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Index
Abbey Road (Beatles), 201n15
Adams, Rachel, 13–15
Adaptation (film), 199n14
Airplane! (film), 163
Aliens (film), 143
Alighieri, Dante, 74
Amis, Martin, 141
“Among School Children” (Yeats), 184
Anderson, Phyllis Eisenson, 16–19
Anthropocene (proposed epoch), 108–109
Aristotle, 74, 82, 83, 128, 130, 202n3
Arnold, Matthew, 186
As Good As it Gets (film), 43, 197n2
Asperger’s syndrome, 129, 168, 196n5
Atkins v. Virginia (Supreme Court decision), 192
Atwood, Margaret, 21; Surfacing, 21
Augustine, 83–84, 115
Austen, Jane, 168
Pride and Prejudice, 205n6
autism, 17–18, 22–24, 27, 49–50, 66, 86–87, 91, 95, 126–130, 132, 135–136, 167–171, 175, 197n4, 202n2, 202–203n4; as “mindblindness,” 22–24, 107, 175; attributed to Michael K, 66; in Martian Time-Slip, 86–105
Avatar (film), 203n7
Avellaneda, Alonso Fernández de, 141
Away From Her (film), 2
Babe (film), 6–7, 11–12
Bakhtin, Mikhail, 83
Balzac, Honoré de, 55; “Sarrasine,” 55
Barnes, Djuna, 199n5
Baron-Cohen, 22–23, 167, 203n4; and theory of autism as “mindblindness,” 22–24, 167
Barthes, Roland, 54–55, 109, 198n8; Mythologies, 198n8; S/Z, 54–55, 109, 198n8
Baucom, Ian, 200n11
Beckett, Samuel, 5, 161, 192; Molloy, 117, 130; Murphy, 5, 161
Berger, James, 49, 136, 202n4
Bérubé, James (Jamie), 4, 6–12, 84, 198n6
Bérubé, Nicholas (Nick), 4–6, 73, 196n3, 199n14
Biklen, Douglas, 170; Autism and the Myth of the Person Alone, 170
Binet, Alfred, 116
biopower, 48, 66, 102
Blackwell Companion to American Literary Studies, 13
Blamires, Harry, 74; The Bloomsday Book, 74
Bloom, Paul, 195n2
Booth, Wayne, 121; The Rhetoric of Fiction, 121
Borges, Jorge Luis, 142; “Pierre Menard, Author of the Quixote,” 142
Boyd, Brian, 176, 178–185, 188–189, 195n2, 204n4, 204n5, 205n7, 20
5n9; On the Origin of Stories, 180–185, 188
Boyd, Todd, and the “Magic Negro,” 100
Brave New World (Huxley), 10
Brooks, Peter: epigraph, 3, 109, 118, 179; Reading for the Plot, epigraph, 3, 109
Bruinius, Harry, 201n17; Better for All the World, 201n17
Burks, Hannah, 199n1
Burton, Stacy, 79, 201n14
Butler, Judith, 179
Butler, Octavia, 30–31; Xenogenesis trilogy, 30; and disability, 31
Carroll, Joseph, 176, 178–180, 195n2, 204n4
Cervantes, Miguel de, 30, 139–142, 151; Don Quixote, 30, 71, 121, 136–137, 139–145, 160; Don Quixote (character), 121, 137, 139–145, 148, 159; Sancho Panza, 139–141
Chakrabarty, Dipesh, 200n12
Chekhov, Anton, 98
Coetzee, J. M., 5, 21, 24, 64, 66, 68, 71, 151–153, 158, 192; Foe, 53, 68, 125, 136, 151–158, 160, 164; Friday, 21, 151–159; Susan Barton, 151–158; Life and Times of Michael K, 5, 53, 64–72, 85, 114, 123, 197n10; Michael K (character), 21, 24, 50, 64–72, 114, 121–123, 152, 197n10
“Cognitive Disability and its Challenge to Moral Philosophy” (conference), 29
Cohen, Andrew, 191, 205n10
Cohen, Philip, 199n5
Conrad, Joseph, 122, 124;The Secret Agent, 122–125, 128, 151, 155, 158; Stevie, 122–125, 128, 151, 155
Crist, Stephanie Allen, 196n5; “Should We Label Characters?,” 196n5
Critical Inquiry, 19
Culler, Jonathan, 205n9; Structuralist Poetics, 205n9
Danilovic, Sandra, 200n7
Dawkins, Richard, 180
deconstruction, 168–169, 184
Defoe, Daniel, 151–153, 155; Robinson Crusoe, 151–153; Roxana, 151–152, 203n9
de Lauretis, Teresa, 128, 202n3
de Man, Paul, 184
Deresiewicz, William, 204–205n6
Desiderio, Frank, 199n15
detective fiction, 117–118
Dick, Philip K., 15, 30, 84–86, 91, 97, 116, 124, 150, 200n8; Martian Time-Slip, 15, 58, 66, 84–105, 108–111, 123–124, 150, 156, 159, 164, 167, 192, 194; Doreen Anderton, 88–93; Jack Bohlen, 85, 87–100, 150; Heliogabalus, 92–94, 96–100, 116; Arnie Kott, 85–102, 115, 150, 157; schizophrenia, 90–91, 94–97; Manfred Steiner, 86–94, 96–105, 109, 115, 134, 150, 156, 159; role of “precogs” in the fiction of, 30; We Can Build You, 200n8
Dickens, Charles, 9, 188; A Christmas Carol, 9, 53; Great Expectations, 12
Dickinson, Emily, 182
Dirty Rotten Scoundrels (film), 120
disability and functions, 56–58
disability as “normality,” 53–55, 198n8
disability hierarchy, 27, 196n6
“disability masquerade” (Ellen Samuels), 2
disability rights movement, 27, 56
disability terminology, 28–30
Down syndrome, 18, 28, 50, 116
Doyle, Arthur Conan, 117, 134; “The Naval Treaty,” 117; “Silver Blaze,” 135
Dr. Seuss (Theodore Geisel), 182–183, 186
Dubreuil, Laurent, 205n7
Dumbo (film), 1–2, 43, 197n3
Dutton, Denis, 176, 178–180, 204n4
Eliade, Mircea, 201n14
The English Patient (Ondaatje), 53, 198n5
eugenics, 116, 124
evocriticism (“literary Darwinism”), 3, 21–22, 58, 175–189, 195n2, 204n4, 204n6
Ex Parte Briseno (Texas court decision), 191–192
fabula and szujet, 29, 75, 77, 199n2
Facebook, 16–17
Faulkner, William, 76–77, 79, 82, 111, 113, 116, 199n3; “A Rose for Emily,” 19, 196n4; The Sound and the Fury, 6, 14, 53, 58, 73–85, 103, 111–116, 123, 149, 159, 199–200n5; “Appendix,” 77, 199n3; Benjy Compson, 14, 57, 74–85, 91, 93, 111–115, 121, 126, 128, 200–201n14; “bluegum chillen” passage, 75, 78–81; Dilsey, 111–115, 200–201n14
Ferguson, David, 197n3, 200n7, 200n9
Finding Nemo (film), 53, 198n5
Fish, Stanley, 196n4; Is There a Text in this Class?, 196n4
Flesch, William, 187–188; Comeuppance, 187–188
Foucauldian definition of “author,” 77
Frank, Joseph, 82, 199n5
Frankenstein, Victor, 40
Free Willy (film), 11
Freud, Sigmund, 128, 202n3
Friedman, C. S., 26; This Alien Shore, 26–27, 30
Frith, Christopher, 139
Galaxy Quest (film), 139, 143–144
Galton, Francis, 116
Garland-Thomson, Rosemarie, 27, 54, 198n7; Extraordinary Bodies, 27; “realistic” mode of visual representation, 54
Geffen, Arthur, 200–201n14
Gide, André, 161, 199n5
Glee (television show), 28, 196n9
“glitches” (gamer term), 88, 151, 156–158
Goddard, H. H., 116
Godden, Richard, 79–80
Goffman, Erving, 40, 196n6; Stigma, 196n6
Gottschall, Jonathan, 186–187; The Storytelling Animal, 186–187
Gould, Stephen Jay, 116, 201n17, 204n4
Haddon, Mark, 14, 79, 129–130, 134–135, 138, 151, 165, 202n4, 203n6; The Curious Incident of the Dog in the Night-Time, 14, 22, 79, 118, 128–138, 143–144, 161, 169; Christopher Boone, 129–138, 140, 143–144, 148, 159, 161, 165, 169, 202n4, 203n5
Happy Feet (film), 44, 197n3
Hawking, Stephen, 200n6; A Brief History of Time, 200n6
Henderson, Cary, 198–199n13; Partial View, 198–199n3
Herman, David, 204n3; “Re-Minding Modernism,” 204n3
Hilton, Leon, 198n9, 204n1
Holland, Norman, 196n4; 5 Readers Reading, 196n4
Homer, 119–120, 183; The Odyssey, 120, 183; Odysseus, 119–122, 125, 183
Homo sacer, 64, 69, 114
Horton Hears a Who, 183
House of Games (film), 120
intellectual disability chronotope, 83–85, 103–104, 111, 115–116, 159
Iser, Wolfgang, 176
Ishiguro, Kazuo, 197n10; Never Let Me Go, 197n10
James, Henry, 173–174
Janesch, Kassia, 197n10
Johnson, Barbara, 184
Jones, Owen, 181
Jones, Radhika, 153, 203n9
Joyce, James, 76, 200n5, 204n10; Stephen Dedalus, 74–75, 82; Ulysses, 74–76, 82, 200n5; Ulysses,“Circe” chapter, 75–76; Ulysses, “Proteus” chapter, 74, 82
Kanner, Leo, 18
Kempley, Rita, 200n10; “‘Magic Negro’ Saves the Day, but at the Cost of his Soul,” 200n10
Kermode, Frank, 12, 83, 112–113, 186, 191; The Sense of an Ending, 12, 113, 186
Keyes, Daniel, 79, 129; Flowers for Algernon, 79, 108, 129
Kingston, Maxine Hong, 30, 58, 165; The Woman Warrior, 30, 58–64, 85, 122, 124, 153; Moon Orchid, 59–61; “retarded” boy, 61–64
Klein, Andy (movie review of Memento), 199n2
Kociemba, David, 196n9; “‘This Isn’t Something I Can Fake’: Reactions to Glee’s Representations of Disability,” 196n9
Kramnick, Jonathan, 179–180, 186, 195n2, 204n4, 205n9; “Against Literary Darwinism,” 179–180
Lawrence, D. H., 161
L’Engle, Madeleine, 17, 39; A Wrinkle in Time, 17–20, 38–40, 44, 61; Charles Wallace Murry, 20, 24–25, 39–40; Meg Murry, 17–19, 25, 39–40, 196n5
Lessing, Gotthold Ephraim, 199n5
Laokoon, 199n5
Lewontin, Richard, 204n4
Life as We Know It, 53–54
Like Mike (film), 11
Lyon, Janet, 197n1, 199n4, 204n10; “On the Asylum Road with Woolf and Mew,” 197n1
Marx, Karl, 69; The Eighteenth Brumaire of Louis Napoleon, 69
McRuer, Robert, 197n2, 198n8; Crip Theory, 197n2, 198n8
Melville, Herman, 49, 54, 184; Ahab, 26, 49–50, 52, 178; Billy Budd, 184; The Confidence-Man, 120, 163; Moby-Dick, 26, 48–52, 178
Memento (film), 58, 75, 83, 128, 150, 199n2
Menand, Louis, 204n2; “What Comes Naturally,” 2
04n2
metarepresentation, 138–139, 142–144, 160
Mitchell, David, and Sharon Snyder, 41–53, 56; Narrative Prosthesis, 41–53
Modern Language Association, 13–15, 30, 169–170; panel on “Narrative and Intellectual Disability,” 13–15
Monk (television show), 118; Adrian Monk (character), 118
Montaigne, 54
Moon, Elizabeth, 14, 126, 129, 138, 202n1; Lou Arrendale, 126–29, 202n1; The Speed of Dark, 14, 126–130, 135, 138, 201–202n1
Morrison, Toni, 192
Mrs. Doubtfire (film), 11
Mukhopadhyay, Tito, 170
Murphy, Robert, 54
My Left Foot (film), 2
Nabokov, Vladimir, 30, 144, 146–151, 158, 161, 164–165, 203n8; Charles Kinbote, 144–150, 162–163; hilarious index containing subentries much sillier than this one, 164; Lolita, 178; Pale Fire, 30, 58, 136, 144–151, 155, 160–165, 203n8
Nagel, Thomas, 107
Naked Gun (film), 163
Nietzsche, Friedrich, 110
Noll, Steven, 201n17; Feeble-Minded in Our Midst, 201n17; Mental Retardation in America (with James W. Trent), 201n17
Nussbaum, Martha, 9, 188; Poetic Justice, 9, 188
One Hundred Years of Solitude (Garcia Márquez), 53, 198n5
orphans, stories about, 10–12
Osteen, Mark, 130, 196n7, 202n2, 203n5; Autism and Representation, 130, 196n7
Paris is Burning (film), 55, 198n8
Parry, Benita, 152–153
Pinker, Steven, 176–178, 181; Blank Slate, 176–177
Pirandello, Luigi, 142, 151; Henry IV, 142–145, 159
Pleistocene epoch, 3, 179, 186–187
Poore, Carol, 52
Potter, Lauren, 28
Powers, Richard, 84, 105–108, 111, 163; The Echo Maker, 84, 105–108, 111; Capgras syndrome in, 106; Prisoner’s Dilemma, 163
Prendergast, Catherine, 196n7; “The Unexceptional Schizophrenic: A Post-Postmodern Introduction,” 196n7
Price, Margaret, 196n7; Mad at School, 196n7
Prince, Dawn, 170
Prince, Gerald, 176
Proust, Marcel, 175
Pullman, Phillip, 118–122; The Golden Compass, 118–122; His Dark Materials, 118–122; Lyra Belacqua, 118–122, 125, 140; multiple universes hypothesis in, 119–120
Pynchon, Thomas, 98, 117; The Crying of Lot 49, 98, 117
quantum theory, 178
Quayson, Ato, 20, 37–38, 40–41, 50–58, 66, 69, 103, 154, 192–193, 198n5, 198n6, 198n9; Aesthetic Nervousness, 37–38, 40–41, 50–58, 192–193; disability as “hermeneutic impasse,” 38, 69–70, 151, 154; disability as “short circuit,” 55–57, 103, 160, 198n9; typology of disability representation, 53–55
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