“They’ll never come back no matter how loud you call, you know.”
Another change: Auntie Martha is off the roof, right in the middle of the day. She lights a hand on Linnea’s shoulder, delicate but with a surprisingly strong grip.
“No, they’ll never come back, little squab of my heart,” she continues in her gentle singsong. “The nest is scattered and the shell is crushed and in the case of your people, they did it to themselves. But it … it does feel good to try, doesn’t it? You always hope something other than your own voice will fly back. And isn’t it always worth trying? Just in case?”
They’ve done their best, her aunties. There’s a gulf between them that no ship can cross, but they’ve tried very hard, and they love her despite her humanity. Linnea gropes for words, a shape to fold her feelings into. Her voice sticks like a rusted pump drawing up dust from an empty well.
“If I call,” she says, “will you come back?”
They watch the question drift to earth together. Auntie Martha sighs, soft as eiderdown, and wraps her arms around Linnea.
“Oh, little squab. Little naked thing.”
* * *
More passengers arrive—not just two-by-two, but in ones and threes and severals, all more or less shaped like human women. The radio crackles static, the horizon sizzles with heat, and the farmhouse fills with the noise of idle waiting room chatter. Figures with shadows like frogs and parrots and long-necked tortoises loiter on the porch, smoking and waiting for sundown. Some help Auntie Ben with what’s left of the ship’s construction, hammer-hammer-saw-slam-bang. Others walk the halls at night, pacing with an impatience you can feel sparking off their soles like blue lightning. The air, Auntie Doris says, feels like a chick is pecking gentle-like on the other side, looking for the best place to lay into the world’s shell with its egg-tooth.
“I still don’t see why it has to be a ship doing the cracking, though,” she adds, looking as disgruntled as she ever gets. “I don’t trust ships, even the kind that don’t go on the water. No telling what a ship will unleash, no no no there never is.”
Linnea tries to stay out of the way, but it’s hard when there are so many others around. She takes to sleeping on the roof with Auntie Martha, whose skinny fingers are an ink-stained blur now from sundown to first light as she makes her charts. Scritch-scritch-scritch goes the fountain pen, spinning delicate spider silk lines between stars. The house below them hums hot, creaky impatience in its sleep. Further out in the yard, listing in its scaffolding, the ship looms black and blue.
“Nothing has an ending. Not really.” Auntie Martha says little while she works, which means she says little at all these days. When she does bother speaking, Linnea listens, hoarding every word against future silences. “Hatching is not the end of what lies inside the egg, only the end of the shell around it. There’s no flight without the shatter, and no flock without the flight. What we’re made of will go on. A fledgling in some other place and time will look up for guidance and maybe see the path we leave behind, even when all of this as it is”—she flutters her free hand at the darkened desert—“dries and blows away. Change is comforting, in that way.”
Linnea casts a wary eye at the night. She tucks her knees in tighter beneath her chin.
* * *
Pretend you are the wind. Pretend you are the inhalations and exhalations of the land, the breath of tortoise and tree twisting windmill and grass blade alike. Some day soon you will kill everything you touch, spreading a mushroom cloud’s poison seed from desert to delta to distant island. Death will fruit as heedlessly cheerful as any invasive species mankind has ever sown, unconcerned with distance or climatological delineations, and the world will slowly return to silence. All the world’s a graveyard. Like the last soldier in some grim and cautionary fairy tale, you are tasked with whistling past its gates forever.
Soon—very soon, the thoughtful pause before a clock’s hand flicks to midnight—but not yet. Today there is still life, although it’s a scraggletailed, desperate kind of thing, struggling to grow through a coating of red dust. You blow past caravans of ragged scrabblers, towns and communities clinging to civilization like cubs clutching at a dead mother’s fur. You sweep through pockets of memory and unreality. Ghosts and grit tumble down empty highways. Sometimes they clump into things with form and will; old spirits crossing an older landscape, psychopomp trompe l’oeil. The border here is very thin. History overlays it all like a second skin, a hidden shape the eye has to unlearn everything to recognize. See the beast with stripes like a cat and jaws like a wolf? See the glaciers that carved the horizon? See the people who lived here before, their homes and their handprints, the blood they spilled in the sand?
Old roadsigns rattle and dance as you pass. Junk food containers whirl. Beside the long black scar of the highway is a gas station.
You pause to brush the little girl’s bangs back from her face. She’s lost in concentration, momentarily distracted from hunger by the task at hand, sunburned forehead creased. Her hands work the old candy bar wrapper into triangles, pyramids, arrows, flaps and furrows, halves and planes. An alchemy of geometry, transmuting garbage into a kind of escape.
At last she finishes her spell. It sits stately in her palm for a moment, a crinkled paper bird smudged by dirty fingerprints and time. She lifts her hand to you as you pass and you take the little gift, touched by the gesture.
“Goodbye,” she says. You keep on moving as always. The paper bird soars. “Goodbye.”
* * *
The farmhouse is at full capacity, as full of visitors as it can manage—restless bodies crammed cheek-to-jowl, wood-and-brass chests of varying sizes stacked in corners and jammed beneath beds. Linnea isn’t the only one who sleeps outside now. They spill down the porch and into the front yard on rude pallets, shaking sand from their ears and hair when the brassy bright mornings come. It’s very hard to avoid their eyes; there are so many of them, and they are all so watchful of her two-leggedness. The ship—finished, Auntie Ben says, as it’ll ever be, and as it’ll ever be will do just dandy for their purposes—strains at the sky. The nights grow cold and brittle.
Linnea lurks around the edges, hugs corners, and spends most of the days remaining with a fist-sized knot churning in her stomach. The passengers move their trunks and their bedding to the foot of the ship. The farmhouse deflates a little. The knot in Linnea’s stomach stays the same; deep in her heart she knows what’s coming, although not one of her aunties says a word. When their chests finally vanish from the bedroom as well one afternoon, it’s almost a relief. Three square holes in the dust at the feet of the three neatly made beds, hardwoods darker there than their surroundings. Like shadows burned into pavement, or the white chalk outline of a hand on blood-red clay.
She has no trunk, no locked box with her name on it and her true skin inside. Her shadow is nothing if not honest. It drags at her heels as she walks—no running this time—down to the gorge. There is no memory of being left behind in her head, but there is a feeling, and it has all the contours of something well-worn and familiar.
Someone is already at the canyon’s edge when she arrives. Big, broad-shouldered, gray-haired—Fatu. Linnea thinks about leaving. She thinks too loudly and too slowly, and Fatu notices her. Linnea waits to be ignored, dismissed, or snorted at. Fatu’s never had time for anything much other than working on the ship, and no time at all for a human child, no matter how beloved of her hosts. After their first meeting Linnea had done her best to stay out of Fatu’s way. Up until today she had proven pretty good at it, too.
Instead, Fatu wordlessly waves her over with a blocky hand. They sit together in silence, big and little legs dangling over the gorge’s lip. To their left the sinking sun is an angry, infected red.
“They lied about my kind when they first saw us. Dumbest damn thing.” Fatu doesn’t take her eyes off the horizon as she speaks. Her voice is a rumble Linnea feels in the unmapped interior of her chest. “This was Wayback, before c
ameras or jeeps or automatic weapons or any of that sort of shit. You know how many horns they said we had, when they sent word back home? Or where they said we had them growing from? Some peabrain blinder than my grandam drew a picture, and that picture, it grew some legs. It ran far. Soon everybody thought the lie was truth, all on account of one silly, stupid drawing. Nobody there to correct them. Nobody around to tell the true story, and it wasn’t as if we could speak for ourselves.” She halfheartedly flicks a pebble into the chasm. “Lies are like ticks. If you have no birds to pick ’em off, they breed, and they suckle, and they turn your world sickly. Your vastness shrinks. Your skin gets thin and pale. Soon, all you’re left with is … unicorns.”
Fatu spits this last word from her mouth like a nettle. She chews on her bottom lip for a moment, brow furrowed, nostrils flared. Linnea waits.
“A unicorn is a fine fiction,” she continues, eventually, “but it isn’t me.”
* * *
On the final night, they build a fire in the ship’s shadow. They open their chests—their trunks and their suitcases, their valises and chiffoniers—and they tell stories.
A dark-skinned woman with green hair and curved lips is the first to unlock hers. Inside is a cloak covered in emerald feathers, neatly folded. She pulls it over her shoulders with an eye-dazzling flourish. In the darkness between blinks—in the waver of heat off the bonfire—she melts and changes. Now she is a green and red parrot, perched on the trunk’s open lid.
Her audience leans in.
“I was a hundred,” she says. “I was a million, although I did not know what million meant. Our forests were as green as our feathers, and just as numerous. The fruit was sweet, the chatter of my flock sweeter. ‘Silence’ was another word we did not know the meaning of, and we were happier for it. Loudest of all those millions was my mate. There was no nut her beak could not shatter. We raised many clutches together, fine and strong and shrieking.”
She lets that picture hang in the air: a green place filled with the screams of a happy, prosperous people, wings flashing in the dapple. Linnea, who has only ever known red dust, cannot see it no matter how hard she tries.
“They cut the trees down, one by one, and my people soon followed,” she finishes. “Those hills are bare now. They know the meaning of silence.”
A pause, and the parrot flies into the fire. Only her shadow emerges from the flames. It flaps into the high scaffolding surrounding the ship, lands, and waits.
The next to step forward is sharp-faced and angry and almost as short as Linnea herself. She yanks her furry brown hide from inside its chest—no nonsense, no pause for dramatic effect. A blur and a noise like teeth clicking together and a shrew glares up at the crowd with eyes like glass splinters, daring interruption.
“THE SONS OF BITCHES PLOUGHED UP MY BURROWS!” she yells. If her body is small, her voice is more than loud enough to say what needs saying. “THEY BUILT APARTMENTS THERE! APARTMENTS! GOOD RIDDANCE TO THE LOT OF THEM! I HOPE WHAT’S LEFT OF THE BUNCH ENJOYS THE MISERY THEY’VE MADE!” She shoots Linnea a triumphant, bitter look and stomps one of her little feet for emphasis before skittering into the flames. Her tiny shadow is swallowed up entirely by the ship’s massive one.
There are stripes on the cheeks of the third, and an expression that says she’s never dabbed makeup over them and might sooner cut off her own head than entertain the thought. She holds her chin high as she changes, higher still as she speaks. Her voice is a razor wrapped in velvet.
“They took my forest,” she says. “They took my prey. They took my people’s skins. Not my skin, but that didn’t matter too much in the long run, now did it?” Her tail-tip swishes. “Their fear was deadly enough, but their admiration was what crushed the windpipe. There’s nothing worse for continued survival than their wanting to be like you—to touch you, to possess you. Once they get it into their heads that you’re ‘special’…”
The tigress shakes her head disgustedly. She stalks off to meet her fate.
One by one they stand and have their say. One by one the cluster of shadows beneath the ship’s bulk thickens. Scale and fin, feather and fur. A woman with black and yellow hair and a voice like many voices buzzing together. Leather-faced, leather-skinned aunties with slow-spoken, toothless mouths. Enormous Fatu. The fire takes them all, changing them, and their stories are all different and yet, at the heart of things, all the same. Linnea watches with growing apprehension, fear coiling inside her. She cannot decide which is more terrifying: walking into the fire or being left out of it.
The sky lightens. The group thins. Three left: Auntie Ben, Auntie Doris, and Auntie Martha. Linnea wants to cry out NO!, but something solid seems lodged in her throat.
Auntie Ben goes first. With a fond, wry smile, she retrieves her skin. A long-jawed, rangy thing, neither wolf nor tiger, with stripes on her ragged flanks: that is the true shape of Auntie Ben.
“I’ve told my story about as often as anyone cares to hear it,” she says. “We were strong and swift and lived freer than scrub seed. Men came. They did what men carrying guns do. Just to add insult to injury, they stuck the last of us to die in a bloody concrete cage as a way of saying ‘sorry.’ I’m tired of blathering on about that, though. If it pleases you all—hell, even if it doesn’t—I’d rather never think about it again. I’d rather kick sand over this dead place and head for the stars, where other somewheres might be in need of fur and feathers and sharp, smart jaws full of teeth. Chicks leave the nest and joeys leave the pouch. It’s just about time for all of us to do the same.”
She doesn’t step into the fire. Not yet. Instead, she pads across the open space, stripes rippling across lean muscle. She keeps on coming until she’s so close Linnea can smell the dusty musk and fur scent of her. It’s a wild reek—which makes it slightly unnerving—but it’s also Auntie Ben, which makes Linnea abruptly sob and fall forward to hug the rangy creature around her rough neck. Auntie Ben allows the mauling, good-natured as always.
“I know you’re afraid of changing, little one,” she says softly. “Your people never were any good at it, and you’ve seen how that turned out. If I had to hazard a guess, I’d say that’s why you’ve got no skin of your own, poor naked mite.” A long pink tongue flicks out to touch Linnea on the cheek. “But whether you go or stay, change is coming for you, and it can either be the one you choose or the one you don’t. Which is it gonna be? Think you can manage the trick?”
Linnea tries to say yes. She tries to mean it. But the fire and the unknown behind it and her fear of both (she’s so afraid, she can’t help it, her knees are shaking and they won’t stop) turn her attempted “yes” to a lie, and the lie clots sour and solid so that not a word can get around it. Auntie Ben watches her struggle, unable to offer help or assistance or meaningless, soothing words that might also be lies.
Gently, firmly, she pulls away and steps back.
“It’s up to you,” she says. “We’ve done all we could.”
The creature Linnea knows as Auntie Ben turns and trots into the fire. Her shadow gives Linnea a final featureless look over its shoulder before taking her place in the crowd of shades.
Auntie Doris comes next, as serious and wide-eyed as Linnea’s ever seen her. A click of the lock and a snap of the hinges and here’s her own true self: a thick-beaked, long-necked, goggle-eyed bird with a fat, squat body and wings more like suggestions than anything approaching useful appendages. She takes a look at herself—the stout legs, the powerful claws—and chuckles fondly.
“Round as an egg, round as an egg, bless my bottom feathers. And what better way is there to be? Flight isn’t all it’s cracked up to be, no no no. I see plenty of them’s got that power standing in the ranks, and you see how well that served them. They’re passing on through the fire, same as I.” A firm nod of the bulbous head. “I admit to mistrusting fire. When the men came to our lands they carried it, and I can still remember the smell of all my aunties and uncles and cousins a-roasting over it. But they�
��re all gone now, and so are all those hungry, hungry men. Nothing left but my poor Linnea, and we raised her better than all that, didn’t we, girls?”
She waddles closer. Linnea hugs her as well; soft feathers over surprisingly hard muscle, like a silky, affectionate fireplug.
“You learn things, being so low to the ground,” she says. “You learn to be sturdy. You learn how to appreciate the earth you’re planted on. Nobody ever knocked me down with any club! If I settled my bottom, it was always my own decisioning. That’s important. Whatever you do, you just remember that, love. You settle your bottom where and when you feel like it. We’ll understand if the fire is too much to ask, but oh, we will miss you.”
A final affectionate butt of the head, a long, fond look, and away she goes, at as stately a pace as one of her kind can muster. She flinches at the fire’s edge—remembering those earlier fires, maybe; the dogs and the rats and the hungry sailors—but only for a moment. Auntie Doris is stronger than she looks.
Auntie Martha’s trunk is lined with yellowing maps of the stars, and the feathers of her cloak are the slate-and-peach of the pre-dawn sky. She settles on Linnea’s shoulder with a whistle-whirr of wings.
“We were more like your kind than all the others, in our way,” she says, close to Linnea’s ear. “So many of us we blotted the sun and stripped the branches. But we exist to learn, and to change in the learning, in the hopes that some day we may find ourselves changed enough to tell our stories and tell them honestly, no matter how much that may sometimes … sting. Then we can become something else, and fly on.” Her claws dig through the thin fabric of Linnea’s shirt. “I am uncomfortable with all this talk of decisions. There’s nothing wrong with needing more time. Hatchlings grow their feathers when they will. Do you feel your people are ready to have their story told?”
No Flight Without the Shatter Page 2
