by Andre Norton
Andas crawled on, and the stones and gravel cut his hands and knees. He felt no pain, for the cold kept him in its hold, and no other sensation could pass it. Finally he came to the skimmer.
It took the last of his strength to crawl within and tumble into the pilot's seat. He had to raise two bleeding hands to set the controls, nor was he fully aware as the craft raised from the valley and swung around on the recorded tape that would take it home.
For a while he was limp, inert, preserved from all feeling. That he had accomplished what he had gone to do, that what occupied the mask had been destroyed in this world, at least for a space, and with it those who had served it, he knew. But he felt no triumph. It was like watching a taped story in which one was not personally involved.
He had hoped to die swiftly and cleanly in that final moment when he made of himself the ultimate weapon. But it seemed that the very power he had invoked had preserved him, to die more horribly and lingeringly. That, too, he was able to face with detachment, which he dimly hoped would continue to hold. If the energy had burned out of him all fear and emotion, so much the better.
At last he either lapsed into a stupor or slept while the skimmer bore him away from those ominous mountains toward a land waiting to be reborn.
When Andas awoke, he was not in the skimmer, but lying on a cot bed, and around him were the walls of the fort. So he had made it back after all—or the skimmer had made it for him on tape command. But again there was no feeling of triumph in him, only a vast weariness. He wanted to close his eyes and sleep. Perhaps this was the first symptom he must endure before the end.
Someone moved into his line of vision. Shara stood there—but with a difference about her. Those tight braids were gone. Her hair made a soft halo about a face that was still far too thin and drawn. Again the years had fallen from her. She was young, and in her burned a light that made her far different from the woman who had wept over the dying emperor. But though she did not weep for him, she would watch a second emperor die. Suddenly feeling broke through the cold that encased him. There was no one to weep for him. And the desolate loneliness was more than he could bear. Andas closed his eyes. But it seemed she would spare him nothing.
"Andas! Andas!"
Reluctantly he looked at her once more. She was on her knees beside his bed so her face was close. There were tears in her eyes after all. One spilled over to form a clear droplet on her brown cheek.
"Andas—"
"It is done," he told her. "The Old Woman—is destroyed—perhaps forever. Rule in safety, Empress!"
"Only with an emperor!" she replied. "Andas, the medic—he could not find any radiation deterioration. You will not die, not now!"
He continued to stare at her. She was telling the truth. He could read it in her face. Not die? With radiation readings such as they had told him? It was impossible that any human being could survive.
Any human being! Did he have at last the answer to his one moving question? Was he Andas—the false emperor, the android? This was the proof.
"I am not what you think—no emperor, not even a real Andas." He must tell her now, before she went on building on something which did not exist. She would perhaps have some kindness in her, but being human, she could not but repudiate him for what he truly was.
"You are Andas!" she told him firmly. Her hands closed upon his with a grip he could not find the will to fight. She held them, imprisoned in hers, against her breast. "You are Emperor Andas, of that there is no question."
How could he make her understand? There was only the stark truth left.
"I am an android—made to look like the other Andas in my own world. But I thought that I was real!"
"You are real! You are Andas—"
"No!" His energy seemed to grow with his need to deny, to make her realize what he was. "This proves it. I am an android. A human being could not have survived such radiation. Don't you understand? I am not human!"
"Brother." A hand with fur growing down its back came out of nowhere to rest lightly on his shoulder. Andas turned his head to see Yolyos.
"Tell her," he appealed to the Salariki. "Tell her the whole story. She must not go on believing—"
"He has told me, Andas! When you went as we thought to your death, he told me. Do you think the medics would not have known that you were android? They believe that you were healed by the force you used to destroy the Old Woman, that it might have killed you instead if you had not been already exposed to the radiation, but that one balanced the other, to your saving."
"Yet neither would have affected an android—"
"No one could make so human an android. You are a man. Believe—accept it—" she entreated him.
But he looked to Yolyos. The Salariki smiled. "If you are android, so am I, but we are near enough human, it seems, to be human. Why should it then matter, brother? If it has saved your life twice over, be glad for it."
"Be glad—" Shara leaned closer. Her lips were warm and comforting on his.
He surrendered. Near enough human to be human. He would believe—he had to now.
Wraiths of Time
For Esther Turner, Renee Damone, and Carol Cross,
all of whom have had their own struggles to prove
themselves against odds in a hostile world.
-1-
The box was placed in the exact center of the desk. Under the full beam of light Jason Robbins had turned on it, its eighteen inches of age-yellowed ivory glowed as might polished wood. Or was she only imagining that, Tallahassee wondered. This artifact had a quality of—she searched for the right word, then knew it was one she would not use aloud—enchantment, that was it. There was a golden inlay on the lid, as well as four other disks, inlaid with gold, one on each side. She could guess without touching that they had been fashioned of that pure, soft gold used in ancient times.
"Well"—the grey-haired man, apparently in charge here, leaned forward a little—"can you give us any lead, Miss Mitford?"
Tallahassee found difficulty in turning away from the box at which she had stared from the moment Jason had snapped on the desk lamp.
"I don't know." She spoke the truth. "There are elements of African design, yes. See." She pointed a finger, nearly as ivory in color as the time-darkened box itself, at the gold inlay on the lid which formed a strip curved like a snake to travel the length of the ivory. Yet the spiral had no real head, rather there was a strip of precious metal bent at right angles—not unlike a stylized hunting knife. "That really combines two known devices of old kingship. This device at the top is the 'plow' which we believe was carried by the rulers of Meroë. The rest is of a later period, perhaps, a symbolic sword blade in the form of a snake. But these two forms have never, to my knowledge, been found so linked before. The Meroë dynasties borrowed greatly from Egypt, and there the snake was a sign of royalty, usually a part of the crown. These"—her finger moved to the disks at the sides—"are again symbolic. They resemble very closely those gold badges that were worn by the 'soul-washers' of the Ashanti, the attendants of the king whose duty it was to ward off any danger of contamination from general evil. Yet—though it combines symbols from two, maybe three, periods of African history, it is very old—"
"Would you say a museum piece, then?" The man Jason had introduced as Roger Nye persisted. His tone was impatient, as if he had expected some instant snap judgment from her. And his tone aroused in Tallahassee her own, sometimes militant, stubbornness.
"Mr. Nye, I am a student of archaeology, employed at present to help catalogue the Lewis Brooke collection. There are many tests that would have to be made to date this artifact, tests for which one needs certain equipment. But I will say that the workmanship . . ." She paused before she asked a question of her own:
"Have you seen the rod of office in the Brooke collection?"
"What's that got to do with it? Or are you saying that this"—Nye indicated the box—"could be a part of that collection?"
"If it is," she w
as careful in her answer, "it was not included in the official customs inventory. However, there is something . . ." Tallahassee shook her head. "You do not want guesses, you want certainties. Dr. Roman Carey will be here tonight. He is coming to study the collection. I would advise you to let him see this. At present he is the greatest authority on art of the Sudan."
"You are sure it is Sudanese?" Now it was Jason who asked the question.
Tallahassee made a small gesture. "I told you, I cannot be sure of anything. I would say it is old, very old. As to its general point of origin I would believe Africa. But the combination of symbols I have not seen before. If I may . . ." She put out a hand toward the box, only to have Nye's hand close tightly about her wrist in a lightning-quick movement.
She looked at him in open amazement and then irritated dislike.
"You don't understand." Jason broke in again, speaking very swiftly as if he were afraid she could keep no better rein on her temper now than she could when they were children. "The thing is hot!"
"Hot?"
"It radiates some form of energy." Nye studied her with those measuring eyes. "That was how it was found, really. It was by sheer chance." He freed her hand, and she jerked it back to her lap. "One of our field men went to put his kit in a locker at the airport. He had a geiger counter with him and it started to register. He was quick to use it and located the source of radiation in a nearby locker. Then he called me. We got the port key for the locker. This was the only thing inside."
"Radioactive," Tallahassee murmured. "But how . . ."
Nye shook his head. "Not atomic, though a counter can pick it up. It's something new, but the lab boys did not want to take it to pieces—"
"I should say not!" Tallahassee was thoroughly aroused at the suggestion of such vandalism. "It may be unique. Has it been opened?"
Nye shook his head. "There is no visible fastening. And it seemed better not to handle it too much until we were sure of what we had. Now what about this rod of office you mentioned, what is it and where was it found?"
"There was a strong belief in the old African kingdoms that the soul of a nation could be enclosed in some precious artifact. The Ashanti war with England a hundred years ago came about because an English governor demanded the King's stool to sit on as a sign of the transferal of rulership. But even the King could not sit on that. Sitting on a floor mat, he might only lean a portion of his arm upon it while making some very important decree or when assuming the kingship. To the Ashanti people the stool contained the power of all the tribal ancestors and was holy; it possessed a deeply religious as well as a political significance—which the English did not attempt to find out before they made their demands.
"Other tribes had similar symbols of divine contact with their ancestors and their gods. Sometimes at the death of a king such symbols were retired to a special house from which they were brought to 'listen' when there was need for a grave change in some law or the demand for a decision involving the future of the people as a whole. These artifacts were very precious, and among some tribes were never seen at all except by priests or priestesses.
"The rod of office which Lewis Brooke found is believed to be one of these tokens. And because he discovered it in a place that has some very odd legends, it is of double value."
"He found it in the Sudan then?"
"No, much farther west. It was nearer to Lake Chad. There is an old legend that when the Arab-Ethiopian kingdom of Axum overran Meroë, the royal clan—and they themselves were the descendents of Egyptian Pharaohs and held jealously to much of the very ancient beliefs—fled west and were supposed to have established a refuge near Lake Chad. There has never been any real proof of this, not until Doctor Brooke made his spectacular find—an unplundered tomb containing many artifacts and a sarcophagus, though the latter was empty, and there was evidence that no body had ever been within it. Instead the rod of office rested there."
"The soul of the nation buried," Jason said softly.
Tallahassee nodded. "Perhaps. There were inscriptions, but, though they used Egyptian hieroglyphics, the later Meroë tongue has never been translated, so they could not be deciphered. Dr. Brooke's unfortunate accidental death last year has delayed the work on the whole project of arranging and identifying the artifacts."
"I am surprised," Nye commented, "that he was allowed to take anything out of the country to bring here. The new nations are doubly jealous of losing any of their treasures—especially to us."
"We were surprised, too," Tallahassee admitted. "But he had full permission." She hesitated and then added: "There was something odd about the whole matter, as if they wanted to get rid of all the finds for some reason of their own."
Jason's eyes narrowed. "A threatened uprising, perhaps, using the old rod of office for a rallying point?"
Nye's attention swung from the girl to the young man. "You believe that?"
Jason shrugged. "Rebellions have been started on lesser excuses. Remember the Ashanti and their stool."
"But you say yourself that was a hundred years ago!" Nye protested.
"Africa is very old. It has seen the rise and fall of three waves of civilization—maybe more, for who has actually identified those who ruled at Zimbabwe or in the intricate fortifications of Iyanga? Men remember well in Africa. The later kings might not have any scribes, but just like the Celtic lords of Europe who had no written language, they had trained memory banks among their own kind—men who could stand up in council and recite facts, genealogies, laws reaching back three and four hundred years. Such skills do not die easily among such people."
Inwardly Tallahassee was ready to laugh. Jason was drawing on her own knowledge now, though he had often enough in the past shrugged at her comments and conversation as being deadly dull. Who cared what happened two thousand years ago anyway? The best time was here and now.
"Hmmm." Nye leaned back in the chair behind the desk. He was not focusing on either of the young people, nor even on the box now. Instead his eyes were half-closed as if he were thinking deeply.
Tallahassee broke that moment of silence. "I would suggest—" she said boldly. After all no one had made plain just what this Nye's authority was in the matter (though she judged from Jason's hurried call which had first brought her here that he was some VIP of the type who is never identified publicly, if he can help it). "I would suggest that you put that"—she gestured at the box—"in the museum safe. There is perhaps only one man, Dr. Carey, who can make a true identification if that is what you need."
Nye opened his eyes wide then in a long stare turned on her, as if he could unlock her thoughts by merely looking at her intently. The girl lifted her chin a fraction of an inch and met his gaze with one as steady.
"All right," he decided. "And I want to see this 'rod' of yours into the bargain. But not right now. We've got to think about who planted this—here. Robbins, you go with her . . ." He glanced at the watch on his wrist.
"It's nearly closing time for the museum, I take it. Better make it fast—we don't want any action which can be noted as out of the ordinary, not if this thing has any political overtones."
He had brought out a briefcase, snapped it open. To Tallahassee's surprise the interior had been metal lined. Now Nye produced a pair of tongs from the inner cover of the case and used them to slide the box into it. As Tallahassee stood up, Nye handed the case to Robbins.
"Yes, it's lead-lined, Miss Mitford. We're taking no chances about the radiation, even if it is a new one to us. Robbins had better carry this. When does Carey get in?"
"He should be there already."
"Good enough. Ask him to call this number"—Nye scrawled some figures on a card and pushed it to her—"as soon as he can. And thank you, Miss Mitford. Put the case and its contents in the safe. Robbins will drive you."
He turned to pick up a phone as if Tallahassee had already dissolved into thin air. The girl waited until the door of the office had closed behind them before she spoke again.
"Who's that playing James Bond?"
Jason shook his head. "Don't ask me, girl. All I know is that the Big Chief himself couldn't get better service if he showed his face in these parts. I'm small fry, but I got asked in 'cause somewhere along the line since that was found yesterday somebody said, 'Oh, my, now just maybe that's African!' I guess then somebody went and asked the computer who locally could tell them the truth and I got punched out. But I saw it wasn't modern—so I called you."
"Jason, do you really think this is political? I know that finding the rod in the sarcophagus was odd, and it does make some sense about it being a 'soul' burial. But this thing . . ."
"It was you, Tally, my dear, who tied this to your rod, remember?"
"Because there is something alike in them"—she watched him stow the heavy case in the car—"only I can't just put a finger to it. It's more a feeling than anything else." She bit her lip. There she went again, one of her hunches. Someday she was going to be proved very wrong, and when she was—
"One of those feelings of yours, eh?" Jason's left eyebrow slid up. "Still having them?"
"Well, a lot of times they've paid off!" Tallahassee retorted. "You know they have."
"You've been lucky," was Jason's verdict as he edged the car into the heavy traffic of the beginning rush hour. "Will we make it before they close up that repository of dead knowledge for the night?"
"They close to the public at four, but the back door is for staff and I have a key. The alarms won't go on until Hawes has made sure everyone is out of the offices and that those are shut for the night. Dr. Carey should be there."
Jason concentrated on his driving, Tallahassee was content to sit quietly. She tried to understand the odd emotion inside of her which she had been aware of ever since she had gotten into the car. Twice she had actually turned her head to glance into the narrow back seat of Jason's bug. No one there. Yet the sensation of another presence was growing so acute it made her nervous, and she had to exert more and more control not to squirm around again and again.
