ALSO BY MARISA SILVER
No Direction Home
Babe in Paradise
Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2008 by Marisa Silver
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Simon & Schuster Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.
SIMON & SCHUSTER and colophon are registered trademarks of Simon & Schuster, Inc.
Portions of this novel first appeared in The New Yorker.
Library of Congress Cataloging-in-Publication Data
Silver, Marisa.
The god of war: a novel / Marisa Silver.
p. cm.
1. Boys—Fiction. 2. Brothers—Fiction. 3. Self-realization—Fiction. [1. Autism—Fiction.] I. Title.
PS3619.I55G63 2007
813'.6—dc22 2007025424
ISBN-13: 978-1-4165-6330-3
ISBN-10: 1-4165-6330-X
Visit us on the World Wide Web:
http://www.SimonSays.com
ACKNOWLEDGMENTS
My thanks go to Peter Blauner, for an early read, and for pointing out the way; to Martine Singer, for paying attention during class; to Denise Roy, who embraced the book and ferried it into the world with so much intelligence, attention, and care; to Henry Dunow, an extraordinary agent, an incisive critic, and a great friend; and to Ken Kwapis, always.
For
Raphael David Silver and Daniel Jeremy Silver
and
Henry David Kwapis and Oliver Walter Kwapis
Inspiring brothers
THE GOD OF WAR
ONE
Where I grew up, people kept their business to themselves. I lived in the desert, far enough east of the big cities of Southern California to render them meaningless to my daily life, closer to the border of Mexico than most people would have liked to admit. People did not so much choose to live in that parched frontier as they ended up there. It was a place generally ignored because it did not have much to offer, and so it was a place where you could be left alone. The desert’s plants and animals thrived in seemingly impossible circumstances, against heat and drought and other odds. The same could have been said of its people, too.
On a spring afternoon in the late 1970s, a boy I knew died of a gunshot wound. The boy was of no consequence. During his life he had been tossed from home to home like the object in a game of hot potato, while one or another well-meaning soul tried to handle him, then passed him on when the real heat of his nature became untenable. It would be hard to make a case for his goodness given the deceitful and sometimes violent things he did. And as much as I was captive to the bright, angry flame of him when I was young, I cannot, even now, easily point to his value except that he happened to be alive for a time through no fault or talent of his own.
The news of the shooting made its way from the local newspaper to the big city papers in San Diego and Los Angeles where it was reworked and retold so that our story became unrecognizable to us, and we read the paragraphs incredulously as if we couldn’t imagine people who lived like that. The story captured readers’ imaginations not because of the boy who was shot, but because of my brother, whose mute, some would say insensate, presence occasioned the killing. What captured people’s attention, what had the phone ringing in our trailer in Bombay Beach until my mother tore it out of the wall, what provoked an intrepid young reporter from San Diego to make his way to our overlooked town, was the fact that my brother could not talk or read or write, was more at home with objects than people, and could not look a person in the eye or suffer a stranger’s hand on his narrow shoulder without screaming as if he had been branded. He could not, finally, tell any judge or jury what had happened that day to cause such violence. He was a boy locked up in himself. Now there are words for the kind of child my brother was, labels and therapeutic regimens and even drugs. But thirty years ago, in the remote place where we lived, science had not caught up to us, and diagnoses of abnormal behavior, when they were made at all, ran to generalities. My brother was simply “backward,” as if he were a sweater someone had put on wrong. It was left to others to speak for him, to tell our story to the police, judge, and the newspaper reporters, who then turned the information inside out, so that the boy who died was forgotten, my brother became the unwitting victim, and I became a hero. But I was not a hero that day.
TWO
1978
We lived an enchanted life in that desert outpost, under the spell of my mother, who conjured a life for us out of nothing. Milk crates were upended and painted to become chairs. Discarded cardboard boxes from the grocery store were covered with madras bedspreads and transformed into coffee tables. I grew up with great physical freedom, which now feels like some relic of an antique time when parents did not believe that adult evils could be visited upon children. Laurel, my mother, could not bear to be hemmed in by other people and their ideas of how we should live, and so I was left to my own devices. I rode my bike day and night, wherever and whenever I pleased. There was nothing more exhilarating than the feeling of swinging my leg over the seat and making those first few turns of the pedals until my wheels seemed to glide above the ground.
We were a mother and two boys: a solitary family of three. We had few friends, and we eschewed rules that conflicted with our privacy and Laurel’s conviction that society had little to offer us, but that the earth held much. I believed her without question, not only because she was my mother and I loved her, but because I knew her rejection of the judgment of others protected me from what I had done to my brother.
“INDIGO BUSH,” SHE SAID, LETTING her fingers slide over the bruise-purple flowers. They bent at her touch as though they were being petted then sprang up when she released them, eager for more of her. I could feel it on my skin: that prickling yearning, that reaching. I knew the touch of my mother’s fingers: cool, smooth, like stones polished by the sea. Her fingernails were cut short because of her job as a masseuse, her hands articulated by muscles so that when they moved, the tendons revealed themselves like the armature of a building, the kind whose beams and rafters look fragile as popsicle sticks but manage to support drywall and plaster. Her hand on my head was good weight. “Prickly pear,” she said.
It was a Sunday in late February and we ambled through the desert as we did most Sundays. The rains of January were past, but their consequences, the orange and purple buds topping the plants like the candy orbs at the end of lollipops, were beginning to appear. The desert would briefly come alive with color before the summer heat and sun fired it into an old, faded Polaroid. Bombay Beach, where we lived, lay in the near distance, not a town really, but a satellite of the nominally larger Niland to the south and east. I thought of our community, crosshatched by a handful of dirt and gravel streets, as an asteroid, a piece of something larger that had been cast off and that orbited at a constant, bereft distance from its source. Off in the opposite direction lay the low mung bean–colored homes in Mecca, which housed the migrant workers who dotted the fields each day, moving slowly up and down the rows of peppers and melon. At the edge of our town lay the Salton Sea, the lowest, saltiest place in the desert, lower and saltier even than the real ocean, which I had never seen. That true ocean was not far; I’d looked on maps at school, tracing my finger from the body of water I knew so well to the great, mysterious Pacific. But Laurel didn’t like to travel. She said Bomb
ay Beach was a good place to hide out.
“Ocotillo,” she said.
She walked ahead of me, tossing back her words as though remembering last bits of advice to give me before she left for her workdays, which often ended long after Malcolm and I came home from school, sometimes after we were in bed. She told me to lock the door and never open it to strangers. She said no TV, no sugar, and don’t touch the stove. Those were the instructions she armed me with, information I needed to remember in order to survive her absence, to protect myself and my brother against the world, which she said was full of people with the wrong ideas who did not mean us well.
I watched the raft of her red hair bounce on top of her pale, thin shoulders as she walked. She always told me that my brown skin could withstand the desert heat better than her fair, freckled Irish skin and that I should be grateful to my father for this gift. But my skin was just one more thing about my father that had no proven value to me. Like my last name, Ramirez, which along with my first name, Ares, was an invitation for ridicule. Once, I asked my mother why I bore my father’s name when neither of us had ever seen the other. She told me it was important to know who I came from. I was sure that my father, whoever he was, had no say in choosing my name; he had returned to Guatemala and his real family months before I was born.
Laurel bent down to study something on the ground. If it was something dead—a fragment of bone, pale and chalky, or the brittle skeleton of a plant—she might save it and bring it home. The windowsills of our trailer were covered with concave opalescent clamshells, slick as the insides of mouths, the abandoned houses of snails, pieces of wood so pocked and desiccated by exposure that they resembled sponges. And they weighed nothing, as if the sun had leached the heaviness of living right out of them.
Malcolm walked at a distance from us, charting his own path. That year he was six, exactly half my age. I was struck by the fact that this was the only time in our lives when we would meet in this mathematical symmetry—I his double in years. I knew there was something important and fragile about the singularity of this, that something would soon be lost. Even though there would always be six years between my brother and me, the gap between us would grow exponentially greater as I changed and he did not. In my twelfth year, I had begun to have an awareness of the simultaneous thrill and melancholy irrevocability of change. Where once I had all but ignored my body, now I was daily assailed by its alterations—hair where there once was only smooth skin, a heaviness between my legs. I was grateful for these changes, but I also understood that there were parts of life that I was passing through and leaving behind that would never be repeated, and this filled me not with anticipation but with dread. Other kids were in a rush to pile up years, as if they were in a toy store sweepstakes and only had a limited amount of time to grab everything they could lay their hands on. I’m twelve and three-quarters, they said, reaching for those last three months as if they were prizes on the top shelf. But I knew my life was different, and I was loath to hoard those years because I sensed that my future would render me powerless: I would always have to take care of my brother.
He was brown, too, but darker than I was. He had the high, sharp cheekbones and onyx hair of an Indian because his father, Sam, was Cahuilla. Sam was tall—I remember looking up into the big man’s face. He chewed green gum that appeared in the dark maw of his mouth like an emerald. He cleaned his fingernails with the tip of a smoke tree branch. He was those things, and then he was none of them, because, like my father, Laurel decided she’d had enough of him. Sam disappeared from our lives before Malcolm was born.
Among his many peculiarities, Malcolm could not abide anything—cloth or dirt, say—clinging to his skin, and that day he wore his customary uniform: my old pants falling in elephant folds around his ankles and an oversized T-shirt hanging to his knees. He threaded his way through the creosote scrub, his head cocked to the side as though he were figuring something out, which he was not. Or maybe he was. There was no way of knowing what he thought or didn’t think. He made an occasional noise—a splice of a hum, a guttural moan—his private language that I knew was no language at all, none, at any rate, that hid deeper answers to the question of my brother. It was just random and meaningless sound, like the nearly inaudible murmur of the desert; if you listened closely enough you could hear the shiver of air passing through the fingery branches of drought-toughened plants, but you could not understand its message either. Occasionally Malcolm flapped his hands rapidly as if trying to shake away water. Sometimes he hummed. Often he stared at one spot on the ground for so long that I thought time would move on without him and leave him stranded, surrounded by the sea of nothingness that I feared was his brain. His entire existence narrowed in on the time and physical space of one second. And then another. I knew that my brother’s problem was exactly this disconcerting habit of fixating on a single, often meaningless thing to the exclusion of all others. But I also wondered whether it would be a relief to be like Malcolm and not have the whole army of my impulses trying to crash the gates of my consciousness at once.
Malcolm erupted with his weird backward laugh, making the sound on the inhale so that a stranger might think he was choking. When forced to explain him to a shoe salesman or a nosy grocery clerk, Laurel said Malcolm chose silence. He also chose to organize all our records according to the record company logos on the jackets and to pile up books in order of size, largest to smallest, then arrange them around our trailer like literary pyramids. Instead of putting the books back on the grey metal shelves she found in a Dumpster one year and painted orange, Laurel simply used the structures as footstools or side tables for her smelly massage creams and clove cigarette butts, or the small treasures she brought home from her walks; today it would be the dried-out caramel-colored skeleton of a pygmy cedar plant she’d found earlier, which still smelled of balsam when she lifted it to my nose. I didn’t know if she left the book piles in place as a gesture of support for Malcolm or because she was the kind of person who didn’t kill ants, even when they marched brazenly across the kitchen counter.
Up until that year, she had taken Malcolm with her to the spa in Palm Springs where she worked, and where he played in the little garden outside her massage room for silent hours at a time, piling pebbles on top of one another or drawing in the gravel with an incense stick. But the older he got, the louder he became, and the spa manager told her that Malcolm was spooking the clients and she better do something about it or look for a new job. So, that September, she enrolled him in kindergarten. Within a week, the school plucked him out of the classroom and placed him in special ed. The principal sent home a letter recommending that Malcolm be evaluated by a specialist, but Laurel tossed it in the trash. She didn’t want Malcolm to be labeled. “Labels are for boxes,” she said, “so you never have to look inside them. You just say, ‘Oh, I don’t need any more of that.’” She wrinkled her nose and waved her hand dismissively as though whatever that was had a terrible odor. “He’ll talk when he has something to say,” she announced, as if Malcolm’s critical faculties were so sophisticated that he had judged the culture and found it unworthy of his participation. “Normal,” she said, imitating the special ed teacher. “As if being normal is something to strive for.”
Laurel stood and let whatever it was that caught her interest drop to the ground, adjusted her pale blue sarong, which had faded over the years to the color of fog, and moved on. I picked up my pace, keeping my eye on the spot where her rejected object had fallen. I wanted to know what snagged her attention for that moment, only to slip out of it just as quickly. Her interests were nonchalant, sliding from one thing to the next the way people strolled aimlessly through an art museum as though they could absorb the paintings just by moving through their rarefied air. But there were only scattered rocks and trampled branches at my feet, and I was left wondering, as I always did, why she loved what she loved, and how.
A flock of birds flew past, their formation changing as they angled toward the
sea. I guessed they were egrets, but they flew so high I couldn’t be sure. In the third grade, a woman in a ranger outfit named Mrs. Storke came to speak to our class. Mrs. Storke (she spelled it with an e but I didn’t believe her anyway) explained about the birds that migrated to the Salton Sea, how they used it as a stopping-off point on their way south because it was one of the only unspoiled places remaining for them to rest on the Pacific Flyway. She said that we children should be proud to live in such a special and important place. I wanted to ask why, if it was such a special place, did people leave all the time? Hernando and Jaime Gutierrez were in school one day and gone the next. Teachers were always saying, Class, this is our new student Leticia, Christopher, Ray… Richard, my mother’s boyfriend of the past three years, could only stand the desert for half of each year, fleeing north in his Airstream when it got too hot, or when he complained that things were starting to get sticky, a phrase which I understood had nothing to do with the heat. I wondered if he received some unspoken sign, the way the birds did, that told him it was time for him to go. In the late fall, when the oppressive summer heat finally broke, I waited for him to return with the birds, worrying that he might have found some other place to rest, other people to rest with.
The white students stayed at the school the longest, and so did I, because I was half white, and my mother was the only person I knew who agreed with Mrs. Storke that the Salton Sea was special. Mrs. Storke handed out laminated pictures of avocets, grebes, warblers, and herons. She showed us pictures of the rare birds, too: the brown pelican, the Yuma clapper rail. She handed out bumper stickers that showed a cartoon bird with a speech bubble that read “Keep Our House Clean.” We attached the stickers to our desks, and the teacher scolded us for defacing government property.
The God of War Page 1
