In the vicinity of Santiago de Compostela the dog veered in a northeasterly direction. It must be nearing its destination, this could be seen from the renewed vigor with which it was now trotting along, from its firm gait, the way it held its head, its bristling tail. Joaquim Sassa was forced to accelerate a little so that Deux Chevaux could keep up with the dog, and they got so close that they were almost touching the animal. Joana Carda exclaimed, Look, look at the blue thread. They all turned around. The thread didn't look the same. The other one had become so dirty that it could have been either blue or black, but this one was as blue as blue could be, and quite unlike the blue of the sky or the sea, who could have dyed and combed it, or who could have washed it, if it was the same thread, and put it back into the dog's mouth with the words, Off you go. The road has become narrow, it's almost like a footpath skirting the hills. The sun is about to set over the sea, which still cannot be seen from here, nature is masterly when it comes to composing spectacles attuned to human circumstances, this morning and all afternoon the sky had been overcast and somber as it sprinkled the land with Galician drizzle, and now the countryside is bathed in a coppery light, the dog glows like a jewel, an animal made of gold. Even Deux Chevaux no longer looks the worse for wear and the passengers inside are suddenly transformed, the light is shining on them and they go forth like the beatified. José Anaiço observes Joana Carda and shudders at the sight of such beauty, Joaquim Sassa lowers the rearview mirror in order to gaze into his own sparkling eyes, and Pedro Orce contemplates his wrinkled hands, they are no longer wrinkled, no, they've been restored by alchemy, they've become immortal, even if the rest of his body should die.
Suddenly, the dog stops. The sun is level with the summit of the mountains, the sea can be glimpsed on the other side. The road goes winding down, two hills appear to cut it off down below, but this is an optical illusion due to distance. In front, halfway down the slope, there is a large house, an austere building with an air of neglect, very old, despite signs that the surrounding fields are being farmed. Part of the house is already in the shade, the light is waning, the whole world appears to be sinking into inertia and solitude. Joaquim Sassa brought the car to a halt. They all got out. The silence can be heard vibrating like one last echo, perhaps it is only the distant thrashing of the waves against the rocks, that is always the best explanation, the interminable memory of the waves echoes even inside the shells, but this is not the case, what can be heard here is silence, no one should die before experiencing it, silence, have you heard it, now you may go, you know what it sounds like. But that hour still has not arrived for any of these four. They know that their destination is that house, this amazing dog has brought them here, mute as a statue, waiting. José Anaiço is at Joana Carda's side but he does not touch her, he knows that he must not touch her, she knows it too, these are moments when even love must resign itself to its own insignificance, forgive us for reducing the greatest of affections to almost nothing, that affection that on other occasions can be almost everything. Pedro Orce was the last to get out of the car, he puts his feet on the ground and feels the earth vibrating with terrifying force, here every seismograph needle would snap, and these hills appear to sway with the movement of the waves that surge one upon the other in the sea beyond, pushed by this stone raft, throwing themselves against it with the reflux of the powerful currents we are cutting through.
The sun has disappeared. Then the blue thread fluttered in the air, almost invisible in its transparency, searching for some support, grazing hands and faces, Joaquim Sassa held it, was this a coincidence or destiny, let us leave these hypotheses aside, even though there are a number of reasons for not giving credence either to the one or to the other, and now what will Joaquim Sassa do, he cannot travel in the car, with one hand outside holding and accompanying the thread, for a thread at the mercy of the wind does not necessarily follow the line of the road. What should I do with this, he asked, but while the others could not give him an answer the dog could, it left the road and began to descend the gentle slope, Joaquim Sassa followed it, his raised hand followed the blue thread as if it were stroking the wings or the breast of a bird above his head. José Anaiço went back to the car with Joana Carda and Pedro Orce, put it into gear, and, keeping a watchful eye on Joaquim Sassa, began slowly going down the road, he did not want to arrive before him, or for that matter much after him, the potential harmony of things depends on their equilibrium and the time when they occur, not too soon, not too late, which explains why it is so difficult for us to attain perfection.
When they stopped in the square in front of the house, Joaquim Sassa was ten paces from the door, which was ajar. The dog gave a sigh that seemed almost human and lay down, stretching its neck over its paws. It dislodged the thread from its mouth with its paws and let it fall to the ground. A woman emerged from the dark interior of the house, she had a thread in her hand, the same as the one Joaquim Sassa was still holding. She stepped down from the last step at the front door and said, Come in, you must be tired. Joaquim Sassa was the first to move, his end of the blue thread tied round his wrist.
One day, Maria Guavaira told them, about this hour and with much the same light, the dog appeared, looking as if it had come from afar, its coat was filthy, its paws bleeding, it came and knocked on the door with its head, and when I went to open it, thinking it might be one of those beggars who travel from place to place, who arrive tapping their stick and plead, Whatever you can give, ma'am or miss, what do I find but the dog, panting as if it had come running from the end of the world and the blood staining the ground under its paws, the most surprising thing of all was that I didn't feel frightened, though there was every reason to take fright, anyone who didn't know just how harmless the dog is would think he was looking at the wildest of beasts, poor creature, the moment it saw me, the dog lay down on the ground as if it had been waiting until it reached me before attempting to rest, and it seemed to be crying, as if trying to speak but unable to, and all the time the dog was here I never once heard it bark. It's been with us now for six days and it hasn't barked once, Joana Carda said. I took it in, cleaned it up, nursed it, it's not a stray, you can tell from its coat, and the dog's owners obviously fed it properly, showed it love and affection, if you want to see the difference you need only compare it with Galician dogs, who are born hungry and die from starvation after a lifetime of being deprived, beaten, and stoned, that's why the Galician dog can't lift its tail, but hides it between its legs in the hope of going unnoticed, it takes its revenge, when it gets the chance, by biting. This one doesn't bite, Pedro Orce assured them, As for knowing where it came from, we'll probably never know, José Anaiço remarked, perhaps it's not all that important, what surprises me is that it should have come to look for us in order to bring us here, you have to wonder why. I don't know, all I know is that one day it went off with a piece of thread in its mouth, looking at me as if to say, Don't move from here until I return, and off it went up the hill there from which it has just descended, What is this thread, Joaquim Sassa asked, as he wound on his wrist, then unwound, the end of the strand that still tied him to Maria Guavaira. I wish I knew, she replied, winding her end between her fingers and stretching the thread like the taut string of a guitar, while neither he nor she appeared to notice that they were tied together, the others did as they stood there looking on, what they were thinking they kept to themselves although it wouldn't be all that difficult to guess. For I did nothing but unravel an old sock, one of those socks people used to keep their money in, but the sock I unraveled would have given only a handful of wool, while the amount of wool here is what you would get from shearing a hundred sheep, not to say a thousand, and how is one to explain such a thing. For days, two thousand starlings kept following me, said José Anaiço, I threw a stone into the sea that weighed almost as much as I did, and it landed far off in the distance, Joaquim Sassa added, aware that he was exaggerating, and Pedro Orce simply said, The earth is trembling, and trembled.
Joaquim Sassa and Maria Guavaira must not remain tied together like this for too long, otherwise this union will begin to look suspicious, so she winds up all the thread and on reaching his wrist she pulls the thread around it as if she were invisibly attaching him to her once more, and then holds the tiny ball of wool against her breast, only a fool would be in any doubt about the gesture, but he would be an even bigger fool not to be in doubt. José Anaiço moved away from the fire burning in the hearth, Although it may seem absurd, we've come to the conclusion that there is some connection or other between what has happened to us and the separation of Spain and Portugal from Europe, you must have heard about it, Yes, I have, but in these parts no one gave it another thought, if we go over the mountains and down to the coast the sea is always the same. It was shown on television, I don't have television, It was broadcast in the news bulletin, News is nothing but words, and you can never really tell if words are news.
On this skeptical note the conversation was interrupted for several minutes. Maria Guavaira went to fetch some bowls from the shelf, ladled out the soup, the last bowl but one for Joaquim Sassa, the last one of all for herself, for a moment everyone thought there would be one spoon too few, but no, there were enough to go around, so Maria Guavaira did not have to wait for Joaquim Sassa to finish his soup. Then he asked her if she was living alone, for so far they had seen no one else in the house, and she told him that she had been a widow for three years, and that hired hands came to work the land, I'm between the sea and the mountains, without children or family, my brothers emigrated to Argentina, my father died, my demented mother is in an asylum in La Coruña, there can't be many women in this world as lonely as I am, You could have remarried, Joana Carda pointed out, but immediately regretted having spoken, she had no right to say such a thing, she who only a few days ago had broken up her marriage and was already keeping company with another man, I was worn out, and if a woman remarries at my age, it's on account of any land she may own, men are more interested in marrying land than a woman, You're still young, I was young once but I can scarcely remember that time, and with these words she leaned over the hearth so that the flames lit up her face, she looked up at Joaquim Sassa as if to say, This is what I'm like, take a good look at me, you turned up on my doorstep tied to a thread I was holding in my hand, I could, if I so wished, draw you to my bed, and I'm certain you would come, but beautiful I shall never be, unless you can transform me into the most desirable woman who ever lived, that's something only a man can do, and does, but what a pity it can't last forever.
Joaquim Sassa watched her from the other side of the fire and saw that the flames as they danced kept on changing her expression, one moment making her cheeks look sunken, the next moment smoothing away the shadows, but the gleam in her dark eyes did not change, perhaps a suspended tear had been transformed into a membrane of pure light. She isn't pretty, he thought, nor is she ugly, her hands are rough and worn, quite unlike mine, the smooth hands of an office clerk enjoying paid leave, which reminds me that tomorrow, unless I'm mistaken, is the last day of the month, the day after tomorrow I'm due back at work, but no, how can I, how can I possibly leave José and Joana, Pedro and the Dog, they've no reason for wanting to come with me, and if I take Deux Chevaux they're going to find it extremely difficult to get back to their respective homes, but they probably don't want to go back, the only real thing that exists at this moment on earth is our being here together, Joana Carda and José Anaiço conversing in whispers, perhaps about their own life, perhaps about each other's life, Pedro Orce with his hand on Pilot's head, no doubt measuring vibrations and tremors no one else can feel, while I watch and go on watching Maria Guavaira who has a way of looking that isn't exactly looking but rather a way of showing her eyes, she is dressed in black, a widow whom time has consoled but whom custom and tradition restrict to wearing black, fortunately her eyes shine, and there is the blue cloud that doesn't seem to belong to this house, her hair is brown, and she has a rounded chin and full lips, and her teeth, I caught a glimpse of them a moment ago, are white, thank God, this woman is pretty after all and I didn't even notice, I was tied to her and didn't realize, I must decide whether to return home or remain here, even if I get back to work a few days late I'll be excused, with all this upheaval in the peninsula who's going to pay any attention to employees who are a few days late in returning to work, one can always say there was no transportation. One minute she looked common, the next quite pretty, and now, right now, standing beside Maria Guavaira, Joana Carda looks terrible, My woman is much more attractive, Senhor José Anaiço, how can you compare your lady from the city, and her affectations, to this wild creature who clearly tastes of the salty air the breeze carries over the mountains and whose body must be white underneath that black dress, If 1 could, Pedro Orce, I'd tell you something, What would you tell me, That I now know whom I should love, Congratulations, there are people who have taken much longer, or have never come to know, Do you know any such person, Take me, for example, and with this reply, Pedro Orce then said out loud, I'm going to take the dog for a walk.
Darkness has not yet fallen, but it is cold. In the direction of the mountain that hides the sea there is a path that begins to wend its way up the slope ahead in one bend after another, left and right like a winding thread until it disappears from sight. Soon the valley will be plunged into darkness, as on the night of the blackout, although it would be more accurate to say that in the valley where Maria Guavaira lives every night is like a blackout, so there was no need for all the electric cables of civilized and cultured Europe to break down. Pedro Orce left the house because he wasn't needed there. He walks on without looking back, at first as quickly as his strength permits, then, beginning to tire, he slows down. He does not feel the least bit nervous in this silence amid the great walls formed by the mountains, he's a man who was born and bred in a desert, in a land of dust and stones, where one is never surprised to find a horse's skull, a hoof with the metal shoe still attached, there are some who say not even the horsemen of the Apocalypse could survive there, the warhorse died in war, the infected horse died of infection, the starved horse of starvation, death is the supreme raison d'être of all things and their infallible conclusion, what deceives us is this line of the living along which we find ourselves, which advances toward what we call the future, simply because we had to give it a name, where we are constantly gathering in new beings while constantly leaving old ones behind, we are obliged to refer to these as the dead lest they emerge from the past.
Pedro Orce's heart is already starting to grow old and weary. He now has to rest more often and for longer, but he does not give up, the dog's presence consoles him. They exchange signs with each other, like a code that even though undeciphered is enough, for the simple fact of existing is enough, the animal rubs its back against the man's thigh, the man's hand strokes the soft skin inside the dog's ear, the world is filled with the sound of footsteps, breathing, friction, and now the muffled clamor of the sea can unmistakably be heard behind the summit of the mountain, growing louder, louder, getting clearer and clearer, until the immense surface looms up before one's eyes, vaguely sparkling beneath the night sky that is bereft of moonlight and has few stars, and below, like the living line separating night and death, the dazzling whiteness of spume constantly dissolving
and renewing itself. The rocks are blacker where the waves are lashing, as if the stone there had greater density or had been soaked in water since the beginning of time. The wind comes in from the sea, on the one hand it is blowing normally, on the other it can scarcely be felt, this must be due to the peninsula's displacement on the water, it is no more than a breeze, as we well know, and yet there has never been such a typhoon since the world began.
The Collected Novels of José Saramago Page 138
