Somehow I suspected that the entire war, the movement of thousands, the fate of millions—perhaps billions—depended upon the actions of six people in that unmarked stretch of orange and yellow.
I folded my sketchbook, stuffed my pencils in pockets, looked for an exit, found and used it.
Leigh Hunt met me in one of the long hallways that led to the main entrance. “You are leaving?”
I took a breath. “Aren’t I allowed to?”
Hunt smiled, if one could call that upward folding of thin lips a smile. “Of course, M. Severn. But CEO Gladstone has asked me to tell you that she would like to speak to you again this afternoon.”
“When?”
Hunt shrugged. “Any time after her speech. At your convenience.”
I nodded. Literally millions of lobbyists, job seekers, would-be biographers, business people, fans of the CEO, and potential assassins would give almost anything to have a minute with the Hegemony’s most visible leader, a few seconds with CEO Gladstone, and I could see her “at my convenience.” No one ever said the universe was sane.
I brushed past Leigh Hunt and made for the front door.
By long tradition, Government House had no public farcaster portals within its walls. It was a short walk past the main-entrance security baffles, across the garden, to the low, white building that served as press headquarters and terminex. The newsteeps were clustered around a central viewing pit, where the familiar face and voice of Lewellyn Drake, “the voice of the All Thing,” gave background to CEO Gladstone’s speech “of vital importance to the Hegemony.” I nodded in his direction, found an unused portal, presented my universal card, and went in search of a bar.
The Grand Concourse was, once you got there, the one place in the Web where you could farcast for free. Every world in the Web had offered at least one of its finest urban blocks—TC2 provided twenty-three blocks—for shopping, entertainment, fine restaurants, and bars.
Especially bars.
Like River Tethys, the Grand Concourse flowed between military sized farcaster portals two hundred meters high. With wraparound, the effect was of an infinite main street, a hundred-kilometer torus of material delights. One could stand, as I did that morning, under the brilliant sun of Tau Ceti and look down the Concourse to the nighttime midway of Deneb Drei, alive with neon and holos, and catch a glimpse of the hundred-tiered Main Mall of Lusus, while knowing that beyond it lay the shadow-dappled boutiques of God’s Grove with its brick concourse and elevators to Treetops, the most expensive eatery in the Web.
I didn’t give a damn about all that. I just wanted to find a quiet bar.
TC2 bars were too filled with bureaucrats, teeps, and business types, so I caught one of the Concourse shuttles and stepped off on Sol Draconi Septem’s main drag. The gravity discouraged many—it discouraged me—but it meant that the bars were less full, and those there had come to drink.
The place I chose was a ground-level bar, almost hidden under the support pillars and service chutes to the main shopping trellis, and it was dark inside: dark walls, dark wood, dark patrons—their skin as black as mine was pale. It was a good place to drink, and I did so, starting with a double Scotch and getting more serious as I went along.
Even there I couldn’t be free of Gladstone. Far across the room, a flatscreen TV showed the CEO’s face with the blue-and-gold background she used for state broadcasts. Several of the other drinkers had gathered to watch. I heard snatches of the speech: “…to insure the safety of Hegemony citizens and… cannot be allowed to endanger the safety of the Web or our allies in… thus, I have authorized a full military response to…”
“Turn that goddamned thing down!” I was amazed to realize that it was me shouting. The patrons glowered over their shoulders, but they turned it down. I watched Gladstone’s mouth move a moment, and then I waved to the bartender for another double.
Sometime later, it might have been hours, I looked up from my drink to realize that there was someone sitting across from me in the dark booth. It took me a second, blinking, to recognize who it was in the dim light. For an instant my heart raced as I thought, Fanny, but then I blinked again and said, “Lady Philomel.”
She still wore the dark blue dress I’d seen her in at breakfast. Somehow it seemed cut lower now. Her face and shoulders seemed to glow in the near-darkness. “M. Severn,” she said, her voice almost a whisper. “I’ve come to redeem your promise.”
“Promise?” I waved the bartender over, but he did not respond. I frowned and looked at Diana Philomel. “What promise?”
“To draw me, of course. Did you forget your promise at the party?”
I snapped my fingers, but the insolent barkeep still did not deign to look my way. “I did draw you,” I said.
“Yes,” said Lady Philomel, “but not all of me.”
I sighed and drained the last of my Scotch. “Drinking,” I said.
Lady Philomel smiled. “So I see.”
I started to stand to go after the bartender, thought better of it, and sat back slowly onto the weathered wood of the bench. “Armageddon,” I said. “They’re playing with Armageddon.” I looked at the woman carefully, squinting slightly to bring her into focus. “Do you know that word, m'lady?”
“I don’t believe he will serve you any more alcohol,” she said. “I have drinks at my place. You could have one while you draw.”
I squinted again, craftily now. I might have had a few too many Scotches, but they hadn’t impaired my awareness. “Husband,” I said.
Diana Philomel smiled again, and that too was radiant. “Spending several days at Government House,” she said, truly whispering now. “He can’t be far from the source of power at such an important time. Come, my vehicle is just outside.”
I don’t remember paying, but I assume I did. Or Lady Philomel did.
I don’t remember her helping me outside, but I assume that someone did. Perhaps a chauffeur. I remember a man in gray tunic and trousers, remember leaning against him.
The EMV had a bubble top, polarized from the outside but quite transparent from where we sat in deep cushions and looked out. I counted one, two portals, and then we were out and away from the Concourse and gaining altitude above blue fields under a yellow sky.
Elaborate homes, made from some ebony wood, sat on hilltops surrounded by poppy fields and bronze lakes. Renaissance Vector? It was too difficult a puzzle to work on right then, so I laid my head against the bubble and decided to rest for a moment or two. Had to be rested for Lady Philomel’s portrait… hell, hell.
The countryside passed below.
Five
Colonel Fedmahn Kassad follows Brawne Lamia and Father Hoyt through the dust storm toward the Jade Tomb. He had lied to Lamia; his night visor and sensors worked well despite the electrical discharge flickering around them. Following the two seemed the best chance for finding the Shrike. Kassad remembered the rock-lion hunts on Hebron—one tethered a goat and waited.
Data from the telltales he had set around the encampment flickers on Kassad’s tactical display and whispers through his implant. It is a calculated risk to leave Weintraub and his daughter, Martin Silenus and the Consul sleeping there, unprotected except for the automatics and an alarm. But then, Kassad seriously doubts whether he can stop the Shrike anyway. They are all goats, tethered, waiting. It is the woman, the phantom named Moneta, whom Kassad is determined to find before he dies.
The wind has continued to rise, and now it screams around Kassad, reducing normal visibility to zero and pelting his impact armor. The dunes glow with discharge, and miniature lightning crackles around his boots and legs as he strides to keep Lamia’s heat signature in clear view.
Information flows in from her open comlog. Hoyt’s closed channels reveal only that he is alive and moving.
Kassad passes under the outstretched wing of the Sphinx, feeling the weight invisible above him, hanging there like a great boot heel. Then he turns down the valley, seeing the Jade Tomb as an absence o
f heat in infrared, a cold outline. Hoyt is just entering the hemispherical opening; Lamia is twenty meters behind him. Nothing else moves in the valley. The telltales from the camp, hidden by night and storm behind Kassad, reveal Sol and the baby sleeping, the Consul lying awake but unmoving, nothing else within the perimeter.
Kassad slips the safety off on his weapon and moves forward quickly, his long legs taking great strides. He would give anything at that second to have access to a spottersat, his tactical channels complete, rather than have to deal with this partial picture of a fragmented situation.
He shrugs within his impact armor and keeps moving.
Brawne Lamia almost does not make the final fifteen meters of her voyage to the Jade Tomb. The wind has risen to gale force and beyond, shoving her along so that twice she loses her footing and falls headlong into the sand. The lightning is real now, splitting the sky in great bursts that illuminate the glowing tomb ahead. Twice she tries calling Hoyt, Kassad, or the others, sure that no one could be sleeping through this back at the camp, but her comlog and implants give her only static, their widebands registering gibberish. After the second fall, Lamia gets to her knees and looks ahead; there has been no sign of Hoyt since that brief glimpse of someone moving toward the entrance.
Lamia grips her father’s automatic pistol and gets to her feet, allowing the wind to blow her the last few meters. She pauses before the entrance hemisphere.
Whether due to the storm and electrical display or something else, the Jade Tomb is glowing a bright, bilious green which tinges the dunes and makes the skin of her wrists and hands look like something from the grave. Lamia makes a final attempt to raise someone on her comlog and then enters the tomb.
Father Lenar Hoyt of the twelve-hundred-year-old Society of Jesus, resident of the New Vatican on Pacem and loyal servant of His Holiness Pope Urban XVI, is screaming obscenities.
Hoyt is lost and in great pain. The wide rooms near the entrance to the Jade Tomb have narrowed, the corridor has wound back on itself so many times, that now Father Hoyt is lost in a series of catacombs, wandering between greenly glowing walls, in a maze he does not remember from the day’s explorations or from the maps he has left behind.
The pain—pain which has been with him for years, pain which has been his companion since the tribe of the Bikura had implanted the two cruciforms, his own and Paul Duré’s—now threatens to drive him mad with its new intensity.
The corridor narrows again. Lenar Hoyt screams, no longer aware that he is doing so, no longer aware of the words he cries out—words which he has not used since childhood. He wants release. Release from the pain. Release from the burden of carrying Father Duré’s DNA, personality… Duré’s soul… in the cross-shaped parasite on his back. And from carrying the terrible curse of his own foul resurrection in the cruciform on his chest.
But even as Hoyt screams, he knows that it was not the now-dead Bikura who had condemned him to such pain; the lost tribe of colonists, resurrected by their own cruciforms so many times that they had become idiots, mere vehicles for their own DNA and that of their parasites, had been priests also… priests of the Shrike.
Father Hoyt of the Society of Jesus has brought a vial of holy water blessed by His Holiness, a Eucharist consecrated in a Solemn High Mass, and a copy of the Church’s ancient rite of exorcism. These things are forgotten now, sealed in a Perspex bubble in a pocket of his cloak.
Hoyt stumbles against a wall and screams again. The pain is a force beyond description now, the full ampule of ultramorph he had shot only fifteen minutes earlier, helpless against it. Father Hoyt screams and claws at his clothes, ripping off the heavy cloak, the black tunic and Roman collar, pants and shirt and underclothes, until he is naked, shivering with pain and cold in the glowing corridors of the Jade Tomb and screaming obscenities into the night.
He stumbles forward again, finds an opening, and moves into a room larger than any he remembers from the day’s searches there. Bare, translucent walls rise thirty meters on each side of an empty space.
Hoyt stumbles to his hands and knees, looks down, and realizes that the floor has become almost transparent. He is staring into a vertical shaft beneath the thin membrane of floor; a shaft that drops a kilometer or more to flames. The room fills with the red-orange pulse of light from the fire so far below.
Hoyt rolls to his side and laughs. If this is some image of hell summoned up for his benefit, it is a failure. Hoyt’s view of hell is tactile; it is the pain which moves in him like jagged wires pulled through his veins and guts. Hell is also the memory of starving children in the slums of Armaghast and the smile of politicians sending boys off to die in colonial wars. Hell is the thought of the Church dying out in his lifetime, in Duré’s lifetime, the last of its believers a handful of old men and women filling only a few pews of the huge cathedrals on Pacem. Hell is the hypocrisy of saying morning Mass with the evil of the cruciform pulsating warmly, obscenely, above one’s heart.
There is a rush of hot air, and Hoyt watches as a section of floor slides back, creating a trapdoor to the shaft below. The room fills with the stench of sulfur. Hoyt laughs at the cliche, but within seconds the laughter turns to sobs. He is on his knees now, scraping with bloodied nails at the cruciforms on his chest and back. The cross-shaped welts seem to glow in the red light. Hoyt can hear the flames below.
“Hoyt!”
Still sobbing, he turns to see the woman—Lamia—framed in the doorway. She is looking past him, beyond him, and raising an antique pistol. Her eyes are very wide.
Father Hoyt feels the heat behind him, hears the roar as of a distant furnace, but above that, he suddenly hears the slide and scrape of metal on stone. Footsteps. Still clawing at the bloodied welt on his chest, Hoyt turns, his knees rubbed raw against the floor.
He sees the shadow first: ten meters of sharp angles, thorns, blades… legs like steel pipes with a rosette of scimitar blades at the knees and ankles. Then, through the pulse of hot light and black shadow, Hoyt sees the eyes. A hundred facets… a thousand… glowing red, a laser shone through twin rubies, above the collar of steel thorns and the quicksilver chest reflecting flame and shadow…
Brawne Lamia is firing her father’s pistol. The slap of the shots echo high and flat above the furnace rumble.
Father Lenar Hoyt swivels toward her, raises one hand. “No, don’t!” he screams. “It grants one wish! I have to make a…”
The Shrike, which was there—five meters away—is suddenly here, an arm’s length from Hoyt. Lamia quits firing. Hoyt looks up, sees his own reflection in the fire-burnished chrome of the thing’s carapace… sees something else in the Shrike’s eyes at that instant… and then it is gone, the Shrike is gone, and Hoyt lifts his hand slowly, touches his throat almost bemusedly, stares for a second at the cascade of red which is covering his hand, his chest, the cruciform, his belly…
He turns toward the doorway and sees Lamia still staring in terror and shock, not at the Shrike now, but at him, at Father Lenar Hoyt of the Society of Jesus, and in that instant he realizes that the pain is gone, and he opens his mouth to speak, but more, only more red comes out, a geyser of red. Hoyt glances down again, notices for the first time that he is naked, sees the blood dripping from his chin and chest, dripping and pouring to the now-dark floor, sees the blood pouring as if someone had upended a bucket of red paint, and then he sees nothing as he falls face first to the floor so far… so very far… below.
Six
Diana Philomel’s body was as perfect as cosmetic science and an ARNist’s skills could make it. I lay in bed for several minutes after awakening and admired her body: turned away from me, the classic curve of back and hip and flank offering a geometry more beautiful and powerful than anything discovered by Euclid, the two dimples visible on the lower back, just above the heart-stopping widening of milk-white derriere, soft angles intersecting, the backs of full thighs somehow more sensual and solid than any aspect of male anatomy could hope to be.
L
ady Diana was asleep, or seemed to be. Our clothes lay strewn across a wide expanse of green carpet. Thick light, tinged magenta and blue, flooded broad windows, through which gray and gold treetops were visible. Large sheets of drawing paper lay scattered around, beneath, and on top of our discarded clothes. I leaned to my left, lifted a sheet of paper, and saw a hasty scribble of breasts, thighs, an arm reworked in haste, and a face with no features. Doing a life study while drunk and in the process of being seduced is never a formula for quality art.
I moaned, rolled on my back, and studied the sculptured scrollwork on the ceiling twelve feet above. If the woman beside me had been Fanny, I might never want to move. As it was, I slipped out from under the covers, found my comlog, noted that it was early morning on Tau Ceti Center—fourteen hours after my appointment with the CEO—and padded off to the bathroom in search of a hangover pill.
There were several varieties of medication to choose from in Lady Diana’s drug bin. In addition to the usual aspirin and endorphins, I saw stims, tranks, Flashback tubes, orgasm derms, shunt primers, cannabis inhalers, non-recom tobacco cigarettes, and a hundred less identifiable drugs. I found a glass and forced down two Dayafters, feeling the nausea and headache fade within seconds.
Lady Diana was awake and sitting up in bed, still nude, when I emerged. I started to smile and then saw the two men by the east doorway. Neither was her husband, although both were as large and shared the same no-neck, ham-fisted, dark-jowled style that Hermund Philomel had perfected.
In the long pageant of human history, I am sure that there has been some human male who could stand, surprised and naked, in front of two fully clothed and potentially hostile strangers, rival males as it were, without cringing, without having the urge to cover his genitals and hunch over, and without feeling totally vulnerable and at a disadvantage… but I am not that male.
I hunched over, covered my groin, backed toward the bathroom, and said, “What… who… ?” I looked toward Diana Philomel for help and saw the smile there… a smile that matched the cruelty I had first seen in her eyes.
The Fall of Hyperion hc-2 Page 5
