"You mean we're going to steal a sailboat?" Klaus asked.
"We have no choice," Violet said. Stealing, of course, is a crime, and a very impolite thing to do. But like most impolite things, it is excusable under certain circumstances. Stealing is not excusable if, for instance, you are in a museum and you decide that a certain painting would look better in your house, and you simply grab the painting and take it there. But if you were very, very hungry, and you had no way of obtaining money, it might be excusable to grab the painting, take it to your house, and eat it. "We have to get to Curdled Cave as quickly as possible," Violet continued, "and the only way we can do it is to steal a sailboat."
"I know that," Klaus said, "but how are we going to get the keys?"
"I don't know," Violet admitted. "The door of the shack is creaky, and I'm afraid if we open it any wider we'll wake him or her up."
"You could crawl through the window," Klaus said, "by standing on my shoulders. Sunny could keep watch."
"Where is Sunny?" Violet asked nervously.
Violet and Klaus looked down at the ground and saw Klaus's coat sitting alone in a little heap. They looked down the dock but only saw the Fickle Ferry ticket booth and the foamy waters of the lake, darkening in the gloom of the late afternoon.
"She's gone!" Klaus cried, but Violet put a finger to her lips and stood on tiptoe to look in the window again. Sunny was crawling through the open door of the shack, flattening her little body enough so as not to open the door any wider.
"She's inside," Violet murmured.
"In the shack?" Klaus said in a horrified gasp. "Oh no. We have to stop her."
"She's crawling very slowly toward that person," Violet said, afraid even to blink.
"We promised our parents we'd take care of her," Klaus said. "We can't let her do this."
"She's reaching toward the key ring," Violet said breathlessly. "She's gently prying it loose from the person's hand."
"Don't tell me any more," Klaus said, as a bolt of lightning streaked across the sky. "No, do tell me. What is happening?"
"She has the keys," Violet said. "She's putting them in her mouth to hold them. She's crawling back toward the door. She's flattening herself and crawling through."
"She's made it," Klaus said in amazement. Sunny came crawling triumphantly toward the orphans, the keys in her mouth. "Violet, she made it," Klaus said, giving Sunny a hug as a huge boom! of thunder echoed across the sky.
Violet smiled down at Sunny, but stopped smiling when she looked back into the shack. The thunder had awoken Count Olaf's comrade, and Violet watched in dismay as the person looked at its empty hand where the key ring had been, and then down on the floor where Sunny had left little crawl-prints of rainwater, and then up to the window and right into Violet's eyes.
"She's awake!" Violet shrieked. "He's awake! It's awake! Hurry, Klaus, open the gate and I'll try to distract it."
Without another word, Klaus took the key ring from Sunny's mouth and hurried to the tall metal gate. There were three keys on the ring- a skinny one, a thick one, and one with teeth as jagged as the glistening spikes hanging over the children. He put the atlas down on the ground and began to try the skinny key in the lock, just as Count Olaf's comrade came lumbering out of the shack.
Her heart in her throat, Violet stood in front of the creature and gave it a fake smile. "Good afternoon," she said, not knowing whether to add "sir" or "madam." "I seem to have gotten lost on this dock. Could you tell me the way to the Fickle Ferry?"
Count Olaf's comrade did not answer, but kept shuffling toward the orphans. The skinny key fit into the lock but didn't budge, and Klaus tried the thick one.
"I'm sorry," Violet said, "I didn't hear you. Could you tell me-"
Without a word the mountainous person grabbed Violet by the hair, and with one swing of its arm lifted her up over its smelly shoulder the way you might carry a backpack. Klaus couldn't get the thick key to fit in the lock and tried the jagged one, just as the person scooped up Sunny with its other hand and held her up, the way you might hold an ice cream cone. "Klaus!" Violet screamed. "Klaus!" The jagged key wouldn't fit in the lock, either. Klaus, in frustration, shook and shook the metal gate. Violet was kicking the creature from behind, and Sunny was biting its wrist, but the person was so Brobdingnagian-a word which here means "unbelievably husky"-that the children were causing it minimal pain, a phrase which here means "no pain at all." Count Olaf's comrade lumbered toward Klaus, holding the other two orphans in its grasp. In desperation, Klaus tried the skinny key again in the lock, and to his surprise and relief it turned and the tall metal gate swung open. Just a few feet away were six sailboats tied to the end of the dock with thick rope-sailboats that could take them to Aunt Josephine. But Klaus was too late. He felt something grab the back of his shirt, and he was lifted up in the air. Something slimy began running down his back, and Klaus realized with horror that the person was holding him in his or her mouth.
"Put me down!" Klaus screamed. "Put me down!"
"Put me down!" Violet yelled. "Put me down!"
"Poda rish!" Sunny shrieked. "Poda rish!"
But the lumbering creature had no concern for the wishes of the Baudelaire orphans. With great sloppy steps it turned itself around and began to carry the youngsters back toward the shack. The children heard the gloppy sound of its chubby feet sloshing through the rain, gumsh, gumsh, gumsh, gumsh. But then, instead of a gumsh, there was a skittle-wat as the person stepped on Aunt Josephine's atlas, which slipped from under its feet. Count Olaf's comrade waved its arms to keep its balance, dropping Violet and Sunny, and then fell to the ground, opening its mouth in surprise and dropping Klaus. The orphans, being in reasonably good physical shape, got to their feet much more quickly than this despicable creature, and ran through the open gate to the nearest sailboat. The creature struggled to right itself and chase them, but Sunny had already bitten the rope that tied the boat to the dock. By the time the creature reached the spiky metal gate, the orphans were already on the stormy waters of Lake Lachrymose. In the dim light of the late afternoon, Klaus wiped the grime of the creature's foot off the cover of the atlas, and began to read it. Aunt Josephine's book of maps had saved them once, in showing them the location of Curdled Cave, and now it had saved them again.
CHAPTER Ten
The good people who are publishing this book have a concern that they have expressed to me. The concern is that readers like yourself will read my history of the Baudelaire orphans and attempt to imitate some of the things they do. So at this point in the story, in order to mollify the publishers-the word "mollify" here means "get them to stop tearing their hair out in worry"-please allow me to give you a piece of advice, even though I don't know anything about you. The piece of advice is as follows: If you ever need to get to Curdled Cave in a hurry, do not, under any circumstances, steal a boat and attempt to sail across Lake Lachrymose during a hurricane, because it is very dangerous and the chances of your survival are practically zero. You should especially not do this if, like the Baudelaire orphans, you have only a vague idea of how to work a sailboat.
Count Olaf's comrade, standing at the dock and waving a chubby fist in the air, grew smaller and smaller as the wind carried the sailboat away from Damocles Dock. As Hurricane Herman raged over them, Violet, Klaus, and Sunny examined the sailboat they had just stolen. It was fairly small, with wooden seats and bright orange life jackets for five people. On top of the mast, which is a word meaning "the tall wooden post found in the middle of boats," was a grimy white sail controlled by a series of ropes, and on the floor was a pair of wooden oars in case there was no wind. In the back, there was a sort of wooden lever with a handle for moving it this way and that, and under one of the seats was a shiny metal bucket for bailing out any water in case of a leak. There was also a long pole with a fishing net at the end of it, a small fishing rod with a sharp hook and a rusty spying glass, which is a sort of telescope used for navigating. The three siblings struggled into thei
r life vests as the stormy waves of Lake Lachrymose took them farther and farther away from the shore.
"I read a book about working a sailboat," Klaus shouted over the noise of the hurricane. "We have to use the sail to catch the wind. Then it will push us where we want to go."
"And this lever is called a tiller," Violet shouted. "I remember it from studying some naval blueprints. The tiller controls the rudder, which is below the water, steering the ship. Sunny, sit in back and work the tiller. Klaus, hold the atlas so we can tell where we're going, and I'll try to work the sail. I think if I pull on this rope, I can control the sail."
Klaus turned the damp pages of the atlas to page 104. "That way," he called, pointing to the right. "The sun is setting over there, so that must be west."
Sunny scurried to the back of the sailboat and put her tiny hands on the tiller just as a wave hit the boat and sprayed her with foam. "Karg tern!" she called, which meant something along the lines of "I'm going to move the tiller this way, in order to steer the boat according to Klaus's recommendation."
The rain whipped around them, and the wind howled, and a small wave splashed over the side, but to the orphans' amazement, the sailboat moved in the exact direction they wanted it to go. If you had come across the three Baudelaires at this moment, you would have thought their lives were filled with joy and happiness, because even though they were exhausted, damp, and in very great danger, they began to laugh in their triumph. They were so relieved that something had finally gone right that they laughed as if they were at the circus instead of in the middle of a lake, in the middle of a hurricane, in the middle of trouble.
As the storm wore itself out splashing waves over the sailboat and flashing lightning over their heads, the Baudelaires sailed the tiny boat across the vast and dark lake. Violet pulled ropes this way and that to catch the wind, which kept changing direction as wind tends to do. Klaus kept a close eye on the atlas and made sure they weren't heading off course to the Wicked Whirlpool or the Rancorous Rocks. And Sunny kept the boat level by turning the tiller whenever Violet signaled. And just when the evening turned to night, and it was too dark to read the atlas, the Baudelaires saw a blinking light of pale purple. The orphans had always thought lavender was a rather sickly color, but for the first time in their lives they were glad to see it. It meant that the sailboat was approaching the
Lavender Lighthouse, and soon they'd be at Curdled Cave. The storm finally broke-the word "broke" here means "ended," rather than "shattered" or "lost all its money"-and the clouds parted to reveal an almost-full moon. The children shivered in their soaking clothes and stared out at the calming waves of the lake, watching the swirls of its inky depths.
"Lake Lachrymose is actually very pretty," Klaus said thoughtfully. "I never noticed it before."
"Cind," Sunny agreed, adjusting the tiller slightly.
"I guess we never noticed it because of Aunt Josephine," Violet said. "We got used to looking at the lake through her eyes." She picked up the spying glass and squinted into it, and she was just able to see the shore. "I think I can see the lighthouse over there. There's a dark hole in the cliff right next to it. It must be the mouth of Curdled Cave."
Sure enough, as the sailboat drew closer and closer, the children could just make out the Lavender Lighthouse and the mouth of the nearby cave, but when they looked into its depths, they could see no sign of Aunt Josephine, or of anything else for that matter. Rocks began to scrape the bottom of the boat, which meant they were in very shallow water, and Violet jumped out to drag the sailboat onto the craggy shore. Klaus and Sunny stepped out of the boat and took off their life jackets. Then they stood at the mouth of Curdled Cave and paused nervously. In front of the cave there was a sign saying it was for sale, and the orphans could not imagine who would want to buy such a phantasmagorical-the word "phantasmagori-cal" here means "all the creepy, scary words you can think of put together"-place. The mouth of the cave had jagged rocks all over it like teeth in the mouth of a shark. Just beyond the entrance the youngsters could see strange white rock formations, all melted and twisted together so they looked like moldy milk. The floor of the cave was as pale and dusty as if it were made of chalk. But it was not these sights that made the children pause. It was the sound coming out of the cave. It was a high-pitched, wavering wail, a hopeless and lost sound, as strange and as eerie as Curdled Cave itself.
"What is that sound?" Violet asked nervously.
"Just the wind, probably," Klaus replied. "I read somewhere that when wind passes through small spaces, like caves, it can make weird noises. It's nothing to be afraid of."
The orphans did not move. The sound did not stop.
"I'm afraid of it, anyway," Violet said.
"Me too," Klaus said.
"Geni," Sunny said, and began to crawl into the mouth of the cave. She probably meant something along the lines of "We didn't sail a stolen sailboat across Lake Lachrymose in the middle of Hurricane Herman just to stand nervously at the mouth of a cave," and her siblings had to agree with her and follow her inside. The wailing was louder as it echoed off the walls and rock formations, and the Baudelaires could tell it wasn't the wind. It was Aunt Josephine, sitting in a corner of the cave and sobbing with her head in her hands. She was crying so hard that she hadn't even noticed the Baudelaires come into the cave.
"Aunt Josephine," Klaus said hesitantly, "we're here."
Aunt Josephine looked up, and the children could see that her face was wet from tears and chalky from the cave. "You figured it out," she said, wiping her eyes and standing up. "I knew you could figure it out," she said, and took each of the Baudelaires in her arms. She looked at Violet, and then at Klaus, and then at Sunny, and the orphans looked at her and found themselves with tears in their own eyes as they greeted their guardian. It was as if they had not quite believed that Aunt Josephine's death was fake until they had seen her alive with their own eyes.
"I knew you were clever children," Aunt Josephine said. "I knew you would read my message."
"Klaus really did it," Violet said.
"But Violet knew how to work the sailboat," Klaus said. "Without Violet we never would have arrived here."
"And Sunny stole the keys," Violet said, "and worked the tiller."
"Well, I'm glad you all made it here," Aunt Josephine said. "Let me just catch my breath and I'll help you bring in your things."
The children looked at one another. "What things?" Violet asked.
"Why, your luggage of course," Aunt Josephine replied. "And I hope you brought some food, because the supplies I brought are almost gone."
"We didn't bring any food," Klaus said.
"No food?" Aunt Josephine said. "How in the world are you going to live with me in this cave if you didn't bring any food?"
"We didn't come here to live with you," Violet said.
Aunt Josephine's hands flew to her head and she rearranged her bun nervously. "Then why are you here?" she asked.
"Stim!" Sunny shrieked, which meant "Because we were worried about you!"
"'Stim' is not a sentence, Sunny," Aunt Josephine said sternly. "Perhaps one of your older siblings could explain in correct English why you're here."
"Because Captain Sham almost had us in his clutches!" Violet cried. "Everyone thought you were dead, and you wrote in your will and testament that we should be placed in the care of Captain Sham."
"But he forced me to do that," Aunt Josephine whined. "That night, when he called me on the phone, he told me he was really Count Olaf. He said I had to write out a will saying you children would be left in his care. He said if I didn't write what he said, he would drown me in the lake. I was so frightened that I agreed immediately."
"Why didn't you call the police?" Violet asked. "Why didn't you call Mr. Poe? Why didn't you call somebody who could have helped?"
"You know why," Aunt Josephine said crossly. "I'm afraid of using the phone. Why, I was just getting used to answering it. I'm nowhere near ready to use the numbered
buttons. But in any case, I didn't need to call anybody. I threw a footstool through the window and then sneaked out of the house. I left you the note so that you would know I wasn't really dead, but I hid my message so that Captain Sham wouldn't know I had escaped from him."
"Why didn't you take us with you? Why did you leave us all alone by ourselves? Why didn't you protect us from Captain Sham?" Klaus asked.
"It is not grammatically correct," Aunt Josephine said, "to say 'leave us all alone by ourselves.' You can say 'leave us all alone,' or 'leave us by ourselves,' but not both. Do you understand?"
The Baudelaires looked at one another in sadness and anger. They understood. They understood that Aunt Josephine was more concerned with grammatical mistakes than with saving the lives of the three children. They understood that she was so wrapped up in her own fears that she had not given a thought to what might have happened to them. They understood that Aunt Josephine had been a terrible guardian, in leaving the children all by themselves in great danger. They understood and they wished more than ever that their parents, who never would have run away and left them alone, had not been killed in that terrible fire which had begun all the misfortune in the Baudelaire lives.
"Well, enough grammar lessons for today," Aunt Josephine said. "I'm happy to see you, and you are welcome to share this cave with me. I don't think Captain Sham will ever find us here."
"We're not staying here'' Violet said impatiently. "We're sailing back to town, and we're taking you with us."
"No way, Jose," Aunt Josephine said, using an expression which means "No way" and has nothing to do with Jose, whoever he is. "I'm too frightened of Captain Sham to face him. After all he's done to you I would think that you would be frightened of him, too."
"We are frightened of him," Klaus said, "but if we prove that he's really Count Olaf he will go to jail. You are the proof. If you tell Mr. Poe what happened, then Count Olaf will be locked away and we will be safe."
The Wide Window Page 7
