She saw the dark yews and the golden crocuses, then she looked gratefully. He had not seemed to belong to her among all these others ; he was different then—not her Paul, who understood the slightest quiver of her innermost soul, but something else, speaking another language than hers. How it hurt her, and deadened her very perceptions. Only when he came right back to her, leaving his other, his lesser self, as she thought, would she feel alive again. And now he asked her to look at this garden, wanting the contact with her again. Impatient of the set in the field, she turned to the quiet lawn, surrounded by sheaves of shut-up crocuses. A feeling of stillness, almost of ecstasy, came over her. It felt almost as if she were alone with him in this garden.
Then he left her again and joined the others. Soon they started home. Miriam loitered behind, alone. She did not fit in with the others; she could very rarely get into human relations with anyone: so her friend, her companion, her lover, was Nature. She saw the sun declining wanly. In the dusky, cold hedgerows were some red leaves. She lingered to gather them, tenderly, passionately. The love in her finger-tips caressed the leaves; the passion in her heart came to a glow upon the leaves.
Suddenly she realised she was alone in a strange road, and she hurried forward. Turning a corner in the lane, she came upon Paul, who stood bent over something, his mind fixed on it, working away steadily, patiently, a little hopelessly. She hesitated in her approach, to watch.
He remained concentrated in the middle of the road. Beyond, one rift of rich gold in that colourless grey evening seemed to make him stand out in dark relief. She saw him, slender and firm, as if the setting sun had given him to her. A deep pain took hold of her, and she knew she must love him. And she had discovered him, discovered in him a rare potentiality, discovered his loneliness. Quivering as at some “annunciation,” she went slowly forward.15
At last he looked up.
“Why,” he exclaimed gratefully, “have you waited for me!”
She saw a deep shadow in his eyes.
“What is it?” she asked.
“The spring broken here”; and he showed her where his umbrella was injured.
Instantly, with some shame, she knew he had not done the damage himself, but that Geoffrey was responsible.
“It is only an old umbrella, isn’t it?” she asked.
She wondered why he, who did not usually trouble over trifles, made such a mountain of this molehill.
“But it was William’s an’ my mother can’t help but know,” he said quietly, still patiently working at the umbrella.
The words went through Miriam like a blade. This, then, was the confirmation of her vision of him! She looked at him. But there was about him a certain reserve, and she dared not comfort him, not even speak softly to him.
“Come on,” he said. “I can’t do it”; and they went in silence along the road.
That same evening they were walking along under the trees by Nether Green. He was talking to her fretfully, seemed to be struggling to convince himself
“You know,” he said, with an effort, “if one person loves, the other does.”
“Ah!” she answered. “Like mother said to me when I was little, ‘Love begets love.’ ”
“Yes, something like that, I think it must be.”
“I hope so, because, if it were not, love might be a very terrible thing,” she said.
“Yes, but it is—at least with most people,” he answered.
And Miriam, thinking he had assured himself, felt strong in herself. She always regarded that sudden coming upon him in the lane as a revelation. And this conversation remained graven in her mind as one of the letters of the law.16
Now she stood with him and for him. When, about this time, he outraged the family feeling at Willey Farm by some overbearing insult, she stuck to him, and believed he was right. And at this time she dreamed dreams of him, vivid, unforgettable. These dreams came again later on, developed to a more subtle psychological stage.
On the Easter Monday the same party took an excursion to Wingfield Manor. It was great excitement to Miriam to catch a train at Sethley Bridge, amid all the bustle of the Bank Holiday crowd.17 They left the train at Alfreton. Paul was interested in the street and in the colliers with their dogs. Here was a new race of miners. Miriam did not live till they came to the church. They were all rather timid of entering, with their bags of food, for fear of being turned out. Leonard, a comic, thin fellow, went first; Paul, who would have died rather than be sent back, went last. The place was decorated for Easter. In the font hundreds of white narcissi seemed to be growing. The air was dim and coloured from the windows and thrilled with a subtle scent of lilies and narcissi. In that atmosphere Miriam’s soul came into a glow. Paul was afraid of the things he mustn’t do; and he was sensitive to the feel of the place. Miriam turned to him. He answered. They were together. He would not go beyond the Communion-rail. She loved him for that. Her soul expanded into prayer beside him. He felt the strange fascination of shadowy religious places. All his latent mysticism quivered into life. She was drawn to him. He was a prayer along with her.
Miriam very rarely talked to the other lads. They at once became awkward in conversation with her. So usually she was silent.
It was past midday when they climbed the steep path to the manor. All things shone softly in the sun, which was wonderfully warm and enlivening. Celandines and violets were out. Everybody was tip-top full with happiness. The glitter of the ivy, the soft, atmospheric grey of the castle walls, the gentleness of everything near the ruin, was perfect.
The manor is of hard, pale grey stone, and the other walls are blank and calm. The young folk were in raptures. They went in trepidation, almost afraid that the delight of exploring this ruin might be denied them. In the first courtyard, within the high broken walls, were farm-carts, with their shafts lying idle on the ground, the tyres of the wheels brilliant with gold-red rust. It was very still.
All eagerly paid their sixpences, and went timidly through the fine clean arch of the inner courtyard. They were shy. Here on the pavement, where the hall had been, an old thorn tree was budding. All kinds of strange openings and broken rooms were in the shadow around them.
After lunch they set off once more to explore the ruin. This time the girls went with the boys, who could act as guides and expositors. There was one tall tower in a corner, rather tottering, where they say Mary Queen of Scots was imprisoned.18
“Think of the Queen going up here!” said Miriam in a low voice, as she climbed the hollow stairs.
“If she could get up,” said Paul, “for she had rheumatism like anything. I reckon they treated her rottenly.”
“You don’t think she deserved it?” asked Miriam.
“No, I don’t. She was only lively.”
They continued to mount the winding staircase. A high wind, blowing through the loopholes, went rushing up the shaft, and filled the girl’s skirts like a balloon, so that she was ashamed, until he took the hem of her dress and held it down for her. He did it perfectly simply, as he would have picked up her glove. She remembered this always.
Round the broken top of the tower the ivy bushed out, old and handsome. Also, there were a few chill gillivers, in pale cold bud. Miriam wanted to lean over for some ivy, but he would not let her. Instead, she had to wait behind him, and take from him each spray as he gathered it and held it to her, each one separately, in the purest manner of chivalry. The tower seemed to rock in the wind. They looked over miles and miles of wooded country, and country with gleams of pasture.
The crypt underneath the manor was beautiful, and in perfect preservation. Paul made a drawing: Miriam stayed with him. She was thinking of Mary Queen of Scots looking with her strained, hopeless eyes, that could not understand misery, over the hills whence no help came, or sitting in this crypt, being told of a God as cold as the place she sat in.
They set off again gaily, looking round on their beloved manor that stood so clean and big on its hill.
“S
upposing you could have that farm,” said Paul to Miriam.
“Yes!”
“Wouldn’t it be lovely to come and see you!”
They were now in the bare country of stone walls, which he loved, and which, though only ten miles from home, seemed so foreign to Miriam. The party was straggling. As they were crossing a large meadow that sloped away from the sun, along a path embedded with innumerable tiny glittering ponds, Paul, walking alongside, laced his fingers in the strings of the bag Miriam was carrying, and instantly she felt Annie behind, watchful and jealous. But the meadow was bathed in a glory of sunshine, and the path was jewelled, and it was seldom that he gave her any sign. She held her fingers very still among the strings of the bag, his fingers touching; and the place was golden as a vision.
At last they came into the straggling grey village of Crich, that lies high. Beyond the village was the famous Crich Stand that Paul could see from the garden at home.19 The party pushed on. Great expanse of country spread around and below. The lads were eager to get to the top of the hill. It was capped by a round knoll, half of which was by now cut away, and on the top of which stood an ancient monument, sturdy and squat, for signalling in old days far down into the level lands of Nottinghamshire and Leicestershire.
It was blowing so hard, high up there in the exposed place, that the only way to be safe was to stand nailed by the wind to the wall of the tower. At their feet fell the precipice where the limestone was quarried away. Below was a jumble of hills and tiny villages—Matlock, Ambergate, Stoney Middleton. The lads were eager to spy out the church of Bestwood, far away among the rather crowded country on the left. They were disgusted that it seemed to stand on a plain. They saw the hills of Derbyshire fall into the monotony of the Midlands that swept away South.
Miriam was somewhat scared by the wind, but the lads enjoyed it. They went on, miles and miles, to Whatstandwell. All the food was eaten, everybody was hungry, and there was very little money to get home with. But they managed to procure a loaf and a currant-loaf, which they hacked to pieces with shut-knives, and ate sitting on the wall near the bridge, watching the bright Derwent rushing by, and the brakes from Matlock pulling up at the inn.
Paul was now pale with weariness. He had been responsible for the party all day, and now he was done. Miriam understood, and kept close to him, and he left himself in her hands.
They had an hour to wait at Ambergate Station. Trains came, crowded with excursionists returning to Manchester, Birmingham, and London.
“We might be going there—folk easily might think we’re going that far,” said Paul.
They got back rather late. Miriam, walking home with Geoffrey, watched the moon rise big and red and misty. She felt something was fulfilled in her.
She had an elder sister, Agatha, who was a schoolteacher. Between the two girls was a feud. Miriam considered Agatha worldly. And she wanted herself to be a schoolteacher.
One Saturday afternoon Agatha and Miriam were upstairs dressing. Their bedroom was over the stable. It was a low room, not very large, and bare. Miriam had nailed on the wall a reproduction of Veronese’s “St. Catherine.”20 She loved the woman who sat in the window, dreaming. Her own windows were too small to sit in. But the front one was dripped over with honeysuckle and virginia creeper, and looked upon the tree-tops of the oak-wood across the yard, while the little back window, no bigger than a handkerchief, was a loophole to the east, to the dawn beating up against the beloved round hills.
The two sisters did not talk much to each other. Agatha, who was fair and small and determined, had rebelled against the home atmosphere, against the doctrine of “the other cheek.” She was out in the world now, in a fair way to be independent. And she insisted on worldly values, on appearance, on manners, on position, which Miriam would fain have ignored.
Both girls liked to be upstairs, out of the way, when Paul came. They preferred to come running down, open the stair-foot door, and see him watching, expectant of them. Miriam stood painfully pulling over her head a rosary he had given her. It caught in the fine mesh of her hair. But at last she had it on, and the red-brown wooden beads looked well against her cool brown neck. She was a well-developed girl, and very handsome. But in the little looking-glass nailed against the whitewashed wall she could only see a fragment of herself at a time. Agatha had bought a little mirror of her own, which she propped up to suit herself. Miriam was near the window. Suddenly she heard the well-known click of the chain, and she saw Paul fling open the gate, push his bicycle into the yard. She saw him look at the house, and she shrank away. He walked in a nonchalant fashion, and his bicycle went with him as if it were a live thing.
“Paul’s come!” she exclaimed.
“Aren’t you glad?” said Agatha cuttingly.
Miriam stood still in amazement and bewilderment.
“Well, aren’t you?” she asked.
“Yes, but I’m not going to let him see it, and think I wanted him.”
Miriam was startled. She heard him putting his bicycle in the stable underneath, and talking to Jimmy, who had been a pit-horse, and who was seedy.
“Well, Jimmy my lad, how are ter? Nobbutdd sick an’ sadly, like? Why, then, it’s a shame, my owdde lad.”
She heard the rope run through the hole as the horse lifted its head from the lad’s caress. How she loved to listen when he thought only the horse could hear. But there was a serpent in her Eden.21 She searched earnestly in herself to see if she wanted Paul Morel. She felt there would be some disgrace in it. Full of twisted feeling, she was afraid she did want him. She stood self-convicted. Then came an agony of new shame. She shrank within herself in a coil of torture. Did she want Paul Morel, and did he know she wanted him? What a subtle infamy upon her. She felt as if her whole soul coiled into knots of shame.
Agatha was dressed first, and ran downstairs. Miriam heard her greet the lad gaily, knew exactly how brilliant her grey eyes became with that tone. She herself would have felt it bold to have greeted him in such wise. Yet there she stood under the self-accusation of wanting him, tied to that stake of torture. In bitter perplexity she kneeled down and prayed:
“O Lord, let me not love Paul Morel. Keep me from loving him, if I ought not to love him.”
Something anomalous in the prayer arrested her. She lifted her head and pondered. How could it be wrong to love him? Love was God’s gift. And yet it caused her shame. That was because of him, Paul Morel. But, then, it was not his affair, it was her own, between herself and God. She was to be a sacrifice. But it was God’s sacrifice, not Paul Morel’s or her own. After a few minutes she hid her face in the pillow again, and said:
“But, Lord, if it is Thy will that I should love him, make me love him—as Christ would, who died for the souls of men.22 Make me love him splendidly, because he is Thy son.”
She remained kneeling for some time, quite still, and deeply moved, her black hair against the red squares and the lavendersprigged squares of the patchwork quilt. Prayer was almost essential to her. Then she fell into that rapture of self-sacrifice, identifying herself with a God who was sacrificed, which gives to so many human souls their deepest bliss.
When she went downstairs Paul was lying back in an armchair, holding forth with much vehemence to Agatha, who was scorning a little painting he had brought to show her. Miriam glanced at the two, and avoided their levity. She went into the parlour to be alone.
It was tea-time before she was able to speak to Paul, and then her manner was so distant he thought he had offended her.
Miriam discontinued her practice of going each Thursday evening to the library in Bestwood. After calling for Paul regularly during the whole spring, a number of trifling incidents and tiny insults from his family awakened her to their attitude towards her, and she decided to go no more. So she announced to Paul one evening she would not call at his house again for him on Thursday nights.
“Why?” he asked, very short.
“Nothing. Only I’d rather not.”
&nbs
p; “Very well.”
“But,” she faltered, “if you’d care to meet me, we could still go together.”
“Meet you where?”
“Somewhere—where you like.”
“I shan’t meet you anywhere. I don’t see why you shouldn’t keep calling for me. But if you won’t, I don’t want to meet you.”
So the Thursday evenings which had been so precious to her, and to him, were dropped. He worked instead. Mrs. Morel sniffed with satisfaction at this arrangement.
He would not have it that they were lovers. The intimacy between them had been kept so abstract, such a matter of the soul, all thought and weary struggle into consciousness, that he saw it only as a platonic friendship. He stoutly denied there was anything else between them. Miriam was silent, or else she very quietly agreed. He was a fool who did not know what was happening to himself. By tacit agreement they ignored the remarks and insinuations of their acquaintances.
“We aren’t lovers, we are friends,” he said to her. “We know it. Let them talk. What does it matter what they say.”
Sometimes, as they were walking together, she slipped her arm timidly into his. But he always resented it, and she knew it. It caused a violent conflict in him. With Miriam he was always on the high plane of abstraction, when his natural fire of love was transmitted into the fine steam of thought. She would have it so. If he were jolly and, as she put it, flippant, she waited till he came back to her, till the change had taken place in him again, and he was wrestling with his own soul, frowning, passionate in his desire for understanding. And in this passion for understanding her soul lay close to his; she had him all to herself But he must be made abstract first.
Then, if she put her arm in his, it caused him almost torture. His consciousness seemed to split. The place where she was touching him ran hot with friction. He was one internecine battle, and he became cruel to her because of it.
One evening in midsummer Miriam called at the house, warm from climbing. Paul was alone in the kitchen; his mother could be heard moving about upstairs.
“Come and look at the sweet-peas,” he said to the girl.
Sons and Lovers (Barnes & Noble Classics Series) Page 23
