by Ruth Rendell
'I know him too,' said Burden incredulously. 'I've seen him before. I can't for the life of me think where, but I've seen him.'
'Let's get it over.'
The little green 2CV was turning into the place and the guitarist had seen it. He drew his hand across the strings with a flourish and jumped down from his perch, nearly knocking one of the girls over He didn't look back at her, he made no apology, he was waving to the car.
And then he saw the three policeman, recognizing them immediately for what they were. His arm fell to his side. He was a tall thin man in his late thirties, very dark with black
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curly hair. Wexford steadfastly refused to look over his shoulder to see her running from the car. He said:
'John Fassbender, it is my duty to warn you that anything you say will be taken down and may be used in evidence...'
CHAPTER TWENTY-TWO
They were in the Pearl of Africa, having what Wexford called a celebration lunch. No one could possibly feel much in the way of pity for Fassbender, so why not celebrate his arrest? Burden said it ought to be called an elucidation lunch because there were still a lot of things he didn't understand and wanted explained. Outside it was pouring with rain again. Wexford asked Mr Haq for a bottle of wine, good moselle or a riesling, none of your living waters from Lake Victoria. They had got into sybaritic habits during their day in France. Mr Haq bustled off to what he called his cellar through the fronds of polyethylene Spanish moss.
'Did you mean what you said about there having been no conspiracy?'
'Of course I did,' Wexford said, 'and if we'd had a moment after that I'd have told you something else, something I realized before we ever went to France. The woman we knew as
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Natalie Arno, the woman Fassbender murdered, was never Tessa Lanchester. Tessa Lanchester was drowned in Santa Xavierita in 1976 and we've no reason to believe either Natalie or Fassbender even met her. The woman who came to London in November of last year came solely because Fassbender was in London. She was in love with Fassbender and since he had twice been deported from the United States he could hardly return there.'
'How could he have been deported twice?' asked Burden.
'I wondered that until the possibility of dual nationality occurred to me and then everything about Fassbender became simple. I'd been asking myself if she had two boyfriends, an Englishman and a Swiss. There was a good deal of confusion in people's minds over him. He was Swiss. He was English. He spoke French. He spoke French with a Swiss accent. He was deported to London. He was deported to Geneva. Well, I'll come back to him in a minute. Suffice it to say that it was after he had been deported a second time that she followed him to London.'
He stopped. Mr Haq, beaming, teeth flashing and spilling, was bringing the wine, a quite respectable-looking white medoc. He poured Wexford a trial half-glassful. Wexford sipped it, looking serious. He had sometimes said, though, that he would rather damage his liver
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than upset Mr Haq by sending back a bottle. Anyway, the only fault with this wine was that it was at a temperature of around twenty-five degrees Celsius.
'Excellent,' he said to Mr Haq's gratification, and just stopped himself from adding, 'Nice and warm.' He continued to Burden as Mr Haq trotted off, 'She had a brief affair with Zoffany during Fassbender's first absence. I imagine this was due to nothing more than loneliness and that she put it out of her head once Zoffany had departed. But he kept up a correspondence with her and when she needed a home in London he offered her a flat. Didn't I tell you it was simple and straightforward?
'Once there, she saw that Zoffany was in love with her and hoped to take up their relationship (to use Jane Zoffany's word) where it had ended a year and a half before. She wasn't having that, she didn't care for Zoffany at all in that way. But it made things awkward. If she had Fassbender to live with her there, would Zoffany be made so jealous and angry as to throw her out? She couldn't live with Fassbender, he was living in one room. The wisest thing obviously was to keep Fassbender discreetly in the background until such time as he got a job and made some money and they could afford to snap their fingers at Zoffany and live together. We know that Fassbender was in need of work and that she tried to get him a job through Blaise Gory.
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The point I'm making is that Zoffany never knew of Fassbender's existence until he overheard Natalie talking on the phone to him last month.
'I suspect, though I don't know for certain, that there was no urgency on her part to approach Camargue. Probably she gave very little thought to Camargue. It was the announcement of his engagement that brought her to get in touch with him--perhaps reminded her of his existence. But there was no complex planning about that approach, no care taken with the handwriting or the style of the letter, no vetting of it by, say, Mrs Woodhouse....'
Young Haq came with their starter of prawns Pakwach. This was a shocking pink confection into which Burden manfully plunged his spoon before saying, 'There must have been. It may be that the identity of the woman we found in that chest will never be known, but we know very well she was an impostor and a fraudulent claimant.'
'Her identity is known,' said Wexford. 'She was Natalie Arno, Natalie Camargue, Camargue's only child.'
Pouring more wine for them, Mr Haq burst into a flowery laudation of various offerings among the entrees. There was caneton Kioga, wild
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duck breasts marinated in a succulent sauce of wine, cream and basil, or T-bone Toro, tender steaks flambes. Burden's expression was incredulous, faintly dismayed. Fortunately, his snapped 'Bring us some of that damned duck,' was lost on Mr Haq who responded only to Wexford's gentler request for two portions of caneton.
'I don't understand you,' Burden said coldly when Mr Haq had gone. 'Are you saying that the woman Camargue refused to recognize, the woman who deliberately cut her hand to avoid having to play the violin, whose antecedents you went rooting out all over America--that woman was Camargue's daughter all the time? We were wrong. Ames was right, Williams and Mavis Holland and Mary Woodhouse and Philip Gory were right, but we were wrong. Camargue was wrong. Camargue was a senile half-blind old man who happened to make a mistake. Is that it?'
'I didn't say that,' said Wexford. 'I only said that Natalie Arno was Natalie Arno. Camargue made no mistake, though it would be true to say he misunderstood.' He sighed. 'We were such fools, Mike--you, me, Ames, Dinah Sternhold. Not one of us saw the simple truth, that though the woman who visited Camargue was not his daughter, she was not his daughter, if I may so put it, for just one day.'
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'You see,' he went on, 'an illusion was created, as if by a clever trick. Only it was a trick we played upon ourselves. We were the conjurers and we held the mirrors. Dinah Sternhold told me Camargue said the woman who went to see him wasn't his daughter. I jumped to the conclusion�you did, Dinah did, we all did� that therefore the woman we knew as Natalie Arno wasn't his daughter. It never occurred to us he could be right and yet she might still be his daughter. It never occurred to us that the woman he saw might not be the woman who claimed to be his heir and lived in his house and inherited his money.'
'It wasn't Natalie who went there that day but it was Natalie before and always Natalie after that?' Burden made the face people do when they realize they have been conned by a stratagem unworthy of their calibre. 'Is that what you're saying?'
'Of course it is.' Wexford grinned and gave a rueful shake of the head. 'I may as well say here and now that Natalie wasn't the arch-villainess I took her for. She was cruel and devious and spiteful only in my imagination. Mind you, I'm not saying she was an angel of light. She may not have killed her father or plotted his death, but she connived at it afterwards and she had no scruples about taking an inheritance thus
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gained. Nor did she have any scruples about appropriating other women's husbands either on a temporary or a permanent basis. She was no paragon of virtue but she was no M
essalina either. Why did I ever think she was? Largely, I'm ashamed to say, because Dinah Sternhold told me so.
'Now Dinah Sternhold is a very nice girl. If she blackened Natalie's character to me before I'd even met her, I'm sure it was unconscious. The thing with Dinah, you see, is that odd though it undoubtedly seems, she was genuinely in love with that old man. He was old enough to be her grandfather but she was as much in love with him as if he'd been fifty years younger. Have you ever noticed that it's only those who suffer most painfully from jealousy that say, "I haven't a jealous nature"? Dinah said that to me. She was deeply jealous of Natalie and perhaps with justification. For in marrying her, wasn't Camargue looking to replace his lost daughter? How then must she have felt when that lost daughter turned up? Dinah was jealous and in her jealousy, all unconsciously, without malice, she painted Natalie as a scheming adventuress and so angled the tale of the visit to Camargue to make her appear at once as a fraudulent claimant.'
'I'd like to hear your version of that visit.' Wexford nodded. The duck had arrived, modestly veiled in a thick brown sauce.
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Wexford took a sip of his wine instead of a long draught, having decided with some soulsearching that it would hardly do to send for a second bottle. He sampled the duck, which wasn't too bad, and said after a few moments:
'The first appointment Natalie made with her father she couldn't keep. In the meantime something very disquieting had happened to her. She discovered a growth in one of her breasts.'
'How d'you know that?'
'A minute scar where the biopsy was done showed at the post-mortem,' said Wexford. 'Natalie went to her doctor and was sent to Guy's Hospital, the appointment being on the day she had arranged to go down to Sterries. She didn't want to talk to her father on the phone�I think we can call that a perfectly natural shrinking in the circumstances�so she got Jane Zoffany to do it. Shall I say here that Natalie was a congenital slave-owner and Jane Zoffany a born slave?
'Well, Jane made the call and a new date for the 19th. Natalie went to the hospital where they were unable to tell her whether the growth was malignant or not. She must come into their Hedley Atkins Unit in New Cross for a biopsy under anaesthetic.
'Now we're all of us afraid of cancer but Natalie maybe had more reason than most of us. She had seen her young husband die of
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leukaemia, a form of cancer, her friend Tina too, but most traumatic for her, her mother had died of it and died, it had been implied, through her daughter's actions. Moreover, at the time she had only been a few years older than Natalie then was. Small wonder if she was terrified.
'Then--due no doubt to some aberration on the part of the Post Office--the letter telling her she was to go into the Hedley Atkins Unit on 17 January didn't arrive till the morning before. This meant she couldn't go to Kingsmarkham on the 19th. I imagine she was past caring. All that mattered to her now was that she shouldn't have cancer, shouldn't have her beautiful figure spoilt, shouldn't live in dread of a recurrence or an early death. Jane Zoffany could deal with her father for her, phone or write or send a telegram.'
From staring down at his empty plate, Burden now lifted his eyes and sat bolt upright. 'It was Jane Zoffany who came down here that day?'
Wexford nodded. 'Who else?"
'She too is thin and dark and about the right age.... But why? Why pose as Natalie? For whatever possible purpose?'
'It wasn't deliberate,' Wexford said a shade testily. 'Haven't I said scarcely anything in this case was deliberate, planned or premeditated? It was just typical silly muddled Jane Zoffany behaviour. And what months it took me to guess
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m
it! I suppose I had an inkling of the truth, that wet day in the garden at Sterries, when Dinah said how strange it was Natalie could get the solicitors and Camargue's old friends to believe in her, yet Camargue who wanted to believe, who was longing to believe, saw her on that one occasion and didn't believe in her for more than half an hour. And when Jane Zoffany said how the police had taken her for her own sister and then stuck her hand up over her mouth�I knew then, I didn't need to be told any more.'
'But she did tell you more?'
'Sure. When I talked to her last night. She filled in the gaps.'
'Why did she go down to Sterries at all?' asked Burden.
'Two reasons. She wanted to see the old man for herself�she'd been an admirer of his�and she didn't want his feelings hurt. She knew that if she phoned and told him Natalie had yet again to keep a hospital appointment he'd think she was making excuses not to see him and he'd be bitterly hurt. For nineteen years his daughter had stayed away from him and now that she had come back and they were on the brink of a reunion, he was to be fobbed off with a phone call�and a second phone call at that. So she decided to go down and see him herself. But not, of course, with any idea of posing as Natalie, nothing of that sort entered her head. It's just that she's a rather silly muddled
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creature who isn't always quite mentally stable.'
'You mean,' said Burden, 'that she came down here simply because it seemed kinder and more polite to call in person? She came to explain why Natalie couldn't come and�well, sort of assure him of Natalie's affection for him? Something like that?'
'Something very much like that. And also to get a look at the man who had been acclaimed the world's greatest flautist.' Wexford caught Mr Haq's eye for their coffee. 'Now Camargue,' he said, 'was the first person to cast a doubt on Natalie's identity, it was Camargue who started all this, yet it was Camargue himself who took Jane Zoffany for his daughter because it was his daughter that he expected to see.
'He had waited for nineteen years� eventually without much hope. Hope had reawakened in the past five weeks and he was keyed up to a pitch of very high tension. He opened the door to her and put his arms round her and kissed her before she could speak. Did she try to tell him then that he had made a mistake? He was deaf. He was carried away with emotion. She has told me she was so confused and aghast that she played along with him while trying to decide what to do. She says she was embarrassed, she was afraid to disillusion him.
'She humoured him by speaking of the Cazzini gold flute�which Natalie had possibly mentioned to her but which was in any case
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lltlearly labelled--and having no knowledge of Italian, she mispronounced the name. We know
| what happened then. Camargue accused her of imposture. But it was no dream of Camargue's, no senile fantasy, that his visitor confessed. Jane Zoffany freely admitted what she had been longing to admit for the past half-hour--but it did her no good. Camargue was convinced by then this was a deception plotted to secure Natalie's inheritance and he turned her out of the house.
'And that, Mike, was all this so-called imposture ever amounted to, half an hour's misunderstanding between a well-meaning neurotic and a "foolish, fond old man.'
�j�
While Burden experimented yet again with ice cream eau-de-Nil, Wexford contented himself with coffee.
'Natalie,' he said, 'came out of hospital on January 20th and she was so elated that the biopsy had shown the growth to be benign that instead of being angry she was simply amused by Jane's activites. As I've said, she had a very lively sense of fun. I think it must have tickled her to imagine the pair of them at cross purposes, the wretched Jane Zoffany confessing and the irate Camargue throwing her out. What did it matter, anyway? She hadn't got cancer,
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she was fit and well and on top of the world and she could easily put that nonsense with her father right again. Let her only see if she could get a job out of Blaise Gory for her Johnny and then she'd see her father and patch things up.
'Before she could get around to that Camargue had written to her, informing her she should inherit nothing under the new will he intended to make.'
'Which led her,' said Burden, 'to plan on killing him first.'
'No, no, I've told you. There
was no planning. Even after that letter I'm sure Natalie was confident she could make things smooth with her father. Perhaps she even thought, as Dinah says she did, that this could best be effected after the marriage. Natalie was not too concerned. She was amused. The mistake she made was in telling Fassbender. Probably for the first time Fassbender realized just how potentially wealthy a woman his girl friend actually was.'
'Why do you say for the first time?'
'If he'd known it before,' Wexford retorted, 'why hadn't he married her while they were both in California? That would have been a way of ensuring he didn't get deported. She was an American citizen. In those days, no doubt, she would have been willing enough to marry him, so if they didn't it must have been because he couldn't see there was anything in it for him.
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t*
But now he did. Now he could see there was a very pleasant little sinecure here for the rest of their lives if only she wasn't so carefree and idle as to cast it all away.
'That Sunday Natalie went to a party with Jane Zoffany. She went because she liked parties, she liked enjoying herself, her whole life had been blithely dedicated to enjoying herself. There was no question of establishing an alibi. Nor, I'm sure, did she know Fassbender had taken himself off down to Kingsmarkham to spy out the land and have a look at the house and the affluence Natalie was apparently so indifferent to. It was on the impusle of the moment, in a sudden frenzy of�literally�taking things at the flood, that he seized Camargue and forced him into the water under the ice.'
For a moment they were both silent. Then Buden said:
'He told her what he'd done?'
A curious look came into Wexford's face. 'I suppose so. At any rate, she knew. By the time of the inquest she knew. How much she cared I don't know. She hadn't seen her father for nineteen years, but still he was her father. She didn't care enough to shop Fassbender, that's for sure. Indeed, you might say she cared so little that she was prepared to take considerable risks to defend Fassbender. No doubt, she liked what she got out of it. Life had been a bit precarious in the past four years, hadn't it?
