The Best Horror Stories of Arthur Conan Doyle

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by Arthur Doyle


  My heart sank within me as I saw these ominous preparations, and yet I was held by the fascination of horror, and I could not take my eyes from the strange spectacle. A man had entered the room with a bucket of water in either hand. Another followed with a third bucket. They were laid beside the wooden horse. The second man had a wooden dipper—a bowl with a straight handle—in his other hand. This he gave to the man in black. At the same moment one of the varlets approached with a dark object in his hand, which even in my dream filled me with a vague feeling of familiarity. It was a leathern filler. With horrible energy he thrust it—but I could stand no more. My hair stood on end with horror. I writhed, I struggled, I broke through the bonds of sleep, and I burst with a shriek into my own life, and found myself lying shivering with terror in the huge library, with the moonlight flooding through the window and throwing strange silver and black traceries upon the opposite wall. Oh, what a blessed relief to feel that I was back in the nineteenth century—back out of that mediæval vault into a world where men had human hearts within their bosoms. I sat up on my couch, trembling in every limb, my mind divided between thankfulness and horror. To think that such things were ever done—that they could be done without God striking the villains dead. Was it all a fantasy, or did it really stand for something which had happened in the black, cruel days of the world’s history? I sank my throbbing head upon my shaking hands. And then, suddenly, my heart seemed to stand still in my bosom, and I could not even scream, so great was my terror. Something was advancing toward me through the darkness of the room.

  It is a horror coming upon a horror which breaks a man’s spirit. I could not reason, I could not pray; I could only sit like a frozen image, and glare at the dark figure which was coming down the great room. And then it moved out into the white lane of moonlight, and I breathed once more. It was Dacre, and his face showed that he was as frightened as myself.

  “Was that you? For God’s sake what’s the matter?” he asked in a husky voice.

  “Oh, Dacre, I am glad to see you! I have been down into hell. It was dreadful.”

  “Then it was you who screamed?”

  “I dare say it was.”

  “It rang through the house. The servants are all terrified.” He struck a match and lit the lamp. “I think we may get the fire to burn up again,” he added, throwing some logs upon the embers. “Good God, my dear chap, how white you are! You look as if you had seen a ghost.”

  “So I have—several ghosts.”

  “The leather funnel has acted, then?”

  “I wouldn’t step near the infernal thing again for all the money you could offer me.”

  Dacre chuckled.

  “I expected that you would have a lively night of it,” said he. “You took it out of me in return, for that scream of yours wasn’t a very pleasant sound at two in the morning. I suppose from what you say that you have seen the whole dreadful business.”

  “What dreadful business?”

  “The torture of the water—the ‘Extraordinary Question,’ as it was called in the genial days of ‘Le Roi Soleil.’ Did you stand it out to the end?”

  “No, thank God, I awoke before it really began.”

  “Ah! It is just as well for you. I held out until the third bucket. Well, it is an old story, and they are all in their graves now, anyhow, so what does it matter how they got there? I suppose that you have no idea what it is that you have seen?”

  “The torture of some criminal. She must have been a terrible malefactor indeed if her crimes are in proportion to her penalty.”

  “Well, we have that small consolation,” said Dacre, wrapping his dressing-gown round him and crouching closer to the fire. “They were in proportion to her penalty. That is to say, if I am correct in the lady’s identity.”

  “How could you possibly know her identity?”

  For answer Dacre took down an old vellum-covered volume from the shelf.

  “Just listen to this,” said he; “it is in the French of the seventeenth century, but I will give a rough translation as I go. You will judge for yourself whether I have solved the riddle or not.

  “‘The prisoner was brought before the Grand Chambers and Tournelles of Parliament, sitting as a court of justice, charged with the murder of Master Dreux d’Aubray her father, and of her two brothers, MM. d’Aubray, one being civil lieutenant, and the other a counsellor of Parliament. In person it seemed hard to believe that she had really done such wicked deeds, for she was of a mild appearance, and of short stature, with a fair skin and blue eyes. Yet the Court, having found her guilty, condemned her to the ordinary and to the extraordinary question in order that she might be forced to name her accomplices, after which she should be carried in a cart to the Place de Greve, there to have her head cut off, her body being afterwards burned and her ashes scattered to the winds.’

  “The date of this entry is July 16, 1676.”

  “It is interesting,” said I, “but not convincing. How do you prove the two women to be the same?”

  “I am coming to that. The narrative goes on to tell of the woman’s behaviour when questioned. ‘When the executioner approached her she recognized him by the cords which he held in his hands, and she at once held out her own hands to him, looking at him from head to foot without uttering a word.’ How’s that?”

  “Yes, it was so.”

  “ ‘She gazed without wincing upon the wooden horse and rings which had twisted so many limbs and caused so many shrieks of agony. When her eyes fell upon the three pails of water, which were all ready for her, she said with a smile, “All that water must have been brought here for the purpose of drowning me, Monsieur. You have no idea, I trust, of making a person of my small stature swallow it all.” ’ Shall I read the details of the torture?”

  “No, for Heaven’s sake, don’t.”

  “Here is a sentence which must surely show you that what is here recorded is the very scene which you have gazed upon tonight: ‘The good Abbe Pirot, unable to contemplate the agonies which were suffered by his penitent, had hurried from the room.’ Does that convince you?”

  “It does entirely. There can be no question that it is indeed the same event. But who, then, is this lady whose appearance was so attractive and whose end was so horrible?”

  For answer Dacre came across to me, and placed a small lamp upon the table which stood by my bed. Lifting up the ill-omened filler, he turned the brass rim so that the light fell full upon it. Seen in this way the engraving seemed clearer than on the night before.

  “We have already agreed that this is the badge of a marquis or of a marquise,” said he. “We have also settled that the last letter is B.”

  “It is undoubtedly so.”

  “I now suggest to you that the other letters from left to right are, M, M, a small d, A, a small d, and then the final B.”

  “Yes, I am sure that you are right. I can make out the two small d’s quite plainly.”

  “What I have read to you tonight,” said Dacre, “is the official record of the trial of Marie Madeleine d’Aubray, Marquise de Brinvilliers, one of the most famous poisoners and murderers of all time.”

  I sat in silence, overwhelmed at the extraordinary nature of the incident, and at the completeness of the proof with which Dacre had exposed its real meaning. In a vague way I remembered some details of the woman’s career, her unbridled debauchery, the cold-blooded and protracted torture of her sick father, the murder of her brothers for motives of petty gain. I recollected also that the bravery of her end had done something to atone for the horror of her life, and that all Paris had sympathized with her last moments, and blessed her as a martyr within a few days of the time when they had cursed her as a murderess. One objection, and one only, occurred to my mind.

  “How came her initials and her badge of rank upon the filler? Surely they did not carry their mediæval homage to the nobility to the point of decorating instruments of torture with their titles?”

  “I was puzzled with the same
point,” said Dacre, “but it admits of a simple explanation. The case excited extraordinary interest at the time, and nothing could be more natural than that La Reynie, the head of the police, should retain this filler as a grim souvenir. It was not often that a marchioness of France underwent the Extraordinary Question. That he should engrave her initials upon it for the information of others was surely a very ordinary proceeding upon his part.”

  “And this?” I asked, pointing to the marks upon the leathern neck.

  “She was a cruel tigress,” said Dacre, as he turned away. “I think it is evident that like other tigresses her teeth were both strong and sharp.”

  THE LIFT

  FLIGHT-COMMANDER Stangate should have been happy. He had come safely through the war without a hurt, and with a good name in the most heroic of services. He had only just turned thirty, and a great career seemed to lie ahead of him. Above all, beautiful Mary MacLean was walking by his side, and he had her promise that she was there for life. What could a young man ask for more? And yet there was a heavy load upon his heart.

  He could not explain it himself, and endeavoured to reason himself out of it. There was the blue sky above him, the blue sea in front, the beautiful gardens with their throngs of happy pleasure-seekers around. Above all, there was that sweet face turned upon him with questioning concern. Why could he not raise himself to so joyful an environment? He made effort after effort, but they were not convincing enough to deceive the quick instinct of a loving woman.

  “What is it, Tom?” she asked anxiously. “I can see that something is clouding you. Do tell me if I can help you in any way.”

  He laughed in shame-faced fashion.

  “It is such a sin to spoil our little outing,” he said. “I could kick myself round these gardens when I think of it. Don’t worry, my darling, for I know the cloud will roll off. I suppose I am a creature of nerves, though I should have got past that by now. The Flying Service is supposed either to break you or to warrant you for life.”

  “It is nothing definite, then?”

  “No, it is nothing definite. That’s the worst of it. You could fight it more easily if it was. It’s just a dead, heavy depression here in my chest and across my forehead. But do forgive me, dear girl! What a brute I am to shadow you like this.”

  “But I love to share even the smallest trouble.”

  “Well, it’s gone—vamosed—vanished. We will talk about it no more.”

  She gave him a swift, penetrating glance.

  “No, no, Tom; your brow shows, as well as feels. Tell me, dear, have you often felt like this? You really look very ill. Sit here, dear, in the shade and tell me of it.”

  They sat together in the shadow of the great latticed Tower which reared itself six hundred feet high beside them.

  “I have an absurd faculty,” said he; “I don’t know that I have ever mentioned it to any one before. But when imminent danger is threatening me I get these strange forebodings. Of course it is absurd today in these peaceful surroundings. It only shows how queerly these things work. But it is the first time that it has deceived me.”

  “When had you it before?”

  “When I was a lad it seized me one morning. I was nearly drowned that afternoon. I had it when the burglar came to Morton Hall and I got a bullet through my coat. Then twice in the war when I was overmatched and escaped by a miracle, I had this strange feeling before ever I climbed into my machine. Then it lifts quite suddenly, like a mist in the sunshine. Why, it is lifting now. Look at me! Can’t you see that it is so?”

  She could indeed. He had turned in a minute from a haggard man to a laughing boy. She found herself laughing in sympathy. A rush of high spirits and energy had swept away his strange foreboding and filled his whole soul with the vivid, dancing joy of youth.

  “Thank goodness!” he cried. “I think it is your dear eyes that have done it. I could not stand that wistful look in them. What a silly, foolish nightmare it all has been! There’s an end forever to my belief in presentiments. Now, dear girl, we have just time for one good turn before luncheon. After that the gardens get so crowded that it is hopeless to do anything. Shall we have a side show, or the great wheel, or the flying boat, or what?”

  “What about the Tower?” she asked, glancing upwards. “Surely that glorious air and the view from the top would drive the last wisps of cloud out of your mind.”

  He looked at his watch.

  “Well, it’s past twelve, but I suppose we could do it all in an hour. But it doesn’t seem to be working. What about it, conductor?”

  The man shook his head and pointed to a little knot of people who were assembled at the entrance.

  “They’ve all been waiting, sir. It’s hung up, but the gear is being overhauled, and I expect the signal every minute. If you join the others I promise it won’t be long.”

  They had reached the group when the steel face of the lift rolled aside—a sign that there was hope in the future. The motley crowd drifted through the opening and waited expectantly upon the wooden platform. They were not numerous, for the gardens are not crowded until the afternoon, but they were fair samples of the kindly, good-humoured north-country folk who take their annual holiday at Northam. Their faces were all upturned now, and they were watching with keen interest a man who was descending the steel framework. It seemed a dangerous, precarious business, but he came as swiftly as an ordinary mortal upon a staircase.

  “My word!” said the conductor, glancing up. “Jim has got a move on this morning.”

  “Who is he?” asked Commander Stangate.

  “That’s Jim Barnes, sir, the best workman that ever went on a scaffold. He fair lives up there. Every bolt and rivet are under his care. He’s a wonder, is Jim.”

  “But don’t argue religion with him,” said one of the group.

  The attendant laughed.

  “Ah, you know him, then,” said he. “No, don’t argue religion with him.”

  “Why not?” asked the officer.

  “Well, he takes it very hard, he does. He’s the shining light of his sect.”

  “It ain’t hard to be that,” said the knowing one. “I’ve heard there are only six folk in the fold. He’s one of those who picture heaven as the exact size of their own back street conventicle and every one else left outside it.”

  “Better not tell him so while he’s got that hammer in his hand,” said the conductor, in a hurried whisper. “Hallo, Jim, how goes it this morning?”

  The man slid swiftly down the last thirty feet, and then balanced himself on a cross-bar while he looked at the little group in the lift. As he stood there, clad in a leather suit, with his pliers and other tools dangling from his brown belt, he was a figure to please the eye of an artist. The man was very tall and gaunt, with great straggling limbs and every appearance of giant strength. His face was a remarkable one, noble and yet sinister, with dark eyes and hair, a prominent hooked nose, and a beard which flowed over his chest. He steadied himself with one knotted hand, while the other held a steel hammer dangling by his knee.

  “It’s all ready aloft,” said he. “I’ll go up with you if I may.” He sprang down from his perch and joined the others in the lift.

  “I suppose you are always watching it,” said the young lady.

  “That’s what I am engaged for, miss. From morning to night, and often from night to morning, I am up here. There are times when I feel as if I were not a man at all, but a fowl of the air. They fly round me, the creatures, as I lie out on the girders, and they cry to me until I find myself crying back to the poor soulless things.”

  “It’s a great charge,” said the Commander, glancing up at the wonderful tracery of steel outlined against the deep blue sky.

  “Aye, sir, and there is not a nut nor a screw that is not in my keeping. Here’s my hammer to ring them true and my spanner to wrench them tight. As the Lord over the earth, so am I—even I—over the Tower, with power of life and power of death, aye of death and of life.”

>   The hydraulic machinery had begun to work and the lift very slowly ascended. As it mounted, the glorious panorama of the coast and bay gradually unfolded itself. So engrossing was the view that the passengers hardly noticed it when the platform stopped abruptly between stages at the five-hundred-foot level. Barnes, the workman, muttered that something must be amiss, and springing like a cat across the gap which separated them from the trellis-work of metal he clambered out of sight. The motley little party, suspended in mid-air, lost something of their British shyness under such unwonted conditions and began to compare notes with each other. One couple, who addressed each other as Dolly and Billy, announced to the company that they were the particular stars of the Hippodrome bill, and kept their neighbours tittering with their rather obvious wit. A buxom mother, her precocious son, and two married couples upon holiday formed an appreciative audience.

  “You’d like to be a sailor, would you?” said Billy the comedian, in answer to some remark of the boy. “Look ’ere, my nipper, you’ll end up as a blooming corpse if you ain’t careful. See ‘im standin’ at the edge. At this hour of the morning I can’t bear to watch it.”

  “What’s the hour got to do with it?” asked a stout commercial traveller.

  “My nerves are worth nothin’ before midday. Why, lookin’ down there, and seein’ those folks like dots, puts me all in a twitter. My family is all alike in the mornin’.”

  “I expect,” said Dolly, a high-coloured young woman, “that they’re all alike the evening before.”

  There was a general laugh, which was led by the comedian.

  ‘You got it across that time, Dolly, It’s K.O. for Battling Billy—still senseless when last heard of. If my family is laughed at I’ll leave the room.”

  “It’s about time we did,” said the commercial traveller, who was a red-faced, choleric person. “It’s a disgrace the way they hold us up. I’ll write to the company.”

 

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