Anything, even a loud voice inside the lobby, will draw uniforms before you can move. I’ve sent boxes with all our trial documents and other materials ahead of me. Two young staffers hired part-time were assigned by Harry to deliver them to the courtroom early in the morning, before the storm troopers and the rest of the mob outside got out of bed.
It takes a couple of minutes to get my briefcase with the notebook computer through security. Before I can retrieve everything at the other side of the scanner, two reporters, one of them with a camera crew, jump me. The camera’s lights catch me in their glow.
“Does your client know what’s going on outside?”
“I don’t know. I haven’t seen my client this morning.” I’m walking, a good pace to get to the elevator, dodging people milling in the lobby.
Somehow the reporter with the camera is keeping up.
“What is he feeling?”
“Is he feeling any remorse?”
“Remorse for what?”
“He is charged with murder, isn’t he?” The one reporter has his microphone in my face, camera aimed at me from over his shoulder as they sidle along, three of us like a human crab.
“Mr. Arnsberg has pleaded not guilty and is therefore presumed innocent. Why should an innocent man have feelings of remorse?”
“What about the evidence, his prints at the scene?” The guy with the camera is goading, pushing for some flare, a show of anger–cum–sound bite.
I finally get past him.
“The public doesn’t buy his plea.” He says this to my back as I head to the elevator.
“Then the public has a serious problem with our system of justice. Maybe you should go and talk to them about that.”
“Does your client know any of the people in Nazi uniforms across the street?”
I ignore them and keep walking.
“Does he have a Nazi uniform?”
If he does, I’m hoping that Harry got to it before the cops and had the foresight to burn it. So far we haven’t seen any pictures produced by the prosecution or otherwise showing Arnsberg in any uniform. But I don’t tell the reporters this. There’s always room for surprises. I keep moving toward the elevator, taking long, fast strides.
The cameraman, his lights blazing, trails me, capturing shots from behind. I can feel the heat of the lights on my back all the way to the elevator doors. See the defense lawyer running away. Details at eleven. I step inside and push the button—sanctuary. Upstairs is off-limits to cameras. The worst they can do now is sketch me.
Inside the courtroom the scene is enough to make the owner of the local cineplex green with envy. The center aisle is jammed, people trying to find empty seats. Uniformed deputies are everywhere, against the walls, mixed in with the mob.
One of the bailiffs is confiscating black baseball caps with white stitching above the bill reading END SLAVERY. These are being worn by a group of people who want to sit together. The First Amendment may still be in effect, but not in Plato Quinn’s courtroom. If you want to send a message to the jury, you’re going to have to use invisible ink.
A muscle of a deputy, beef on the hoof, is posted at the gate to the bar railing, making sure nobody gets up near the bench or back behind the scenes. Rudalgo Ruiz, Quinn’s clerk, keeps a nervous eye on the crowd as he shuffles papers at his table in front of the judge’s bench.
Tuchio is already here, seated at the counsel table to the right nearest the jury box, privilege of the prosecution. Next to him is one of the homicide detectives, Brant Detrick, the man who worked up the case against Arnsberg. Tall and blond, Detrick is a veteran of homicide. With almost twenty years on the force, he’s the kind of witness that defense lawyers hate. You could turn him upside down and shake him, and Detrick would show not the slightest bias or personal stake in the outcome of the trial. “Just doing my job,” while he quietly hangs your client. If anything, he has gotten more difficult over the years. Now that he’s getting closer to retirement, the touch of gray at the temple and the wrinkles where his glasses crimp the bridge of his nose give him a kind of professorial look. At the far end of Tuchio’s table is a woman I have not seen before, one of his assistants, a female prosecutor, African American. Only the blind would not be aware of the racial elements in this case. It’s more difficult for jurors to ignore this issue with a minority sitting at the counsel table.
At the far end of the defense table, I see the large, hulking form of Herman Diggs, his bald black head glowing like a beacon under the courtroom’s canister lights. Herman is our investigator. A human mountain originally from Detroit, Herman backed into his current vocation after a promising football career ended with a blown knee. We found each other in Mexico, on a case that grew ugly with violence. Herman and I came up realizing that we were the only two in sight who could trust each other. With Herman at my table, Tuchio would no doubt accuse me of playing the same card.
Herman is busy checking the boxes, seven of them stacked against the wall near his end of the defense table. These transfer cases with lids on them contain the materials delivered early this morning, documents and other evidence we may need during trial.
I lay my briefcase on the table. Herman lifts his head out of one of the boxes and turns to look.
“You come in through that mess outside?” he asks.
I nod.
“People got nothin’ better to do,” Herman mumbles to himself, his head going back halfway into one of the boxes. “You see all that crap back at the office? Damn truckload. That stuff have to come over here, too?”
“I won’t know until Harry goes through it all.”
“Yeah, Harry’s up to his ass,” he says.
Harry is back at the office pawing through boxes of printed data from Scarborough’s computers. Tuchio dumped all of it on us this morning at eight o’clock, when a small van backed up to the sidewalk out in front of our office and unloaded boxes of documents. How long the D.A. has had these is uncertain, but Tuchio can prove that it was all printed within the last forty-eight hours. Of that he made sure.
It’s all part of the game of modern litigation. Try your case while your opponent pushes a mountain of paper over on top of you.
“Excuse me, Counselor.”
I turn. Tuchio is behind me, smiling, his radiance. He approaches from across the divide, the space that separates the two counsel tables. This morning he is decked out in his best power suit, blue pinstripes and a club tie, starched cuffs with gold links. Marching behind him as if in lockstep is his female deputy and the detective Brant Detrick.
Detrick I know. Tuchio makes a short introduction, and we shake hands. Herman comes over. I introduce him.
Then Tuchio presents his assistant. “I’d like you to meet Deputy District Attorney Janice Harmen.”
“District attorney?” I say. “Have I missed something? We aren’t on appeal yet, are we?”
Tuchio laughs just a little. “Ms. Harmen is on loan. She’ll be with my office for the duration.”
She shakes my hand with a firm grip, no limp fingertips. Brown eyes, smooth coffee-colored complexion, her hair long to the shoulders with a slight wave. As she lets go of my hand, she looks me dead in the eye. The message is clear: woman on the rise. She intends to make her bones on my client.
“So how are you doing?” Tuchio stays and talks. His assistants return to their table. There’s something almost longing in the way Tuchio approaches you, as if he were actually earnest about making a new friend.
“Frankly, I’d be doing a lot better if my partner wasn’t back at the office picking through piles of paper we should have had two weeks ago,” I tell him.
“Oh, that. Yes, I know. I do apologize for the lateness. But there was nothing I could do. I got the stuff myself only late yesterday afternoon.”
“Is that right?”
“Absolutely,” he says. He looks almost hurt that I should question this, then glances over his shoulder. “Janice.” In the hum of the courtroom, a reporter is lea
ning over the railing talking to the deputy DA. “Janice.” This time he says it louder. He gets her attention. “Can you get me a copy of that certificate? You know, the one from IT.”
She nods and breaks away from the reporter, turns around and goes fishing in one of the sample cases under their table. These cases are commonly used by lawyers to carry heavy legal volumes and books.
“We got the materials to you as soon as we could,” says Tuchio. “Our IT guys tell me there was hell to pay lifting the documents from Scarborough’s hard disks. To begin with, there was a ton of material. I suppose you could figure that, the man being a writer. But some of it was old, archived on his computers but using software that’s been off the market for ages. I’m no computer buff, but—”
Before he can finish, Janice is at his shoulder with a piece of paper. He takes it, looks at it briefly, then hands it to me.
It is an affidavit prepared by the police department’s forensics lab and signed by one of their techs, showing the date they started working on Scarborough’s computer hard drives. According to the affidavit, they started more than a month ago, only to run into endless problems.
Tuchio tells me that Scarborough used three different word-processing programs over the years. Something called WordStar, Word-Perfect, and finally Word.
“That made it hard enough,” says Tuchio. “Some of the older versions of these programs aren’t supported any longer. Nobody sells them. I assume nobody uses them anymore either.” He leans over and looks at the affidavit with me. “See, right here.” He points to the paragraph where his technicians verify this.
“I assume your people have heard of ASCII?” I ask him. That’s the thing about trying cases—you tend to learn a little bit about a lot of things, sometimes just enough to get you in trouble. ASCII is a common machine language usually readable from PC computers. Most documents, if they’re the product of an obsolete program, can still be converted into ASCII and from this printed into text.
“I don’t know what that is,” says Tuchio. “You obviously know more about this than I do. But whatever it is, that wasn’t the biggest problem.”
“So what was?”
“Scarborough must have been at least a little paranoid,” he says.
“Why do you say that?”
“Because everything in his computers was hidden behind a zillion passwords, and according to our technicians, he knew how to make them, the passwords, letters and numbers,” says Tuchio, “nothing simple. Our IT people had to run software day and night for almost two weeks trying to crack ’em. They’d unlock one, only to run into another. Well, there it is,” he says. “Now you have everything that we have.” He smiles and then starts to turn to leave.
“Are you sure your people got everything that was on the hard drives?” I ask.
“Um…” He turns back, thinks for a moment, then offers a slight shrug. “Why do you ask?”
“I just want to be certain.”
“Can any of us ever be sure of anything? They tell me that they were very thorough. But if you think we may have missed something, you’re free to have your experts examine the drives. We can make arrangements. Do you want them?”
“Let me look at the materials first, and then I’ll let you know. In the meantime you will preserve the drives?”
“Of course.” He shakes my hand one more time. “Good luck,” he says. “You can keep that.” He smiles and taps the affidavit in my hand, then turns and heads back to his counsel table. Tuchio knows that at this moment he has knocked me off balance. I make a mental note to send him a letter confirming our conversation regarding the computer drives, with a copy to the court.
With the affidavit showing that the prosecutor did everything in his power to produce the materials from Scarborough’s computers, any complaint by our side to the court asking for time to review the documents would be fruitless. With the jury impaneled and mobs in the street, the judge will tell me to read this mountain of paper while the state puts on its own case.
The prosecutor has done one better. He’s gone out of his way to plant a small seed of confusion in our case, hoping, no doubt, that we will be distracted, waste time, perhaps chase this thing down some dead-ended rabbit hole. He has posed a question with no answer: Why would Scarborough, who wrote books to be published so that the whole world could read them, bother to conceal everything he wrote behind an infinite array of passwords?
NINE
Every seat is now filled. The overflow is sent back outside the courtroom to stand in line and wait for those with weak kidneys to start giving up their seats.
“Keep it down,” comes a booming voice from a sheriff’s sergeant at the back of the room, and a quiet chill settles over the audience.
Up front, a door at our side of the room opens just a crack. Through the small mesh-wired window in the door, I can see part of the head and shoulder of a uniformed deputy. He looks out at the crowd, checking everything one last time. Finally the door opens all the way. Out come two big deputies, more beef from the guard detail at the jail. Behind them, almost lost in their shadow, walks Carl Arnsberg, his head down, arms at his sides. He is wearing a new suit, his dark hair clipped short and parted on the left, slick and clean. He looks as if he’s been polished using a high-speed buffer. Even his perennial five o’clock shadow is gone.
There are some hushed, muffled whispers in the audience as people point at Carl.
Herman, who delivered Carl’s suit to the jail, whispers out of the side of his mouth, “Think ah used too much makeup.”
I get a glimpse between the deputies. Arnsberg’s face has a kind of white, bloodless look about it, like maybe a mortician got hold of him.
As they frog-march him toward our counsel table, suddenly the silence in the room is punctured by a loud shout: “Fucking fascist!” I turn my head to see a guy standing in the third row behind Tuchio’s table, looking wild-eyed at Carl. The guy scrambles over the row of seats in front of him, stepping on people as he goes. He hurdles the next two rows. Before any of the cops can reach him, he runs over the bailiff standing at the gate and through the railing.
He is two strides from Arnsberg when I lash out with one hand. I catch just a piece of his blue T-shirt as he blasts by me. Everything after that is lost in a blur of motion. Somehow this is launched off the top of our table like a rocket out of a silo. It nails the guy in the side just above the diaphragm. You can hear the breath go out of him like a crushed bellows as he is driven into the floor by something that looks like an SUV wearing a suit. Herman bounces on him once, then comes up straddling the guy like a cowboy on a steer.
Two of the guards from Carl’s contingent pile on. They cuff the man. He’s lying facedown on the floor, dazed, probably wondering who put him in the Super Bowl without a jersey or a number. The cops don’t even bother to pick him up. They just slide him, belly down, across the floor like a hockey puck and through the door to the lockup.
The other two guards, the ones who were chaperoning Arnsberg, are busy dusting off Herman, checking to see if he’s okay.
A phalanx of deputies has now formed, strung out along the bar railing so that no one else in the audience has a chance of going upstage.
Out in the gallery, the crowd is milling. Up out of their seats like jack out of his box, their voices elevated, gestures animated. Give them a few glasses to hold and it could be a party. “Did you see that?” This is followed by the occasional instant mental playback, all with hand gestures for color. “Who is that guy?” “Must be a cop.”
If I told them that Herman was Superman’s African brother, half of them would believe me. How else could a mountain move that fast? Mixed in with the free radicals, some wearing black T-shirts as a show of solidarity, there are a good number of regular courthouse-goers here, retired folk who spend their days watching trials because it’s better than the three hundred channels on cable. Where else can you see real bullet holes in the wall? Live theater, the best ticket in town, it’s free, an
d getting better now that they’ve brought contact sports inside.
From the corner of my eye, I see Sandra Arnsberg, Carl’s mother, standing on her tiptoes trying to see her son through the forest of uniforms in front of her.
I motion to her that I will get him.
In the rush of adrenaline, everybody but her has forgotten about Arnsberg. He is left standing by himself off to one side like some abandoned urchin. The guards talking to Herman cast an occasional glance his way just to make sure he doesn’t walk off. Where would he go with a wall of guards at the railing?
I walk over to him. “Are you all right?”
“Yeah,” he says. “What was that all about?” Evidently Carl hasn’t seen the action out on the street.
“Just some crazy,” I tell him.
“Yeah. Guy’s nuts.” Carl looks over his shoulder at the door to the lockup where they dragged the guy, probably wondering if he has to go out that way when we’re done.
“I thought you were supposed to come to the jail this morning?”
“I was.” I tell him about the D.A. dropping a ton of paper on us at the last minute.
This seems to unnerve him.
“Anything bad?” he says. “What? What did they send? Why so much at the last minute?” Carl doesn’t understand a lot of this. Any little wrinkle tends to send him into panic.
“It’s okay. It’s material we’ve been trying to get for some time. Printouts from Scarborough’s computers.”
“Oh.”
I take him by the arm, walk him to the counsel table, where we sit.
He smiles, then waves at his mom through a crack between the cops.
“They told me I can’t have any exercise time in the dayroom anymore. Something about not enough staff,” he says.
Carl has been doing twenty-three hours a day in solitary since they arrested him. Now he’ll be doing twenty-four. The sheriff has had to segregate him at the jail because they know they can’t protect him. With the media hype, Carl has become the ultimate symbol in the great cause of every jail and prison in the country, the war of the races. The Aryan Nation would claim him as their own, force him to join whether he wanted to or not, and kill him if he refused. To the Black Brotherhood, he’s a dead man walking, top priority to be shanked in the shower or have his throat cut in the yard at the first opportunity. If they could do this in the middle of the trial, it would send a message—the only one that counts when you’re behind bars: “Don’t fuck with us.”
Shadow of Power Free with Bonus Material Page 14
