by Mike Ashley
Like a hideous and implacable engine of death the eyes of the unknown Horror swelled and expanded until they were close before me, enormous, terrible, and I felt a slow, cold, wet breath propelled with mechanical regularity against my face, enveloping me in its fetid mist, in its charnelhouse deadliness.
With ordinary fear goes always a physical terror, but with me in the presence of this unspeakable Thing was only the utter and awful terror of the mind, the mad fear of a prolonged and ghostly nightmare. Again and again I tried to shriek, to make some noise, but physically I was utterly dead. I could only feel myself go mad with the terror of hideous death. The eyes were close on me – their movement so swift that they seemed to be but palpitating flames, the dead breath was around me like the depths of the deepest sea.
Suddenly a wet, icy mouth, like that of a dead cuttlefish, shapeless, jellylike, fell over mine. The horror began slowly to draw my life from me, but, as enormous and shuddering folds of palpitating jelly swept sinuously around me, my will came back, my body awoke with the reaction of final fear, and I closed with the nameless death that enfolded me.
What was it that I was fighting? My arms sunk through the unresisting mass that was turning me to ice. Moment by moment new folds of cold jelly swept round me, crushing me with the force of Titans. I fought to wrest my mouth from this awful Thing that sealed it, but, if ever I succeeded and caught a single breath, the wet, sucking mass closed over my face again before I could cry out. I think I fought for hours, desperately, insanely, in a silence that was more hideous than any sound – fought until I felt final death at hand, until the memory of all my life rushed over me like a flood, until I no longer had strength to wrench my face from that hellish succubus, until with a last mechanical struggle I fell and yielded to death.
Then I heard a voice say, “If he is dead, I can never forgive myself; I was to blame.”
Another replied, “He is not dead, I know we can save him if only we reach the hospital in time. Drive like hell, cocher! twenty francs for you, if you get there in three minutes.”
Then there was night again, and nothingness, until I suddenly awoke and stared around. I lay in a hospital ward, very white and sunny, some yellow fleurs-de-lis stood beside the head of the pallet, and a tall Sister of Mercy sat by my side.
To tell the story in a few words, I was in the Hôtel Dieu, where the men had taken me that fearful night of the twelfth of June. I asked for Fargeau or Duchesne, and by and by the latter came, and sitting beside the bed told me all that I did not know.
It seems that they had sat, each in his room, hour after hour, hearing nothing, very much bored, and disappointed. Soon after two o’clock Fargeau, who was in the next room, called to me to ask if I was awake. I gave no reply, and, after shouting once or twice, he took his lantern and came to investigate. The door was locked on the inside! He instantly called d’Ardeche and Duchesne, and together they hurled themselves against the door. It resisted. Within they could hear irregular footsteps dashing here and there, with heavy breathing. Although frozen with terror, they fought to destroy the door and finally succeeded by using a great slab of marble that formed the shelf of the mantel in Fargeau’s room. As the door crashed in, they were suddenly hurled back against the walls of the corridor, as though by an explosion, the lanterns were extinguished, and they found themselves in utter silence and darkness.
As soon as they recovered from the shock, they leaped into the room and fell over my body in the middle of the floor. They lighted one of the lanterns, and saw the strangest sight that can be imagined. The floor and walls to the height of about six feet were running with something that seemed like stagnant water, thick, glutinous, sickening. As for me, I was drenched with the same cursed liquid. The odor of musk was nauseating. They dragged me away, stripped off my clothing, wrapped me in their coats, and hurried to the hospital, thinking me perhaps dead. Soon after sunrise d’Ardeche left the hospital, being assured that I was in a fair way to recovery, with time, and with Fargeau went up to examine by daylight the traces of the adventure that was so nearly fatal. They were too late. Fire engines were coming down the street as they passed the Académie. A neighbor rushed up to d’Ardeche: “O Monsieur! what misfortune, yet what fortune! It is true la Bouche d’Enfer – I beg pardon, the residence of the lamented Mlle, de Tartas – was burned, but not wholly, only the ancient building. The wings were saved, and for that great credit is due the brave firemen. Monsieur will remember them, no doubt.”
It was quite true. Whether a forgotten lantern, overturned in the excitement, had done the work, or whether the origin of the fire was more supernatural, it was certain that “the Mouth of Hell” was no more. A last engine was pumping slowly as d’Ardeche came up; half a dozen limp, and one distended, hose stretched through the porte cochère, and within only the façade of Francis I remained, draped still with the black stems of the wisteria. Beyond lay a great vacancy, where thin smoke was rising slowly. Every floor was gone, and the strange halls of Mlle. Blaye de Tartas were only a memory.
With d’Ardeche I visited the place last year, but in the stead of the ancient walls was then only a new and ordinary building, fresh and respectable; yet the wonderful stories of the old Bouche d’Enfer still lingered in the quarter, and will hold there, I do not doubt, until the Day of Judgment.
THE BONES OF THE EARTH
Ursula K. Le Guin
Ursula Le Guin (b. 1929) is one of the world’s foremost fantasists. She’s been writing science fiction and fantasy for over forty years for both adults and children. Her best known work is almost certainly The Wizard of Earthsea (1968), which won her the first of nearly twenty awards. The world of Earthsea intrigued her enough so that even though she completed the original trilogy with The Tombs of Atuan (1970) and The Farthest Shore (1972) she returned to it twenty years later with Tehanu (1990) and The Other Wind (2001) plus a collection of stories, Tales from Earthsea (2001).
If you have read The Wizard of Earthsea, you may recall that at the start, when news spread of how young Ged had saved Armouth from the Kargish warriors, he is visited by a wizard, Ogion the Silent, whom the townsfolk remember as “the one who tamed the earthquake”. We had to wait over thirty years for the story of Ogion, but here it is.
IT WAS RAINING AGAIN, and the wizard of Re Albi was sorely tempted to make a weather spell, just a little, small spell, to send the rain on round the mountain. His bones ached. They ached for the sun to come out and shine through his flesh and dry them out. Of course he could say a pain spell, but all that would do was hide the ache for a while. There was no cure for what ailed him. Old bones need the sun. The wizard stood still in the doorway of his house, between the dark room and the rain-streaked open air, preventing himself from making a spell, and angry at himself for preventing himself and for having to be prevented.
He never swore – men of power do not swear, it is not safe – but he cleared his throat with a coughing growl, like a bear. A moment later a thunderclap rolled off the hidden upper slopes of Gont Mountain, echoing round from north to south, dying away in the cloud-filled forests.
A good sign, thunder, Dulse thought. It would stop raining soon. He pulled up his hood and went out into the rain to feed the chickens.
He checked the henhouse, finding three eggs. Red Bucca was sitting. Her eggs were about due to hatch. The mites were bothering her, and she looked scruffy and jaded. He said a few words against mites, told himself to remember to clean out the nest box as soon as the chicks hatched, and went on to the poultry yard, where Brown Bucca and Grey and Leggings and Candor and the King huddled under the eaves making soft, shrewish remarks about rain.
“It’ll stop by midday,” the wizard told the chickens. He fed them and squelched back to the house with three warm eggs. When he was a child he had liked to walk in mud. He remembered enjoying the cool of it rising between his toes. He still liked to go barefoot, but no longer enjoyed mud; it was sticky stuff, and he disliked stooping to clean his feet before going into th
e house. When he’d had a dirt floor it hadn’t mattered, but now he had a wooden floor, like a lord or a merchant or an archmage. To keep the cold and damp out of his bones. Not his own notion. Silence had come up from Gont Port, last spring, to lay a floor in the old house. They had had one of their arguments about it. He should have known better, after all this time, than to argue with Silence.
“I’ve walked on dirt for 75 years,” Dulse had said. “A few more won’t kill me!”
To which Silence of course made no reply, letting him hear what he had said and feel its foolishness thoroughly.
“Dirt’s easier to keep clean,” he said, knowing the struggle already lost. It was true that all you had to do with a good hardpacked clay floor was sweep it and now and then sprinkle it to keep the dust down. But it sounded silly all the same.
“Who’s to lay this floor?” he said, now merely querulous.
Silence nodded, meaning himself.
The boy was in fact a workman of the first order, carpenter, cabinetmaker, stonelayer, roofer; he had proved that when he lived up here as Dulse’s student, and his life with the rich folk of Gont Port had not softened his hands. He brought the boards from Sixth’s mill in Re Albi, driving Gammer’s ox team; he laid the floor and polished it the next day, while the old wizard was up at Bog Lake gathering simples. When Dulse came home there it was, shining like a dark lake itself. “Have to wash my feet every time I come in,” he grumbled. He walked in gingerly. The wood was so smooth it seemed soft to the bare sole. “Satin,” he said. “You didn’t do all that in one day without a spell or two. A village hut with a palace floor. Well, it’ll be a sight, come winter, to see the fire shine in that! Or do I have to get me a carpet now? A fleecefell, on a golden warp?”
Silence smiled. He was pleased with himself.
He had turned up on Dulse’s doorstep a few years ago. Well, no, twenty years ago it must be, or twenty-five. A while ago now. He had been truly a boy then, long-legged, rough-haired, soft-faced. A set mouth, clear eyes. “What do you want?” the wizard had asked, knowing what he wanted, what they all wanted, and keeping his eyes from those clear eyes. He was a good teacher, the best on Gont, he knew that. But he was tired of teaching, didn’t want another prentice underfoot. And he sensed danger.
“To learn,” the boy whispered.
“Go to Roke,” the wizard said. The boy wore shoes and a good leather vest. He could afford or earn ship’s passage to the school.
“I’ve been there.”
At that Dulse looked him over again. No cloak, no staff.
“Failed? Sent away? Ran away?”
The boy shook his head at each question. He shut his eyes; his mouth was already shut. He stood there, intensely gathered, suffering: drew breath: looked straight into the wizard’s eyes.
“My mastery is here, on Gont,” he said, still speaking hardly above a whisper. “My master is Heleth.”
At that the wizard whose true name was Heleth stood as still as he did, looking back at him, till the boy’s gaze dropped.
In silence Dulse sought the boy’s name, and saw two things: a fir cone, and the rune of the Closed Mouth. Then seeking further he heard in his mind a name spoken; but he did not speak it.
“I’m tired of teaching and talking,” he said. “I need silence. Is that enough for you?”
The boy nodded once.
“Then to me you are Silence,” the wizard said. “You can sleep in the nook under the west window. There’s an old pallet in the woodhouse. Air it. Don’t bring mice in with it.” And he stalked off towards the Overfell, angry with the boy for coming and with himself for giving in; but it was not anger that made his heart pound. Striding along – he could stride, then – with the sea wind pushing at him always from the left and the early sunlight on the sea out past the vast shadow of the mountain, he thought of the Mages of Roke, the masters of the art magic, the professors of mystery and power. “He was too much for ’em, was he? And he’ll be too much for me,” he thought, and smiled. He was a peaceful man, but he did not mind a bit of danger.
He stopped then and felt the dirt under his feet. He was barefoot, as usual. When he was a student on Roke, he had worn shoes. But he had come back home to Gont, to Re Albi, with his wizard’s staff, and kicked his shoes off. He stood still and felt the dust and rock of the cliff-top path under his feet, and the cliffs under that, and the roots of the island in the dark under that. In the dark under the waters all islands touched and were one. So his teacher Ard had said, and so his teachers on Roke had said. But this was his island, his rock, his dirt. His wizardry grew out of it. “My mastery is here,” the boy had said, but it went deeper than mastery. That, perhaps, was something Dulse could teach him: what went deeper than mastery. What he had learned here, on Gont, before he ever went to Roke.
And the boy must have a staff. Why had Nemmerle let him leave Roke without one, empty-handed as a prentice or a witch? Power like that shouldn’t go wandering about unchanneled and unsignaled.
My teacher had no staff, Dulse thought, and at the same moment thought, the boy wants his staff from me. Gontish oak, from the hands of a Gontish wizard. Well, if he earns it I’ll make him one. If he can keep his mouth closed. And I’ll leave him my lore-books. If he can clean out a henhouse, and understand the Glosses of Danemer, and keep his mouth closed.
The new student cleaned out the henhouse and hoed the bean patch, learned the meaning of the Glosses of Danemer and the Arcana of the Enlades, and kept his mouth closed. He listened. He heard what Dulse said; sometimes he heard what Dulse thought. He did what Dulse wanted and what Dulse did not know he wanted. His gift was far beyond Dulse’s guidance, yet he had been right to come to Re Albi, and they both knew it.
Dulse thought sometimes in those years about sons and fathers. He had quarreled with his own father, a sorcerer-prospector, over his choice of Ard as his teacher. His father had shouted that a student of Ard’s was no son of his, had nursed his rage, died unforgiving.
Dulse had seen young men weep for joy at the birth of a first son. He had seen poor men pay witches a year’s earnings for the promise of a healthy boy, and a rich man touch his gold-bedizened baby’s face and whisper, adoring, “My immortality!” He had seen men beat their sons, bully and humiliate them, spite and thwart them, hating the death they saw in them. He had seen the answering hatred in the sons’ eyes, the threat, the pitiless contempt. And seeing it, Dulse knew why he had never sought reconciliation with his father.
He had seen a father and son work together from daybreak to sundown, the old man guiding a blind ox, the middle-aged man driving the iron-bladed plough, never a word spoken. As they started home the old man laid his hand a moment on the son’s shoulder.
He had always remembered that. He remembered it now, when he looked across the hearth, winter evenings, at the dark face bent above a lore-book or a shirt that needed mending. The eyes cast down, the mouth closed, the spirit listening.
“Once in his lifetime, if he’s lucky, a wizard finds somebody he can talk to.” Nemmerle had said that to Dulse a night or two before Dulse left Roke, a year or two before Nemmerle was chosen Archmage. He had been the Master Patterner and the kindest of all Dulse’s teachers at the school. “I think, if you stayed, Heleth, we could talk.”
Dulse had been unable to answer at all for a while. Then, stammering, guilty at his ingratitude and incredulous at his obstinacy – “Master, I would stay, but my work is on Gont. I wish it was here, with you –”
“It’s a rare gift, to know where you need to be, before you’ve been to all the places you don’t need to be. Well, send me a student now and then. Roke needs Gontish wizardry. I think we’re leaving things out, here, things worth knowing . . .”
Dulse had sent students on to the school, three or four of them, nice lads with a gift for this or that; but the one Nemmerle waited for had come and gone of his own will, and what they had thought of him on Roke Dulse did not know. And Silence, of course, did not say. It was evident that
he had learned there in two or three years what some boys learned in six or seven and many never learned at all. To him it had been mere groundwork.
“Why didn’t you come to me first?” Dulse had demanded. “And then go to Roke, to put a polish on it?”
“I didn’t want to waste your time.”
“Did Nemmerle know you were coming to work with me?”
Silence shook his head.
“If you’d deigned to tell him your intentions, he might have sent a message to me.”
Silence looked stricken. “Was he your friend?”
Dulse paused. “He was my master. Would have been my friend, perhaps, if I’d stayed on Roke. Have wizards friends? No more than they have wives, or sons, I suppose . . . Once he said to me that in our trade it’s a lucky man who finds someone to talk to . . . Keep that in mind. If you’re lucky, one day you’ll have to open your mouth.”
Silence bowed his rough, thoughtful head.
“If it hasn’t rusted shut,” Dulse added.
“If you ask me to, I’ll talk,” the young man said, so earnest, so willing to deny his whole nature at Dulse’s request that the wizard had to laugh.
“I asked you not to,” he said. “And it’s not my need I spoke of. I talk enough for two. Never mind. You’ll know what to say when the time comes. That’s the art, eh? What to say, and when to say it. And the rest is silence.”
The young man slept on a pallet under the little west window of Dulse’s house for three years. He learned wizardry, fed the chickens, milked the cow. He suggested, once, that Dulse keep goats. He had not said anything for a week or so, a cold, wet week of autumn. He said, “You might keep some goats.”
