"I usually count on it," McCann said.
"Sorry," I said.
"Okay," McCann said.
He drank some more coffee.
" 'Bout 1972," he said. "They having a lotta problems between the black prisoners and the white prisoners in the various prison systems. So they invite a bunch of radical white kids from a bunch of, ah, liberal universities to come in and promote racial harmony. Workshops, seminars, that shit. You remember what it was like in 1972."
I nodded.
"And it don't work so well," McCann almost smiled. "Kids decide the black prisoners are victims of white racism and they stir up more trouble than there was before."
"You think the kids were right?" I said.
McCann had decided to accept me, for the moment at least, and most of the hard-case manner had sloughed off, though it hadn't been replaced by anything resembling soft.
"Some of the brothers in jail were political prisoners," McCann said. "Still are. Some of them were rapists and murderers and thieves and bullies, and the kids' problem was they couldn't tell which was which."
"Because they were all black," I said.
"Uh-huh."
"Racism works in mysterious ways," I said. "It's wonders to perform."
"So these kids decide to form the Dread Scott Brigade, which a sort of loose national network to help victims of white fascist oppression," McCann said. "Kind of name college kids would think up. And they going to work for the freedom of the prisoners."
"How'd that go?" I said.
"Couple of the prisoners escaped. Don't know if the kids helped them or not."
I waited. McCann looked thoughtful. The waitress came by and filled our coffee cups. I watched McCann go through his sugar-loading routine. He stirred carefully until he was sure all the sugar had dissolved into the coffee.
"One of the prisoners they working with was a brother name Abner Fancy."
"Abner Fancy," I said.
"He change it to Shaka in prison."
"Don't blame him," I said. "Did he stick with the Dread Scott Brigade?"
"Become the boss," McCann said.
"He shoot the woman in the bank holdup?" I said.
"Don't know."
"You know him?"
"Nope."
"But you heard about him."
"Yep."
"You got any other names?"
"Brother in there with him name Coyote."
"You know his, ah, slave name?"
"No."
"Know any of the white kids?"
"No."
"Know where any of these people are now?" I said.
"No."
"Cops ever talk to you about this?" I said.
"I don't talk to cops," McCann said.
We were silent for a moment.
"How come you never changed your name?" I said.
"Some of us be who we are," McCann said. "You see Jim Brown call himself Shaka?"
"No," I said.
"Everybody get named by somebody," McCann said. "My father named me."
"Funny," I said. "That's what happened to me."
We all drank our coffee. My English muffin was gone. Did I want another one.
"Lemme ask you," McCann said to me. "I decided to come upside your head, you think anyone in here would help you?"
I decided I did want another English muffin, but I wouldn't have one because it would be self-indulgent, and Susan might find out.
"Two answers," I said to McCann. "One, I wouldn't need any help. And, two, he would."
I gestured toward Hawk with my head. McCann shifted his stare onto him.
"You do that?"
"Two answers," Hawk said. "One, I would. And two, I wouldn't need to."
"Why do you ask?" I said.
"Just getting the lay of the land," McCann said.
"Well that's how it lays," I said. "Thanks for your help."
McCann finished his coffee, put the cup down very carefully on the table, nodded at Hawk, stood, and walked away.
"Effervescent," I said.
Hawk smiled. "Sawyer a little stern," he said.
"He is," I said.
13
The theater was dark on Mondays, and I took Paul to dinner at the world's greatest restaurant, which is, of course, The Agawam Diner in Rowley. The place was always crowded for breakfast and lunch, but on a Monday evening, early, it was not busy and we got a nice booth with a view of the traffic light at the Route 133 intersection.
"Are you and Daryl an item?" I said.
"God no," Paul said. "I like her, but she's way too crazy for me."
"Crazy how?" I said.
"She drinks too much. She smokes dope too much. She sleeps around too much. She's too intense about her career."
"What do you know about her family?" I said.
"Nothing," Paul said. "Except for her mother's murder she never talks about her family, except that it was a close-knit loving family. Like the other night."
"So she didn't talk specifically about her mother?"
"Just about the murder. The murder is very big in her life."
The waitress brought us menus.
"My God," he said. "Actual food."
"No reduction of kiwi," I said.
"No skate wings," Paul said. "No pate of Alsatian bluebird. No caramelized parsnip puree with fresh figs."
The waitress took our order.
"Why do you suppose she didn't want me to talk with her aunt?"
"Daryl's hard to understand," Paul said.
"She ever talk about her father?" I said.
"No. I always sort of assumed he was dead."
"Siblings?" I said.
"She never mentioned any."
"How long have you known her?"
"Two years," Paul said. "We worked together in the first play I did in Chicago. When she's up, she's a hell of a lot of fun."
The waitress brought smothered pork chops for Paul, spaghetti and meatballs for me.
"Why are you asking about her?"
"Because I don't know about her."
Paul was nodding as I spoke.
"And that's what you do," he said. "You ask unanswered questions."
"Information is good," I said.
"So how come you didn't ask more about the aunt?"
I smiled.
"Because you're going to go up to Maine and see her," Paul said. "You have her name and the town she lives in."
My mouth was full of spaghetti. I nodded. I was eying the assortment of pies behind the counter as I ate. Plan I ahead.
"I know another reason you asked if she were my girlfriend," Paul said.
"Paternal solicitude," I said.
"Besides that," Paul said. "If she were my girlfriend, then you'd have to welcome her to the family. And she's afraid of dogs."
"Not a trait I value," I said.
I eyed the pies again. I thought one of them might be cherry.
"Of course we're not exactly family," Paul said.
"Depends on how you define family," I said.
"You, Susan, and me?"
I nodded.
"And Pearl?" he said.
"Of course," I said.
"How about Uncle Hawk?"
"Uncle Hawk?"
"Uh-huh."
"I think Uncle Hawk is all the family Uncle Hawk needs," I said.
14
In Kennebunkport, Sybil Pritchard lived in a small house with an oblique view of the water. She had shoulder-length gray hair and bare feet and wore a floral-patterned blue-and-yellow ankle-length dress.
"Well," she said when she answered the door. "You're a big strapping boy, aren't you."
"I am," I said. "Could we talk for a bit? About your sister's murder?"
"My sister was murdered thirty years ago," she said.
"Twenty-eight," I said. "Can we talk?"
"Are you a policeman?" she said.
"I'm a private detective, working for your niece."
"Daryl?" she said. "
Come in. Sit down. Tell me what you want."
Her house was coastal cute, with a hemp rug, lobster pot coffee tables, steering-wheel mirrors, ship's captain lamps, and big scallop-shell ashtrays. There were a lot of butts in the ashtrays, and when we sat in her front room, Sybil immediately lit another cigarette and didn't apologize. There was a big Shaker table in front of a bay window where you could see a scrap of the ocean. On it were several spiral-bound notebooks and a blue champagne flute with pencils in it. She saw me look.
"I write poetry," she said. "By hand. The tactile sensation of actual transcription seems vital to the creative process."
I nodded.
"What can you tell me about your sister's death?" I said.
"Nothing. She was in a bank. Some radicals held it up. One of them shot her."
"Where were you at the time."
"Movies. I took Daryl to see Harry and Tonto."
"Your sister was in Boston to visit you," I said.
"She was crashing with me," Sybil said. "She was in Boston chasing some guy."
Sybil's face was dark from sun and tough from wind and deeply lined from maybe too many cigarettes. She was about sixty, and she sat with her legs apart, one arm tucking the slack dress between her legs.
"Who?" I said.
"Don't know. She was always chasing some guy, dragging the damn kid along," Sybil said.
She took in smoke and exhaled slowly. I quit smoking in 1963. The smell no longer pleased me.
"How about her husband?"
"Poor Barry," Sybil said. "He married her, when she got pregnant with Daryl, you know, sort of do the right thing?"
"Were they married long?"
"Hell, I don't really know who married them. You know? They may have just sworn an oath of flower power."
"They were hippies?"
"Sure. Me too."
"Drugs?"
"You better believe it," Sybil said.
"Pot?"
"Everything," she said. "If I could light it on fire I'd smoke it."
"Been off for awhile?"
"I quit in March of 1978," she said.
She snuffed out her cigarette butt, took a fresh one from its pack and lit it, and took a long drag.
"Except for these," she said. "I coulda lit this one from the other one. But I hate the chain-smoke image. So I always put one out before I light another one."
"I admire self-control," I told her.
"You probably quit years ago."
"I did."
"You don't have any of that sunken-cheeks look," she said. "Like me."
I had nothing to say about that, so I cleverly looked around the room. There were some genuinely awful seascapes framed on the walls.
"Were they together long?" I said. "After Daryl was born?"
"Emily and Barry? Depends what you mean by together. You know how we all were then?"
"I recall the period," I said.
"Yes, of course you do. You were probably off somewhere doing push-ups. A lot of us were crazy to be unconventional. If older people did it, we couldn't possibly do it. My father was in the Rotary Club, for God's sake. My mother played fucking bridge!"
"So what about Barry and Emily?"
"Emily would go off and have an interlude with some guy who looked like Rasputin, and when he dumped her she'd come back to Barry."
"And Barry took her back."
"He didn't want to look conventional, I think. You know? Never darken my door again? I was in a pretty long-term fog during the time."
"And they lived in La Jolla?"
"La Jolla?" Sybil laughed. It was an unpleasant guttural. "My father and mother lived in La Jolla. Emily and Barry lived under a Coronado Bridge ramp." She laughed the guttural laugh again. "La Jolla!"
"After Emily's death, Daryl went back to her father?"
"Yes."
"And when's the last time you saw her?"
"That was it," Sybil said. "I guess Barry didn't feel very good about the Gold girls."
"That was your maiden name?"
"Yep. Gold."
Sybil started on her third cigarette.
"Is there a Mr. Pritchard?"
"And before that a Mr. Halleck and a Mr. Layne and a Mr. Selfridge. After Pritchard, I stopped marrying them."
"You have any idea who might have killed your sister?"
"One of the hippies in the bank," she said. "Nobody knows which one."
"Just for the hell of it," I said.
"That's what the cops told me," she said.
"Any reason to doubt it?"
"Nope."
"Any idea who the hippies are?"
"Nope."
"Or where?"
"Nope."
"How about the guy she was in Boston chasing? Any thoughts on him?"
"He was probably a jerk," Sybil said. "It's what she went after."
"Any special kind of jerkiness?"
"She liked the blowhard revolutionaries, mostly. You know, a lot of hair? Power to the people? Got any dope?"
"And you're out of that life now?"
She smiled. "Got awful hard being a hippie by 1980 or so."
"Was probably never easy," I said.
"You got that right-constant worry that you might turn into your mother. Had to stay alert all the time."
"And you've not had any contact with Daryl all that time?"
"I send her a card every Mother's Day. I'm not sure why. I do them myself. I'm a painter." She nodded at the execrable seascapes. "I did all of those."
"Splendid," I said.
"I do enjoy my poetry. But it's not as good-yet. My real talent is painting."
I took a card out and gave it to her.
"If anything occurs to you, please let me know," I said.
"Sure," she said and went to her Shaker table and tucked the card under the blotter. Then she went to a short, narrow bookcase and took out a slim volume of computer printouts. There were several others left on the shelf.
"Take a copy of my poetry with you," she said. "I think you might enjoy it."
"Thank you," I said.
On the way back to Boston, I stopped in Kittery for a sandwich and a cup of coffee. While I ate, I read some of Sybil's poems, and when I departed, I left them in the trash can along with the empty coffee cup and the wrapper from the sandwich.
15
It was late, and I needed to think. I bought a bottle of Scotch at a New Hampshire liquor store on my way down from Maine, and a submarine sandwich in Saugus. I was carrying both when I left my car in the alley and went up to my office.
The back stairwell was ugly in the nasty brightness of the fluorescent lights, and so was the hall. The black lettered sign on my office door told the world that I was a private investigator, or at least the part of the world that walked along this hall. I stuck the bottle under my left arm and got out my keys and opened my door. There was a sweet chemical smell in my office. It wasn't very strong, but it was there. It was a smell I knew. Susan, getting ready to go out. Hairspray! I left the keys in the lock and stepped into my office sideways to keep from silhouetting myself in the open doorway. The Scotch remained under my left arm. The sub sandwich was in my left hand. My gun was out. Nothing moved. There was a little light spilling in from the hall and a little less light drifting up through my window from Berkeley Street.
As my pupils dilated, I could see someone sitting behind my desk. I had a vague sense of a presence on the wall to my right.
"On the left side of the kneehole under the desk," I said. "There's a switch, controls the overhead."
I narrowed my eyes against the light. Nothing happened. No one moved.
Robert B Parker - Spenser 30 - Back Story Page 4
