by Frank Norris
Everywhere throughout the great San Joaquin, unseen and unheard, a thousand ploughs up-stirred the land, tens of thousands of shears clutched deep into the warm, moist soil.
It was the long stroking caress, vigorous, male, powerful, for which the Earth seemed panting. The heroic embrace of a multitude of iron hands, gripping deep into the brown, warm flesh of the land that quivered responsive and passionate under this rude advance, so robust as to be almost an assault, so violent as to be veritably brutal. There, under the sun and under the speckless sheen of the sky, the wooing of the Titan began, the vast primal passion, the two world-forces, the elemental Male and Female, locked in a colossal embrace, at grapples in the throes of an infinite desire, at once terrible and divine, knowing no law, untamed, savage, natural, sublime.
From time to time the gang in which Vanamee worked halted on the signal from foreman or overseer. The horses came to a standstill, the vague clamour of the work lapsed away. Then the minutes passed. The whole work hung suspended. All up and down the line one demanded what had happened. The division superintendent galloped past, perplexed and anxious. For the moment, one of the ploughs was out of order, a bolt had slipped, a lever refused to work, or a machine had become immobilised in heavy ground, or a horse had lamed himself. Once, even, toward noon, an entire plough was taken out of the line, so out of gear that a messenger had to be sent to the division forge to summon the machinist.
Annixter had disappeared. He had ridden farther on to the other divisions of his ranch, to watch the work in progress there. At twelve o’clock, according to his orders, all the division superintendents put themselves in communication with him by means of the telephone wires that connected each of the division houses, reporting the condition of the work, the number of acres covered, the prospects of each plough traversing its daily average of twenty miles.
At half-past twelve, Vanamee and the rest of the drivers ate their lunch in the field, the tin buckets having been distributed to them that morning after breakfast. But in the evening, the routine of the previous day was repeated, and Vanamee, unharnessing his team, riding one horse and leading the others, returned to the division barns and bunk-house.
It was between six and seven o’clock. The half hundred men of the gang threw themselves upon the supper the Chinese cooks had set out in the shed of the eating-house, long as a bowling alley, unpainted, crude, the seats benches, the table covered with oil cloth. Overhead a half-dozen kerosene lamps flared and smoked.
The table was taken as if by assault; the clatter of iron knives upon the tin plates was as the reverberation of hail upon a metal roof. The ploughmen rinsed their throats with great draughts of wine, and, their elbows wide, their foreheads flushed, resumed the attack upon the beef and bread, eating as though they would never have enough. All up and down the long table, where the kerosene lamps reflected themselves deep in the oil-cloth cover, one heard the incessant sounds of mastication, and saw the uninterrupted movement of great jaws. At every moment one or another of the men demanded a fresh portion of beef, another pint of wine, another half-loaf of bread. For upwards of an hour the gang ate. It was no longer a supper. It was a veritable barbecue, a crude and primitive feasting, barbaric, homeric.
But in all this scene Vanamee saw nothing repulsive. Presley would have abhorred it — this feeding of the People, this gorging of the human animal, eager for its meat. Vanamee, simple, uncomplicated, living so close to nature and the rudimentary life, understood its significance. He knew very well that within a short half-hour after this meal the men would throw themselves down in their bunks to sleep without moving, inert and stupefied with fatigue, till the morning. Work, food, and sleep, all life reduced to its bare essentials, uncomplex, honest, healthy. They were strong, these men, with the strength of the soil they worked, in touch with the essential things, back again to the starting point of civilisation, coarse, vital, real, and sane.
For a brief moment immediately after the meal, pipes were lit, and the air grew thick with fragrant tobacco smoke. On a corner of the dining-room table, a game of poker was begun. One of the drivers, a Swede, produced an accordion; a group on the steps of the bunk-house listened, with alternate gravity and shouts of laughter, to the acknowledged story-teller of the gang. But soon the men began to turn in, stretching themselves at full length on the horse blankets in the racklike bunks. The sounds of heavy breathing increased steadily, lights were put out, and before the afterglow had faded from the sky, the gang was asleep.
Vanamee, however, remained awake. The night was fine, warm; the sky silver-grey with starlight. By and by there would be a moon. In the first watch after the twilight, a faint puff of breeze came up out of the south. From all around, the heavy penetrating smell of the new-turned earth exhaled steadily into the darkness. After a while, when the moon came up, he could see the vast brown breast of the earth turn toward it. Far off, distant objects came into view: The giant oak tree at Hooven’s ranch house near the irrigating ditch on Los Muertos, the skeleton-like tower of the windmill on Annixter’s Home ranch, the clump of willows along Broderson Creek close to the Long Trestle, and, last of all, the venerable tower of the Mission of San Juan on the high ground beyond the creek.
Thitherward, like homing pigeons, Vanamee’s thoughts turned irresistibly. Near to that tower, just beyond, in the little hollow, hidden now from his sight, was the Seed ranch where Angele Varian had lived. Straining his eyes, peering across the intervening levels, Vanamee fancied he could almost see the line of venerable pear trees in whose shadow she had been accustomed to wait for him. On many such a night as this he had crossed the ranches to find her there. His mind went back to that wonderful time of his life sixteen years before this, when Angele was alive, when they two were involved in the sweet intricacies of a love so fine, so pure, so marvellous that it seemed to them a miracle, a manifestation, a thing veritably divine, put into the life of them and the hearts of them by God Himself. To that they had been born. For this love’s sake they had come into the world, and the mingling of their lives was to be the Perfect Life, the intended, ordained union of the soul of man with the soul of woman, indissoluble, harmonious as music, beautiful beyond all thought, a foretaste of Heaven, a hostage of immortality.
No, he, Vanamee, could never, never forget, never was the edge of his grief to lose its sharpness, never would the lapse of time blunt the tooth of his pain. Once more, as he sat there, looking off across the ranches, his eyes fixed on the ancient campanile of the Mission church, the anguish that would not die leaped at his throat, tearing at his heart, shaking him and rending him with a violence as fierce and as profound as if it all had been but yesterday. The ache returned to his heart a physical keen pain; his hands gripped tight together, twisting, interlocked, his eyes filled with tears, his whole body shaken and riven from head to heel.
He had lost her. God had not meant it, after all. The whole matter had been a mistake. That vast, wonderful love that had come upon them had been only the flimsiest mockery. Abruptly Vanamee rose. He knew the night that was before him. At intervals throughout the course of his prolonged wanderings, in the desert, on the mesa, deep in the canon, lost and forgotten on the flanks of unnamed mountains, alone under the stars and under the moon’s white eye, these hours came to him, his grief recoiling upon him like the recoil of a vast and terrible engine. Then he must fight out the night, wrestling with his sorrow, praying sometimes, incoherent, hardly conscious, asking “Why” of the night and of the stars.
Such another night had come to him now. Until dawn he knew he must struggle with his grief, torn with memories, his imagination assaulted with visions of a vanished happiness. If this paroxysm of sorrow was to assail him again that night, there was but one place for him to be. He would go to the Mission — he would see Father Sarria; he would pass the night in the deep shadow of the aged pear trees in the Mission garden.
He struck out across Quien Sabe, his face, the face of an ascetic, lean, brown, infinitely sad, set toward the
Mission church. In about an hour he reached and crossed the road that led northward from Guadalajara toward the Seed ranch, and, a little farther on, forded Broderson Creek where it ran through one corner of the Mission land. He climbed the hill and halted, out of breath from his brisk wall, at the end of the colonnade of the Mission itself.
Until this moment Vanamee had not trusted himself to see the Mission at night. On the occasion of his first daytime visit with Presley, he had hurried away even before the twilight had set in, not daring for the moment to face the crowding phantoms that in his imagination filled the Mission garden after dark. In the daylight, the place had seemed strange to him. None of his associations with the old building and its surroundings were those of sunlight and brightness. Whenever, during his long sojourns in the wilderness of the Southwest, he had called up the picture in the eye of his mind, it had always appeared to him in the dim mystery of moonless nights, the venerable pear trees black with shadow, the fountain a thing to be heard rather than seen.
But as yet he had not entered the garden. That lay on the other side of the Mission. Vanamee passed down the colonnade, with its uneven pavement of worn red bricks, to the last door by the belfry tower, and rang the little bell by pulling the leather thong that hung from a hole in the door above the knob.
But the maid-servant, who, after a long interval opened the door, blinking and confused at being roused from her sleep, told Vanamee that Sarria was not in his room. Vanamee, however, was known to her as the priest’s protege and great friend, and she allowed him to enter, telling him that, no doubt, he would find Sarria in the church itself. The servant led the way down the cool adobe passage to a larger room that occupied the entire width of the bottom of the belfry tower, and whence a flight of aged steps led upward into the dark. At the foot of the stairs was a door opening into the church. The servant admitted Vanamee, closing the door behind her.
The interior of the Mission, a great oblong of white-washed adobe with a flat ceiling, was lighted dimly by the sanctuary lamp that hung from three long chains just over the chancel rail at the far end of the church, and by two or three cheap kerosene lamps in brackets of imitation bronze. All around the walls was the inevitable series of pictures representing the Stations of the Cross. They were of a hideous crudity of design and composition, yet were wrought out with an innocent, unquestioning sincerity that was not without its charm. Each picture framed alike in gilt, bore its suitable inscription in staring black letters. “Simon, The Cyrenean, Helps Jesus to Carry His Cross.” “Saint Veronica Wipes the Face of Jesus.” “Jesus Falls for the Fourth Time,” and so on. Half-way up the length of the church the pews began, coffin-like boxes of blackened oak, shining from years of friction, each with its door; while over them, and built out from the wall, was the pulpit, with its tarnished gilt sounding-board above it, like the raised cover of a great hat-box. Between the pews, in the aisle, the violent vermilion of a strip of ingrain carpet assaulted the eye. Farther on were the steps to the altar, the chancel rail of worm-riddled oak, the high altar, with its napery from the bargain counters of a San Francisco store, the massive silver candlesticks, each as much as one man could lift, the gift of a dead Spanish queen, and, last, the pictures of the chancel, the Virgin in a glory, a Christ in agony on the cross, and St. John the Baptist, the patron saint of the Mission, the San Juan Bautista, of the early days, a gaunt grey figure, in skins, two fingers upraised in the gesture of benediction.
The air of the place was cool and damp, and heavy with the flat, sweet scent of stale incense smoke. It was of a vault-like stillness, and the closing of the door behind Vanamee reechoed from corner to corner with a prolonged reverberation of thunder.
However, Father Sarria was not in the church. Vanamee took a couple of turns the length of the aisle, looking about into the chapels on either side of the chancel. But the building was deserted. The priest had been there recently, nevertheless, for the altar furniture was in disarray, as though he had been rearranging it but a moment before. On both sides of the church and half-way up their length, the walls were pierced by low archways, in which were massive wooden doors, clamped with iron bolts. One of these doors, on the pulpit side of the church, stood ajar, and stepping to it and pushing it wide open, Vanamee looked diagonally across a little patch of vegetables — beets, radishes, and lettuce — to the rear of the building that had once contained the cloisters, and through an open window saw Father Sarria diligently polishing the silver crucifix that usually stood on the high altar. Vanamee did not call to the priest. Putting a finger to either temple, he fixed his eyes steadily upon him for a moment as he moved about at his work. In a few seconds he closed his eyes, but only part way. The pupils contracted; his forehead lowered to an expression of poignant intensity. Soon afterward he saw the priest pause abruptly in the act of drawing the cover over the crucifix, looking about him from side to side. He turned again to his work, and again came to a stop, perplexed, curious. With uncertain steps, and evidently wondering why he did so, he came to the door of the room and opened it, looking out into the night. Vanamee, hidden in the deep shadow of the archway, did not move, but his eyes closed, and the intense expression deepened on his face. The priest hesitated, moved forward a step, turned back, paused again, then came straight across the garden patch, brusquely colliding with Vanamee, still motionless in the recess of the archway.
Sarria gave a great start, catching his breath.
“Oh — oh, it’s you. Was it you I heard calling? No, I could not have heard — I remember now. What a strange power! I am not sure that it is right to do this thing, Vanamee. I — I HAD to come. I do not know why. It is a great force — a power — I don’t like it. Vanamee, sometimes it frightens me.”
Vanamee put his chin in the air.
“If I had wanted to, sir, I could have made you come to me from back there in the Quien Sabe ranch.”
The priest shook his head.
“It troubles me,” he said, “to think that my own will can count for so little. Just now I could not resist. If a deep river had been between us, I must have crossed it. Suppose I had been asleep now?” “It would have been all the easier,” answered Vanamee. “I understand as little of these things as you. But I think if you had been asleep, your power of resistance would have been so much the more weakened.”
“Perhaps I should not have waked. Perhaps I should have come to you in my sleep.”
“Perhaps.”
Sarria crossed himself. “It is occult,” he hazarded. “No; I do not like it. Dear fellow,” he put his hand on Vanamee’s shoulder, “don’t — call me that way again; promise. See,” he held out his hand, “I am all of a tremble. There, we won’t speak of it further. Wait for me a moment. I have only to put the cross in its place, and a fresh altar cloth, and then I am done. To-morrow is the feast of The Holy Cross, and I am preparing against it. The night is fine. We will smoke a cigar in the cloister garden.”
A few moments later the two passed out of the door on the other side of the church, opposite the pulpit, Sarria adjusting a silk skull cap on his tonsured head. He wore his cassock now, and was far more the churchman in appearance than when Vanamee and Presley had seen him on a former occasion.
They were now in the cloister garden. The place was charming. Everywhere grew clumps of palms and magnolia trees. A grapevine, over a century old, occupied a trellis in one angle of the walls which surrounded the garden on two sides. Along the third side was the church itself, while the fourth was open, the wall having crumbled away, its site marked only by a line of eight great pear trees, older even than the grapevine, gnarled, twisted, bearing no fruit. Directly opposite the pear trees, in the south wall of the garden, was a round, arched portal, whose gate giving upon the esplanade in front of the Mission was always closed. Small gravelled walks, well kept, bordered with mignonette, twisted about among the flower beds, and underneath the magnolia trees. In the centre was a little fountain in a stone basin green with moss, while just beyond, between t
he fountain and the pear trees, stood what was left of a sun dial, the bronze gnomon, green with the beatings of the weather, the figures on the half-circle of the dial worn away, illegible.
But on the other side of the fountain, and directly opposite the door of the Mission, ranged against the wall, were nine graves — three with headstones, the rest with slabs. Two of Sarria’s predecessors were buried here; three of the graves were those of Mission Indians. One was thought to contain a former alcalde of Guadalajara; two more held the bodies of De La Cuesta and his young wife (taking with her to the grave the illusion of her husband’s love), and the last one, the ninth, at the end of the line, nearest the pear trees, was marked by a little headstone, the smallest of any, on which, together with the proper dates — only sixteen years apart — was cut the name “Angele Varian.”
But the quiet, the repose, the isolation of the little cloister garden was infinitely delicious. It was a tiny corner of the great valley that stretched in all directions around it — shut off, discreet, romantic, a garden of dreams, of enchantments, of illusions. Outside there, far off, the great grim world went clashing through its grooves, but in here never an echo of the grinding of its wheels entered to jar upon the subdued modulation of the fountain’s uninterrupted murmur.
Sarria and Vanamee found their way to a stone bench against the side wall of the Mission, near the door from which they had just issued, and sat down, Sarria lighting a cigar, Vanamee rolling and smoking cigarettes in Mexican fashion.
All about them widened the vast calm night. All the stars were out. The moon was coming up. There was no wind, no sound. The insistent flowing of the fountain seemed only as the symbol of the passing of time, a thing that was understood rather than heard, inevitable, prolonged. At long intervals, a faint breeze, hardly more than a breath, found its way into the garden over the enclosing walls, and passed overhead, spreading everywhere the delicious, mingled perfume of magnolia blossoms, of mignonette, of moss, of grass, and all the calm green life silently teeming within the enclosure of the walls.
