Marceau, Lawrence E. “Portraying the Sense: Takebe Ayatari’s Literary and Painting Theories.” Transactions of the International Conference of Orientalists in Japan 37(1992):85–103.
Young, Blake Morgan, trans. “A Tale of the Western Hills: Takebe Ayatari’s Nishiyama monogatari.” Monumenta Nipponica 37(1982):77–121.
Sharebon
Araki, James T. “Sharebon: Books for Men of Mode.” Monumenta Nipponica 24(1969):31–45.
Kornicki, Peter F. “Nishiki no ura: An Instance of Censorship and the Structure of a Sharebon.” Monumenta Nipponica 32(1977):153–188.
Miller, J. Scott. “The Hybrid Narrative of Kyoden’s Sharebon.” Monumenta Nipponica 43(1988):133–152.
Kibyōshi
Araki, James T. “The Dream Pillow in Edo Fiction, 1772–81.” Monumenta Nipponica 25(1970):43–105.
Jones, Sumie. “William Hogarth and Kitao Masanobu: Reading Eighteenth-Century Pictorial Narratives.” Yearbook of Comparative and General Literature 34(1985):37–73.
Iwasaki, Haruko. “The Literature of Wit and Humor in Late-Eighteenth-Century Edo.” In The Floating World Revisited, edited by Donald Jenkins, pp. 47–61. Portland, Ore.: Portland Art Museum, 1993.
Kokkeibon: Shikitei Sanba and Jippensha Ikku
Leutner, Robert. Shikitei Sanba and the Comic Tradition in Edo Fiction. Cambridge, Mass.: Harvard University, Council on East Asian Studies, 1985.
Satchell, Thomas, trans. Shanks’ Mare: Being a Translation of the Tokaido Volumes of Hizakurige, Japan’s Great Comic Novel of Travel and Ribaldry. 1929. Reprint, Rutland, Vt.: Tuttle, 1988.
Yomihon
Zolbrod, Leon M. “The Allegory of Evil in Satomi and the Eight ‘Dogs.’” In Essays on Japanese Literature, edited by Katushiko Takeda, pp. 76–94. Tokyo: Waseda University Press, 1977.
Zolbrod, Leon M. “The Autumn of the Epic Romance in Japan: Theme and Motif in Takizawa Bakin’s Historical Novels.” Literature East and West 14(1970):172–184.
Zolbrod, Leon M. Takizawa Bakin. New York: Twayne, 1967.
Zolbrod, Leon M. “Tigers, Boars, and Severed Heads: Parallel Series of Episodes in Eight ‘Dogs’ and ‘Men of the Marshes.’” Chung Chi Journal 7(1967):30–39.
Zolbrod, Leon M. “Yomihon: The Appearance of the Historical Novel in Late Eighteenth Century and Early Nineteenth Century Japan.” Journal of Asian Studies 25(1966):485–498.
Ryūtei Tanehiko
Markus, Andrew Lawrence. The Willow in Autumn: Ryūtei Tanehiko, 1783–1842. Cambridge, Mass.: Harvard University, Council on East Asian Studies, 1993.
Early Modern Books and Publishing
Chibbett, David. The History of Japanese Printing and Book Illustration. Tokyo: Kodansha International, 1977.
Hillier, Jack. The Art of the Japanese Book. 2 vols. London: Philip Wilson for Sotheby’s, 1987.
Kornicki, Peter. The Book in Japan: A Cultural History from the Beginnings to the Nineteenth Century. Leiden: Brill, 1998.
Japanese Theater in General
Arnott, Peter D. The Theatres of Japan. New York: St. Martin’s Press, 1969.
Bowers, Faubion. Japanese Theatre. Parts 2 and 3. New York: Hill & Wang, 1959.
Brandon, James. The Cambridge Guide to Asian Theatre. Cambridge: Cambridge University Press, 1993.
Brazell, Karen, ed. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia University Press, 1998.
Inoura, Yoshinobu, and Toshio Kawatake. The Traditional Theater of Japan. New York: Weatherhill, in collaboration with the Japan Foundation, 1981.
Kawatake, Toshio. A History of Japanese Theatre. Vol. 2, Bunraku and Kabuki. Tokyo: Kokusai bunka shinkōkai, 1971.
Ortolani, Benito. The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism. Rev. ed. Princeton, N.J.: Princeton University Press, 1995.
Bunraku in General
Adachi, Barbara Curtis. Backstage at Bunraku: A Behind the Scenes Look at Japan’s Traditional Puppet Theater. New York: Weatherhill, 1985.
Adachi, Barbara Curtis. The Voices and Hands of Bunraku. Tokyo: Kōdansha International, 1978.
Dunn, C. U. The Early Japanese Puppet Drama. London: Luzac, 1966.
Keene, Donald. Bunraku: The Art of the Japanese Puppet Theatre. Tokyo: Kōdansha International, 1965.
Scott, Adolphe Clarence. The Puppet Theater of Japan. Rutland, Vt.: Tuttle, 1963.
Yūda, Yoshio. “The Formation of Early Modern Jōruri.” Acta Asiatica 28(1975):20–41.
Chikamatsu Monzaemon
Gerstle, C. Andrew, trans. Chikamatsu: Five Late Plays. New York: Columbia University Press, 2001.
Gerstle, C. Andrew. Circles of Fantasy: Convention in the Plays of Chikamatsu. Cambridge, Mass.: Harvard University, Council on East Asian Studies, 1986.
Gerstle, C. Andrew. “Hero as Murderer in Chikamatsu.” Monumenta Nipponica 51(1996):317–356.
Gerstle, C. Andrew. “Heroic Honor: Chikamatsu and the Samurai Ideal.” Harvard Journal of Asiatic Studies 57(1997):307–382.
Keene, Donald, trans. Four Major Plays of Chikamatsu. New York: Columbia University Press, 1969.
Keene, Donald, trans. Major Plays of Chikamatsu. New York: Columbia University Press, 1961.
Mueller, Jacqueline. “A Chronicle of Great Peace Played Out on a Chessboard: Chikamatsu Mon’zaemon’s Goban taiheiki.” Harvard Journal of Asiatic Studies 46(1986):221–267.
Shively, Donald H. “Chikamatsu’s Satire on the Dog Shogun.” Harvard Journal of Asiatic Studies 18(1955):159–180.
Shively, Donald H., trans. The Love Suicide at Amijima. Cambridge, Mass.: Harvard University Press, 1953.
Golden Age of Puppet Theater
Gerstle, C. Andrew, Kiyoshi Inobe, and William P. Malm. Theater as Music: The Bunraku Play “Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue.” Ann Arbor: University of Michigan, Center for Japanese Studies, 1990.
Jones, Stanleigh H., Jr., trans. Sugawara and the Secrets of Calligraphy. New York: Columbia University Press, 1985.
Jones, Stanleigh H., Jr., trans. Yoshitsune and the Thousand Cherry Trees: A Masterpiece of the Eighteenth-Century Japanese Puppet Theater. New York: Columbia University Press, 1993.
Keene, Donald, trans. Chūshingura: The Treasury of Loyal Retainers. New York: Columbia University Press, 1971.
Kabuki in General
Brandon, James. ed. Chūshingura: Studies in Kabuki and the Puppet Theater. Honolulu: University of Hawai’i Press, 1982.
Brandon, James R., ed. and trans. Kabuki: Five Classic Plays. 1975. Reprint, Honolulu: University of Hawai’i Press, 1992.
Brandon, James R., William P. Malm, and Donald H. Shively. Studies in Kabuki: Its Acting, Music, and Historical Context. Honolulu: University of Hawai’i Press, 1978.
Brazell, Karen, ed. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia University Press, 1998.
Dunn, Charles, and Bunzo Torigoe. The Actors’ Analects. New York: Columbia University Press, 1969 [translation of Yakusha rongo].
Ernst, Earle. The Kabuki Theatre. New York: Grove Press, 1956.
Gerstle, C. Andrew. “Flowers of Edo: Eighteenth-Century Kabuki and Its Patrons.” Asian Theatre Journal 4(1987):52–75.
Kominz, Laurence R. Avatars of Vengeance: Japanese Drama and the Soga Literary Tradition. Ann Arbor: University of Michigan, Center for Japanese Studies, 1995.
Kominz, Laurence. The Stars Who Created Kabuki. Tokyo: Kōdansha International, 1997
Kominz, Laurence. “Ya no Ne: The Genesis of a Kabuki Aragoto Classic.” MonumentaNipponica 38(1983):387–407.
Leiter, Samuel L., trans. The Art of Kabuki: Famous Plays in Performance. Berkeley and Los Angeles: University of California Press, 1979.
Leiter, Samuel L. “The Frozen Moment: A Kabuki Technique.” Drama Survey 6(1967):74–80.
Leiter, Samuel L. “‘Kumagai’s Battle Camp’: Form and Tradition in Kabuki Acting.” Asian Theatre Journal 8(1991):1–34.
Leiter, Samuel L. New Kabuki Encyclopedia.
Rev. ed. Westport, Conn.: Greenwood Press, 1997.
Motofuji, Frank T., trans. The Love of Izayoi and Seishin: A Kabuki Play by Kawatake Mokuami. Rutland, Vt.: Tuttle, 1966.
Scott, Adolphe Clarence, trans. Gendayana: A Japanese Kabuki Play and Kanjincho: A Japanese Kabuki Play. Tokyo: Hokuseidō, 1953.
Scott, Adolphe Clarence. The Kabuki Theater of Japan. London: Allen & Unwin, 1956
Thornbury, Barbara E. Sukeroku’s Double Identity: The Dramatic Structure of Edo Kabuki. Ann Arbor: University of Michigan, Center for Japanese Studies, 1982.
Matsudaira Sadanobu
Iwasaki, Haruko. “Portrait of a Daimyō: Comical Fiction by Matsudaira Sadanobu.” Monumenta Nipponica 38(1983):1–19.
Ooms, Herman. Charismatic Bureaucrat: A Political Biography of Matsudaira Sadanobu, 1758–1829. Chicago: University of Chicago Press, 1975.
Women and the Pleasure Quarters
Seigle, Cecilia Segawa. Yoshiwara: The Glittering World of the Japanese Courtesan. Honolulu: University of Hawai’i Press, 1993.
Swinton, Elizabeth, ed. The Women of the Pleasure Quarter: Japanese Paintings and Prints of the Floating World. New York: Hudson Hills Press, 1995.
Diaries and Essays in the Middle to Late Edo Period
Markus, Andrew, trans. An Account of the Prosperity of Edo, by Terakado Seiken. Hollywood, Calif.: Highmoonoon, 2000 [translations of “Asakusa Kannon” and “Ryōgoku Bridge,” from Edo hanjōki (1832–1836)].
Markus, Andrew, trans. Tips for Travelers: Advice for Wayfarers from Late Edo Travel Literature, by Tachibana Nankei, Kyokutei Bakin, and Yasumi Kageyama (Roan). Hollywood, Calif.: Highmoonoon, 2000.
Confucian Studies and Ancient Learning
Backus, Robert. “The Motivation of Confucian Orthodoxy in Tokugawa Japan.” Harvard Journal of Asiatic Studies 39(1979):275–338.
Kassel, Marleen. Tokugawa Confucian Education: The Kangien Academy of Hirose Tansō (1782–1856). Albany: State University of New York Press, 1996.
Kurozumi Makoto. “The Nature of Early Tokugawa Confucianism.” Translated by Herman Ooms. Journal of Japanese Studies 20(1994):331–376.
Lidin, Olof G. The Life of OgyūSorai, a Tokugawa Confucian Philosopher. Lund: Studentlitt., 1973.
Marceau, Lawrence E. “Ninjō and the Affective Value of Literature at the Kogidō Academy.” Sino-Japanese Studies 9(1996):47–55.
Maruyama, Masao. Studies in the Intellectual History of Tokugawa Japan. Translated by Mikiso Hane. Princeton, N.J.: Princeton University Press, 1974.
McMullen, James. “Genji gaiden”: The Origins of Kumazawa Banzan’s Commentary on “The Tale of Genji.” Reading: Ithaca Press, for the Board of the Faculty of Oriental Studies, Oxford University, 1991.
McMullen, James. Idealism, Protest, and “The Tale of Genji.” Oxford: Oxford University Press, 1999.
Najita, Tetsuo, ed. Readings in Tokugawa Thought. 2d ed. Chicago: University of Chicago Press, 1994.
Nakai, Kate Wildman. “The Nationalization of Confucianism in Tokugawa Japan: The Problem of Sinocentrism.” Harvard Journal of Asiatic Studies 40(1980):157–199.
Nosco, Peter, ed. Confucianism and Tokugawa Culture. Princeton, N.J.: Princeton University Press, 1984.
Ooms, Herman. “‘Primeval Chaos’ and ‘Mental Void’ in Early Tokugawa Ideology: Fujiwara Seika, Suzuki Shōsan and Yamazaki Ansai.” Japanese Journal of Religious Studies 13(1986):245–260.
Ooms, Herman. Tokugawa Ideology: Early Constructs, 1570–1680. Princeton, N.J.: Princeton University Press, 1985.
Pollack, David. The Fracture of Meaning: Japan’s Synthesis of China from the Eighth Through the Eighteenth Centuries. Princeton, N.J.: Princeton University Press, 1986.
Sakai, Naoki. Voices of the Past: The Status of Language in Eighteenth-Century Japanese Discourse. Ithaca, N.Y.: Cornell University Press, 1991.
Smits, Gregory J. “The Sages’ Scale in Japan: Nakae Toju (1608–1648) and Situational Weighing.” Transactions of the Asiatic Society of Japan 6(1991):1–25.
Spae, Joseph John. Itō Jinsai: A Philosopher, Educator and Sinologist of the Tokugawa Period. New York: Paragon, 1967.
Tucker, John Allen. Itō Jinsai’s Gomō Jigi and the Philosophical Definition of Early Modern Japan. Leiden: Brill, 1998.
Tucker, Mary Evelyn. Moral and Spiritual Cultivation in Japanese Neo-Confucianism: The Life and Thought of Kaibara Ekken (1630–1714). Albany: State University of New York Press, 1989.
Tucker, Mary Evelyn. “Religious Aspects of Japanese Neo-Confucianism: The Thought of Nakae Tōju and Kaibara Ekken.” Japanese Journal of Religious Studies 15(1988):55–69.
Yamashita, Samuel Hideo. “The Early Life and Thought of Itō Jinsai.” Harvard Journal of Asiatic Studies 43(1983):453–480.
Yamashita, Samuel Hideo, trans. Master Sorai’s Responsals: An Annotated Translation of “Sorai sensei tōmonsho.” Honolulu: University of Hawai’i Press, 1994.
Yoshikawa, Kōjirō. Jinsai, Sorai, Norinaga: Three Classical Philologists in Mid-Tokugawa Japan. Translated by Kikuchi Yūji. Tokyo: Tōhō gakkai, 1983.
Arai Hakuseki
Ackroyd, Joyce, trans. Lessons from History: Arai Hakuseki’s Tokushi Yoron. Brisbane: University of Queensland Press, 1982.
Ackroyd, Joyce, trans. Told Round a Brushwood Fire: The Autobiography of Arai Hakuseki. Tokyo: University of Tokyo Press, 1979.
Nakai, Kate Wildman. Shogunal Politics: Arai Hakuseki and the Premises of Tokugawa Rule. Cambridge, Mass.: Harvard University, Council on East Asian Studies, 1988.
Waka and Nativist Studies
Harootunian, H. D. Things Seen and Unseen: Discourse and Ideology in Tokugawa Nativism. Chicago: University of Chicago Press, 1988.
Marceau, Lawrence E. “The Emperor’s Old Clothes: Classical Narratives in Early Modern Japan.” Proceedings of the Midwest Association for Japanese Literary Studies 3(1997):182–203.
Nosco, Peter. “Keichū (1640–1701): Forerunner of National Learning.” Asian Thought and Society: An International Review 5(1980):237–252.
Nosco, Peter. “Nature, Invention, and National Learning: The Kokka hachiron Controversy: 1742–46.” Harvard Journal of Asiatic Studies 41(1981):75–91.
Nosco, Peter. Remembering Paradise: Nativism and Nostalgia in Eighteenth-Century Japan. Harvard Yenching Monograph Series, no. 31. Cambridge, Mass.: Harvard University, Council on East Asian Studies, 1990.
Ōkubo, Tadashi. “The Thought of Mabuchi and Norinaga.” Acta Asiatica 25(1973):68–90.
Tahara, Tsuguo. “The Kokugaku Thought.” Acta Asiatica 25(1973):54–67.
Thomas, Roger K. “Macroscopic vs. Microscopic: Spatial Sensibilities in Waka of the Bakumatsu Period.” Harvard Journal of Asiatic Studies 58(1998):513–542.
Thomas, Roger K. “Ōkuma Kotomichi and the Re-Visioning of Kokinshū Elegance.” Proceedings of the Midwest Association for Japanese Literary Studies 3(1997):160–181.
Motoori Norinaga
Brownlee, John S. “The Jeweled Comb-Box: Motoori Norinaga’s Tamakushige.” Monumenta Nipponica 43(1988):35–61.
Harper, Thomas James. “Motoori Norinaga’s Criticism of the Genji monogatari: A Study of the Background and Critical Content of His Genji monogatari Tama no ogushi.” Ph.D. diss., University of Michigan, 1971.
Matsumoto, Shigeru. Motoori Norinaga. Cambridge, Mass.: Harvard University Press, 1970.
Nishimura, Sey. “First Steps into the Mountains: Motoori Norinaga’s Uiyamabumi.” Monumenta Nipponica 42(1987):449–493.
Nishimura, Sey. “The Way of the Gods: Motoori Norinaga’s Naobi no Mitama.” Monumenta Nipponica 46(1991):21–41.
Wehmeyer, Ann, trans. Kojiki-den, Book 1, Motoori Norinaga. Ithaca, N.Y.: Cornell University, East Asia Program, 1997.
MISCELLANEOUS
Hare, Thomas Blenman. “‘The Raven at First Light’: A Shinnai Ballad.” In New Leaves: Studies and Translations of Japanese Literature in Honor of Edward Seidensticker, edited by Aileen Gatten and Anthony H. Chambers, pp. 115–125. Ann Arbor: University of M
ichigan Press, 1993.
Jones, Sumie Amikura. “Comic Fiction During the Later Edo Period.” Ph.D. diss., University of Washington, 1979.
Nakamura, Yukihiko. “Modes of Expression in a Historical Context.” Acta Asiatica 28(1975):1–19.
Rogers, Lawrence. “She Loves Me, She Loves Me Not: Shinjū and Shikidō Ōkagami.” Monumenta Nipponica 49(1994):31–60.
Sawada, Janine Anderson. Confucian Values and Popular Zen: Sekimon Shingaku in Eighteenth-Century Japan. Honolulu: University of Hawai’i Press, 1993.
Schalow, Paul Gordon. “Literature and Legitimacy: Uses of Irony and Humor in Seventeenth-Century Japanese Depictions of Male Love.” In Literary History, Narrative, and Culture, edited by Wimal Dissanayake and Steven Bradbury, pp. 53–60. Honolulu: University of Hawai’i Press, 1989.
Schalow, Paul Gordon. “Male Lovers in Early Modern Japan: A Literary Depiction of the Youth.” In Hidden from History: Reclaiming the Gay and Lesbian Past, edited by Martin Bauml Duberman, Martha Vicinus, and George Chauncey Jr., pp. 118–128. New York: New American Library, 1989.
INDEX
Account of My Hut, An (Hōjōki; Kamo no Chōmei),
Account of Rewards and Retribution for Good and Evil in Japan, An (Nihon ryōiki)
Actor’s Vocal Shamisen (Yakusha kuchijamisen; Ejima Kiseki)
Additional Gatherings for the Willow Barrel (Yanagidaru shūi)
adultery; punishment of
Agatai waka school
ageya (performance house)
ageya-iri (entering the performance house)
ai (love)
Aigonowaka (seventeenth-century miracle play)
Ainu tribe
Akahito (ancient poet)
akahon (red books)
akebono (faint light of early dawn)
Akera Kankō
aki fukaki (late autumn)
aki no kure (autumn’s end; autumn evening)
akikaze (autumn wind)
akuba (evil older woman)
akudama (bad souls)
akusho (bad places)
Amaterasu Ōmikami
Amenomori Hōshū
Analects (Lunyu; J. Rongo; Confucius); as Chinese classic; and good behavior; imitations of; quoted; and study of ancient meanings; and the Way
Ancient Middle Road Through Furu, The (Furu no nakamichi; Ozawa Roan)
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