by John Updike
"You look exhausted," she was forward enough to tell him.
"I am. Suzanne, I really am. Felicia gets on the phone every night to one or another of her causes and leaves me to drink too much. I used to go use the telescope but I really need a stronger power, it barely brings the rings of Saturn in."
"Take her to the movies," Sukie suggested.
"I did, some perfectly harmless thing with Barbra Streisand—God, what a voice that woman has, it goes through you like a knife!—and she got so sore at the violence in one of the previews she went back and spent half the movie complaining to the manager. Then she came back for the last half and got sore because she thought they showed too much of Streisand's tits when she bent over, in one of these turn-of-the-century gowns. I mean, this wasn't even a PG movie, it was a G! It was all people singing on old trolley cars!" Clyde tried to laugh but his lips had lost the habit and the resultant crimped hole in his face was pathetic to look at. Sukie had an impulse to peel up her cocoa-brown wool sweater and unfasten her bra and give this dying man her perky breasts to suck; but she already had Ed Parsley in her life and one wry intelligent sufferer at a time was enough. Every night she was shrinking Ed Parsley in her mind, so that when the call came she could travel sufficiently lightened across the flooded marsh to Darryl Van Home's island. That's where the action was, not here in town, where oil-streaked harbor water lapped the pilings and placed a shudder of reflected light upon the haggard faces of the citizens of Eastwick as they plodded through their civic and Christian duties.
Still, Sukie's nipples had gone erect beneath her sweater in awareness of her healing powers, of being for any man a garden stocked with antidotes and palliatives. Her areolas tingled, as when once babies needed her milk or as when she and Jane and Lexa raised the cone of power and a chilly thrill, a kind of alarm going off, moved through her bones, even her finger and toe bones, as if they were slender pipes conveying streams of icy water. Clyde Gabriel bent his head to a piece of editing; touchingly, his colorless scalp showed between the long loose strands of oak-pale hair, an angle he never saw.
Sukie left the Word offices and stepped out onto Dock Street and walked to Nemo's for lunch; the perspective of sidewalks and glaring shop-fronts pulled tight as a drawstring around her upright figure. The masts of sailboats moored beyond the pilings like a forest of slender varnished trees had thinned. At the south end of the street, at Landing Square, the huge old beeches around the little granite war memorial formed a fragile towering wall of yellow, losing leaves to every zephyr. The water as it turned toward winter cold became a steelier blue, against which the white clapboards of houses on the Bay side of the street looked dazzlingly chalky, every nail hole vivid. Such beauty! Sukie thought, and felt frightened that her own beauty and vitality would not always be part of it, that some day she would be gone like a lost odd-shaped piece from the center of a picture puzzle.
Jane Smart was practicing Bach's Second Suite for unaccompanied cello, in D Minor, the little black sixteenth-notes of the prelude going up and down and then up again with the sharps and flats like a man slightly raising his voice in conversation, old Bach setting his infallible tonal suspense engine in operation again, and abruptly Jane began to resent it, these notes, so black and certain and masculine, the fingering getting trickier with each sliding transposition of the theme and he not caring, this dead square-faced old Lutheran with his wig and his Lord and his genius and two wives and seventeen children, not caring how the tips of her fingers hurt, or how her obedient spirit was pushed back and forth, up and down, by these military notes just to give him a voice after death, a bully's immortality; abruptly she rebelled, put down the bow, poured herself a little dry vermouth, and went to the phone. Sukie would be back from work by now, throwing some peanut butter and jelly at her poor children before heading out to the evening's idiotic civic meeting.
"We must do something about getting Alexandra over to Darryl's place" was the burden of Jane's call. "I swung by late Wednesday even though she had told me not to because she seemed so hurt about our Thursday not working out, she has gotten much too dependent on Thursdays, and she looked just terribly down, sick with jealousy, first me and the Brahms and then your article, I must say your prose did somehow rub it in, and I couldn't get her to say a word about it and I didn't dare press the topic myself, why she hasn't been invited."
"But darling, she has been, as much as you and I were. When he was showing me his art works for the article he even pulled out an expensive-looking catalogue for a show this Niki Whatever had had in Paris and said he was saving it for Lexa to see."
"Well she won't go now until she's formally asked and 1 can tell it's eating the poor thing alive. I thought maybe you could say something."
"Sweetie, why me? You're the one who knows him better, you're over there all the time now with all this music."
"I've been there twice," Jane said, hissing the last word most positively. "You just have that way about you, you can get away with saying things to a man. I'm too definite somehow; it would come out as meaning too much."
"I'm not sure he even liked the article," Sukie fended. "He never called me about it."
"Why wouldn't he have liked it? It was lovely, and made him seem very romantic and dashing and impressive. Marge Perley has it up on her bulletin board and tells all her prospective clients that this was her sale."
At Sukie's end of the line a crying female child came up to her; her older brother, this child managed to explain between sobs while Jane's voice crackled on like static, wouldn't let her watch an educational special about lions mating instead of a rerun of Hogan's Heroes on a UHF channel that he wanted to see. Peanut butter and jelly flecked this little girl's lips; her fine hair was an uncombed tangle. Sukie wanted to slap the repulsive child's dirty face and knock a little sense into those TV-glazed eyes. Greed, that was all TV taught, turning our minds to total pap. Darryl Van Home had explained to her how TV was responsible for all the riots and war resistance; the commercial interruptions and the constant switching back and forth between channels had broken down in young people's brains the synapses that make logical connections, so that Make Love Not War seemed to them an actual idea.
"I'll think about it," she promised Jane hastily, and hung up. She had to go out to an emergency session of the Highway Department; last February's unexpected blizzards had used up all this year's snow-removal and road-salting budget and the chairman, Ike Arsenaull, was threatening to resign. Sukie hoped to be able to leave early for a tryst with Ed Parsley at Point Judith. First she had to settle the squabble in the TV den. The children had their own set upstairs but to be perverse preferred to use hers; the noise Filled the tiny house, and their glasses of milk and cocoa cups left rings on the sea chest it-finished as a coffee table, and she would find bread crusts turning green between the love-seat cushions. She flounced in a fury and assigned the rudest brat to put the supper dishes into the dishwasher. "And be sure to rinse the peanut-butter knife, rinse and wipe it; if you just throw it in the heat bakes the peanut butter so you can never get it off." Before leaving the kitchen Sukie chopped up an Alpo can of blood-colored horsemeat and set it on the floor, in the plastic dog dish a child with a Magic Marker had lettered Hank, for the ravenous Weimaraner to gobble. She crammed half a fistful of salted Spanish peanuts into her own mouth; bits of red skin stuck to her sumptuous lips.
She went upstairs. To get to Sukie's bedroom, you went up the narrow stair and turned left into a narrow slanted hall of unadorned boards and then right, through an authentic eighteenth-century door studded in a double X pattern of squarish cut nails. She shut this door and with a wrought-iron latch shaped like a claw locked herself in. The room was papered in an old pattern of vines growing straight up like bean plants on poles, and the cobwebbed ceiling sagged like the underside of a hammock. Large washers bolted at the worst cracks kept the plaster from falling down. A single geranium was dying on the sill of the room's one small window. Sukie sle
pt in a sway-backed double bed that wore a threadbare coverlet of dotted Swiss. She had remembered there was a copy of last week's Word by her bedside; with a pair of curved nail scissors she carefully cut out her "Inventor, Musician, Art Fancier" article, breathing warmly upon it as her nearsighted eyes strained not to include a single adjacent letter of any item that did not concern Darryl Van Horne. This done, she wrapped the article face inwards around a heavy-hipped, tiny-footed naked bubby Alexandra had given Sukie for her thirtieth birthday two years ago but which for the purposes of magic would represent the creatrix herself. With a special string Sukie kept in a narrow cupboard beside the walled-in fireplace, a furry pale green jute such as gardeners used to tie up plants and whose properties included therefore that of encouraging growth, she tightly wound the package around until not a glint of the crackling print-filled paper showed. She tied it with a bow, then another, and a third, for magic. The fetish weighed pleasantly in the hand, a phallic oblong with the texture of a closely woven basket. Uncertain what the proper spell might be, she touched it lightly to her forehead, her two breasts, her navel that was a single link in the infinite chain of women, and, lifting her skirt but keeping her underpants on, her pudendum. For good measure she gave the thing a kiss. "Have fun, you two," she said, and, remembering a word of her schoolgirl Latin, chanted in a whisper, "Copula, copula, copula." Then she kneeled and put this hairy green charm underneath her bed, where she spotted about a dozen dust mice and a pair of lost pantyhose she was in too much of a hurry to retrieve. Already her nipples had stiffened, foreseeing Ed Parsley, his dark parked car, the sweeping accusatory beam of the Point Judith lighthouse, the crummy dank motel room he would have already paid eighteen dollars for, and the storms of his guilt she would have to endure once he was sexually satisfied.
On this afternoon of cold low silver sky Alexandra thought East Beach might be too windy and raw so she stopped the Subaru on a shoulder of the beach road not far from the Lenox causeway. Here was a wide stretch of marsh, the grass now bleached and pressed fiat in patches by the action of the tides, where Coal could have a run. Between the speckled boulders that were the causeway's huge bones the sea deposited dead gulls and empty crab shells the dog loved to sniff and rummage among. Here also stood what was left of an entrance gate: two brick pillars capped by cement bowls of fruit and holding the rusting pivot pins for an iron gate that had vanished. While she stood gazing in the direction of the glowering symmetrical house, its owner pulled up behind her silently in his Mercedes. The car was an off-white that looked dirty; one front fender had been dented and the other repaired and repainted in an ivory that did not quite match. Alexandra was wearing a red bandanna against the wind, so when she turned she saw her face in the smiling dark man's eye as a startled oval, framed in red against the silver streaks over the sea, her hair covered like a nun's.
His car window had slid smoothly down on a motor. "You've come at last," he called, less with that prying clownish edge of the post-concert party than as a simple factual declaration by a busy man. His seamed face grinned. Beside him on the front seat sat a shadowy conical shape—a collie, but one in whose tricolor hair the black was unusually dominant. This creature yapped mercilessly when loyal Coal rallied from his far-ranging carrion-sniffing to his mistress's side.
She gripped her pet's collar to restrain him as he bristled and gagged, and lifted her voice to make it heard above the dogs' din. "I was just parking here, I wasn't..." Her voice came out frailer and younger than her own; she had been caught.
"I know, I know," Van Home said impatiently. "Come on over anyway and have a drink. You haven't had your tour yet."
"I have to get back in a minute. The children will be coming home from school." But even as she said it Alexandra was dragging Coal, suspicious and resisting, toward her car. His run wasn't over, he wanted to say.
"Better hop in my jalopy with me," the man shouted. "The tide's coming in and you don't want to get stranded."
“I don't? she wondered, obeying like an automaton, betraying her best friend by shutting Coal alone in the Subaru. He had expected her to join him and drive home. She cranked the driver's window down an inch, for air, and punched the locks on the doors. The dog's black face rumpled with incredulity. His ears were thrust out as far from his skull as their crimped inner folds would bear their floppy weight. These velvety pink folds she had often fondled by the fireside, examining them for ticks. She turned away. "Really just a minute," she stammered to Van Home, torn, awkward, years fallen from her with their poise and powers.
The collie, whom Sukie's article had not mentioned, shed all ferocity and slunk gracefully into the back seat as she opened the Mercedes door. The car's interior was red leather; the front seats had been dressed in sheep hides, woolly side up. With an expensive punky sound the door closed at her side.
"Say howdy-do, Needlenose," Van Home said, twisting his big head, like an ill-fitting helmet, toward the back seat. The dog did indeed have a very pointed nose, which he pushed into Alexandra's palm when she offered it. Pointed, moist, and shocking—the tip of an icicle. She pulled her hand back quickly.
"The tide won't be in for hours," she said, trying to return her voice to its womanly register. The causeway was dry and full of potholes. His renovations had not extended this far.
"The bastard can fool you," he said. "How the hell've you been, anyway? You look depressed."
"I do? How can you tell?"
"I can tell. Some people find fall depressing, others hate spring. I've always been a spring person myself. All that growth, you can feel Nature groaning, the old bitch; she doesn't want to do it, not again, no, anything but that, but she has to. It's a fucking torture-rack, all that budding and pushing, the sap up the tree trunks, the weeds and the insects getting set to fight it out once again, the seeds trying to remember how the hell the DNA is supposed to go, all that competition for a little bit of nitrogen; Christ, it's cruel. Maybe I'm too sensitive. I bet you revel in it. Women aren't that sensitive to things like that."
She nodded, hypnotized by the bumpy road diminishing under her, growing at her back. Brick pillars twin to those at the far end stood at the entrance to the island, and these still had their gate, its iron wings flung wide for years and the rusted scrolls become a lattice for wild grapevines and poison ivy and even interpenetrated by young trees, swamp maples, their little leaves turning the tenderest red, almost a rose. One of the pillars had lost its crown of mock fruit.
"Women take pain in their stride pretty much," Van Home was going on. "Me, I can't stand it. I can't even bring myself to swat a housefly. The poor thing'll be dead in a couple days anyway."
Alexandra shuddered, remembering houseflies landing on her lips as she slept, their feathery tiny feet, the electric touch of their energy, like touching a frayed cord while ironing. "I like May," she admitted lamely. "Except every year it docs feel, as you say, more of an effort. For gardeners, anyway."
Joe Marino's green truck, to her relief, was not parked anywhere out front of the mansion. The heavy work on the tennis court seemed to have been done; instead of the golden earthmovers Sukie had described, a few shirtless young men were with dainty pinging noises fastening wide swatches of green plastic-coated fencing to upright metal posts all around what at the distance, as she looked down from a curve of the driveway to where the snowy egrets used to nest in the dead elms, seemed a big playing card in two flat colors imitating grass and earth; the grid of white lines looked sharp with signification, as compulsively precise as a Wiccan diagram. Van Home had stopped the car so she could admire. "I looked into that HarTrue and even if you see your way past the initial expense the maintenance of any kind of clay is one hell of a headache. With this AsPhlex composition all you need do is sweep the leaves off it now and then and with any luck you can play right into December. Couple of days more it'll be ready to baptize; my thought was with you and your two buddies we might have a foursome."
"My goodness, are
we up to such an honor? I'm really in no shape—" she began, meaning her game. Ozzie and she for a time had played a lot of doubles with other couples, but in the years since, though Sukie once or twice a summer got her out for some Saturday singles on the battered public courts toward Southwick, she had really played hardly at all.
"Then get in shape," Van Home said, misunderstanding, spitting in his enthusiasm. "Move around, get rid of that flub. Hell, thirty-eight is young."
He kn ow s my age, Alexandra thought, more relieved than offended. It was nice to have yourself known by a man; it was getting to be known that was embarrassing: all that self-conscious verbalization over too many drinks, and then the bodies revealed with the hidden marks and sags like disappointing presents at Christmastime. But how much of love, when you thought about it, was not of the other but of yourself naked in his eyes: of that rush, that little flight, of shedding your clothes, and being you at last. With this overbearing strange man she felt known, essentially, already. His being awful rather helped.
He put the car into motion and coasted around the crackling driveway circle and halted at the front door. Two steps led up to a paved, pillared porch holding in tesserae of green marble the inlaid initial L. The door itself, freshly painted black, was so massive Alexandra feared it would pull its hinges loose when the owner swung it open. Inside the foyer, a sulphurous chemical smell greeted her; Van Home seemed oblivious of it, it was his element. He ushered her in, past a stuffed hollow elephant foot full of knobbed and curved canes and one umbrella. He was not wearing baggy tweed today but a dark three-piece suit as if he had been somewhere on business. He gestured right and left with excited stiff arms that returned to his sides like collapsed levers. "Lab's over there, past the pianos, used to be the ballroom, nothing in there but a ton of equipment half of it still in crates, we've hardly begun to roll yet, but when we do, boy, we're going to make dynamite look like firecrackers. Here on the other side, let's call it the study, half my books still in cartons in the basement, some of the old sets I don't want to put out in the light till I can get an air-control unit set up, these old bindings, you know, and even the threads hold 'em together turn into dust like mummies when you lift the lid - cute room, though, isn't it? The antlers were here, and the heads. I'm no hunter myself, get up at four in the morning go out and blast some big-eyed doe never did anybody any harm in the world in the face with a shotgun, crazy. People are crazy. People are really wicked, you have to believe it. Here's the dining room. The table's mahogany, six leaves if I want to give a banquet, myself
