One of the storytellers said, “If Gustavo comes by, he’ll sing you a song he wrote about the whole business. Hell, they even buried the woman up in the Zapata cemetery on the edge of town. People go up there and look at her grave all the time.”
That’s what Danny had come for, to see if anybody knew where Luz had been buried. Out of curiosity he asked what had happened to the shooter’s body. One of the gringos said the killer had also been buried in the Zapata cemetery, but that someone had stolen the marker and the exact location of the grave had been forgotten.
To Danny, the whereabouts of the shooter’s bones wasn’t all that important, anyhow. After knowing Clayton Price and listening to him talk about his life and work, Danny had started believing there’d always be shooters, and along the line somewhere he remembered what Sir Thomas Browne once said: “But who knows the fate of his bones or how often he is to be buried.” He figured a Clayton Price was still out there in one form or another, shade or otherwise, settling into his bubble and looking down a 9x scope.
Danny told the local constable he was a brother of the woman’s first husband and had come to claim her body. The constable didn’t believe him. Danny flashed fifty bucks and the constable believed him. The constable even helped dig up Luz’s grave and lift the plain pine coffin into the bed of Danny’s pickup. Danny drove back to Route 15, headed south, and turned west one more time, passing the village where the ocelot had been caged. The cage was gone from its place under the banana tree.
Outside of Ceylaya he stopped the truck. It took him a long time to drag the coffin up the hill, but he got it done, sweating and panting and resting now and then, and trying to ignore rattling sounds from inside the box. Flies everywhere, driving him half crazy, but he worked through the afternoon, digging a new grave for Luz. He eased her coffin down into the hole and shoveled dirt over it, all the while crying so hard he couldn’t see what he was doing most of the time.
Toward sunset he finished and walked back down to the truck. In Escuinapa, he’d had a small marker fashioned out of stone. In Spanish, it read
María de la Luz Santos
1971-1993
Nothing Remains
But Flowers and Sad Songs
He lugged the stone up the hill and set it firmly at the head of the grave. Scouting around in the nearby fields, he picked some red flowers and then laid them on the fresh-shoveled dirt. Danny Pastor stood there for a long time, leaning on the shovel. The image of Luz teaching the shooter to dance that evening in Zapata kept coming back. The yellow dress… the flower in her hair… his big clumsy steps… music playing. And he remembered her humming softly after she’d returned from Clayton Price’s room that night. And he remembered hot salsa music and Luz smiling and coming naked across a Puerto Vallarta room toward him with “La Rosa Negra” booming out of the Panasonic.
Darkness had rolled over the Mexican countryside when he passed the ocelot’s former place of imprisonment. Danny slowed the truck and looked out across the fields. Nothing there, of course. The cat was probably in a dirty traveling zoo by now or on the back of some rich woman in Paris. What the hell, you do what you can.
When Danny got to Route 15, he leaned forward, resting on the wheel, looking up and down the highway at head-lights rolling hard in both directions, diesel trucks and cars and silver green Pacífico buses, long lines of them. After a while he turned left… and late… much too late and alone… toward el Norte.
ACKNOWLEDGMENTS
Thanks go to my wife, Georgia Ann, who first heard this story in Puerto Vallarta a while back and said it sounded true and worth the telling. She sat through several interviews with various people, helped me piece the story together, and we did a preliminary layout of the book during two evenings we spent in a place called Las Palomas, both of us drinking a little Pacifico along the way and sitting at a particular table where you can put your back against the wall and sweep the room and see who comes in, who’s walking along Aldama on your left, and what’s happening out on Ordaz.
Thanks to Kathe Goldstein for watching over the Spanish terms, to Mary Ellen Rochester and Gary Thompson for background information on Puerto Vallarta, and to Carol Johnson, Susan Rueschhoff, Gary Goldstein, Linda Kettner, Bill Silag, and Shirley Koslowski, all of whom read various versions of the manuscript and offered helpful advice. And thanks to Sam Cavness, cowboy and veteran of the Vietnam jungles, for his reading of the manuscript. Also, thanks to Audrey Farrell, who worked as my assistant for several years and did her best to keep me organized during the time I was writing this.
And, of course, muchas gracias to my friend J. R. Ackley of Marble Rock, Iowa, who twice accompanied me to Mexico as my driver. Even though the U.S. State Department was advising travelers not to use the road to Durango because of heavy bandit activity and we were headed that way, I said “absolutely not” when J.R. wanted to take his .45 automatic pistol with him (though, I must admit, there were several occasions in the backcountry when I wished we’d taken the gun). Shorn of the .45, J.R. nonetheless moved us in safety and good humor along hot, busy roads and through quiet mountains, while I thought about Danny and Luz and a shadowman named Clayton Price, and how all of this must have felt to them during their run for el Norte.
The quote dealing with the medicinal properties of beer is J.R.’s. He came up with it at the tail of a hot, dusty day when we had finished a long hike up a remote riverbed and spent time with a man named Don Francisco Quintera, who calls himself the “Keeper of Guadalupe.”
Thanks, many thanks, to my friends Willie Royal, violinist, and Lobo, flamenco guitarist, for all the soaring nights of magic in a place called Mamma Mia. I listened to tapes of their music while writing portions of this book (Willie&Lobo, Gypsy Boogaloo and Fandango Nights, both on Mesa Records). And to all of my friends at the special inn where I have stayed many times in Puerto Vallarta, who have been so kind and helpful. And also to Daniel, who gave us somewhere to rest in the mountains, in a small village near the Durango road, and told us stories of the Mexican outback. And to the old men of the village I have called Zapata here, who lean their chairs against the walls of their village, smoking and resting and talking after a day in the fields.
Certain phrases contained in the fictional account of Clayton Price’s dossier, in “Shadowman,” were taken directly from James W Clarke, American Assassins (Princeton University Press, 1982).
Finally, I need to mention a curious and haunting circumstance involving background research for this story. While we drove through Mexico on our first scouting trip, tracing the exact route of Luz, Danny, and Clayton Price, J.R. told me about a book describing the life and times of a famous sniper in Vietnam. He couldn’t remember the name of the book but said it was fairly obscure and that I would have trouble finding it. After several weeks on the road, we checked out of our small Mexican hotel in Puerto Vallarta to catch our flight home. As I was headed for the taxi, I walked by a counter serving as a book exchange for guests of the hotel. There was only one book on the shelf, well thumbed and hard used, the book: Marine Sniper. As anyone who’s been around will tell you, it gets strange out there.
WORLDWIDE BESTSELLING, AWARD-WINING AUTHOR ROBERT JAMES WALLER
The Bridges of Madison County
“Waller knows the secret of romance novels. He writes the way people feel and think when they are first in love—as if every emotion had the force of God’s creation, as if such shivers had never been experienced or expressed before.”—TIME
“Every once in a while comes a magical story, an exquisite jewel of a book, a piece of fiction that more than makes up for all the ordinary books one usually reads. Such a book is The Bridges of Madison County.”—Indianapolis News
Slow waltz in Cedar Bend
“Invites dreams of love.”
—San Francisco Chronicle
“Thoroughly engaging. . . . First rate.”
—Chicago Tribune
Border Music
“If you are one of the millions around the wou
ld who keeps Bridges in your heart, you will lose yourself in Border Music.”
—Rocky Mountain News
“A travelogue of the heart.”
—Los Angeles Times
Puerto Vallarta Squeeze Page 19
