by Anne Rice
Oh, well, he couldn't figure out these things. He wasn't really a historian or social scientist. Maybe he wasn't clever enough. He was a contractor by trade. Best to stick to refinishing oak floors and stripping brass faucets.
And besides, he didn't hate women. He didn't. He didn't fear them either. Women were just people, and sometimes they were better people than men, gentler, kinder. He liked their company better than the company of men most of the time. And it had never surprised him that, except for this one issue, they usually understood what he had to say more sympathetically than men did.
When Elizabeth called, eager to kindle the old flame, he was happy, very happy, to get on a plane for New York. Their weekend was bliss together, except for his elaborate precautions against conception, a matter which had now become an obsession. They would make it work again, they both knew it. They were one step from a rare moment of fine excitement. But Elizabeth didn't want to leave the East Coast, and Michael could not imagine Great Expectations in Manhattan. They would write to each other, they would think about it; they would talk long distance. They would wait and see.
As time passed, Michael lost a little faith that he would ever have the love he wanted.
But his was a world in which many adults did not have that love. They had friends, freedom, style, riches, career, but not that love, and this was the condition of modern life and so it was for him, too. And he grew to take this for granted.
He had plenty of comrades on the job, old college buddies, no shortage of female companionship when he wanted it. And as he reached his forty-eighth birthday, he figured there was still time for everything. He felt and looked young, as did the other people his age around him. Why, he still had those damned freckles. And women still gave him the eye, that was certain. In fact, he found it easier to attract them now than when he had been an overeager young man.
Who could say? Maybe his little casual affair with Therese, the young woman he'd recently met at the Symphony, would start to mean something. She was too young, he knew that, he was angry with himself on that score, but then she would call and say: "Michael, I expected to hear from you by this time! You're really manipulating me!" Whatever that meant. And off they would go to supper and her place after that.
But was it only a deep love that he missed? Was there something else? One morning, he woke up and realized in a flash that the summer he had been waiting for all these years was never going to come. And the miserable damp of the place had worked itself into the marrow of his bones. There would never be warm nights full of the smell of jasmine. There would never be warm breezes from the river or the Gulf. But this he had to accept, he told himself. After all this was his city now. How could he ever go home?
Yet at times it seemed to him that San Francisco was no longer painted in rich colors of ocher and Roman red; that it had become a drab sepia, and that the dull glare of the perpetually gray sky had permanently blunted his spirits.
Even the beautiful houses he restored seemed sometimes no more than stage sets, devoid of real tradition, fancy traps to capture a past that had never existed, to create a feeling of solidity for people who lived moment to moment in a fear of death bordering on hysteria.
Oh, but he was a lucky man, and he knew it. And surely there were good times and good things to come.
So that was Michael's life, a life that for all practical purposes was now over, because he had drowned on May 1 and come back, haunted, obsessed, rambling on and on about the living and the dead, unable to remove the black gloves from his hands, fearful of what he might see--the great inundations of meaningless images--and picking up strong emotional impressions even from those whom he did not touch.
A full three and a half months had passed since that awful day. Therese was gone. His friends were gone. And now he was a prisoner of the house on Liberty Street.
He had changed the number on the phone. He was not answering the mountains of mail he received. Aunt Viv went out by the back door to obtain those few supplies for the house which could not be delivered.
In a sweet, polite voice she fielded the few calls. "No, Michael isn't here anymore."
He laughed every time he heard it. Because it was true. The papers said he had "disappeared." That made him laugh too. About every ten days or so, he called Stacy and Jim, just to say he was alive, then hung up. He couldn't blame them if they didn't care.
Now in the dark, he lay on his bed, watching again on the mute television screen the familiar old images of Great Expectations. A ghostly Miss Havisham in her tattered wedding garb talked to the young Pip, played by John Mills, who was just setting off for London.
Why was Michael wasting time? He ought to be setting off for New Orleans. But he was too drunk just now for that. Too drunk even to call for an airline schedule. Besides, there was the hope that Dr. Morris would call him, Dr. Morris, who knew this secret number, Dr. Morris to whom Michael had confided his one and only plan.
"If I could get in touch with that woman," he had told Dr. Morris, "you know, the skipper who rescued me. If I could just take off my gloves and hold her hands when I talk to her, well, maybe I could remember something through her. Do you know what I'm talking about?"
"You're drunk, Michael. I can hear it."
"Never mind that just now. That's a given. I'm drunk and I'm going to stay drunk, but listen to what I'm saying. If I could get on that boat again ... "
"Yes?"
"Well, if I could get down on the deck of the boat, and touch the boards with my bare hands ... you know, the boards I was lying on ... "
"Michael, that's insane."
"Dr. Morris, call her. You can get in touch with her. If you won't call her, give me her name."
"What do you mean, call her and tell her you want to crawl around on the deck of her boat, feeling for mental vibrations? Michael, she has a right to be protected from something like that; she may not believe in this psychic power thing."
"But you believe in it! You know it works!"
"I want you to come back to the hospital."
Michael had hung up in a rage. No more needles, no more tests, thank you. Over and over again Dr. Morris had called back, but the telephone messages were all the same: "Michael, come in. We're worried about you. We want to see you."
Then finally, the promise: "Michael, if you sober up, I'll give it a try. I know where the lady can be found."
Sober up; he thought about it now as he lay in the dark. He groped for the nearby cold can of beer, then cracked it open. A beer drunk was the best kind of drunk. And in a way it was being sober because he hadn't poured a slug of vodka or Scotch in the can, had he? Now that was really drinking, that main-line poison, and he ought to know.
Call Dr. Morris. Tell him you're sober, sober as you ever intend to get.
Seems like he'd done that. But maybe he'd dreamed it, maybe he was just drifting off again. Sweet to lie here, sweet to be so drunk you couldn't feel the agitation, the urgency, the pain of not remembering ...
Aunt Viv said, "Eat some supper."
But he was in New Orleans, walking through those Garden District streets, and it was warm, and oh, the fragrance of the night jasmine. To think that all these years he had not smelled that sweet, heavy scent, and had not seen the sky behind the oaks catch fire, so each tiny leaf was suddenly distinct. The flagstones buckled over the roots of the oaks. The cold wind bit at his naked fingers.
Cold wind. Yes. It was not summer after all, but winter, the sharp, freezing New Orleans winter, and they were rushing through the dark to see the last parade of Mardi Gras night, the Mystic Krewe of Comus.
Such a lovely name, he thought as he dreamed, but way back then he had also thought it wondrous. And far ahead, on St. Charles Avenue, he saw the torches of the parade and heard the drums which always scared him.
"Hurry, Michael," his mother said. She almost pulled him off his feet. How dark the street was, how terrible this cold like the cold of the ocean.
"But look, Mom." He poi
nted through the iron fence. He tugged on her hand. "There's the man in the garden."
The old game. She would say there was no man there, and they would laugh about it together. But the man was there, all right, just as he'd always been--way back at the edge of the great lawn, standing beneath the bare white limbs of the crepe myrtles. Did he see Michael on that night? Yes, it seemed he did. Surely they had looked at each other.
"Michael, we don't have time for that man."
"But Mom, he's there, he really is ... "
The Mystic Krewe of Comus. The brass bands played their dark savage music as they marched by, the torches blazing. The crowds surged into the street. From atop the quivering papier-mache floats, men in glittering satin costumes and masks threw glass necklaces, wooden beads. People fought to catch them. Michael clung to his mother's skirt, hating the sound of the drums. Trinkets landed in the gutter at his feet.
On the long way home, with Mardi Gras dead and done, and the streets littered with trash, and the air so cold that their breath made steam, he had seen the man again, standing as he was before, but this time he had not bothered to say so.
"Got to go home," he whispered now in his sleep. "Got to go back there."
He saw the long iron lace railings of that First Street house, the side porch with its sagging screens. And the man in the garden. So strange that the man never changed. And that last May, on the very last walk that Michael had ever taken through those streets, he had nodded to the man, and the man had lifted his hand and waved.
"Yes, go," he whispered. But wouldn't they give him a sign, the others who had come to him when he was dead? Surely they understood that he couldn't remember now. They'd help him. The barrier is falling away between the living and dead. Come through. But the woman with the black hair said, "Remember, you have a choice."
"But no, I didn't change my mind. I just can't remember."
He sat up. The room was dark. Woman with the black hair. What was that around her neck? He had to pack now. Go to the airport. The doorway. The thirteenth one. I understand.
Aunt Viv sat beyond the living room door, in the glow of a single lamp, sewing.
He drank another swallow of the beer. Then he emptied the can slowly.
"Please help me," he whispered to no one at all. "Please help me."
He was sleeping again. The wind was blowing. The drums of the Mystic Krewe of Comus filled him with fear. Was it a warning? Why don't you jump, said the mean housekeeper to the poor frightened woman at the window in the movie Rebecca. Had he changed the tape? He could not remember that. But we are at Manderley now, aren't we? He could have sworn it was Miss Havisham. And then he heard her whisper in Estella's ear, "You can break his heart." Pip heard it too, but still he fell in love with her.
I'll fix up the house, he whispered. Let in the light. Estella, we shall be happy forever. This is not the school yard, not that long hollow hallway that leads to the cafeteria, with Sister Clement coming towards him. "You get back in that line, boy!" If she slaps me the way she slapped Tony Vedros, I'll kill her.
Aunt Viv stood beside him in the dark.
"I'm drunk," he said.
She put the cold beer in his hand, what a darling.
"God, that tastes so good."
"There's someone here to see you."
"Who? Is it a woman?"
"A nice gentleman from England ... "
"No, Aunt Viv--"
"But he's not a reporter. At least he says he's not. He's a nice gentleman. Mr. Lightner is his name. He says he's come all the way from London. His plane from New York just landed and he came right to the front door."
"Not now. You have to tell him to go away. Aunt Viv, I have to go back. I have to go to New Orleans. I have to call Dr. Morris. Where is the phone?"
He climbed out of the bed, his head spinning, and stood still for a moment until the dizziness passed. But it was no good. His limbs were leaden. He sank back into the bed, back into the dreams. Walking through Miss Havisham's house. The man in the garden nodded again.
Someone had switched off the television. "Sleep now," Aunt Viv said.
He heard her steps moving away. Was the phone ringing?
"Someone help me," he whispered.
Three
JUST GO BY. Take a little walk across Magazine Street and down First and pass by that grand and dilapidated old house. See for yourself if the glass is broken out of the front windows. See for yourself if Deirdre Mayfair is still sitting on that side porch. You don't have to go up and ask to see Deirdre.
What the hell do you think is going to happen?
Father Mattingly was angry with himself. It was a duty, really, to call on that family before he went back up north. He had been their parish priest once. He had known them all. And it had been well over a year since he'd been south, since he'd seen Miss Carl, since the funeral of Miss Nancy.
A few months ago, one of the young priests had written to say that Deirdre Mayfair had been failing badly. Her arms were drawn up now, close to the chest, with the atrophy that always sets in, in such cases.
And Miss Carl's checks to the parish were coming in as regular as always--one every month now, it seemed--made out for a thousand dollars to the Redemptorist Parish, with no strings attached. Over the years, she had donated a fortune.
Father Mattingly ought to go, really, just to pay his respects and say a personal thank you the way he used to do years ago.
The priests in the rectory these days didn't know the Mayfairs. They didn't know the old stories. They'd never been invited to that house. They had come only in recent years to this sad old parish, with its dwindling congregation, its beautiful churches locked now on account of vandals, the older buildings in ruins.
Father Mattingly could remember when the earliest Masses each day were crowded, when there were weddings and funerals all week long in both St. Mary's and St. Alphonsus. He remembered the May processions and the crowded novenas, Midnight Mass with the church jammed. But the old Irish and German families were gone now. The high school had been closed years ago. The glass was falling right out of the windows.
He was glad that his was only a brief visit, for each return was sadder than the one before it. Like a missionary outpost this was, when you thought about it. He hoped in fact that he would not be coming south again.
But he could not leave without seeing that family.
Yes, go there. You ought to. You ought to look in on Deirdre Mayfair. Was she not a parishioner after all?
And there was nothing wrong with wanting to find out if the gossip was true--that they'd tried to put Deirdre in the sanitarium, and she had gone wild, smashing the glass out of the windows before lapsing back into her catatonia. On August 13 it was supposed to have happened, only two days ago.
Who knows, maybe Miss Carl would welcome a call.
But these were games Father Mattingly played with his mind. Miss Carl didn't want him around any more now than she ever had. It had been years since he was invited in. And Deirdre Mayfair was now and forever "a nice bunch of carrots," as her nurse once put it.
No, he'd be going out of curiosity.
But then how the hell could "a nice bunch of carrots" rise up and break out all the glass in two twelve-foot-high windows? The story didn't make much sense when you thought about it. And why hadn't the men from the sanitarium taken her anyway? Surely they could have put her in a straitjacket. Isn't that what happened at times like that?
Yet Deirdre's nurse had stopped them at the door, screaming for them to get back, saying that Deirdre was staying home and she and Miss Carl would take care of it.
Jerry Lonigan, the undertaker, had told Father the whole story. The ambulance driver for the sanitarium often drove limousines for Lonigan and Sons. Saw it all. Glass crashing out onto the front porch. Sounded like everything in that big front room was being broken. And Deirdre making a terrible noise, a howling. Horrible thing to imagine--like seeing someone rise from the dead.
Well, it w
asn't Father Mattingly's business. Or was it?
Dear God, Miss Carl was in her eighties, never mind that she still went to work every day. And she was all alone in that house now with Deirdre and the paid help.
The more he thought about it, Father Mattingly knew he should go, even if he did loathe that house, and loathe Carl and loathe everything he'd ever known of those people. Yes, he should go.
Of course he hadn't always felt that way. Forty-two years ago, when he'd first come from St. Louis to this riverfront parish, he had thought the Mayfair women genteel, even the buxom and grumbling Nancy, and surely sweet Miss Belle and pretty Miss Millie. The house had enchanted him with its bronze clocks and velvet portieres. He had loved the great cloudy mirrors, even, and the portraits of Caribbean ancestors under dimming glass.
He had loved also the obvious intelligence and purpose of Carlotta Mayfair, who served him cafe au lait in a garden room where they sat in white wicker chairs at a white wicker table, among potted orchids and ferns. They had spent more than one pleasant afternoon talking politics, the weather, and the history of the parish Father Mattingly was trying so hard to understand. Yes, he had liked them.
And he had liked little Deirdre, too, that pretty-faced six-year-old child he had known for so brief a time, who had come to such a tragic pass only twelve years later. Was it in the textbooks now that electric shock could wipe clean the entire memory of a grown woman so that she became the silent shell of herself, staring at the falling rain while a nurse fed her with a silver spoon?
Why had they done it? He had not dared to ask. But he had been told over and over. To cure her of her "delusions," of screaming in an empty room "You did it" to someone who wasn't there, someone she cursed endlessly for the death of the man who had fathered her illegitimate child.
