by Various
So it was a Saturday afternoon of rainbows and umbrellas, and Filby, still animated at the thought of Silver's approach, showed me some of his things. Filby's house was a marvel, given over entirely to his collections. Carven heads whittled of soapstone and ivory and ironwood populated the rooms, the strange souvenirs of distant travel. Aquaria bubbled away, thick with water plants and odd, mottled creatures: spotted eels and leaf fish, gobies buried to their noses in sand, flatfish with both eyes on the same side of their heads, and darting anableps that had the wonderful capacity to see above and below the surface of the water simultaneously and so, unlike the mundane fish that swam
beneath, were inclined toward philosophy. I suggested as much to Filby, but I'm not certain he understood. Books and pipes and curios filled a half-dozen cases, and star charts hung on the walls. There were working drawings of some of Silver's earliest accomplishments, intricate swirling sketches covered over with what were to me utterly meaningless calculations and commentary.
On Monday another letter arrived from Silver. He'd gone along east on the promise of something very rare in the serpent line—an elephant trunk snake, he said, the lungs of which ran the length of its body. But he was coming to the west coast, that much was sure, to San Francisco. He'd be here in a week, a month, he couldn't be entirely sure. A message would come. Who could say when? We agreed that I would drive the five hours south on the coast road into the city to pick him up: I owned a car.
Filby was in a sweat to have his creature built before Silver's arrival. He wanted so badly to hear the master's approval, to see in Silver's eyes the brief electricity of surprise and excitement. And I wouldn't doubt for a moment that there was an element of envy involved. Filby, after all, had languished for years at the university in Silver's shadow, and now he was on the ragged edge of becoming a master himself.
So there in Filby's garage, tilted against a wall of roughcut fir studs and redwood shiplap, the shoulders, neck, and right wing of the beast sat in silent repose, its head a mass of faceted pastel crystals, piano wire, and bone clutched in the soft rubber grip of a bench vise. It was on Friday, the morning of the third letter, that Filby touched the bare ends of two microscopically thin copper rods, and the eyes of the dragon rotated on their axis, very slowly, blinking twice, surveying the cramped and dimly lit garage with an ancient, knowing look before the rods parted and life flickered out.
Filby was triumphant. He danced around the garage, shouting for joy, cutting little capers. But my suggestion that we take the afternoon off, perhaps drive up to Fort Bragg for lunch and a beer, was met with stolid refusal.
Silver, it seemed, was on the horizon. I was to leave in the morning. I might, quite conceivably, have to spend a few nights waiting. One couldn't press Augustus Silver, of course. Filby himself would work on the dragon. It would be a night and day business, to be sure. I determined to take the tomato worm along for company, as it were, but the beast had dug himself into the dirt for a nap.
This business of my being an emissary of Filby struck me as dubious when I awoke on Saturday morning. I was a neighbor who had been ensnared in a web of peculiar enthusiasm. Here I was pulling on heavy socks and stumbling around the kitchen, tendrils of fog creeping in over the sill, the hemlocks ghostly beyond dripping panes, while Augustus Silver tossed on the dark Pacific swell somewhere off the Golden Gate, his hold full of dragon bones. What was Ito say to him beyond, "Filby sent me." Or something more cryptic: "Greetings from Filby." Perhaps in these circles one merely winked or made a sign or wore a peculiar sort of cap with a foot-long visor and a pyramid-encased eye embroidered across the front. I felt like a fool, but I had promised Filby. His garage was alight at dawn, and I had been awakened once in the night by a shrill screech, cut off sharply and followed by Filby's cackling laughter and a short snatch of song.
I was to speak to an old Chinese named Wun Lo in a restaurant off Washington. Filby referred to him as "the connection." I was to introduce myself as a friend of Captain Augustus Silver and wait for orders. Orders—what in the devil sort of talk was that? In the dim glow of lamplight the preceding midnight such secret talk seemed sensible, even satisfactory; in the chilly dawn it was risible.
It was close to six hours into the city, winding along the tortuous road, bits and pieces of it having fallen into the sea on the back of winter rains. The fog rose out of rocky coves and clung to the hillsides, throwing a gray veil over dew-fed wildflowers and shore grasses. Silver fencepickets loomed out of the murk with here and there the skull of a cow or a goat impaled atop, and then the quick passing of a half-score of mailboxes on posts, rusted and canted over toward
the cliffs along with twisted cypresses that seemed on the verge of flinging themselves into the sea.
Now and again, without the least notice, the fog would disappear in a twinkling, and a clear mile of highway would appear, weirdly sharp and crystalline in contrast to its previous muted state. Or an avenue into the sky would suddenly appear, the remote end of which was dipped in opalescent blue and which seemed as distant and unattainable as the end of a rainbow. Across one such avenue, springing into clarity for perhaps three seconds, flapped the ungainly bulk of what might have been a great bird, laboring as if against a stiff, tumultuous wind just above the low-lying fog. It might as easily have been something else, much higher. A dragon? One of Silver's creations that nested in the dense emerald fog forests of the Coast Range? It was impossible to tell, but it seemed, as I said, to be struggling—perhaps it was old—and a bit of something, a fragment of a wing, fell clear of it and spun dizzily into the sea. Maybe what fell was just a stick being carried back to the nest of an ambitious heron. In an instant the fog closed, or rather the car sped out of the momentary clearing, and any opportunity to identify the beast, really to study it, was gone. For a moment I considered turning around, going back, but it was doubtful that I'd find that same bit of clarity, or that if I did, the creature would still be visible. So I drove on, rounding bends between redwood-covered hills that might have been clever paintings draped along the ghostly edge of Highway One, the hooks that secured them hidden just out of view in the mists above. Then almost without warning the damp asphalt issued out onto a broad highway and shortly thereafter onto the humming expanse of the Golden Gate Bridge.
Some few silent boats struggled against the tide below. Was one of them the ship of Augustus Silver, slanting in toward the Embarcadero? Probably not. They were fishing boats from the look of them, full of shrimp and squid and bug-eyed rock cod. I drove to the outskirts of Chinatown and parked, leaving the car and plunging into the crowd that
swarmed down Grant and Jackson and into Portsmouth Square.
It was Chinese New Year. The streets were heavy with the smell of almond cookies and fog, barbecued duck and gunpowder, garlic and seaweed. Rockets burst overhead in showers of barely visible sparks, and one, teetering over onto the street as the fuse burned, sailed straightaway up Washington, whirling and glowing and fizzing into the wall of a curio shop, then dropping lifeless onto the sidewalk as if embarrassed at its own antics. The smoke and pop of firecrackers, the milling throng, and the nagging senselessness of my mission drove me along down Washington until I stumbled into the smoky open door of a narrow, three-story restaurant. Sam Wo it was called.
An assortment of white-garmented chefs chopped away at vegetables. Woks hissed. Preposterous bowls of white rice steamed on the counter. A fish head the size of a melon blinked at me out of a pan. And there, at a small table made of chromed steel and rubbed formica, sat my contact. It had to be him. Filby had been wonderfully accurate in his description. The man had a gray beard that wagged on the tabletop and a suit of similar color that was several sizes too large, and he spooned up clear broth in such a mechanical, purposeful manner that his eating was almost ceremonial. I approached him. There was nothing to do but brass it out. "I'm a friend of Captain Silver," I said, smiling and holding out a hand. He bowed, touched my hand with one limp finger, and rose. I fol
lowed him into the back of the restaurant.
It took only a scattering of moments for me to see quite clearly that my trip had been entirely in vain. Who could say where Augustus Silver was? Singapore? Ceylon? Bombay? He'd had certain herbs mailed east just two days earlier. I was struck at once with the foolishness of my position. What in the world was I doing in San Francisco? I had the uneasy feeling that the five chefs just outside the door were having a laugh at my expense, and that old Wun Lo, gazing out toward the street, was about to ask for money—a
fiver, just until payday. I was a friend of Augustus Silver, wasn't I?
My worries were temporarily arrested by an old photograph that hung above a tile-faced hearth. It depicted a sort of weird shantytown somewhere on the north coast. There was a thin fog, just enough to veil the surrounding countryside, and the photograph had clearly been taken at dusk, for the long, deep shadows thrown by strange hovels slanted away landward into the trees. The tip of a lighthouse was just visible on the edge of the dark Pacific, and a scattering of small boats lay at anchor beneath. It was puzzling, to be sure—doubly so, because the lighthouse, the spit of land that swerved round toward it, the green bay amid cypress and eucalyptus was, I was certain, Point Reyes. But the shantytown, I was equally certain, didn't exist, couldn't exist.
The collection of hovels tumbled down to the edge of the bay, a long row of them that descended the hillside like a strange gothic stairway, and all of them, I swear it, were built in part of the ruins of dragons, of enormous winged reptiles—tin and copper, leather and bone. Some were stacked on end, tilted against each other like card houses. Some were perched atop oil drums or upended wooden pallets. Here was nothing but a broken wing throwing a sliver of shade; there was what appeared to be a tolerably complete creature, lacking, I suppose, whatever essential parts had once served to animate it. And standing alongside a cooking pot with a man who could quite possibly have been Wun Lo himself was Augustus Silver.
His beard was immense—the beard of a hill wanderer, of a prospector lately returned from years in unmapped goldfields, and that beard and broad-brimmed felt hat, his Oriental coat and the sharp glint of arcane knowledge that shone from his eyes, the odd harpoon he held loosely in his right hand, the breadth of his shoulders—all those bits and pieces seemed almost to deify him, as if he were an incarnation of Neptune just out of the bay, or a wandering Odin who had stopped to drink flower-petal tea in a queer shantytown along the coast. The very look of him abolished
my indecision. I left Wun Lo nodding in a chair, apparently having forgotten my presence.
Smoke hung in the air of the street. Thousands of sounds—a cacophony of voices, explosions, whirring pinwheels, Oriental music—mingled into a strange sort of harmonious silence. Somewhere to the northwest lay a village built of the skins of dragons. If nothing else—if I discovered nothing of the arrival of Augustus Silver—I would at least have a look at the shantytown in the photograph. I pushed through the crowd down Washington, oblivious to the sparks and explosions. Then almost magically, like the Red Sea, the throng parted and a broad avenue of asphalt opened before me. Along either side of the suddenly clear street were grinning faces, frozen in anticipation. A vast cheering arose, a shouting, a banging on Chinese cymbals and tooting on reedy little horns. Rounding the corner and rushing along with the maniacal speed of an express train, careered the leering head of a paper dragon, lolling back and forth, a wild rainbow mane streaming behind it. The body of the thing was half a block long, and seemed to be built of a thousand layers of the thinnest sort of pastel-colored rice paper, sheets and sheets of it threatening to fly loose and dissolve in the fog. A dozen people crouched within, racing along the pavement, the whole lot of them yowling and chanting as the crowd closed behind and in a wave pressed along east toward Kearny, the tumult and color muting once again into silence.
The rest of the afternoon had an air of unreality to it, which, strangely, deepened my faith in Augustus Silver and his creations, even though all rational evidence seemed to point squarely in the opposite direction. I drove north out of the city, cutting off at San Rafael toward the coast, toward Point Reyes and Inverness, winding through the green hillsides as the sun traveled down the afternoon sky toward the sea. It was shortly before dark that I stopped for gasoline.
The swerve of shoreline before me was a close cousin of that in the photograph, and the collected bungalows on the hillside could have been the ghosts of the dragon shanties,
if one squinted tightly enough to confuse the image through a foliage of eyelashes. Perhaps I've gotten that backward; I can't at all say anymore which of the two worlds had substance and which was the phantom.
A bank of fog had drifted shoreward. But for that, perhaps I could have made out the top of the lighthouse and completed the picture. As it was I could see only the gray veil of mist wisping in on a faint onshore breeze. At the gas station I inquired about a map. Surely, I thought, somewhere close by, perhaps within eyesight if it weren't for the fog, lay my village. The attendant, a tobacco-chewing lump of engine oil and blue paper towels, hadn't heard of it—the dragon village, that is. He glanced sideways at me. A map hung in the window. It cost nothing to look. So I wandered into a steel and glass cubicle, cold with rust and sea air, and studied the map. It told me little. It had been hung recently; the tape holding its corners hadn't yellowed or begun to peel. Through an open doorway to my right was the dim garage where a Chinese mechanic tinkered with the undercarriage of a car on a hoist.
I turned to leave just as the hovering fog swallowed the sun, casting the station into shadow. Over the dark Pacific swell the mists whirled in the seawind, a trailing wisp arching skyward in a rush, like surge-washed tidepool grasses or the waving tail of an enormous misty dragon, and for a scattering of seconds the last faint rays of the evening sun shone out of the tattered fog, illuminating the old gas pumps, the interior of the weathered office, the dark, tool-strewn garage.
The map in the window seemed to curl at the corners, the tape suddenly brown and dry. The white background tinted into shades of antique ivory and pale ocher, and what had been creases in the paper appeared, briefly, to be hitherto unseen roads winding out of the redwoods toward the sea.
It was the strange combination, I'm sure, of the evening, the dying sun, and the rising fog that for a moment made me unsure whether the mechanic was crouched in his overalls beneath some vast and finny automobile spawned of the peculiar architecture of the early sixties, or instead worked
beneath the chrome and iron shell of a tilted dragon, frozen in flight above the greasy concrete floor, and framed by tiers of heater hoses and old dusty tires.
Then the sun was gone. Darkness fell within moments, and all was as it had been. I drove slowly north through the village. There was, of course, no shantytown built of castaway dragons. There were nothing but warehouses and weedy vacant lots and the weathered concrete and tin of an occasional industrial building. A tangle of small streets comprised of odd, tumble-down shacks, some few of them on stilts as if awaiting a flood of apocalyptic proportions. But the shacks were built of clapboard and asphalt shingles—there wasn't a hint of a dragon anywhere, not even the tip of a rusted wing in the jimsonweed and mustard.
I determined not to spend the night in a motel, although I was tempted to, on the off chance that the fog would dissipate and the watery coastal moonbeams would wash the coastline clean of whatever it was—a trick of sunlight or a trick of fog—that had confused me for an instant at the gas station. But as I say, the day had, for the most part, been unprofitable, and the thought of being twenty dollars out of pocket for a motel room was intolerable.
It was late—almost midnight—when I arrived home, exhausted. My tomato worm slept in his den. The light still burned in Filby's garage, so I wandered out and peeked through the door. Filby sat on a stool, his chin in his hands, staring at the dismantled head of his beast. I suddenly regretted having looked in; he'd demand news of Silver, and I'd have nothing to
tell him. The news—or rather the lack of news—seemed to drain the lees of energy from him. He hadn't slept in two days. Jensen had been round hours earlier babbling about an amazingly high tide and of his suspicion that the last of the crabs might yet put in an appearance. Did Filby want to watch on the beach that night? No, Filby didn't. Filby wanted only to assemble his dragon. But there was something not quite right—some wire or another that had gotten crossed, or a gem that had
been miscut—and the creature wouldn't respond. It was so much junk.
I commiserated with him. Lock the door against Jensen's crab, I said, and wait until dawn. It sounded overmuch like a platitude, but Filby, I think, was ready to grasp at any reason, no matter how shallow, to leave off his tinkering.
The two of us sat up until the sun rose, drifting in and out of maudlin reminiscences and debating the merits of a stroll down to the bluffs to see how Jensen was faring. The high tide, apparently, was accompanied by a monumental surf, for in the spaces of meditative silence I could just hear the rush and thunder of long breakers collapsing on the beach. It seemed unlikely to me that there would be giant crabs afoot.
The days that followed saw no break in the weather. It continued dripping and dismal. No new letters arrived from Augustus Silver. Filby's dragon seemed to be in a state of perpetual decline. The trouble that plagued it receded deeper into it with the passing days, as if it were mocking Filby, who groped along in its wake, clutching at it, certain in the morning that he had the problem securely by the tail, morose that same afternoon that it had once again slipped away. The creature was a perfect wonder of separated parts. I'd had no notion of its complexity. Hundreds of those parts, by week's end, were laid out neatly on the garage floor, one after another in the order they'd been dismantled. Concentric circles of them expanded like ripples on a pond, and by Tuesday of the following week masses of them had been swept into coffee cans that sat here and there on the bench and floor. Filby was declining, I could see that. That week he spent less time in the garage than he had been spending there in a single day during the previous weeks, and he slept instead long hours in the afternoon.
