by Frank Norris
“I think — I really think it’s champagne,” said Old Grannis in a whisper. So it was. A full case of Monopole. What a wonder! None of them had seen the like before. Ah, this Uncle Oelbermann! That’s what it was to be rich. Not one of the other presents produced so deep an impression as this.
After Old Grannis and the dentist had gone through the rooms, giving a last look around to see that everything was ready, they returned to McTeague’s “Parlors.” At the door Old Grannis excused himself.
At four o’clock McTeague began to dress, shaving himself first before the hand-glass that was hung against the woodwork of the bay window. While he shaved he sang with strange inappropriateness:
“No one to love, none to Caress,
Left all alone in this world’s wilderness.”
But as he stood before the mirror, intent upon his shaving, there came a roll of wheels over the cobbles in front of the house. He rushed to the window. Trina had arrived with her father and mother. He saw her get out, and as she glanced upward at his window, their eyes met.
Ah, there she was. There she was, his little woman, looking up at him, her adorable little chin thrust upward with that familiar movement of innocence and confidence. The dentist saw again, as if for the first time, her small, pale face looking out from beneath her royal tiara of black hair; he saw again her long, narrow blue eyes; her lips, nose, and tiny ears, pale and bloodless, and suggestive of anaemia, as if all the vitality that should have lent them color had been sucked up into the strands and coils of that wonderful hair.
As their eyes met they waved their hands gayly to each other; then McTeague heard Trina and her mother come up the stairs and go into the bedroom of the photographer’s suite, where Trina was to dress.
No, no; surely there could be no longer any hesitation. He knew that he loved her. What was the matter with him, that he should have doubted it for an instant? The great difficulty was that she was too good, too adorable, too sweet, too delicate for him, who was so huge, so clumsy, so brutal.
There was a knock at the door. It was Old Grannis. He was dressed in his one black suit of broadcloth, much wrinkled; his hair was carefully brushed over his bald forehead.
“Miss Trina has come,” he announced, “and the minister. You have an hour yet.”
The dentist finished dressing. He wore a suit bought for the occasion — a ready made “Prince Albert” coat too short in the sleeves, striped “blue” trousers, and new patent leather shoes — veritable instruments of torture. Around his collar was a wonderful necktie that Trina had given him; it was of salmon-pink satin; in its centre Selina had painted a knot of blue forget-me-nots.
At length, after an interminable period of waiting, Mr. Sieppe appeared at the door.
“Are you reatty?” he asked in a sepulchral whisper. “Gome, den.” It was like King Charles summoned to execution. Mr. Sieppe preceded them into the hall, moving at a funereal pace. He paused. Suddenly, in the direction of the sitting-room, came the strains of the parlor melodeon. Mr. Sieppe flung his arm in the air.
“Vowaarts!” he cried.
He left them at the door of the sitting-room, he himself going into the bedroom where Trina was waiting, entering by the hall door. He was in a tremendous state of nervous tension, fearful lest something should go wrong. He had employed the period of waiting in going through his part for the fiftieth time, repeating what he had to say in a low voice. He had even made chalk marks on the matting in the places where he was to take positions.
The dentist and Old Grannis entered the sitting-room; the minister stood behind the little table in the bay window, holding a book, one finger marking the place; he was rigid, erect, impassive. On either side of him, in a semi-circle, stood the invited guests. A little pock-marked gentleman in glasses, no doubt the famous Uncle Oelbermann; Miss Baker, in her black grenadine, false curls, and coral brooch; Marcus Schouler, his arms folded, his brows bent, grand and gloomy; Heise the harness-maker, in yellow gloves, intently studying the pattern of the matting; and Owgooste, in his Fauntleroy “costume,” stupefied and a little frightened, rolling his eyes from face to face. Selina sat at the parlor melodeon, fingering the keys, her glance wandering to the chenille portieres. She stopped playing as McTeague and Old Grannis entered and took their places. A profound silence ensued. Uncle Oelbermann’s shirt front could be heard creaking as he breathed. The most solemn expression pervaded every face.
All at once the portieres were shaken violently. It was a signal. Selina pulled open the stops and swung into the wedding march.
Trina entered. She was dressed in white silk, a crown of orange blossoms was around her swarthy hair — dressed high for the first time — her veil reached to the floor. Her face was pink, but otherwise she was calm. She looked quietly around the room as she crossed it, until her glance rested on McTeague, smiling at him then very prettily and with perfect self-possession.
She was on her father’s arm. The twins, dressed exactly alike, walked in front, each carrying an enormous bouquet of cut flowers in a “lace-paper” holder. Mrs. Sieppe followed in the rear. She was crying; her handkerchief was rolled into a wad. From time to time she looked at the train of Trina’s dress through her tears. Mr. Sieppe marched his daughter to the exact middle of the floor, wheeled at right angles, and brought her up to the minister. He stepped back three paces, and stood planted upon one of his chalk marks, his face glistening with perspiration.
Then Trina and the dentist were married. The guests stood in constrained attitudes, looking furtively out of the corners of their eyes. Mr. Sieppe never moved a muscle; Mrs. Sieppe cried into her handkerchief all the time. At the melodeon Selina played “Call Me Thine Own,” very softly, the tremulo stop pulled out. She looked over her shoulder from time to time. Between the pauses of the music one could hear the low tones of the minister, the responses of the participants, and the suppressed sounds of Mrs. Sieppe’s weeping. Outside the noises of the street rose to the windows in muffled undertones, a cable car rumbled past, a newsboy went by chanting the evening papers; from somewhere in the building itself came a persistent noise of sawing.
Trina and McTeague knelt. The dentist’s knees thudded on the floor and he presented to view the soles of his shoes, painfully new and unworn, the leather still yellow, the brass nail heads still glittering. Trina sank at his side very gracefully, setting her dress and train with a little gesture of her free hand. The company bowed their heads, Mr. Sieppe shutting his eyes tight. But Mrs. Sieppe took advantage of the moment to stop crying and make furtive gestures towards Owgooste, signing him to pull down his coat. But Owgooste gave no heed; his eyes were starting from their sockets, his chin had dropped upon his lace collar, and his head turned vaguely from side to side with a continued and maniacal motion.
All at once the ceremony was over before any one expected it. The guests kept their positions for a moment, eyeing one another, each fearing to make the first move, not quite certain as to whether or not everything were finished. But the couple faced the room, Trina throwing back her veil. She — perhaps McTeague as well — felt that there was a certain inadequateness about the ceremony. Was that all there was to it? Did just those few muttered phrases make them man and wife? It had been over in a few moments, but it had bound them for life. Had not something been left out? Was not the whole affair cursory, superficial? It was disappointing.
But Trina had no time to dwell upon this. Marcus Schouler, in the manner of a man of the world, who knew how to act in every situation, stepped forward and, even before Mr. or Mrs. Sieppe, took Trina’s hand.
“Let me be the first to congratulate Mrs. McTeague,” he said, feeling very noble and heroic. The strain of the previous moments was relaxed immediately, the guests crowded around the pair, shaking hands — a babel of talk arose.
“Owgooste, WILL you pull down your goat, den?”
“Well, my dear, now you’re married and happy. When I first saw you two together, I said, ‘What a pair!’ We’re to be neighbo
rs now; you must come up and see me very often and we’ll have tea together.”
“Did you hear that sawing going on all the time? I declare it regularly got on my nerves.”
Trina kissed her father and mother, crying a little herself as she saw the tears in Mrs. Sieppe’s eyes.
Marcus came forward a second time, and, with an air of great gravity, kissed his cousin upon the forehead. Heise was introduced to Trina and Uncle Oelbermann to the dentist.
For upwards of half an hour the guests stood about in groups, filling the little sitting-room with a great chatter of talk. Then it was time to make ready for supper.
This was a tremendous task, in which nearly all the guests were obliged to assist. The sitting-room was transformed into a dining-room. The presents were removed from the extension table and the table drawn out to its full length. The cloth was laid, the chairs — rented from the dancing academy hard by — drawn up, the dishes set out, and the two bouquets of cut flowers taken from the twins under their shrill protests, and “arranged” in vases at either end of the table.
There was a great coming and going between the kitchen and the sitting-room. Trina, who was allowed to do nothing, sat in the bay window and fretted, calling to her mother from time to time:
“The napkins are in the right-hand drawer of the pantry.”
“Yes, yes, I got um. Where do you geep der zoup blates?”
“The soup plates are here already.”
“Say, Cousin Trina, is there a corkscrew? What is home without a corkscrew?”
“In the kitchen-table drawer, in the left-hand corner.”
“Are these the forks you want to use, Mrs. McTeague?”
“No, no, there’s some silver forks. Mamma knows where.”
They were all very gay, laughing over their mistakes, getting in one another’s way, rushing into the sitting-room, their hands full of plates or knives or glasses, and darting out again after more. Marcus and Mr. Sieppe took their coats off. Old Grannis and Miss Baker passed each other in the hall in a constrained silence, her grenadine brushing against the elbow of his wrinkled frock coat. Uncle Oelbermann superintended Heise opening the case of champagne with the gravity of a magistrate. Owgooste was assigned the task of filling the new salt and pepper canisters of red and blue glass.
In a wonderfully short time everything was ready. Marcus Schouler resumed his coat, wiping his forehead, and remarking:
“I tell you, I’ve been doing CHORES for MY board.”
“To der table!” commanded Mr. Sieppe.
The company sat down with a great clatter, Trina at the foot, the dentist at the head, the others arranged themselves in haphazard fashion. But it happened that Marcus Schouler crowded into the seat beside Selina, towards which Old Grannis was directing himself. There was but one other chair vacant, and that at the side of Miss Baker. Old Grannis hesitated, putting his hand to his chin. However, there was no escape. In great trepidation he sat down beside the retired dressmaker. Neither of them spoke. Old Grannis dared not move, but sat rigid, his eyes riveted on his empty soup plate.
All at once there was a report like a pistol. The men started in their places. Mrs. Sieppe uttered a muffled shriek. The waiter from the cheap restaurant, hired as Maria’s assistant, rose from a bending posture, a champagne bottle frothing in his hand; he was grinning from ear to ear.
“Don’t get scairt,” he said, reassuringly, “it ain’t loaded.”
When all their glasses had been filled, Marcus proposed the health of the bride, “standing up.” The guests rose and drank. Hardly one of them had ever tasted champagne before. The moment’s silence after the toast was broken by McTeague exclaiming with a long breath of satisfaction: “That’s the best beer I ever drank.”
There was a roar of laughter. Especially was Marcus tickled over the dentist’s blunder; he went off in a very spasm of mirth, banging the table with his fist, laughing until his eyes watered. All through the meal he kept breaking out into cackling imitations of McTeague’s words: “That’s the best BEER I ever drank. Oh, Lord, ain’t that a break!”
What a wonderful supper that was! There was oyster soup; there were sea bass and barracuda; there was a gigantic roast goose stuffed with chestnuts; there were egg-plant and sweet potatoes — Miss Baker called them “yams.” There was calf’s head in oil, over which Mr. Sieppe went into ecstasies; there was lobster salad; there were rice pudding, and strawberry ice cream, and wine jelly, and stewed prunes, and cocoanuts, and mixed nuts, and raisins, and fruit, and tea, and coffee, and mineral waters, and lemonade.
For two hours the guests ate; their faces red, their elbows wide, the perspiration beading their foreheads. All around the table one saw the same incessant movement of jaws and heard the same uninterrupted sound of chewing. Three times Heise passed his plate for more roast goose. Mr. Sieppe devoured the calf’s head with long breaths of contentment; McTeague ate for the sake of eating, without choice; everything within reach of his hands found its way into his enormous mouth.
There was but little conversation, and that only of the food; one exchanged opinions with one’s neighbor as to the soup, the egg-plant, or the stewed prunes. Soon the room became very warm, a faint moisture appeared upon the windows, the air was heavy with the smell of cooked food. At every moment Trina or Mrs. Sieppe urged some one of the company to have his or her plate refilled. They were constantly employed in dishing potatoes or carving the goose or ladling gravy. The hired waiter circled around the room, his limp napkin over his arm, his hands full of plates and dishes. He was a great joker; he had names of his own for different articles of food, that sent gales of laughter around the table. When he spoke of a bunch of parsley as “scenery,” Heise all but strangled himself over a mouthful of potato. Out in the kitchen Maria Macapa did the work of three, her face scarlet, her sleeves rolled up; every now and then she uttered shrill but unintelligible outcries, supposedly addressed to the waiter.
“Uncle Oelbermann,” said Trina, “let me give you another helping of prunes.”
The Sieppes paid great deference to Uncle Oelbermann, as indeed did the whole company. Even Marcus Schouler lowered his voice when he addressed him. At the beginning of the meal he had nudged the harness-maker and had whispered behind his hand, nodding his head toward the wholesale toy dealer, “Got thirty thousand dollars in the bank; has, for a fact.”
“Don’t have much to say,” observed Heise.
“No, no. That’s his way; never opens his face.”
As the evening wore on, the gas and two lamps were lit. The company were still eating. The men, gorged with food, had unbuttoned their vests. McTeague’s cheeks were distended, his eyes wide, his huge, salient jaw moved with a machine-like regularity; at intervals he drew a series of short breaths through his nose. Mrs. Sieppe wiped her forehead with her napkin.
“Hey, dere, poy, gif me some more oaf dat — what you call— ‘bubble-water.’”
That was how the waiter had spoken of the champagne— “bubble-water.” The guests had shouted applause, “Outa sight.” He was a heavy josher was that waiter.
Bottle after bottle was opened, the women stopping their ears as the corks were drawn. All of a sudden the dentist uttered an exclamation, clapping his hand to his nose, his face twisting sharply.
“Mac, what is it?” cried Trina in alarm.
“That champagne came to my nose,” he cried, his eyes watering. “It stings like everything.”
“Great BEER, ain’t ut?” shouted Marcus.
“Now, Mark,” remonstrated Trina in a low voice. “Now, Mark, you just shut up; that isn’t funny any more. I don’t want you should make fun of Mac. He called it beer on purpose. I guess HE knows.”
Throughout the meal old Miss Baker had occupied herself largely with Owgooste and the twins, who had been given a table by themselves — the black walnut table before which the ceremony had taken place. The little dressmaker was continually turning about in her place, inquiring of the children if they wanted
for anything; inquiries they rarely answered other than by stare, fixed, ox-like, expressionless.
Suddenly the little dressmaker turned to Old Grannis and exclaimed:
“I’m so very fond of little children.”
“Yes, yes, they’re very interesting. I’m very fond of them, too.”
The next instant both of the old people were overwhelmed with confusion. What! They had spoken to each other after all these years of silence; they had for the first time addressed remarks to each other.
The old dressmaker was in a torment of embarrassment. How was it she had come to speak? She had neither planned nor wished it. Suddenly the words had escaped her, he had answered, and it was all over — over before they knew it.
Old Grannis’s fingers trembled on the table ledge, his heart beat heavily, his breath fell short. He had actually talked to the little dressmaker. That possibility to which he had looked forward, it seemed to him for years — that companionship, that intimacy with his fellow-lodger, that delightful acquaintance which was only to ripen at some far distant time, he could not exactly say when — behold, it had suddenly come to a head, here in this over-crowded, over-heated room, in the midst of all this feeding, surrounded by odors of hot dishes, accompanied by the sounds of incessant mastication. How different he had imagined it would be! They were to be alone — he and Miss Baker — in the evening somewhere, withdrawn from the world, very quiet, very calm and peaceful. Their talk was to be of their lives, their lost illusions, not of other people’s children.
The two old people did not speak again. They sat there side by side, nearer than they had ever been before, motionless, abstracted; their thoughts far away from that scene of feasting. They were thinking of each other and they were conscious of it. Timid, with the timidity of their second childhood, constrained and embarrassed by each other’s presence, they were, nevertheless, in a little Elysium of their own creating. They walked hand in hand in a delicious garden where it was always autumn; together and alone they entered upon the long retarded romance of their commonplace and uneventful lives.
