of a petty thief, a pickpocket caught in the act. Why not Orphan of Fortune for Ricardo Reis and Ricardo Reis for the pickpocket, a criminal could have his name, names do not choose destinies. The old men love to read about the colorful dramas of everyday life, the cases of fraud, disorderly conduct, acts of violence or despair, dark deeds in the night, crimes of passion, an abandoned fetus, a car crash, a calf born with two heads, a bitch that suckles cats, at least this bitch is not like Ugolina who ate her young. Their conversation now turns to Micas Saloia whose real name is Maria Conceição and who has received one hundred and sixty prison sentences for theft besides being exiled to Africa several times. Then there was Judite Meleças the bogus countess from Castelo Melhor who cheated a lieutenant of the National Republican Guard out of two contos and fifty reis, a sum of money that will seem rather paltry fifty years from now but in these lean times it is almost a fortune, as the women of Benavente, who work from dawn to dusk for ten thousand reis, can testify. The rest is less interesting. As announced, a gala day was held at the Jockey Club with thousands of guests, we need not be surprised that so many attended, we know how the Portuguese love celebrations, particularly celebrations organized on behalf of the flood victims of Ribatejo, among whom is Micas da Borda d'Agua from Benavente, who will receive her share of the forty-five thousand seven hundred and fifty-three escudos and five and a half centavos collected, although some accounting still has to be done, because there are a few not inconsiderable invoices outstanding, and tax bills. But the high standard and elegant presentation of the events on the program made it all worthwhile, the band of the National Republican Guard gave a concert, two troops of horsemen from the same guard staged a carousel and charge, patrols from the Cavalry School of Torres Novas demonstrated various maneuvers, there was a display of cowboy skills, the rounding up and throwing of steers from Ribatejo, and nuestros hermanos were represented, cattle drovers from Seville and Badajoz come expressly to take part in the festivities. In order to have a chat with them and hear the latest from Spain, the dukes of Alba and Medinaceli, guests at the Hotel Bragança, descended into the arena, a fine example of peninsular solidarity on their part, there is nothing like being a Spanish grandee in Portugal.
News from the rest of the world has not changed a great deal, the strikes continue in France, where there are now about five hundred thousand workers on strike, the government headed by Albert Sarraut is expected to resign and be succeeded by a new ministry which Léon Blum will organize, and the impression will be created, at least temporarily, that the demonstrators are satisfied. As for Spain, the drovers from Seville and Badajoz converse with the dukes, Here we are respected more than grandees of Portugal, Then remain here with us and we shall drive cattle together. In Spain, as we were saying, the strikers are sprouting up like mushrooms and Largo Caballero warns that until the working classes are protected by the law, outbreaks of violence can be expected, and if he says that, a man who supports the working classes, it must be true, therefore we must prepare ourselves for the worst. Better late than never, on the other hand there's no point closing the stable door after the horse has bolted, look at the British, they abandoned the Ethiopians to their fate and now applaud their Emperor, if you ask me, my dear fellow, this is nothing but one great swindle. The old men on the Alto de Santa Catarina chat pleasantly on, though the doctor has returned to his apartment, they talk about animals, about the white wolf that appeared in Riodades, near Sao João da Pesqueira, and that the local inhabitants call Pombo, and about the lioness Nadia that mauled the fakir Blacaman's leg in the Teatro Coliseu in full view of the audience, thus proving that circus artists really do put their lives at risk. If Ricardo Reis had not left so soon he could have taken this opportunity to tell them the story of the bitch Ugolina, completing the triumvirate of wild beasts, the wolf still at large, the lioness whose dose of drugs will have to be increased, the bitch, who eats her children, Pombo, Nadia, Ugolina, animals have nicknames as well as men.
Early one morning, as Ricardo Reis lies dozing, very early indeed considering his indolence of late, he hears the warships on the Tagus firing salvos, twenty-one solemn booms at regular intervals, making the windowpanes rattle. He thought another war had broken out, then remembered what he had read the previous day, this is the tenth of June, Portugal's National Holiday commemorating our forefathers and affirming our dedication to the achievements of the future. Half-asleep, he wondered whether he had the energy to jump out of these grubby sheets and throw the windows wide open to let the heroically echoing salutes enter unimpeded and disperse the shadows from his apartment, the mildew, the insidious smell of must. But while he was turning this over in his mind and debating with himself, the last vibrations fell away. Once more a great silence descended upon the Alto de Santa Catarina, but Ricardo Reis did not notice, he had closed his eyes and gone back to sleep. Such is a life badly managed, we sleep when we should be on our guard, we depart when we should be arriving, we close the window when we should leave it open. In the afternoon, returning from lunch, he saw bunches of flowers at the foot of the statue of Camoes, homage from the Federation of Patriots to the epic poet, the great bard of the nation's valor, that all may know that we have shaken off the enfeebling and degrading melancholy we suffered in the sixteenth century. Today, believe me, we are a very happy people. As soon as darkness falls we will switch on floodlights here in the square and Senhor Camoes will be lit up, what am I saying, he will be completely transformed by the dazzling splendor. True, he is blind in the right eye, but he can still see with his left, and if he finds the light too strong let him speak up, we can easily dim the intensity to twilight, to the original gloom that we have by now grown so accustomed to. Had Ricardo Reis gone out this evening, he would have met Fernando Pessoa in the Praça de Luis de Camoes, seated on one of those benches as if enjoying the breeze. Both families and solitary souls have come in search of the same refreshment, and there is so much light, it is almost like day, faces glow as if touched by ecstasy, one can understand why this day is called the Feast of the Nation. To mark the occasion, Fernando Pessoa tries to recite, in his mind, the poem from Mensagem that is dedicated to Camoes, and it takes him some time to realize that there is no such poem. Can this be possible. Only by looking it up can he be certain. From Ulysses to Dom Sebastião not a single hero escaped him, not even the prophets Bandarra and Vieira
, yet apparently he failed even to mention the One-Eyed Bard. This omission causes Fernando Pessoa's hands to tremble, his conscious asks, Why, his unconscious can provide no explanation, then Luis de Camoes smiles, his bronzed mouth has the knowing expression of one who died long ago, It was envy, my dear Pessoa, but forget it, don't torment yourself so, here nothing has importance, the day will come when they disown you a hundred times, another day will come when you wish to be disowned a hundred times. At this very moment, in his third-floor apartment on the Rua de Santa Catarina, Ricardo Reis is trying to write a poem to Marcenda so that posterity will not say she passed in vain, Already impatient for the summer, I also weep for its flowers, knowing they must fade. This will be the first part of the ode, so far no one would guess that he speaks of Marcenda, but poets often begin at the horizon, for that is the shortest path to the heart. Half an hour later, or an hour later, or more, because when it comes to writing poetry time either drags or races, the middle part has taken form, it is not the lament it first seemed, rather the acceptance of that which has no remedy, Having crossed the inevitable threshold of each year, I begin to see before me the flowerless valley, the rumbling abyss. It is dawn, the entire city sleeps, and the floodlights on the statue of Camoes, because with no onlookers they now serve no purpose, have gone out. Fernando Pessoa returns home, says, I'm back, Grandmother, and at that precise moment the poem completes itself, with difficulty, a semicolon was reluctantly inserted, Ricardo Reis long resisted it, did not want it, but it won, And I pick the rose because fortune picks Marcenda, and cherish it, let it wither on my breast and not on the vast diurnal curving bosom of the globe. Ricardo Reis lay fully dressed on the bed, his left hand resting on the sheet of paper, if he should pass now from sleep to death, people will mistake it for his will, a letter of farewell, they will not know what to make of it even after they read it, for whoever heard of a woman called Marcenda. Such a name comes from another planet, Blimunda too is an example, a mysterious name waiting to be used by an unknown woman. At least a woman named Marcenda has been found, but she lives far away.
Here beside him on this same bed was Lydia, when they felt the earth move. The tremor was brief but shook the building from top to bottom before it passed, sending the neighbors onto the stairs in hysterics and causing the chandelier to swing like a pendulum. Gripped by terror, those voices sounded obscene. The entire city, perhaps with the terrible memory of other earthquakes still embedded in its stones, waited in suspense, in the unbearable silence that follows the tremor, when one cannot think but asks himself, Will the tremor return, Will I die. Ricardo Reis and Lydia stayed in bed. They were naked, lying on their backs like statues without even a sheet covering them. Death, had it come, would have found them submissive, satisfied, still breathing heavily, wet with sweat and intimate secretions, their hearts pounding, because their bodies had separated only a few minutes ago, as full of life as possible. Suddenly the bed shudders, the furniture rocks, the floor and ceiling creak, this is not the vertiginous final moment of orgasm, it is the earth roaring from its depths. We are going to die, Lydia said, yet she did not clutch the man beside her as one might have expected. Women as a rule are like this, it is the men who say in terror, It's nothing, stay calm, it has passed, words spoken to reassure themselves, not others. Trembling with fear, Ricardo Reis said this too, and he was right, the tremor passed, the neighbors shouting on the stairs gradually calmed, but the discussion continued, one of them went down to the street, another went to her window, both watching the general uproar. As peace is gradually restored, Lydia turns to Ricardo Reis and he to her, the arm of each over the body of each, and he repeats, It was nothing, and she smiles, but her smile has a different meaning, she is clearly not thinking about the tremor. They lie looking at each other yet so distant from each other, so apart in their thoughts, as we now see when suddenly she confides, I think I'm pregnant, I'm ten days late. The student of medicine has been taught the mysteries of the human body, he knows therefore how the spermatozoa swim upstream inside the woman until they reach the source of life, from books he learns these things and sees them confirmed in practice, yet look how stunned he is, as stunned as an ignorant Adam who cannot fathom how this could have happened however much Eve explains. He tries to gain time, What did you say. I'm ten days late, I think I'm pregnant. Once again, of the two she is the more composed. For the past week, every day, every second, she has thought of nothing else, perhaps she thought of this even a moment ago when she said, We are going to die. One wonders whether Ricardo Reis was included in that plural. He expects her to ask a question, for example, What should I do, but she remains silent, concealing her pubis with a slight bending of the knees. There is no visible sign of pregnancy, unless we can decipher what her eyes are saying, fixed on some personal horizon, if eyes possess such a thing. Ricardo Reis searches for the right words but all he finds within himself is indifference, as if, though aware that he is obliged to help solve the problem, he does not feel implicated in its cause. Rather, he sees himself in the role of the doctor to whom a patient has blurted out her guilty secret, Ah, Doctor, what is to become of me, I am pregnant and this could not have happened at a worse moment. The doctor does not tell her, Have an abortion, don't be a fool. On the contrary, he puts on a grave air, If you and your husband have taken no precautions, in all probability you are pregnant, but let's wait a few more days, you could simply be late, sometimes that happens. But Ricardo Reis cannot speak with such neutrality, he is the father, for there is no evidence that in the last few months Lydia has slept with any man but him, still the father is at a loss for words. Finally, feeling his way with the utmost caution, weighing every phrase, he distributes the blame, We were careless, this had to happen sooner or later. But Lydia does not ask, What care should I have taken. He never withdrew at the critical moment, never used those rubber caps, but this does not worry her, she simply says, I'm pregnant. After all, it happens to nearly every woman, becoming pregnant is no earthquake. Ricardo Reis makes a decision, he must know her intentions, there is no point in evading the issue any longer, Are you thinking of having the child. Just as well that there is no one eavesdropping, otherwise Ricardo Reis would find himself accused of suggesting an abortion, but before the witnesses have been heard and the judge passes sentence, Lydia steps forward and declares, I am going to have the baby. For the first time, Ricardo Reis feels a finger touch his heart. It is not pain he experiences, or a twitch or chill, but a sensation like no other, like the first handshake of men from two different planets, both human beings yet completely alien to each other. What is an embryo of ten days, Ricardo Reis asks himself, and can find no answer. In his years as a doctor he has seen cells multiply through a microscope, he has seen detailed illustrations in books, but now he sees nothing but this silent, somber, unmarried woman, a hotel chambermaid by profession, Lydia, her breasts and belly exposed, only her pubis shyly hidden as if keeping a secret. He pulled her to him, and she yielded like someone finally taking refuge from the world, suddenly blushing and overjoyed and pleading like a timid bride, You aren't angry with me. What an idea, why should I be angry. These words are not sincere, because a great anger now surges inside Ricardo Reis, I've got myself into a fine mess, he is thinking, if she doesn't have an abortion, I'll end up with a child on my hands, I'll have to acknowledge it as mine, I am morally obliged, what a mess, I never thought anything like this would happen to me. Snuggling up closer, Lydia wanted him to hold her tight, because it felt good, and casually she uttered these incredible words, If you don't want to acknowledge the child, I don't mind, the child can be illegitimate, like me. Ricardo Reis felt his eyes fill with tears, some tears of shame, some of pity, if anyone can tell the difference, and in a sudden impulse, sincere at last, he embraced and kissed her. Imagine, he kissed her long and on the lips, relieved of this tremendous burden. There are such moments in life, we think we are experiencing passion and it is merely a rush of gratitude. But sensuality pays little attention to these subtleties
, within seconds Lydia and Ricardo Reis are copulating, moaning and sighing, they need not worry now, the child has already been conceived.
The Collected Novels of José Saramago Page 77
