by Ian Rankin
But the fight had gone out of Rebus anyway. His voice was calm, resigned. ‘When does he get here?’
Again, there was a pause while that missing ‘sir’ hung motionless in the air between them. Well, thought Lauderdale, the sod deserves this. ‘He’s already here.’
‘What?’
‘I mean, he’s in Edinburgh. The letter took a bit of a time to get here.’
‘You mean it sat in someone’s office for a bit of time.’
‘Well, whatever the delay, he’s here. And he’s coming to the station this afternoon.’
Rebus glanced at his watch. It was eleven-fifty. He groaned.
‘Late afternoon, I’d imagine,’ said Lauderdale, trying to soften the blow now that Rebus was heading for the canvas. This had been a bit of a mess all round. He’d only just received final confirmation himself that Monsieur Cluzeau was on his way. ‘I mean,’ he said, ‘the French like to take a long lunch, don’t they? Notorious for it. So I don’t suppose he’ll be here till after three.’
‘Fine, he can take us as he finds us. What am I supposed to do with him anyway?’
Lauderdale tried to retain his composure: just say it once, damn you! Just once so I know that you recognise me for what I am! He cleared his throat. ‘He wants to see how we work. So show him. As long as he can report back to his own people that we’re courteous, efficient, diligent, scrupulous, and that we always get our man, well, I’ll be happy.’
‘Right you are, sir,’ said Rebus, opening the door, making ready to leave Lauderdale’s newly refurbished office. Lauderdale sat in a daze: he’d said it! Rebus had actually ended a sentence with ‘sir’!
‘That should be easy enough,’ he was saying now. ‘Oh, and I might as well track down Lord Lucan and catch the Loch Ness monster while I’m at it. I’m sure to have a spare five minutes.’
Rebus closed the door after him with such ferocity that Lauderdale feared for the glass-framed paintings on his walls. But glass was more resilient than it looked. And so was John Rebus.
Cluzeau had to be an arse-licker, hell-bent on promotion. What other reason could there be? The story was that he was coming over for the Scotland–France encounter at Murrayfield. Fair enough, Edinburgh filled with Frenchmen once every two years for a weekend in February, well-behaved if boisterous rugby fans whose main pleasure seemed to be dancing in saloon bars with ice-buckets on their heads.
Nothing out of the ordinary there. But imagine a Frenchman who, having decided to take a large chunk of his annual leave so as to coincide with the international season, then has another idea: while in Scotland he’ll invite himself to spend a day with the local police force. His letter to his own chief requesting an introduction so impresses the chief that he writes to the Chief Constable. By now, the damage is done, and the boulder starts to bounce down the hillside – Chief Constable to Chief Super, Chief Super to Super, Super to Chief Inspector – and Chief Inspector to Mr Muggins, aka John Rebus.
Thank you and bonne nuit. Ha! There, he did remember a bit of French after all. Rhona, his wife, had done one of those teach-yourself French courses, all tapes and repeating phrases. It had driven Rebus bonkers, but some of it had stuck. And all of it in preparation for a long weekend in Paris, a weekend which hadn’t come off because Rebus had been drawn into a murder inquiry. Little wonder she’d left him in the end.
Bonne nuit. Bonjour. That was another word. Bonsoir. What about Bon accord? Was that French, too? Bo’ness sounded French. Hadn’t Bonnie Prince Charlie been French? And dear God, what was he going to do with the Frenchman?
There was only one answer: get busy. The busier he was, the less time there would be for small-talk, xenophobia and falling-out. With the brain and the body occupied, there would be less temptation to mention Onion Johnnies, frogs’-legs, the war, French letters, French kissing and French and Saunders. Oh dear God, what had he done to deserve this?
His phone buzzed.
‘Oui?’ said Rebus, smirking now because he remembered how often he’d managed to get away with not calling Lauderdale ‘sir’.
‘Eh?’
‘Just practising, Bob.’
‘You must be bloody psychic then. There’s a French gentleman down here says he’s got an appointment.’
‘What? Already?’ Rebus checked his watch again. It was two minutes past twelve. Christ, like sitting in a dentist’s waiting-room and being called ahead of your turn. Would he really look like Peter Sellers? What if he didn’t speak English?
‘John?’
‘Sorry, Bob, what?’
‘What do you want me to tell him?’
‘Tell him I’ll be right down.’ Right down in the dumps, he thought to himself, letting the receiver drop like a stone.
There was only one person in the large, dingy reception. He wore a biker’s leather jacket and had a spider’s-web tattoo creeping up out of his soiled T-shirt and across his throat. Rebus stopped in his tracks. But then he saw another figure, over to his left against the wall. This man was studying various Wanted and Missing posters. He was tall, thin, and wore an immaculate dark blue suit with a tightly-knotted red silk tie. His shoes looked brand new, as did his haircut.
Their eyes met, forcing Rebus into a smile. He was suddenly aware of his own rumpled chain-store suit, his scuffed brogues, the shirt with a button missing on one cuff.
‘Inspector Rebus?’ The man was coming forward, hand held out.
‘That’s right.’ They shook. He was wearing after-shave too, not too strong but certainly noticeable. He had the bearing of someone much further up the ladder, yet Rebus had been told they were of similar ranks. Having said which, there was no way Rebus was going to say ‘Inspector Cluzeau’ out loud. It would be too … too …
‘For you.’
Rebus saw that he was being handed a plastic carrier-bag. He looked inside. A litre of duty-free malt, a box of chocolates and a small tin of something. He lifted out the chocolates.
‘Escargots,’ Cluzeau explained. ‘But made from chocolate.’
Rebus studied the picture on the box. Yes, chocolates in the shape of snails. And as for the tin …
‘Foie gras. It is a pâté made from fatted goose liver. A local delicacy. You spread it on your toast.’
‘Sounds delicious,’ Rebus said, with just a trace of irony. In fact, he was overwhelmed. None of this stuff looked as though it came cheap, meat paste or no. ‘Thank you.’
The Frenchman shrugged. He had the kind of face which, shaved twice a day, still sported a five o’clock shadow. Hirsute: that was the word. What was that joke again, the one that ended with someone asking ‘Hirsute?’ and the guy replying ‘No, the suit’s mine, but the knickers are hers’? Hairy wrists, too, on one of which sat a thin gold wristwatch. He was tapping this with his finger.
‘I am not too early, I hope.’
‘What?’ It was Rebus’s curse to remember the endings of jokes but never their beginnings. ‘No, no. You’re all right. I was just, er, hold on a second, will you?’
‘Sure.’
Rebus walked over to the reception desk, behind which stood the omnipresent Bob Leach. Bob nodded towards the bag.
‘Not a bad haul,’ he said.
Rebus kept his voice low, but not so low, he hoped, as to arouse Cluzeau’s suspicions. ‘Thing is, Bob, I wasn’t expecting him for a few hours yet. What the hell am I going to do with him? I don’t suppose you’ve got any calls?’
‘Nothing you’d be interested in, John.’ Leach examined the pad in front of him. ‘Couple of car smashes. Couple of break-ins. Oh, and the art gallery.’
‘Art gallery?’
‘I think young Brian’s on that one. Some exhibition down the High Street. One of the pieces seems to have walked.’
Well, it wasn’t too far away, and it was a tourist spot. St Giles. John Knox’s House. Holyrood.
‘The very dab,’ said Rebus. ‘That’ll do us nicely. Give me the address, will you?’
Leach scribbled onto a pad
of paper and tore off the sheet, handing it across the counter.
‘Thanks, Bob.’
Leach was nodding towards the bag. Not only omnipresent, thought Rebus, but omniscrounging too. ‘What else did you get apart from the whisky?’
Rebus bent towards him and hissed: ‘Meat paste and snails!’
Bob Leach looked disheartened. ‘Bloody French,’ he said. ‘You’d think he’d bring you something decent.’
Rebus didn’t bother with back-street shortcuts as they drove towards the Royal Mile. He gave Cluzeau the full tour. But the French policeman seemed more interested in Rebus than in the streets of his city.
‘I was here before,’ he explained. ‘Two years ago, for the rugby.’
‘Do they play a lot of rugby down your way then?’
‘Oh yes. It is not so much a game, more a love affair.’
Rebus assumed Cluzeau would be Parisian. He was not. Parisians, he said, were – his phrase – ‘cold fish’. And in any case the city was not representative of the real France. The countryside – that was the real France, and especially the countryside of the south-west. Cluzeau was from Périgueux. He had been born there and now lived and worked there. He was married, with four children. And yes, he carried a family photo in his wallet. The wallet itself he carried inside a black leather pouch, almost like a clutch-purse. The pouch also contained identity documents, passport, chequebook, diary, a small English–French dictionary. No wonder he looked good in a suit: no bulges in the pockets, no wear on the material.
Rebus handed back the photograph.
‘Very nice,’ he said.
‘And you, Inspector?’
So it was Rebus’s turn to tell his tale. Born in Fife. Out of school and into the Army. Paras eventually and from there to the SAS. Breakdown and recovery. Then the police. Wife, now ex-wife, and one daughter living with her mother in London. Cluzeau, Rebus realised, had a canny way of asking questions, making them sound more like statements. So that instead of answering, you were merely acknowledging what he already seemed to know. He’d remember that for future use.
‘And now we are going where?’
‘The High Street. You might know it better as the Royal Mile.’
‘I’ve walked along it, yes. You say separated, not divorced?’
‘That’s right.’
‘Then there is a chance …?’
‘What? Of us getting back together? No, no chance of that.’
This elicited another huge shrug from Cluzeau. ‘It was another man …?’
‘No, just this man.’
‘Ah. In my part of France we have many crimes of passion. And here in Edinburgh?’
Rebus gave a wry grin. ‘Where there’s no passion …’
The Frenchman seemed to make hard work of understanding this.
‘French policemen carry guns, don’t they?’ Rebus asked, filling the silence.
‘Not on vacation.’
‘I’m glad to hear it.’
‘Yes, we have guns. But it is not like in America. We have respect for guns. They are a way of life in the country. Every Frenchman is a hunter at heart.’
Rebus signalled, and drew in to the roadside. ‘Scotsmen, too,’ he said, opening his door. ‘And right now I’m going to hunt down a sandwich. This cafe does the best boiled ham in Edinburgh.’
Cluzeau looked dubious. ‘The famous Scottish cuisine,’ he murmured, unfastening his seatbelt.
They ate as they drove – ham for Rebus, salami for Cluzeau – and soon enough arrived outside the Heggarty Gallery. In fact, they arrived outside a wools and knitwear shop, which occupied the street-level. The gallery itself was up a winding stairwell, the steps worn and treacherous. They walked in through an unprepossessing door and found themselves in the midst of an argument. Fifteen or so women were crowded around Detective Constable Brian Holmes.
‘You can’t keep us here, you know!’
‘Look, ladies—’
‘Patronising pig.’
‘Look, I need to get names and addresses first.’
‘Well, go on then, what are you waiting for?’
‘Bloody cheek, like we’re criminals or something.’
‘Maybe he wants to strip-search us.’
‘Chance would be a fine thing.’ There was some laughter at this.
Holmes had caught sight of Rebus and the look of relief on his face told Rebus all he needed to know. On a trellis table against one wall stood a couple of dozen wine bottles, mostly empty, and jugs of orange juice and water, mostly still full. Cluzeau lifted a bottle and wrinkled his nose. He sniffed the neck and the nose wrinkled even further.
The poster on the gallery door had announced an exhibition of paintings and sculpture by Serena Davies. The exhibition was entitled ‘Hard Knox’ and today was its opening. By the look of the drinks table, a preview had been taking place. Free wine all round, glasses replenished. And now a squabble, which might be about to turn ugly.
Rebus filled his lungs. ‘Excuse me!’ he cried. The faces turned from Brian Holmes and settled on him. ‘I’m Inspector Rebus. Now, with a bit of luck we’ll have you all out of here in five minutes. Please bear with us until then. I notice there’s still some drink left. If you’ll fill your glasses and maybe have a last look round, by the time you finish you should be able to leave. Now, I just need a word with my colleague.’
Gratefully, Holmes squeezed his way out of the scrum and came towards Rebus.
‘You’ve got thirty seconds to fill me in,’ Rebus said.
Holmes took a couple of deep breaths. ‘A sculpture in bronze, male figure. It was sitting in the middle of one of the rooms. Preview opens. Somebody starts yelling that it’s disappeared. The artist goes up the wall. She won’t let anybody in or out, because if somebody’s nicked it, that somebody’s still in the gallery.’
‘And that’s the state of play? Nobody in or out since it went missing?’
Holmes nodded. ‘Of course, as I tried telling her, they could have high-tailed it before she barricaded everyone else in.’ Holmes was looking at the man who had come to stand beside Rebus. ‘Can we help you, sir?’
‘Oh,’ said Rebus. ‘You haven’t been introduced. This is …’ But no, he still couldn’t make himself say the name. Instead, he nodded towards Holmes. ‘This is Detective Constable Holmes.’ Then, as Cluzeau shook hands with Holmes: ‘The inspector here has come over from France to see how we do things in Edinburgh.’ Rebus turned to Cluzeau. ‘Did you catch what Brian was saying? Only I know his accent’s a bit thick.’
‘I understood perfectly.’ He turned to Holmes. ‘Inspector Rebus forgot to say, but my name is Cluzeau.’ Somehow it didn’t sound so funny when spoken by a native. ‘How big is the statue? Do we know what it looks like?’
‘There’s a picture of it in the catalogue.’ Holmes took the small glossy booklet from his pocket and handed it to Cluzeau. ‘That’s it at the top of the page.’
While Cluzeau studied this, Holmes caught Rebus’s eye, then nodded down to the Frenchman’s pouch.
‘Nice handbag.’
Rebus gave him a warning look, then glanced at the catalogue. His eyes opened wide. ‘Good Christ!’
Cluzeau read from the catalogue. ‘“Monstrous Trumpet. Bronze and multi-media. Sixteen—” what do these marks mean?’
‘Inches.’
‘Thank you. “Sixteen inches. Three thousand five hundred pounds.” C’est cher. It’s expensive.’
‘I’ll say,’ said Rebus. ‘You could buy a car for that.’ Well, he thought, you could certainly buy my car for that.
‘It is an interesting piece, don’t you think?’
‘Interesting?’ Rebus studied the small photograph of the statue called ‘Monstrous Trumpet’. A nude male, his face exaggeratedly spiteful, was sticking out his tongue, except that it wasn’t a tongue, it was a penis. And where that particular organ should have been, there was what looked like a piece of sticking-plaster. Because of the angle of the photo, it was just
possible to discern something protruding from the statue’s backside. Rebus guessed it was meant to be a tongue.
‘Yes,’ said Cluzeau, ‘I should very much like to meet the artist.’
‘Doesn’t look as though you’ve got any choice,’ said Holmes, seeming to retreat though in fact he didn’t move. ‘Here she comes.’
She had just come into the room, of that Rebus was certain. If she’d been there before, he’d have noticed her. And even if he hadn’t Cluzeau certainly would have. She was just over six feet tall, dressed in long flowing white skirt, black boots, puffy white blouse and a red satin waistcoat. Her eye make-up was jet black, matching her long straight hair, and her wrists fairly jangled with bangles and bracelets. She addressed Holmes.
‘No sign of it. I’ve had a thorough look.’ She turned towards Rebus and Cluzeau. Holmes started making the introductions.
‘This is Inspector Rebus, and Inspector Cl …’ he stumbled to a halt. Yes, thought Rebus, it’s a problem, isn’t it, Brian? But Cluzeau appeared not to have noticed. He was squeezing Serena Davies’s hand.
‘Pleased to meet you.’
She looked him up and down without embarrassment, gave a cool smile, and passed to Rebus. ‘Well, thank goodness the grown-ups are here at last.’ Brian Holmes reddened furiously. ‘I hope we didn’t interrupt your lunch, Inspector. Come on, I’ll show you where the piece was.’
And with that she turned and left. Some of the women offered either condolences over her loss, or else praise for what works remained, and Serena Davies gave a weak smile, a smile which said: I’m coping, but don’t ask me how.
Rebus touched Holmes’s shoulder. ‘Get the names and addresses, eh, Brian?’ He made to follow the artist, but couldn’t resist a parting shot. ‘You’ve got your crayons with you, have you?’
‘And my marbles,’ Holmes retorted. By God, thought Rebus, he’s learning fast. But then, he had a good teacher, hadn’t he?
‘Magnificent creature,’ Cluzeau hissed into his ear as they passed through the room. A few of the women glanced towards the Frenchman. I’m making him look too good, Rebus thought. Pity I had to be wearing this old suit today.
