by Ted Chiang
Usually, Heptapod B affects just my memory: my consciousness crawls along as it did before, a glowing sliver crawling forward in time, the difference being that the ash of memory lies ahead as well as behind: there is no real combustion. But occasionally I have glimpses when Heptapod B truly reigns, and I experience past and future all at once; my consciousness becomes a half-century-long ember burning outside time. I perceive— during those glimpses— that entire epoch as a simultaneity. It's a period encompassing the rest of my life, and the entirety of yours.
* * *
I wrote out the semagrams for "process create-endpoint inclusive-we," meaning "let's start." Raspberry replied in the affirmative, and the slide shows began. The second display screen that the heptapods had provided began presenting a series of images, composed of semagrams and equations, while one of our video screens did the same.
This was the second "gift exchange" I had been present for, the eighth one overall, and I knew it would be the last. The looking glass tent was crowded with people; Burghart from Ft. Worth was here, as were Gary and a nuclear physicist, assorted biologists, anthropologists, military brass, and diplomats. Thankfully they had set up an air conditioner to cool the place off. We would review the tapes of the images later to figure out just what the heptapods' "gift" was. Our own "gift" was a presentation on the Lascaux cave paintings.
We all crowded around the heptapods' second screen, trying to glean some idea of the images' content as they went by. "Preliminary assessments?" asked Colonel Weber.
"It's not a return," said Burghart. In a previous exchange, the heptapods had given us information about ourselves that we had previously told them. This had infuriated the State Department, but we had no reason to think of it as an insult: it probably indicated that trade value really didn't play a role in these exchanges. It didn't exclude the possibility that the heptapods might yet offer us a space drive, or cold fusion, or some other wish-fulfilling miracle.
"That looks like inorganic chemistry," said the nuclear physicist, pointing at an equation before the image was replaced.
Gary nodded. "It could be materials technology," he said.
"Maybe we're finally getting somewhere," said Colonel Weber.
"I wanna see more animal pictures," I whispered, quietly so that only Gary could hear me, and pouted like a child. He smiled and poked me. Truthfully, I wished the heptapods had given another xenobiology lecture, as they had on two previous exchanges; judging from those, humans were more similar to the heptapods than any other species they'd ever encountered. Or another lecture on heptapod history; those had been filled with apparent non sequiturs, but were interesting nonetheless. I didn't want the heptapods to give us new technology, because I didn't want to see what our governments might do with it.
I watched Raspberry while the information was being exchanged, looking for any anomalous behavior. It stood barely moving as usual; I saw no indications of what would happen shortly.
After a minute, the heptapod's screen went blank, and a minute after that, ours did too. Gary and most of the other scientists clustered around a tiny video screen that was replaying the heptapods' presentation. I could hear them talk about the need to call in a solid-state physicist.
Colonel Weber turned. "You two," he said, pointing to me and then to Burghart, "schedule the time and location for the next exchange." Then he followed the others to the playback screen.
"Coming right up," I said. To Burghart, I asked, "Would you care to do the honors, or shall I?"
I knew Burghart had gained a proficiency in Heptapod B similar to mine. "It's your looking glass," he said. "You drive."
I sat down again at the transmitting computer. "Bet you never figured you'd wind up working as an Army translator back when you were a grad student."
"That's for goddamn sure," he said. "Even now I can hardly believe it." Everything we said to each other felt like the carefully bland exchanges of spies who meet in public, but never break cover.
I wrote out the semagrams for "locus exchange-transaction converse inclusive-we" with the projective aspect modulation.
Raspberry wrote its reply. That was my cue to frown, and for Burghart to ask, "What does it mean by that?" His delivery was perfect.
I wrote a request for clarification; Raspberry's reply was the same as before. Then I watched it glide out of the room. The curtain was about to fall on this act of our performance.
Colonel Weber stepped forward. "What's going on? Where did it go?"
"It said that the heptapods are leaving now," I said. "Not just itself; all of them."
"Call it back here now. Ask it what it means."
"Um, I don't think Raspberry's wearing a pager," I said. The image of the room in the looking glass disappeared so abruptly that it took a moment for my eyes to register what I was seeing instead: it was the other side of the looking-glass tent. The looking glass had become completely transparent. The conversation around the playback screen fell silent.
"What the hell is going on here?" said Colonel Weber.
Gary walked up to the looking glass, and then around it to the other side. He touched the rear surface with one hand; I could see the pale ovals where his fingertips made contact with the looking glass. "I think," he said, "we just saw a demonstration of transmutation at a distance."
I heard the sounds of heavy footfalls on dry grass. A soldier came in through the tent door, short of breath from sprinting, holding an oversize walkie-talkie. "Colonel, message from—"
Weber grabbed the walkie-talkie from him.
* * *
I remember what it'll be like watching you when you are a day old. Your father will have gone for a quick visit to the hospital cafeteria, and you'll be lying in your bassinet, and I'll be leaning over you.
So soon after the delivery, I will still be feeling like a wrung-out towel. You will seem incongruously tiny, given how enormous I felt during the pregnancy; I could swear there was room for someone much larger and more robust than you in there. Your hands and feet will be long and thin, not chubby yet. Your face will still be all red and pinched, puffy eyelids squeezed shut, the gnomelike phase that precedes the cherubic.
I'll run a finger over your belly, marveling at the uncanny softness of your skin, wondering if silk would abrade your body like burlap. Then you'll writhe, twisting your body while poking out your legs one at a time, and I'll recognize the gesture as one I had felt you do inside me, many times. So that's what it looks like.
I'll feel elated at this evidence of a unique mother-child bond, this certitude that you're the one I carried. Even if I had never laid eyes on you before, I'd be able to pick you out from a sea of babies: Not that one. No, not her either. Wait, that one over there.
Yes, that's her. She's mine.
* * *
That final "gift exchange" was the last we ever saw of the heptapods. All at once, all over the world, their looking glasses became transparent and their ships left orbit. Subsequent analysis of the looking glasses revealed them to be nothing more than sheets of fused silica, completely inert. The information from the final exchange session described a new class of super-conducting materials, but it later proved to duplicate the results of research just completed in Japan: nothing that humans didn't already know.
We never did learn why the heptapods left, any more than we learned what brought them here, or why they acted the way they did. My own new awareness didn't provide that type of knowledge; the heptapods' behavior was presumably explicable from a sequential point of view, but we never found that explanation.
I would have liked to experience more of the heptapods' worldview, to feel the way they feel. Then, perhaps I could immerse myself fully in the necessity of events, as they must, instead of merely wading in its surf for the rest of my life. But that will never come to pass. I will continue to practice the heptapod languages, as will the other linguists on the looking glass teams, but none of us will ever progress any further than we did when the heptapods were her
e.
Working with the heptapods changed my life. I met your father and learned Heptapod B, both of which make it possible for me to know you now, here on the patio in the moonlight. Eventually, many years from now, I'll be without your father, and without you. All I will have left from this moment is the heptapod language. So I pay close attention, and note every detail.
From the beginning I knew my destination, and I chose my route accordingly. But am I working toward an extreme of joy, or of pain? Will I achieve a minimum, or a maximum?
These questions are in my mind when your father asks me, "Do you want to make a baby?" And I smile and answer, "Yes," and I unwrap his arms from around me, and we hold hands as we walk inside to make love, to make you.
Seventy-Two Letters
When he was a child, Robert's favorite toy was a simple one, a clay doll that could do nothing but walk forward. While his parents entertained their guests in the garden outside, discussing Victoria's ascension to the throne or the Chartist reforms, Robert would follow the doll as it marched down the corridors of the family home, turning it around corners or back where it came from. The doll didn't obey commands or exhibit any sense at all; if it met a wall, the diminutive clay figure would keep marching until it gradually mashed its arms and legs into misshapen flippers. Sometimes Robert would let it do that, strictly for his own amusement. Once the doll's limbs were thoroughly distorted, he'd pick the toy up and pull the name out, stopping its motion in midstride. Then he'd knead the body back into a smooth lump, flatten it out into a plank, and cut out a different figure: a body with one leg crooked, or longer than the other. He would stick the name back into it, and the doll would promptly topple over and push itself around in a little circle.
It wasn't the sculpting that Robert enjoyed; it was mapping out the limits of the name. He liked to see how much variation he could impart to the body before the name could no longer animate it. To save time with the sculpting, he rarely added decorative details; he refined the bodies only as was needed to test the name.
Another of his dolls walked on four legs. The body was a nice one, a finely detailed porcelain horse, but Robert was more interested in experimenting with its name. This name obeyed commands to start and stop and knew enough to avoid obstacles, and Robert tried inserting it into bodies of his own making. But this name had more exacting body requirements, and he was never able to form a clay body it could animate. He formed the legs separately and then attached them to the body, but he wasn't able to erase the seams fully; the name didn't recognize the body as a single continuous piece.
He scrutinized the names themselves, looking for some simple substitutions that might distinguish two-leggedness from four-leggedness, or make the body obey simple commands. But the names looked entirely different; on each scrap of parchment were inscribed seventy-two tiny Hebrew letters, arranged in twelve rows of six, and so far as he could tell, the order of the letters was utterly random.
* * *
Robert Stratton and his fourth-form classmates sat quietly as Master Trevelyan paced between the rows of desks.
"Langdale, what is the doctrine of names?"
"All things are reflections of God, and, um, all—"
"Spare us your bumbling. Thorburn, can you tell us the doctrine of names?"
"As all things are reflections of God, so are all names reflections of the divine name."
"And what is an object's true name?"
"That name which reflects the divine name in the same manner as the object reflects God."
"And what is the action of a true name?"
"To endow its object with a reflection of divine power."
"Correct. Halliwell, what is the doctrine of signatures?"
The natural philosophy lesson continued until noon, but because it was a Saturday, there was no instruction for the rest of the day. Master Trevelyan dismissed the class, and the boys of Cheltenham school dispersed.
After stopping at the dormitory, Robert met his friend Lionel at the border of school grounds. "So the wait's over? Today's the day?" Robert asked.
"I said it was, didn't I?"
"Let's go, then." The pair set off to walk the mile and a half to Lionel's home.
During his first year at Cheltenham, Robert had known Lionel hardly at all; Lionel was one of the day boys, and Robert, like all the boarders, regarded them with suspicion. Then, purely by chance, Robert ran into him while on holiday, during a visit to the British Museum. Robert loved the museum: the frail mummies and immense sarcophagi; the stuffed platypus and pickled mermaid; the wall bristling with elephant tusks and moose antlers and unicorn horns. That particular day he was at the display of elemental sprites: he was reading the card explaining the salamander's absence when he suddenly recognized Lionel, standing right next to him, peering at the undine in its jar. Conversation revealed their shared interest in the sciences, and the two became fast friends.
As they walked down the road, they kicked a large pebble back and forth between them. Lionel gave the pebble a kick, and laughed as it skittered between Robert's ankles. "I couldn't wait to get out of there," he said. "I think one more doctrine would have been more than I could bear."
"Why do they even bother calling it natural philosophy?" said Robert. "Just admit it's another theology lesson and be done with it." The two of them had recently purchased A Boy's Guide to Nomenclature, which informed them that nomenclators no longer spoke in terms of God or the divine name. Instead, current thinking held that there was a lexical universe as well as a physical one, and bringing an object together with a compatible name caused the latent potentialities of both to be realized. Nor was there a single "true name" for a given object: depending on its precise shape, a body might be compatible with several names, known as its "euonyms," and conversely a simple name might tolerate significant variations in body shape, as his childhood marching doll had demonstrated.
When they reached Lionel's home, they promised the cook they would be in for dinner shortly and headed to the garden out back. Lionel had converted a toolshed in his family's garden into a laboratory, which he used to conduct experiments. Normally Robert came by on a regular basis, but recently Lionel had been working on an experiment that he was keeping secret. Only now was he ready to show Robert his results. Lionel had Robert wait outside while he entered first, and then let him enter.
A long shelf ran along every wall of the shed, crowded with racks of vials, stoppered bottles of green glass, and assorted rocks and mineral specimens. A table decorated with stains and scorch marks dominated the cramped space, and it supported the apparatus for Lionel's latest experiment: a cucurbit clamped in a stand so that its bottom rested in a basin full of water, which in turn sat on a tripod above a lit oil lamp. A mercury thermometer was also fixed in the basin.
"Take a look," said Lionel.
Robert leaned over to inspect the cucurbit's contents. At first it appeared to be nothing more than foam, a dollop of suds that might have dripped off a pint of stout. But as he looked closer, he realized that what he thought were bubbles were actually the interstices of a glistening latticework. The froth consisted of homunculi: tiny seminal foetuses. Their bodies were transparent individually, but collectively their bulbous heads and strandlike limbs adhered to form a pale, dense foam.
"So you wanked off into a jar and kept the spunk warm?" he asked, and Lionel shoved him. Robert laughed and raised his hands in a placating gesture. "No, honestly, it's a wonder. How'd you do it?"
Mollified, Lionel said, "It's a real balancing act. You have to keep the temperature just right, of course, but if you want them to grow, you also have to keep just the right mix of nutrients. Too thin a mix, and they starve. Too rich, and they get over lively and start fighting with each other."
"You're having me on."
"It's the truth; look it up if you don't believe me. Battles amongst sperm are what cause monstrosities to be born. If an injured foetus is the one that makes it to the egg, the baby that's born is deformed."
"I thought that was because of a fright the mother had when she was carrying." Robert could just make out the minuscule squirmings of the individual foetuses. He realized that the froth was ever so slowly roiling as a result of their collective motions.
"That's only for some kinds, like ones that are all hairy or covered in blotches. Babies that don't have arms or legs, or have misshapen ones, they're the ones that got caught in a fight back when they were sperm. That's why you can't provide too rich a broth, especially if they haven't any place to go: they get in a frenzy. You can lose all of them pretty quick that way."
"How long can you keep them growing?"
"Probably not much longer," said Lionel. "It's hard to keep them alive if they haven't reached an egg. I read about one in France that was grown till it was the size of a fist, and they had the best equipment available. I just wanted to see if I could do it at all."
Robert stared at the foam, remembering the doctrine of preformation that Master Trevelyan had drilled into them: all living things had been created at the same time, long ago, and births today were merely enlargements of the previously imperceptible. Although they appeared newly created, these homunculi were countless years old; for all of human history they had lain nested within generations of their ancestors, waiting for their turn to be born.
In fact, it wasn't just them who had waited; he himself must have done the same thing prior to his birth. If his father were to do this experiment, the tiny figures Robert saw would be his unborn brothers and sisters. He knew they were insensible until reaching an egg, but he wondered what thoughts they'd have if they weren't. He imagined the sensation of his body, every bone and organ soft and clear as gelatin, sticking to those of myriad identical siblings. What would it be like, looking through transparent eyelids, realizing the mountain in the distance was actually a person, recognizing it as his brother? What if he knew he'd become as massive and solid as that colossus, if only he could reach an egg? It was no wonder they fought.
