Complete Tales & Poems

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Complete Tales & Poems Page 73

by Edgar Allan Poe


  The poor girl got up as best she could, and, not daring even to sigh, resumed her position at the foot of the table.

  There was a dead silence for about half a minute, during which the falling of a leaf, or of a feather, might have been heard. It was interrupted by a low, but harsh and protracted grating sound which seemed to come at once from every corner of the room.

  “What—what—what are you making that noise for?” demanded the king, turning furiously to the dwarf.

  The latter seemed to have recovered, in great measure, from his intoxication, and looking fixedly but quietly into the tyrant’s face, merely ejaculated:

  “I—I? How could it have been me?”

  “The sound appeared to come from without,” observed one of the courtiers. “I fancy it was the parrot at the window, whetting his bill upon his cage-wires.”

  “True,” replied the monarch, as if much relieved by the suggestion; “but, on the honor of a knight, I could have sworn that it was the gritting of this vagabond’s teeth.”

  Hereupon the dwarf laughed (the king was too confirmed a joker to object to any one’s laughing), and displayed a set of large, powerful, and very repulsive teeth. Moreover, he avowed his perfect willingness to swallow as much wine as desired. The monarch was pacified; and having drained another bumper with no very perceptible ill effect, Hop-Frog entered at once, and with spirit, into the plans for the masquerade.

  “I cannot tell what was the association of idea,” observed he, very tranquilly, and as if he had never tasted wine in his life, “but just after your majesty had struck the girl and thrown the wine in her face—just after your majesty had done this, and while the parrot was making that odd noise outside the window, there came into my mind a capital diversion—one of my own country frolics—often enacted among us, at our masquerades: but here it will be new altogether. Unfortunately, however, it requires a company of eight persons, and—–”

  “Here we are!” cried the king, laughing at his acute discovery of the coincidence; “eight to a fraction—I and my seven ministers. Come! what is the diversion?”

  “We call it,” replied the cripple, “the Eight Chained Ourang-Outangs, and it really is excellent sport if well enacted.”

  “We will enact it,” remarked the king, drawing himself up, and lowering his eyelids.

  “The beauty of the game,” continued Hop-Frog, “lies in the fright it occasions among the women.”

  “Capital!” roared in chorus the monarch and his ministry.

  “I will equip you as ourang-outangs,” proceeded the dwarf; “leave all that to me. The resemblance shall be so striking, that the company of masqueraders will take you for real beasts—and of course, they will be as much terrified as astonished.”

  “Oh, this is exquisite!” exclaimed the king. “Hop-Frog! I will make a man of you.”

  “The chains are for the purpose of increasing the confusion by their jangling. You are supposed to have escaped, en masse, from your keepers. Your majesty cannot conceive the effect produced, at a masquerade, by eight chained ourang-outangs, imagined to be real ones by most of the company; and rushing in with savage cries, among the crowd of delicately and gorgeously habited men and women. The contrast is inimitable.”

  “It must be,” said the king: and the council arose hurriedly (as it was growing late), to put in execution the scheme of Hop-Frog.

  His mode of equipping the party as ourang-outangs was very simple, but effective enough for his purposes. The animals in questions had, at the epoch of my story, very rarely been seen in any part of the civilized world; and as the imitations made by the dwarf were sufficiently beast-like and more than sufficiently hideous, their truthfulness to nature was thus thought to be secured.

  The king and his ministers were first encased in tight-fitting stockinet shirts and drawers. They were then saturated with tar. At this stage of the process, some one of the party suggested feathers; but the suggestion was at once overruled by the dwarf, who soon convinced the eight, by ocular demonstration, that the hair of such a brute as the ourang-outang was much more efficiently represented by flax. A thick coating of the latter was accordingly plastered upon the coating of tar. A long chain was now procured. First, it was passed about the waist of the king, and tied; then about another of the party, and also tied; then about all successively, in the same manner. When this chaining arrangement was complete, and the party stood as far apart from each other as possible, they formed a circle; and to make all things appear natural, Hop-Frog passed the residue of the chain, in two diameters, at right angles, across the circle, after the fashion adopted, at the present day, by those who capture chimpanzees, or other large apes, in Borneo.

  The grand saloon in which the masquerade was to take place, was a circular room, very lofty, and receiving the light of the sun only through a single window at top. At night (the season for which the apartment was especially designed) it was illuminated principally by a large chandelier, depending by a chain from the centre of the sky-light, and lowered, or elevated, by means of a counterbalance as usual; but (in order not to look unsightly) this latter passed outside the cupola and over the roof.

  The arrangements of the room had been left to Trippetta’s superintendence; but, in some particulars, it seems, she had been guided by the calmer judgment of her friend the dwarf. At his suggestion it was that, on this occasion, the chandelier was removed. Its waxen drippings (which, in weather so warm, it was quite impossible to prevent) would have been seriously detrimental to the rich dresses of the guests, who, on account of the crowded state of the saloon, could not all be expected to keep from out its centre—that is to say, from under the chandelier. Additional sconces were set in various parts of the hall, out of the way; and a flambeau, emitting sweet odor, was placed in the right hand of each of the Caryatides that stood against the wall—some fifty or sixty all together.

  The eight ourang-outangs, taking Hop-Frog’s advice, waited patiently until midnight (when the room was thoroughly filled with masqueraders) before making their appearance. No sooner had the clock ceased striking, however, than they rushed, or rather rolled in, all together—for the impediments of their chains caused most of the party to fall, and all to stumble as they entered.

  The excitement among the masqueraders was prodigious, and filled the heart of the king with glee. As had been anticipated, there were not a few of the guests who supposed the ferocious-looking creatures to be beasts of some kind in reality, if not precisely ourang-outangs. Many of the women swooned with affright; and had not the king taken the precaution to exclude all weapons from the saloon, his party might soon have expiated their frolic in their blood. As it was, a general rush was made for the doors; but the king had ordered them to be locked immediately upon his entrance; and, at the dwarf’s suggestion, the keys had been deposited with him.

  While the tumult was at its height, and each masquerader attentive only to his own safety (for, in fact, there was much real danger from the pressure of the excited crowd), the chain by which the chandelier ordinarily hung, and which had been drawn up on its removal, might have been seen very gradually to descend, until its hooked extremity came within three feet of the floor.

  Soon after this, the king and his seven friends having reeled about the hall in all directions, found themselves, at length, in its centre, and, of course, in immediate contact with the chain. While they were thus situated, the dwarf, who had followed noiselessly at their heels, inciting them to keep up the commotion, took hold of their own chain at the intersection of the two portions which crossed the circle diametrically and at right angles. Here, with the rapidity of thought, he inserted the hook from which the chandelier had been wont to depend; and, in an instant, by some unseen agency, the chandelier-chain was drawn so far upward as to take the hook out of reach, and, as an inevitable consequence, to drag the ourang-outangs together in close connection, and face to face.

  The masqueraders, by this time, had recovered, in some measure, from their alar
m; and, beginning to regard the whole matter as a well-contrived pleasantry, set up a loud shout of laughter at the predicament of the apes.

  “Leave them to me!” now screamed Hop-Frog, his shrill voice making itself easily heard through all the din. “Leave them to me. I fancy I know them. If I can only get a good look at them, I can soon tell who they are.”

  Here, scrambling over the heads of the crowd, he managed to get to the wall; when, seizing a flambeau from one of the Caryatides, he returned, as he went, to the centre of the room—leaped, with the agility of a monkey, upon the king’s head—and thence clambered a few feet up the chain—holding down the torch to examine the group of ourang-outangs, and still screaming: “I shall soon find out who they are!”

  And now, while the whole assembly (the apes included) were convulsed with laughter, the jester suddenly uttered a shrill whistle; when the chain flew violently up for about thirty feet—dragging with it the dismayed and struggling ourang-outangs, and leaving them suspended in mid-air between the sky-light and the floor. Hop-Frog, clinging to the chain as it rose, still maintained his relative position in respect to the eight maskers, and still (as if nothing were the matter) continued to thrust his torch down toward them, as though endeavoring to discover who they were.

  So thoroughly astonished was the whole company at this ascent, that a dead silence, of about a minute’s duration, ensued. It was broken by just such a low, harsh, grating sound, as had before attracted the attention of the king and his councillors when the former threw the wine in the face of Trippetta. But, on the present occasion, there could be no question as to whence the sound issued. It came from the fang-like teeth of the dwarf, who ground them and gnashed them as he foamed at the mouth, and glared, with an expression of maniacal rage, into the upturned countenances of the king and his seven companions.

  “Ah, ha!” said at length the infuriated jester. “Ah, ha! I begin to see who these people are, now!” Here, pretending to scrutinize the king more closely, he held the flambeau to the flaxen coat which enveloped him, and which instantly burst into a sheet of vivid flame. In less than half a minute the whole eight ourang-outangs were blazing fiercely, amid the shrieks of the multitude who gazed at them from below, horror-stricken, and without the power to render them the slightest assistance.

  At length the flames, suddenly increasing in virulence, forced the jester to climb higher up the chain, to be out of their reach; and, as he made this movement, the crowd again sank, for a brief instant, into silence. The dwarf seized his opportunity, and once more spoke:

  “I now see distinctly,” he said, “what manner of people these maskers are. They are a great king and his seven privy-councillors,—a king who does not scruple to strike a defenceless girl, and his seven councillors who abet him in the outrage. As for myself, I am simply Hop-Frog, the jester—and this is my last jest.”

  Owing to the high combustibility of both the flax and the tar to which it adhered, the dwarf had scarcely made an end of his brief speech before the work of vengeance was complete. The eight corpses swung in their chains, a fetid, blackened, hideous, and indistinguishable mass. The cripple hurled his torch at them, clambered leisurely to the ceiling, and disappeared through the sky-light.

  It is supposed that Trippetta, stationed on the roof of the saloon, had been the accomplice of her friend in his fiery revenge, and that, together, they effected their escape to their own country; for neither was seen again.

  FOUR BEASTS IN ONE

  THE HOMO-CAMELOPARD

  Chacun a ses vertus.

  —CRÉBILLON’S—Xerxes

  ANTIOCHUS EPIPHANES is very generally looked upon as the Gog of the prophet Ezekie. This honor is, however, more properly attributable to Cambyses, the son of Cyrus. And, indeed, the character of the Syrian monarch does by no means stand in need of any adventitious embellishment. His accession to the throne, or rather his usurpation of the sovereignty, a hundred and seventy-one years before the coming of Christ; his attempt to plunder the temple of Diana at Ephesus; his implacable hostility to the Jews; his pollution of the Holy of Holies; and his miserable death at Taba, after a tumultuous reign of eleven years, are circumstances of a prominent kind, and therefore more generally noticed by the historians of his time than the impious, dastardly, cruel, silly, and whimsical achievements which make up the sum total of his private life and reputation.

  Let us suppose, gentle reader, that it is now the year of the world three thousand eight hundred and thirty, and let us, for a few minutes, imagine ourselves at that most grotesque habitation of man, the remarkable city of Antioch. To be sure there were, in Syria and other countries, sixteen cities of that appellation, besides the one to which I more particularly allude. But ours is that which went by the name of Antiochia Epidaphne, from its vicinity to the little village of Daphne, where stood a temple to that divinity. It was built (although about this matter there is some dispute) by Seleucus Nicanor, the first king of the country after Alexander the Great, in memory of his father Antiochus, and became immediately the residence of the Syrian monarchy. In the flourishing times of the Roman Empire it was the ordinary station of the prefect of the eastern provinces; and many of the emperors of the Queen city (among whom may be mentioned, especially, Verus and Valens) spent here the greater part of their time. But I perceive we have arrived at the city itself. Let us ascend this battlement, and throw our eyes upon the town and neighboring country.

  “What broad and rapid river is that which forces its way, with innumerable falls, through the mountainous wilderness, and finally through the wilderness of buildings?”

  That is the Orontes, and it is the only water in sight, with the exception of the Mediterranean, which stretches, like a broad mirror, about twelve miles off to the southward. Every one has seen the Mediterranean; but let me tell you, there are few who have had a peep at Antioch. By few, I mean, few who, like you and me, have had, at the same time, the advantages of a modern education. Therefore cease to regard that sea, and give your whole attention to the mass of houses that lie beneath us. You will remember that it is now the year of the world three thousand eight hundred and thirty. Were it later—for example, were it the year of our Lord eighteen hundred and forty-five—we should be deprived of this extraordinary spectacle. In the nineteenth century Antioch is—that is to say, Antioch will be—in a lamentable state of decay. It will have been, by that time, totally destroyed, at three different periods, by three successive earthquakes. Indeed, to say the truth, what little of its former self may then remain, will be found in so desolate and ruinous a state that the patriarch shall have removed his residence to Damascus. This is well. I see you profit by my advice, and are making the most of your time in inspecting the premises—in

  —–satisfying your eyes

  With the memorials and the things of fame

  That most renown this city.—–

  I beg pardon; I had forgotten that Shakespeare will not flourish for seventeen hundred and fifty years to come. But does not the appearance of Epidaphne justify me in calling it grotesque?

  “It is well fortified; and in this respect is as much indebted to nature as to art.”

  Very true.

  “There are a prodigious number of stately palaces.”

  There are.

  “And the numerous temples, sumptuous and magnificent, may bear comparison with the most lauded of antiquity.”

  All this I must acknowledge. Still there is an infinity of mud huts, and abominable hovels. We cannot help perceiving abundance of filth in every kennel, and, were it not for the overpowering fumes of idolatrous incense, I have no doubt we should find a most intolerable stench. Did you ever behold streets so insufferably narrow, or houses so miraculously tall? What a gloom their shadows cast upon the ground! It is well the swinging lamps in those endless colonnades are kept burning throughout the day; we should otherwise have the darkness of Egypt in the time of her desolation.

  “It is certainly a strange place! What is the meaning
of yonder singular building? See! it towers above all others, and lies to the eastward of what I take to be the royal palace!”

  That is the new Temple of the Sun, who is adored in Syria under the title of Elah Gabalah. Hereafter a very notorious Roman emperor will institute this worship in Rome, and thence derive a cognomen, Heliogabalus. I dare say you would like to take a peep at the divinity of the temple. You need not look up at the heavens; his Sunship is not there—at least not the Sunship adored by the Syrians. That deity will be found in the interior of yonder building. He is worshipped under the figure of a large stone pillar terminating at the summit in a cone or pyramid, whereby is denoted Fire.

  “Hark!—behold!—who can those ridiculous beings be, half naked, with their faces painted, shouting and gesticulating to the rabble?”

  Some few are mountebanks. Others more particularly belong to the race of philosophers. The greatest portion, however—those especially who belabor the populace with clubs—are the principal courtiers of the palace, executing, as in duty bound, some laudable comicality of the king’s.

  “But what have we here? Heavens! the town is swarming with wild beasts! How terrible a spectacle!—how dangerous a peculiarity!”

  Terrible if you please; but not in the least degree dangerous. Each animal, if you will take the pains to observe, is following, very quietly, in the wake of its master. Some few, to be sure, are led with a rope about the neck, but these are chiefly the lesser or timid species. The lion, the tiger, and the leopard are entirely without restraint. They have been trained without difficulty to their present profession, and attend upon their respective owners in the capacity of valets-de-chambre. It is true, there are occasions when Nature asserts her violated dominion;—but then the devouring of a man-at-arms, or the throttling of a consecrated bull, is a circumstance of too little moment to be more than hinted at in Epidaphne.

 

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