The Bourbon Kings of France
Page 1
La Couronne du Sacre de Louis XV
The Bourbon Kings of France
Desmond Seward
Copyright © 2013, Desmond Seward
This edition first published in 2013 by:
Thistle Publishing
36 Great Smith Street
London
SW1P 3BU
CONTENTS
Copyright
Foreword: ‘That Ancient Loyalty’
Prologue: Princes of the Blood (1276–1589)
1 ‘That Man from Béarn’: Henri IV (1589–1610)
2 ‘That Idiot’: Louis XIII (1610–1643)
3 ‘The Love of Glory’: Louis XIV (1643–1715)
4 ‘The Well-Beloved’: Louis XV (1715–1774)
5 ‘The Suicide of France’: Louis XVI (1774–1793)
6 ‘The Child in the Temple’: Louis XVII (1793–1795)
7 ‘Tartuffe’: Louis XVIII (1795–1824)
8 ‘A Submissive Bigot’: Charles X (1824–1830)
9 The Third Restoration: Henri V (1830–1883)
Select Bibliography
ILLUSTRATIONS
La Couronne du Sacre de Louis XV (1722)
(Musées Nationaux, Paris)
Henri IV in 1605
(Mansell Collection)
Louis XIII by Philippe de Champaigne
(Musées Nationaux, Paris)
Louis XIV and his heirs, attributed to Largillière
(Wallace Collection)
Louis XIV, wax bust by Benoist
(Musées Nationaux, Paris)
Louis XV by Quentin La Tour
(Musées Nationaux, Paris)
Jean Antoinette Poisson, Marquise de Pompadour, by Boucher, 1759
(Victoria and Albert Museum)
Louis XVI, by Duplessis
(Collection du Musée, Giraudon)
Marie Antoinette and her children, by Mme Vigée-Lebrun
(Musées Nationaux, Paris)
Louis XVII, by Kucharski
(Musées Nationaux, Paris)
Louis XVIII, by Gerard
(Musées Nationaux, Paris)
Charles X in robes of state, by Gerard
(Musées Nationaux, Paris)
Henri V, Comte de Chambord
(photograph, property of the author)
Comtesse de Chambord
(photograph, property of the author)
A genealogical tree appears at the beginning of each relevant chapter
ACKNOWLEDGEMENTS
I would like to thank the Hon John Jolliffe and Mrs Prudence Fay for their advice and helpful criticism. In addition, I am grateful to Mr Reresby Sitwell, the Hon Julian Guest, Mr Michael Thomas, Mr Hubert Witheford and Mr and Mrs Michael Dormer, who also gave me advice and encouragement, and above all to Mr Christopher Manning who read the typescript and the proofs. I have to acknowledge a special debt to Elisabeth, Viscountess Pollington for telling me of a seventeenth century English life of Louis XIII.
Once again, I must thank Mr Richard Bancroft of the British Museum Reading Room and the members of his staff for their courteous and patient assistance.
For
EILEEN SEWARD
‘Licentious or bigoted, noble or ignoble, there has seldom been a dull Bourbon. They were nearly all odd, original men of strong passions, unaccountable in their behaviour.’
Nancy Mitford
Foreword
‘THAT ANCIENT LOYALTY’
This is a study of the Kings who reigned over France from 1589 until 1830. Eight monarchs are involved: Henri IV, Louis XIII, Louis XIV, Louis XV, Louis XVI, Louis XVII, Louis XVIII and Charles X; and also a pretender, Henri V.
Surprisingly, until now there has never been a straightforward narrative account of them written for the general reader, although there are many such studies of the Romanovs, Habsburgs and Hohenzollerns. Yet the Bourbons have been royal since 1548, when Antoine de Bourbon married the future Queen of Navarre. They have occupied the thrones of France and Navarre, of Spain, of the two Sicilies, of Parma and Piacenza, and of Lucca. Today there is again a Bourbon King in Spain, while a Bourbon Grand Duke reigns in Luxembourg. They are best known, however, as the mighty dynasty which once ruled France.
The Bourbons ruled their homeland for over two centuries, making it the greatest power in Europe, and taming and uniting a people who are arguably the most individualist and ungovernable in the world. The France of Louis XIV overawed even her most jealous neighbours, while the France of his successors, her predominance gone, charmed and inspired them by her civilization. The Bourbon Kings were the personification of both this grandeur and this seduction.
As Nancy Mitford said, there has seldom been a dull Bourbon. They emerge from a shadowy line of medieval princes of the blood—sons of St Louis but very far from the throne—with Henri IV. The founder of the dynasty, with his infectious gaiety and his sixty-four mistresses, is still a folk hero to the French, a mighty fighter and drinker. His enigmatic son Louis XIII was in complete contrast—lonely, morose and neurotic yet brilliantly successful in his partnership with Cardinal Richelieu. Louis XIV, the Grand Monarque with his ‘red heels and his golden snuff-box and his towering periwig’, was worshipped at Versailles almost as a living idol and was one of the strangest and most remarkable kings who ever lived. Louis XV remains the most baffling of all French monarchs, intensely secretive and solitary; to at least one historian he is the most evil man ever to sit on a throne, directly responsible for the French Revolution; to another a seriously underestimated ruler who, had he lived longer, might have saved the monarchy.
Louis XVI came nearest to being a dull Bourbon, though with a consort, Marie Antoinette, who more than compensated for any dullness. But during the Revolution even Louis XVI became a figure of compelling interest, with his refusal to save himself by shedding his people’s blood and then the martyrdom in which he was soon joined by his beautiful Queen. They were followed by their son, the pitiful Louis XVII who died in prison as a lonely, diseased little boy.
The Bourbons did not come to an end with the Revolution, but the Kings of the French Restoration are practically unknown to the general reader. Yet Louis XVIII, who gave France her first workable Parliamentary regime, is probably the most unappreciated of all French rulers. His brother, the charming but inept Charles X, who finally lost the throne, was also the King who commissioned six operas from Rossini, including William Tell, and refused to ban Victor Hugo’s Hernani. Nor is it generally realized that a hundred years ago it seemed not merely possible but inevitable that the French would restore the Bourbon monarchy in the person of Charles X’s grandson, Henri V; in the early 1870s both the President of France and the majority in the National Assembly were united in wishing to summon home the last member of the dynasty to be their King.
Alexis de Tocqueville wrote of the French under the Ancien Régime: ‘Their feeling for the King was unlike that of any modern nation for its monarch, even the most absolute; indeed that ancient loyalty which was so thoroughly eradicated by the Revolution has become almost incomprehensible to the modern mind. The King’s subjects felt towards him both the natural love of children for their father and the awe properly due to God alone.’ The winning of that loyalty, the loss of it and the failure to regain it, are the theme of this book.
Prologue
PRINCES OF THE BLOOD (1276–1589)
In 1276 Robert, Count of Clermont, married Béatrix of Burgundy. Béatrix was a very great heiress indeed, her mother being the daughter of Archembault VIII, Lord of Bourbon and last of his line, who had died on Crusade in 1249. Although her mother was still alive and had married again, King Philippe III ordained that the lordship must pass to Béatrix. Bourbon I’Archembault (near Moulins in
the modern département of Allier) took its name from some hot springs which the ancient Gauls had dedicated to the god Borvo. Since the ninth century its château had been the centre of a great seigneurie holding sway over a vast area of central France—the Bourbonnais. The descendants of Robert and Béatrix were to become the royal house of Bourbon.
Count Robert came of an even greater line than his wife. He was a Capetian, being the sixth son of King Louis IX, whose ancestor, Hugues Capet, Count of Paris, had seized the crown in 987 from the last Carolingians. Hugues took his name of Capet through being lay Abbot of Saint-Martin at Tours, where the cloak of the patron saint of France was venerated. As King, he was little more than feudal lord of about sixty dukes and counts, his effective realm reaching from just north of Paris to just south of Orleans. But with Philippe Auguste, who ascended the throne in 1180, the Capetian kings began to make real their authority. Louis IX (1226–70), who was Count Robert’s father, inherited a realm which stretched from the North Sea to the Mediterranean. This crowned monk, who washed the feet of the poor and kissed lepers, was a strong, practical ruler. Unfortunately he was so much a product of his age as to lead two disastrous Crusades, to Syria and to North Africa, dying on the second; he was canonized in 1297. St Louis, who made the monarchy almost sacred, was always present for his successors in the Sainte-Chapelle—which he built to house the Crown of Thorns—and in a charming life written by his friend, the Sieur of Joinville. (Of his reign, Joinville wrote, ‘The throne shone like the sun which sheds its rays far and wide’.) Until the end, Fils de Saint Louis remained one of the proudest titles of a king of France.
Louis arranged rich marriages for all his sons. However when Robert of Clermont entered into the Bourbon inheritance in 1283, he was unable to take much pleasure in it. Five years before, during a tournament, Robert had received a blow on the head which rendered him permanently insane. He lived in quiet retirement until his death in 1318 at the age of sixty-two. He was succeeded by his son, and in 1327 King Charles IV made the Seigneurie of Bourbon into a Duchy.
When Charles died in 1328 the main line of the Capetians came to an end. However, it was (and is) almost impossible for the Capetian dynasty to fail, because of a provision in the Salic Law of the ancient Franks which forbids inheritance in the female line. Philippe of Valois, Charles IV’s cousin, ascended the throne as Philippe VI. In 1346 he led his chivalry to disaster at Crécy, His one achievement was to purchase Vienne: the Counts of Vienne had styled themselves Dauphin (from the dolphin in their coat of arms), and from 1349 until 1830 the eldest son of the King of France was known as the Dauphin. Splendid and unlucky, Philippe personified the house which was to rule France for the next two centuries.
The Counts of Vendôme, who descended from a younger grandson of Robert de Clermont, were only distant cousins of the Valois, yet they were destined to inherit the throne as well as the Duchy of Bourbon. Charles, Comte de Vendôme, born in 1489, became one of the greatest lords in the kingdom, being made a Duke and Peer in his own right and Grand Huntsman of France. He played an important part in public life throughout the reign of François (1515–47): he performed the duties of the Count of Flanders at the King’s Coronation, and in 1517 was one of three Princes who held the crown over the Queen’s head at her coronation. The chroniclers give glimpses of the new Duke, gorgeously appareled, jousting at the Field of Cloth of Gold. In 1521 he commanded the rearguard of the royal army during the King’s campaign in Flanders; the year after, as the King’s Lieutenant in Picardy, he conducted his own energetic campaign against the Imperial troops. However, in 1523 after the conspiracy of his cousin, the Constable de Bourbon, he was relieved of his command. Vendôme vindicated himself when King François was a prisoner in Spain, serving faithfully as President of the Council; he dismissed some Councillors of the Paris Parlement who had urged him to seize power, with the words ‘Obey the King!’ After the Constable’s death, François rewarded Vendôme by recognizing him as first Prince of the Blood and head of the House of Bourbon. In his latter years the Duke seems to have spent most of his time away from court, devoting himself to his thirteen children. He had married Françoise d’Alençon, sister of the King’s brother-in-law.
Vendôme died in 1547, aged forty-seven, and was succeeded by his son, Antoine de Bourbon. The Abbé de Brantôme remembered him: ‘He was high-born, brave and valiant—men of the Bourbon race are never otherwise—and of a most handsome appearance (well-built, and much taller than my lords his brothers) and altogether regal in manner, very fine and eloquent in his speech’. But for all his courage and charm, Antoine was wildly unstable, to the point of insanity.
In 1548, when he was thirty, Antoine married Jeanne d’Albret, daughter of King Henri d’Albret of Navarre and Marguerite d’Angoulême, sister of François I. Her father died in 1555 and, as Jeanne III, she inherited Navarre. This ancient Kingdom had been reduced to a little strip of territory north of the Pyrenees—since 1512 most of the realm, on the far side of the mountains, had been occupied by the Spaniards. King Consort of this minute state, Antoine ranked as a European sovereign; the title, King of Navarre, was to be born by the Bourbons until 1830. As Jeanne’s husband, Antoine was also lord of the d’Albret lands, a vast area of south-western France which included Béarn, Foix and Armagnac. He was the greatest magnate in France. But he was not satisfied, and dreamt feverishly of recovering his wife’s lost domains.
After Henri II’s death in a tournament in 1559, the French magnates saw the regency of his widow, Catherine de Medici, as an opportunity for a feudal revival. In his capacity of Governor of Guyenne, Antoine at once tried to recover southern Navarre, in a notably foolhardy and unsuccessful expedition. But there were prizes to be won at home. Calvinism, with its aggressive ideology and para-military organization—each church had a captain as well as a minister—was sweeping France. Great nobles exploited the Reformation in the way they had the Hundred Years War. At the end of 1559 King Antoine adopted the Calvinist faith, Queen Jeanne already being an enthusiastic convert who corresponded with Calvin himself. However, Antoine’s notorious fondness for loose women soon earned him a rebuke from the great Reformer. His marriage had begun as a love match; later Jeanne referred sadly to his many infidelities as ‘a sharp thorn, not in my foot but in my heart’. In 1561 Antoine returned to the Roman Church: as Lieutenant-General he held the greatest office in the realm and was subordinate only to the Regent, Catherine de Medici.
The first War of Religion had now broken out. In October 1562, Antoine directed the siege of Rouen which was held by the Huguenots. He behaved with crazy bravado, dining in the trenches. Eventually he was shot while relieving himself in full view of the enemy. Mortally wounded, King Antoine expired a month later, in the arms of his latest mistress, having become a convert to Lutheranism on his deathbed. This futile weathercock can never have suspected that his only son was to become King of France and found a new dynasty.
‘That Man from Béarn’
HENRI IV (1589–1610)
_____________
‘I rule with my arse in the saddle and my gun in my fist’
Henri IV is certainly the most colourful of French Kings. The Vert Galant killed mountain bears with a knife, fought on foot with a pike at the head of his men, ate and drank enough for ten, had sixty-four mistresses, and wished every peasant to have a chicken in the pot on Sundays. At first sight this laughing, swaggering little hero seems quite different from the Bourbons who followed him. In fact he bequeathed a surprising number of his qualities to his descendants.
Henri of Navarre was born at Pau in Béarn, on 13 December 1553. At his christening the Navarrese King, Henri d’Albret, rubbed his grandson’s lips with garlic and made him sip some wine. He enjoyed it and the old King, laughing, said, ‘You’re going to be a real Béarnais!’ Philip II always referred to Henri as ‘That Man from Béarn’. The baby was taken to a remote castle in the Pyrenees where he grew up with the local peasant children on a diet of bread, cheese and garlic, r
unning barefoot in the mountains. He kept his southern accent—and his common touch—throughout his life. Of all the Kings of France he was the only Southerner.
His mother brought him up in the faith of Geneva. When, in 1561, Henri was taken to Paris on his father’s orders and given a Catholic tutor, he refused to go to Mass. After his father’s death, Jeanne reinstated the Protestant tutor; by the time he was ten Henri had changed his religion twice. He remained in Paris, attending classes at the Collège de Navarre. Eventually he was able to speak as well as write Latin and Greek with some fluency; he also acquired a knowledge of Spanish and Italian. In addition he learnt to write very beautiful French (Proust credits the Duchesse de Guermantes with writing ‘le français exquis de Henri IV’.) In 1567 he rejoined his mother and his sister Catherine at Pau. His education continued, including no doubt instruction in fencing and the military arts. Relaxations were tennis—there was a magnificent court at Pau—swimming, hawking and, above all, hunting, which was one of the great passions of his life. He also learnt to dance, though, so his earliest biographer informs us, ‘with more spirit than grace’.
The First War of Religion had come to an end in 1563 but the Second broke out in 1567, to be followed by the Third in 1568. There were between half a million and a million Huguenots in France, including a large number of experienced soldiers. But the vast majority of Frenchmen were Papists and when the Counter-Reformation began, a new, fanatical Catholicism came into fashion. Apart from a few rare eccentrics who were known as the Politiques, most people thought that the only solution was conversion or extermination.
The situation was made worse by the lack of any proper royal authority. From 1559 until 1589 France had inadequate Kings—François II (the husband of Mary, Queen of Scots), Charles IX and Henri III. These three decadent sons of Henri II left the government of the realm to their mother, Catherine de Medici, whose intrigues earned her a sinister name. Years later, when she and her brood were dead, Henri had some kind words: ‘I ask you, what could she have done, poor woman, left at her husband’s death with five small children and two families in France—ours and the Guises—who hoped to get the Crown for themselves? Wasn’t it necessary for her to play some strange games, to deceive everybody, in order to protect her sons who reigned only because of her cunning? You may say she did harm to France—the marvel is she didn’t do worse!’