by Carl Sagan
This book is a work of fiction. Names, characters, places and incidents are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons living or dead is entirely coincidental.
POCKET BOOKS, a division of Simon & Schuster Inc.
1230 Avenue of the Americas, New York, NY 10020
Copyright © 1985 by Carl Sagan
Cover art © 1997 by Warner Bros.
Published by arrangement with the author
All rights reserved, including the right to reproduce
this book or portions thereof in any form whatsoever.
For information address Simon & Schuster Inc.,
1230 Avenue of the Americas, New York, NY 10020
ISBN: 0-671-00410-7
First Pocket Books printing October 1986
25 24 23 22 21
POCKET and colophon are registered trademarks of
Simon & Schuster Inc.
Printed in the U.S.A.
For Alexandra,
who comes of age
with the Millennium.
May we leave your generation a world
better than the one we were given.
Contents
PART I: THE MESSAGE
CHAPTER 1: Transcendental Numbers
CHAPTER 2: Coherent Light
CHAPTER 3: White Noise
CHAPTER 4: Prime Numbers
CHAPTER 5: Decryption Algorithm
CHAPTER 6: Palimpsest
CHAPTER 7: The Ethanol in W-3
CHAPTER 8: Random Access
CHAPTER 9: The Numinous
PART II: THE MACHINE
CHAPTER 10: Precession of the Equinoxes
CHAPTER 11: The World Message Consortium
CHAPTER 12: The One-Delta Isomer
CHAPTER 13: Babylon
CHAPTER 14: Harmonic Oscillator
CHAPTER 15: Erbium Dowel
CHAPTER 16: The Elders of Ozone
CHAPTER 17: The Dream of the Ants
CHAPTER 18: Superunification
PART III: THE GALAXY
CHAPTER 19: Naked Singularity
CHAPTER 20: Grand Central Station
CHAPTER 21: Causality
CHAPTER 22: Gilgamesh
CHAPTER 23: Reprogramming
CHAPTER 24: The Artist’s Signature
PART I
THE
MESSAGE
My heart trembles like a poor leaf.
The planets whirl in my dreams.
The stars press against my window.
I rotate in my sleep.
My bed is a warm planet.
—MARVIN MERCER
P.S. 153, Fifth Grade, Harlem
New York City, N. Y. (1981)
CHAPTER 1
Transcendental
Numbers
Little fly,
Thy summer’s play
My thoughtless hand
Has brushed away.
Am not I
A fly like thee?
Or art not thou
A man like me?
For I dance
And drink and sing,
Till some blind hand
Shall brush my wing.
—WILLIAM BLAKE
Songs of Experience
“The Fly,” Stanzas 1-3 (1795)
By human standards it could not possibly have been artificial: It was the size of a world. But it was so oddly and intricately shaped, so clearly intended for some complex purpose that it could only have been the expression of an idea. Gliding in polar orbit about the great blue-white star, it resembled some immense, imperfect polyhedron, encrusted with millions of bowl-shaped barnacles. Every bowl was aimed at a particular part of the sky. Every constellation was being attended to. The polyhedral world had been performing its enigmatic function for eons. It was very patient. It could afford to wait forever.
WHEN THEY pulled her out, she was not crying at all. Her tiny brow was wrinkled, and then her eyes grew wide. She looked at the bright lights, the white- and green-clad figures, the woman lying on the table below her. On her face was an odd expression for a newborn—puzzlement perhaps.
• • •
When she was two years old, she would lift her hands over her head and say very sweetly, “Dada, up.” His friends expressed surprise. The baby was polite. “It’s not politeness,” her father told them. “She used to scream when she wanted to be picked up. So once I said to her, ‘Ellie, you don’t have to scream. Just say, “Daddy, up.”’ Kids are smart. Right, Presh?”
So now she was up all right, at a giddy altitude, perched on her father’s shoulders and clutching his thinning hair. Life was better up here, far safer than crawling through a forest of legs. Somebody could step on you down there. You could get lost. She tightened her grip.
Leaving the monkeys, they turned a corner and came upon a great spindly-legged, long-necked dappled beast with tiny horns on its head. I towered over them. “Their necks are so long, the talk can’t get out,” her father said. she felt sorry for the poor creature, condemned to silence. But she also felt a joy in its existence, a delight that such wonders might be.
• • •
“Go ahead, Ellie,” her mother gently urged her. There was a lilt in the familiar voice. “Read it.” Her mother’s sister had not believed that Ellie, age three, could read. The nursery stories, the aunt was convinced, had been memorized. Now they were strolling down State Street on a brisk March day and had stopped before a store window. Inside, a burgundy-red stone was glistening in the sunlight. “Jeweler,” Ellie read slowly, pronouncing three syllables.
• • •
Guiltily, she let herself into the spare room. The old Motorola radio was on the shelf where she remembered it. It was very big and heavy and, hugging it to her chest, she almost dropped it. On the back were the words “Danger. Do Not Remove.” But she knew that if it wasn’t plugged in, there was no danger in it. With her tongue between her lips, she removed the screws and exposed the innards. As she had suspected, there were no tiny orchestras and miniature announcers quietly living out their small lives in anticipation of the moment when the toggle switch would be clicked to “on.” Instead there were beautiful glass tubes, a little like light bulbs. Some resembled the churches of Moscow she had seen pictured in a book. The prongs at their bases were perfectly designed for the receptacles they were fitted into. With the back off and the switch “on,” she plugged the set into a nearby wall socket. If she didn’t touch it, if she went nowhere near it, how could it hurt her?
After a few moments, tubes began to glow warmly, but no sound came. The radio was “broken,” and had been retired some years before in favor of a more modern variety. One tube was not glowing. She unplugged the set and pried the uncooperative tube out its receptacle. There was a metallic square inside, attached to tiny wires. The electricity runs along the wires, she thought vaguely. But first it has to get into the tube. One of the prongs seemed bent, and she was able after a little work to straighten it. Reinserting the tube and plugging the set in again, she was delighted to see it begin to glow, and an ocean of static arose around her. Glancing toward the closed door with a start, she lowered the volume. She turned the dial marked “frequency,” and came upon a voice talking excitedly—as far as she could understand, about a Russian machine that was in the sky, endlessly circling the Earth. Endlessly, she thought. She turned the dial again, seeking other stations. After a while, fearful of being discovered, she unplugged the set, screwed the back on loosely, and with still more difficulty lifted the radio and placed it back on the shelf.
As she left the spare room, a little out of breath, her mother came upon her and she started once more.
“Is everything all right, Ellie?”
“Yes, Mom.”
>
She affected a casual air, but her heart was beating, her palms were sweating. She settled down in a favorite spot in the small backyard and, her knees drawn up to her chin, thought about the inside of the radio. Are all those tubes really necessary? What would happen if you removed them one at a time? Her father had once called them vacuum tubes. What was happening inside a vacuum tube? Was there really no air in there? How did the music of the orchestras and the voices of the announcers get in the radio? They liked to say, “On the air.” Was radio carried by the air? What happens inside the radio set when you change stations? What was “frequency”? Why do you have to plug it in for it to work? Could you make a kind of map showing how the electricity runs through the radio? Could you take it apart without hurting yourself? Could you put it back together again?
“Ellie, what have you been up to?” asked her mother, walking by with laundry for the clothesline.
“Nothing, Mom. Just thinking.”
• • •
In her tenth summer, she was taken on vacation to visit two cousins she detested at a cluster of cabins along a lake in the Northern Peninsula of Michigan. Why people who lived on a lake in Wisconsin would spend five hours driving all the way to a lake in Michigan was beyond her. Especially to see two mean and babyish boys. Only ten and eleven. Real jerks. How could her father, so sensitive to her in other respects, want her to play day in and day out with twerps? She spent the summer avoiding them.
One sultry moonless night after dinner she walked down alone to the wooden pier. A motorboat had just gone by, and her uncle’s rowboat tethered to the dock was softly bobbing in the starlit water. Apart from distant cicadas and an almost subliminal shout echoing across the lake, it was perfectly still. She looked up at the brilliant spangled sky and found her heart racing.
Without looking down, with only her outstretched hand to guide her, she found a soft patch of grass and laid herself down. The sky was blazing with stars. There were thousands of them, most twinkling, a few bright and steady. If you looked carefully you could see faint differences in color. That bright one there, wasn’t it bluish?
She felt again for the ground beneath her; it was solid, steady…reassuring. Cautiously she sat up and looked left and right, up and down the long reach of lakefront. She could see both sides of the water. The world only looks flat, she thought to herself. Really it’s round. This is all a big ball…turning in the middle of the sky…once a day. She tried to imagine it spinning, with millions of people glued to it, talking different languages, wearing funny clothes, all stuck to the same ball.
She stretched out again and tried to sense the spin. Maybe she could feel it just a little. Across the lake, a bright star was twinkling between the topmost branches. If you squinted your eyes you could make rays of light dance out of it. Squint a little more, and the rays would obediently change their length and shape. Was she just imagining it, or…the star was now definitely above the trees. Just a few minutes ago it had been poking in and out of the branches. Now it was higher, no doubt about it. That’s what they meant when they said a star was rising, she told herself. The Earth was turning in the other direction. At one end of the sky the stars were rising. That way was called East. At the other end of the sky, behind her, the cabins, the stars were setting. That way was called West. Once every day the Earth would spin completely around, and the same stars would rise again in the same place.
But if something as big as the Earth turned once a day, it had to be moving ridiculously fast. Everyone she knew must be whirling at an unbelievable speed. She though she could now actually feel the Earth turn—not just imagine it in her head, but really feel it in the pit of her stomach. It was like descending in a fast elevator. She craned her neck back further, so her field of view was uncontaminated by anything on Earth, until she could see nothing but black sky and bright stars. Gratifyingly, she was overtaken by the giddy sense that she had better clutch the clumps of grass on either side of her and hold on for dear life, or else fall up into the sky, her tiny tumbling body dwarfed by the huge darkened sphere below.
She actually cried out before she managed to stifle the scream with her wrist. That was how her cousins were able to find her. Scrambling down the slope, they discovered on her face an uncommon mix of embarrassment and surprise, which they readily assimilated, eager to find some small indiscretion to carry back and offer to her parents.
• • •
The book was better than the movie. For one thing, there was a lot more in it. And some of the pictures were awfully different from the movie. But in both, Pinocchio—a life-sized wooden boy who magically is roused to life—wore a kind of halter, and there seemed to be dowels in his joints. When Geppetto is just finishing the construction of Pinocchio, he turns his back on the puppet and is promptly sent flying by a well-placed kick. At that instant the carpenter’s friend arrives and asks him what he is doing sprawled on the floor. “I am teaching,” Geppetto replies with dignity, “the alphabet to the ants.”
The seemed to Ellie extremely witty, and she delighted in recounting it to her friends. But each time she quoted it there was an unspoken question lingering at the edge of her consciousness: Could you teach the alphabet to the ants? And would you want to? Down there with hundreds of scurrying insects who might crawl all over your skin, or even sting you? What could ants know, anyway?
• • •
Sometimes she would get up in the middle of the night to go to the bathroom and find her father there in his pajama bottoms, his neck craned up, a kind of patrician disdain accompanying the shaving cream on his upper lip. “Hi, Presh,” he would say. It was short for “precious,” and she loved him to call her that. Why was he shaving at night, when no one would know if he had a beard? “Because”—he smiled—“your mother will know.” Years later, she discovered that she had understood this cheerful remark only incompletely. Her parents had been in love.
• • •
After school, she had ridden her bicycle to a little park on the lake. From a saddlebag she produced The Radio Amateur’s Handbook and A Connecticut Yankee in King Arthur’s Court. After a moment’s consideration, she decided on the latter. Twain’s hero had been conked on the head and awakened in Arthurian England. Maybe it was all a dream or a delusion. But maybe it was real. Was it possible to travel backwards in time? Her chin on her knees, she scouted for a favorite passage. It was when Twain’s hero is first collected by a man dressed in armor who he takes to be an escapee from a local booby hatch. As they reach the crest of the hill they see a city laid out before them:
“‘Bridgeport?’ said I…
“‘Camelot,’ said he.”
She stared out into the blue lake, trying to imagine a city which could pass as both nineteenth-century Bridgeport and sixth-century Camelot, when her mother rushed up to her.
“I’ve looked for you everywhere. Why aren’t you where I can find you? Oh, Ellie,” she whispered, “something awful’s happened.”
• • •
In the seventh grade they were studying “pi.” It was a Greek letter that looked like the architecture at Stonehenge, in England: two vertical pillars with a crossbar at top—π. If you measured the circumference of a circle and then divided it by the diameter of the circle, that was pi. At home, Ellie took the top of a mayonnaise jar, wrapped a string around it, straightened the string out, and with a ruler measured the circle’s circumference. She did the same with the diameter, and by long division divided the one number by the other. She got 3.21. That seemed simple enough.
The next day the teacher, Mr. Weisbrod, said that π was about 22/7, about 3.1416. But actually, if you wanted to be exact, it was a decimal that went on and on forever without repeating the pattern of numbers. Forever, Ellie thought. She raised her hand. It was the beginning of the school year and she had not asked any questions in this class.
“How could anybody know that the decimals go on and on forever?”
“That’s just the way it is,” said the teac
her with some asperity.
“But why? How do you know? How can you count decimals forever?”
“Miss Arroway”—he was consulting his class list—“this is a stupid question. You’re wasting the class’s time.”
No one had ever called Ellie stupid before, and she found herself bursting into tears. Billy Horstman, who sat next to her, gently reached out and placed his hand over hers. His father had recently been indicted for tampering with the odometers on the used cars he sold, so Billy was sensitive to public humiliation. Ellie ran out of the class sobbing.
After school she bicycled to the library at the nearby college to look through books on mathematics. As nearly as she could figure out from what she read, her question wasn’t all that stupid. According to the Bible, the ancient Hebrews had apparently thought that π was exactly equal to three. The Greeks and Romans, who knew lots of things about mathematics, had no idea that the digits in π went on forever without repeating. It was a fact that had been discovered only about 250 years ago. How was she expected to know if she couldn’t ask questions? But Mr. Weisbrod had been right about the first few digits. Pi wasn’t 3.21. Maybe the mayonnaise lid had been a little squashed, not a perfect circle. Or maybe she’d been sloppy in measuring the string. Even if she’d been much more careful, though, they couldn’t expect her to measure an infinite number of decimals.
There was another possibility, though. You could calculate pi as accurately as you wanted. If you knew something called calculus, you could prove formulas for? that would let you calculate it to as many decimals as you had time for. The book listed formulas for pi divided by four. Some of them she couldn’t understand at all. But there were some that dazzled her: π/4, the book said, was the same as 1 - 1/3 + 1/5 - 1/7 +…, with the fractions continuing on forever. Quickly she tried to work it out, adding and subtracting the fractions alternately. The sum would bounce from being bigger than π/4 to being smaller than π/4, but after a while you could see that this series of numbers was on a beeline for the right answer. You could never get there exactly, but you could get as close as you wanted if you were very patient. It seemed to her a miracle that the shape of every circle in the world was connected with this series of fractions. How could circles know about fractions? She was determined to learn calculus.
