ARGUMENTS YARD

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ARGUMENTS YARD Page 8

by ATTILA; THE STOCKBROKER


  Anyway, back to the matter in hand. Bushell said he’d do a feature on me in Sounds, based around my forthcoming Poetry Olympics gig in Stratford, and he very soon offered me the chance to do freelance work for the paper as well, maybe out of out of a desire to ‘poach’ me from the NME more or less before I’d started writing for them. To say I was chuffed would be an understatement. God knows where his head is these days, but I’ll make no bones about it: back in 1982 Garry Bushell helped me a lot, and I thank him for it.

  By now opportunities were coming thick and fast. I was being offered more and more gigs, and was as ever writing lots of new material. From my first gig to this day, national and world events have never left me short of subject matter, and in 1982 it was certainly there in abundance.

  In January of that year, at Ipswich Crown Court, an ageing High Court judge called Bertrand Richards ruled that a 17-year old female hitch hiker who was raped after thumbing a lift home from a dance hall was ‘in the truest sense, asking for it’ and guilty of ‘contributory negligence’. The man who raped her was let off with a fine, and there was a huge outcry. When I heard about the case, one of far too many over the years, of course, I was beside myself with rage, and my rage soon became verse…

  CONTRIBUTORY NEGLIGENCE

  Hitching up the M11

  Coming back from an Upstarts gig

  Got picked up ‘bout half eleven

  By this bloke in a funny wig

  Flash Mercedes, new and gleaming -

  Deep pile seats and deep seat piles

  I got in and sat there scheming

  While the fat cat flashed me smiles…

  Told me he was back from sessions

  With a load of brain-dead hacks

  Told me he’d made no concessions

  To the bootboys and the blacks

  Said he thought that it was stupid

  Fuss ‘bout rapists on the news

  Bloke was only playing Cupid

  Girls like that they don’t refuse

  Asked me if I thought him enemy

  Asked me if I bore a grudge

  Told me that he came from Henley

  Said he was a High Court judge

  I asked him to stop a second

  ‘Need a slash’ that’s what I said

  When he did the anger beckoned

  And I smacked him in the head

  Took the keys and took his money

  Crashed the car into a ditch

  Though he moaned ‘They’ll get you, sonny!’

  Got away without a hitch

  I don’t think they’ll ever find me

  ‘Cos I’m many miles away

  But if one day they’re right behind me

  I know what I’m gonna say –

  HE ASKED FOR IT! He’s rich and snobbish

  Right wing, racist, sexist too!

  Brain dead, stupid, sick and slobbish –

  Should be locked in London Zoo!

  He wanted me to beat him up!

  It was an open invitation!

  Late at night he picked me up –

  An act of open provocation!

  High Court judges are a blight –

  They should stay home in nice warm beds

  And if they must drive late at night

  Should never pick up Harlow Reds!

  A five pence fine is right and proper

  And to sum up my defence

  It was his fault he came a cropper –

  CONTRIBUTORY NEGLIGENCE!

  I performed this poem for the first time at Michael Horovitz’s ‘Poetry Olympics’ at the Theatre Royal, Stratford East in early 1982: at the end of the fifth verse it was interrupted by a huge roar of acclaim. I had touched a chord, and the same thing happened again and again at gigs in the following weeks and months: I’d rarely finish it in one go. Thirty-plus years later, it still gets a cheer. And, very soon, the geriatric ramblings of the English judiciary would be in my line of fire again.

  Around the same time as the Stratford gig, the ‘Jobs not YOPS’ march round London started, with evening benefit gigs compered by myself and Swells. The big one was a secret gig by the Jam. I was psyching myself up for another full frontal verbal assault on a big hall full of mods and punks when four blokes with guitars, weird cowboy-ish outfits and big hair - very, very big hair indeed - materialised in front of me: fully formed, image-perfect. They looked as though they’d been born like that.

  ‘Hello’, said the one with the biggest hair of all. ‘We’re The Alarm. Can we do a short spot?’

  I checked, got the go-ahead from the organisers, and they did. I don’t remember their set, to be honest, but this was their first London appearance: former guitarist Dave Sharp confirmed that during a chat when he turned up at a gig I did in Southport just before this book went to press. I shared a few bills with them in the next couple of years and thoroughly enjoy their songs to this day, though it must be said that their lyrics made them sitting ducks (‘Get back in your shelter/If you can’t come down off the fence…’) Their first release was ‘The Stand’, an excellent song, and then the epic ‘68 Guns’, the words of which were so exquisitely ridiculous that they eventually inspired my ‘Zen Stalinist Manifesto’ in the mid 1990s. Singer Mike Peters heard it for the first time when I did a gig with him on the Leftfield Stage at Glastonbury in 2004, and I’m happy to say he found it very amusing. He’s a good bloke, has fought cancer in an inspirational way, and for the record, he and Paul Heaton from the Housemartins/Beautiful South are the two best footballers of all the musicians and poets I’ve ever met.

  Here’s the poem, celebrating my new philosophy for the 21st century, Zen Stalinism: a combination of the caring, loving, pacifistic approach of Zen Buddism, the political clarity of Stalinism and the lyrics of The Alarm.

  THE ZEN STALINIST MANIFESTO

  Playing golf or being otherwise dull

  with malice aforethought

  watching TV for more than ten hours a week

  discussing soap operas

  (or any TV programmes or adverts

  in the case of a stand-up comedian on stage)

  and becoming obsessed with the work of

  Quentin Tarantino

  Damien Hirst

  or William Burroughs

  will become a criminal offence

  punishable by five years’ enforced participation

  in a non-stop mime

  juggling

  and face painting workshop

  in Slough.

  The Berlin Wall will be rebuilt -

  only five metres higher.

  It will keep people out.

  People like the World Bank

  the International Monetary Fund

  Price Waterhouse

  Roman Abramovich

  Ant & Dec

  Mark Lawrenson

  Vladimir Putin

  and Coldplay.

  Michael Gove and Richard Littlejohn

  will suffer immediate retrospective abortion.

  In order to combat the increasing danger

  to civilised society

  posed by pig-ignorant

  misogynistic

  right-wing

  testosterone-poisoned

  road rage specialists

  theme gulags will be introduced

  for anyone who drives a van with scratches down the side

  and shouts at or otherwise intimidates

  lone women drivers at roundabouts

  or buys shares in industries

  which belonged to him in the first place.

  These gulags will all be situated on Rockall

  and will have three themes:

  Saturday night in August on the Costa Del Sol

  auction day at the used car emporium on Shoreham seafront

  and happy hour in a Harlow theme pub.

  All themes will run 24 hours a day

  365 days a year

  and inmates will be able to nominate their chosen

  theme o
n arrival.

  No theme changing will be allowed

  but Clash albums

  chess sets

  and copies of ‘The Ragged-Trousered Philanthropists’

  by Robert Tressell

  will be available for rehabilitation purposes.

  Tight security will be enforced.

  Theme gulags will be surrounded by large, deep moats

  filled with soya milk and real ale

  guarded by pitbullfrogs

  and kept under constant surveillance

  by hundreds of high court judges

  watching from carefully constructed ivory towers.

  Tony Blair will finally be recognised

  as the war criminal he is

  and made to spend the rest of his days

  cleaning out the toilets

  at the Glastonbury Festival.

  With his tongue.

  Every Western government leader

  and the entire staff of the United Nations

  will be forced to walk naked

  through the memorials

  and mass graves

  in what used to be the Socialist Federation of Yugoslavia

  and then have the words

  ‘Marshall Tito was right’

  tattooed on their foreheads.

  A Zen Stalinist National Curriculum

  will be introduced into schools.

  Albanian

  - both dialects, Gheg and Tosk -

  will become compulsory as a foreign language.

  Reading Geoffrey Archer

  and supporting Crystal Palace

  will become not just highly illegal

  but indicative of a disturbed mental state

  requiring instant frontal lobotomy.

  The Alarm will reform.

  All school students will have to attend morning assembly

  and sing the new National Anthem:

  ‘68 Guns’ by The Alarm.

  Mike Peters of The Alarm

  will become the new Welsh football manager

  with David Icke as his assistant.

  The Royal Family

  will be allowed to remain as figureheads

  but will have to join The Alarm.

  Billy Bragg will become next in line to the throne

  and rhythm guitarist in The Alarm.

  All game show hosts

  all TV cooks

  and everyone who works for the Sun

  and the Times Literary Supplement

  will be shot.

  Their executions will be videoed

  an acid house soundtrack will be added

  and huge week-long parties

  known as ‘graves’

  will begin.

  Ken Livingstone and his pet newt Dennis

  will become Prime Minister

  and Chancellor of the Exchequer.

  All privatised industries will be renationalised

  without compensation

  and a huge TV and poster campaign will be launched

  saying simply

  ‘Tell Sid tough shit.’

  The Queen will be privatised

  and promoted to lead singer of The Alarm.

  The first Zen Stalinist Five Year Plan

  will be published

  declaring world peace and social surrealism

  and the dark nightmare of monetarist madness

  will finally come to an end.

  For ever.

  At one of the gigs on that tour, Swells was given a tape by a young singer-songwriter from Barking, and I think, though I’m not sure, that was the first time I said hello to Billy Bragg. There would be many more meetings in the future…

  At the end of February 1982, Garry Bushell’s Sounds feature on me was published, typically headlined ‘You’re the Hun that I want’(!) and by the end of March I had written ‘Awayday’, the rude, loud, definitive early Attila piece which, along with ‘Willie Whitelaw’s Willie’, would appear on one of his ‘Oi!’ compilation albums, with my anti-fascist poem ‘Andy Is A Corporatist’ on another. ‘Oh, bloody hell, Oi!’ I can hear some older and more ‘sensitive’ readers groan. ‘What were you doing getting involved with that?’ Well, having had a go at the judiciary – the upper class Right - the working class Right and the Stock Exchange middle class Right, it’s time I had words with the middle class Left.

  I have always believed, as a socialist and anti-fascist, that it simply isn’t good enough to preach to the converted: if you spend your life in a vegetarian whole food-ridden ghetto strewn with wine glasses and discarded copies of Society Guardian, then you are absolutely no use to anyone. There’s a world out there. Right wing, fascistic and just downright dumb ideas need to be combatted head on, and there were plenty associated with ‘Oi!’ which is why I got involved – to reach people, argue, challenge ideas, change minds. Furthermore, despite what the likes of the NME said, it’s not true that everything to do with ‘Oi’ was awful, and the majority of the bands weren’t right wing: allied to it were some fine outfits like the Angelic Upstarts, Blitz, Red Alert and the fantastic Red London, whose first EP ‘Sten Guns in Sunderland’ I produced in 1983 after helping them get a record deal. I like punk rock, always have done, and I’ve never felt comfortable just preaching to the converted - not then, not now, and I never will. I’ll go to places most poets won’t. It’s meant a few bruises, metaphorical and physical, given and received, over the years, and so be it. Much more on this subject to come…

  1982 was a bad year for the English judiciary: a very, very bad year indeed, even by their brontosaurine standards. Just two months after the ‘Contributory Negligence’ fiasco came the London Transport ‘Fares Fair’ debacle.

  In October 1981, as part of their election manifesto, Ken Livingstone’s Greater London Council reduced London tube and bus fares by 31% to encourage greater use of public transport and reduce traffic problems: it was a hugely popular and successful measure, and was challenged in an act of sheer political spite by Tory-controlled Bromley Council. Five Law Lords led by Lord Denning ruled that the entire scheme was illegal, and in March 1982, the GLC were forced to double the fares.

  Once more, there was uproar at a ‘judicial’ decision made by elderly upper-class males who appeared completely out of touch with ordinary people and their lives. A campaign was launched, and many people refused to pay the increased fares. Badges and stickers were everywhere: ‘I voted for cheap fares. Who voted for Lord Denning?’

  My contribution was a cautionary tale about the perils of a day out in London with the Law Lords…

  AWAYDAY

  Woke up got up read the post attacked the postman took the rat for a walk came back fed the amoeba made some coffee wrote a passionate love letter to shirley williams enclosing a small dead animal then thought i’m bored think I’ll go to london ‘cos london’s more interesting than harlow and i might be able to pick up some buck’s fizz bootlegs or the latest jean-paul sartre dub lp got the bus ten minutes late got the train twenty minutes late train was delayed for two hours due to dead liberals on the line got to london liverpool street went down the tube stepping on unsuspecting commuters all the way up to the ticket booth single to covent garden please sure mate that’ll be five pound fifty what do you mean five pound fifty it was only twenty pence yesterday i’m not paying five pound fifty to go to covent garden from liverpool street sorry mate i know it was only twenty pence yesterday but a ninety seven year old deaf geriatric ostrich-minded extremely rich archaic obsolete semi-senile reactionary friedman-worshipping member of an outdated unnecessary and entirely superfluous elitist and oligarchic institution who never uses the tube anyway ‘cos he’s got a fucking chauffeur-driven limousine woke up with a headache in the middle of last night and decided to increase london transport fares by two thousand percent and got four of his senile friends to agree with him – posthumously – and so we’ve had to put the fares up that’s called freedom democracy the rule of law and defending the british way of life that’ll b
e five pound fifty please…

  BOLLOCKS TO THAT i said and after a short pregnant pause all the people in the queue plucked up courage and said BOLLOCKS TO THAT and all the pinstripe-and-soda brigade coming down the stairs said BOLLOCKS TO THAT and all the other people at liverpool street underground and at the bus stops said BOLLOCKS TO THAT apart from the nice polite human league and haircut one hundred fans who thought it was rude to say BOLLOCKS but when it was revealed to them that in the famous sex pistols LP cover trial of 1977 a high court judge had ruled that BOLLOCKS was not an obscene word then they too said BOLLOCKS TO THAT and soon the entire length and breadth of the london transport network was full of people saying BOLLOCKS TO THAT and refusing to pay the increased fares and when finally a large crowd of completely sober and totally moderate forty nine year old lloyds underwriters called Brian started going up to yer average law lord in the street saying BOLLOCKS TO THAT and hitting him over the head with a large mallet then the powers that be decided to abandon the fares increase in the interest of public safely then everything went back to normal but it made me wonder so i’m forming a mass revolutionary party and our slogan manifesto and programme is going to be BOLLOCKS TO THAT!

  Whole audiences joined in. Punks and skins jumped up on stage and did backing vocals. But the country was in the iron grip of Thatcherism, and so, of course, the views of five reactionary Law Lords counted more than those of millions of Londoners. The fares stayed up. Bollocks to that.

  I travelled up and down the country researching my piece on new town life for the NME, centred of course around the Harlow music scene, but also featuring Corby, Stevenage and Livingston in Scotland: it received a healthy double page spread in the paper. The money I earned from this, plus my first reasonably paid gigs, enabled me to sign off the dole. It was a very proud day when I phoned my mum in New Zealand to tell her this, along with the fact that my first record with Swells, ‘Rough Raw and Ranting’ had just been released: not long afterwards, recovering well and – wonderful news – with the all clear from the doctors, she came back home, and I went back to Southwick to see her.

 

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