How long would it wait, before it killed the hostages and fled?
When she turned away from the port, she saw that the coffin's lid was open and the man inside was sitting up. For just a moment, a moment that was to stay in Lucinda's mind, his eyes were like a child's fixed helplessly on hers. Then power began to grow behind his eyes, a power somehow completely different from his brother's and perhaps even greater.
Karlsen looked away from her, taking in the rest of his surroundings, the devastated Great Hall and the coffin. "Felipe," he whispered, as if in pain, though his half-brother was no longer in sight.
Lucinda moved toward him and started to pour out her story, from the day in the Flamland prison when she had heard that Karlsen had fallen to the plague.
Once he interrupted her. "Help me out of this thing, get me space armor." His arm was hard and strong when she grasped it, but when he stood beside her he was surprisingly short. "Go on, what then?"
She hurried on with her tale, while serving machines came to arm him. "But why were you frozen?" she ended, suddenly wondering at his health and strength.
He ignored the question. "Come along to Defense Control. We must save those men out there."
He went familiarly to the nerve center of the ship and hurled himself into the combat chair of the Defense Officer, who was probably dead. The panel before Karlsen came alight and he ordered at once: "Get me in contact with that courier."
Within a few moments a flat-sounding voice from the courier answered routinely. The face that appeared on the communication screen was badly lighted; someone viewing it without advance warning would not suspect that it was anything but human.
"This is High Commander Karlsen speaking, from the Nirvana." He did not call himself governor or lord, but by his title of the great day of the Stone Place. "I'm coming over there. I want to talk to you men on the courier."
The shadowed face moved slightly on the screen. "Yes, sir."
Karlsen broke off the contact at once. "That'll keep its hopes up. Now, I need a launch. You, robots, load my coffin aboard the fastest one available. I'm on emergency revival drugs now and I may have to re-freeze for a while."
"You're not really going over there?"
Up out of the chair again, he paused. "I know berserkers. If chasing me is that thing's prime function it won't waste a shot or a second of time on a few hostages while I'm in sight."
"You can't go," Lucinda heard herself saying. "You mean too much to all men-"
"I'm not committing suicide, I have a trick or two in mind." Karlsen's voice changed suddenly. "You say Felipe's not dead?"
"I don't think he is."
Karlsen's eyes closed while his lips moved briefly, silently. Then he looked at Lucinda and grabbed up paper and a stylus from the Defense Officer's console. "Give this to Felipe," he said, writing. "He'll set you and the captain free if I ask it. You're not dangerous to his power. Whereas I . . . "
He finished writing and handed her the paper. "I must go. God be with you."
From the Defense Officer's position, Lucinda watched Karlsen's crystalline launch leave the Nirvana and take a long curve that brought it near the courier at a point some distance from the lifeboat.
"You on the courier," Lucinda heard him say. "You can tell it's really me here on the launch, can't you? You can DF my transmission? Can you photography my retinas through the screen?"
And the launch darted away with a right-angle swerve, dodging and twisting at top acceleration, as the berserker's weapons blasted the space where it had been. Karlsen had been right. The berserker spent not a moment's delay or a single shot on the lifeboat, but hurled itself instantly after Karlsen's launch.
"Hit that courier!" Lucinda screamed. "Destroy it!" A salvo of missiles left the Nirvana, but it was a shot at a receding target, and it missed. Perhaps it missed because the courier was already in the fringes of the distortion surrounding the hypermass.
Karlsen's launch had not been hit, but it could not get away. It was a glassy dot vanishing behind a screen of blasts from the berserker's weapons, a dot being forced into the maelstrom of the hypermass.
"Chase them!" cried Lucinda, and saw the stars tint blue ahead; but almost instantly the Nirvana's autopilot countermanded her order, barking mathematical assurance that to accelerate any further in that direction would be fatal to all aboard.
The launch was now going certainly into the hypermass, gripped by a gravity that could make any engines useless. And the berserker-ship was going headlong after the launch, caring for nothing but to make sure of Karlsen.
The two specks tinted red, and redder still, racing before an enormous falling cloud of dust as if flying into a planet's sunset sky. And then the red shift of the hypermass took them into invisibility, and the universe saw them no more.
Soon after the robots had brought the men from the life-boat safe aboard Nirvana, Holt found Lucinda alone in the Great Hall, gazing out the viewport.
"He gave himself to save you," she said. "And he'd never even seen you."
"I know." After a pause Holt said: "I've just been talking to the Lord Nogara. I don't know why, but you're to be freed, and I'm not to be prosecuted for bringing the damned berserker aboard. Though Nogara seems to hate both of us . . . "
She wasn't listening, she was still looking out the port.
"I want you to tell me all about him someday," Holt said, putting his arm around Lucinda. She moved slightly, ridding herself of a minor irritation that she had hardly noticed. It was Holt's arm, which dropped away.
"I see," Holt said, after a while. He went to look after his men.
And so, among men the struggle for power went on whenever the universe would allow it. On at least one planet a fight for leadership had long ago flared into civil war; and on that planet war and plague and isolation had destroyed civilization and history.
From afar my mind, powerless to give help, roamed unperceived among the minds of a barbaric people. They were a people who seemed as helpless as the sheep they tended, when there came down upon them one of the ancient bloody wolves of deep space.
I have seen, and I still see, a future in which you, the Earth-descended, may prevail over the wolves of planets and the wolves of space. For at every stage of your civilizations there are numbers of you who put aside selfishness and dedicate their lives in service to something they see as being greater than themselves.
I say you may prevail, I say not that you will. For in each of your generations there are men who choose to serve the gods of darkness.
IN THE TEMPLE OF MARS
Something was driving waves of confusion through his mind, so that he knew not who he was, or where. How long ago what was happening had started or what had gone before it he could not guess. Nor could he resist what was happening, or even decide if he wanted to resist.
A chant beat on his ears, growled out by barbaric voices:
On the wall there was painted a forest
In which there lived neither man nor beast
With knotty, gnarled, barren trees, old . . .
And he could see the forest around him. Whether the trees and the chanting voices were real or not was a question he could not even formulate, with the confusion patterns racking his mind.
Through broken branches hideous to behold
There ran a cold and sighing wind
As if a storm would break down every bough
And downward, at the bottom of a hill
Stood the temple of Mars who is mighty in arms . . .
And he saw the temple. It was of steel, curved in the dread shape of a berserker's hull, and half-sunken in dark earth. At the entrance, gates of steel sang and shuddered in the cold wind rushing out of the temple, rushing out endlessly to rage through the shattered forest. The whole scene was gray, and lighted from above by an auroral flickering.
The northern lights shone in at the doors
For there was no window on the walls
Through which men might any l
ight discern . . .
He seemed to pass, with a conqueror's strides, between the clawlike gates, toward the temple door.
The door was of eternal adamant
Bound lengthways and sideways with tough iron
And to make the temple stronger, every pillar
Was thick as a barrel, of iron bright and shiny.
The inside of the temple was a kaleidoscope of violence, a frantic abattoir. Hordes of phantasmal men were mowed down in scenes of war, women were slaughtered by machines, children crushed and devoured by animals. He, the conqueror, accepted it all, exulted in it all, even as he became aware that his mind, under some outer compulsion, was building it all from the words of the chant.
He could not tell how long it lasted. The end came abruptly-the pressure on his mind was eased, and the chanting stopped. The relief was such that he fell sprawling, his eyes closed, a soft surface beneath him. Except for his own breathing, all was quiet.
A gentle thud made him open his eyes. A short metal sword had been dropped or tossed from somewhere to land near him. He was in a round, softly lighted, familiar room. The circular wall was covered by a continuous mural, depicting a thousand variations on the theme of bloody violence. At one side of the room, behind a low altar, toward the statue of an armed man gripping chariot reins and battleax, a man who was larger than life and more than a man, his bronze face a mask of insensate rage.
All this he had seen before. He gave it little thought except for the sword. He was drawn to the sword like a steel particle to a magnet, for the power of his recent vision was still fresh and irresistible, and it was the power of destruction. He crawled to the sword, noticing dimly that he was dressed like the statue of the god, in a coat of mail. When he had the sword in his hand the power of it drew him to his feet. He looked round expectantly.
A section of the continuous mural-wall opened into a door, and a figure entered the temple. It was dressed in a neat, plain uniform, and its face was lean and severe. It looked like a man, but it was not a man, for no blood gushed out when the sword hewed in.
Joyfully, thoughtlessly, he hacked the plastic-bodied figure into a dozen pieces. Then he stood swaying over it, drained and weary. The metal pommel of the sword grew suddenly hot in his hand, so that he had to drop it. All this had happened before, again and again.
This painted door opened once more. This time it was a real man who entered, a man dressed in black, who had hypnotic eyes under bushy brows.
"Tell me your name," the black-uniform ordered. His voice compelled.
"My name is Jor."
"And mine?"
"You are Katsulos," said Jor dully, "the Esteeler secret police."
"Yes. And where are we?"
"In space, aboard the Nirvana II. We are taking the High Lord Nogara's new space-going castle out to him, out to the rim of the galaxy. And when he comes aboard, I am supposed to entertain him by killing someone with a sword. Or another gladiator will entertain him by killing me."
"Normal bitterness," remarked one of Katsulos' men, appearing in the doorway behind him.
"Yes, this one always snaps right back," Katsulos said. "But a good subject. See the brain rhythms?" He showed the other a torn-off piece of chart from some recording device.
They stood there discussing Jor like a specimen, while he waited and listened. They had taught Jor to behave. They thought they had taught him permanently-but one of these days he was going to show them. Before it was too late. He shivered in his mail coat.
"Take him back to his cell," Katsulos ordered at last. "I'll be along in a moment."
Jor looked about him confusedly as he was led out of the temple and down some stairs. His recollection of the treatment he had just undergone was already becoming uncertain; and what he did remember was so unpleasant that he made no effort to recall more. But his sullen determination to strike back stayed with him, stronger than ever. He had to strike back, somehow, and soon.
Left alone in the temple, Katsulos kicked the pieces of the plastic dummy into a pile, to be ready for careful salvage. He trod heavily on the malleable face, making it unrecognizable, just in case someone beside his own men should happen to see it.
Then he stood for a moment looking up into the maniacal bronze face of Mars. And Katsulos' eyes, that were cold weapons when he turned them on other men, were now alive.
A communicator sounded, in what was to be the High Lord Nogara's cabin when he took delivery of Nirvana II. Admiral Hemphill, alone in the cabin, needed a moment to find the proper switch on the huge, unfamiliar desk. "What is it?"
"Sir, our rendezvous with the Solarian courier is completed; we're ready to drive again, unless you have any last-minute messages to transmit?"
"Negative. Our new passenger came aboard?"
"Yes, sir. A Solarian, named Mitchell Spain, as we were advised."
"I know the man, Captain. Will you ask him to come to this cabin as soon as possible? I'd like to talk to him at once."
"Yes sir."
"Are those police still snooping around the bridge?"
"Not at the moment, Admiral."
Hemphill shut off the communicator and leaned back in the thronelike chair from which Felipe Nogara would soon survey his Esteeler empire; but soon the habitually severe expression of Hemphill's lean face deepened and he stood up. The luxury of this cabin did not please him.
On the blouse of Hemphill's neat, plain uniform were seven ribbons of scarlet and black, each representing a battle in which one or more berserker machines had been destroyed. He wore no other decorations except his insignia of rank, granted him by the United Planets, the anti-berserker league, of which all worlds were at least nominal members.
Within a minute the cabin door opened. The man who entered, dressed in civilian clothes, was short and muscular and rather ugly. He smiled at once, and came toward Hemphill, saying: "So it's High Admiral Hemphill now. Congratulations. It's a long time since we've met."
"Thank you. Yes, not since the Stone Place." Hemphill's mouth bent upward slightly at the corners, and he moved around the desk to shake hands. "You were a captain of marines, then, as I recall."
As they gripped hands, both men thought back to that day of victory. Neither of them could smile at it now, for the war was going badly again.
"Yes, that's nine years ago," said Mitchell Spain. "Now-I'm a foreign correspondent for Solar News Service. They're sending me out to interview Nogara.""I've heard that you've made a reputation as a writer." Hemphill motioned Mitch to a chair. "I'm afraid I have no time myself for literature or other nonessentials."
Mitch sat down, and dug out his pipe. He knew Hemphill well enough to be sure that no slur was intended by the reference to literature. To Hemphill, everything was nonessential except the destruction of berserker machines; and today such a viewpoint was doubtless a good one for a High Admiral.
Mitch got the impression that Hemphill had serious business to talk about, but was uncertain of how to broach the subject. To fill the hesitant silence, Mitch remarked: "I wonder if the High Lord Nogara will be pleased with his new ship." He gestured around the cabin with the stem of his pipe.
Everything was as quiet and steady as if rooted on the surface of a planet. There was nothing to suggest that even now the most powerful engines ever built by Earth-descended man were hurling this ship out toward the rim of the galaxy at many times the speed of light.
Hemphill took the remark as a cue. Leaning slightly forward in his uncomfortable-looking seat, he said: "I'm not concerned about his liking it. What concerns me is how it's going to be used."
Since the Stone Place, Mitch's left hand was mostly scar tissue and prosthetics. He used one plastic finger now to tamp down the glowing coal of his pipe. "You mean Nogara's idea of shipboard fun? I caught a glimpse just now of the gladiatorial arena. I've never met him, but they say he's gone bad, really bad, since Karlsen's death."
"I wasn't talking about Nogara's so-called amusements. What I'm really getting at
is this: Johann Karlsen may be still alive."
Hemphill's calm, fantastic statement hung in the quiet cabin air. For a moment Mitch thought that he could sense the motion of the C-plus ship as it traversed spaces no man understood, spaces where it seemed time could mean nothing and the dead of all the ages might still be walking.
Mitch shook his head. "Are we talking about the same Johann Karlsen?"
"Of course."
"Two years ago he went down into a hypermassive sun, with a berserker-controlled ship on his tail. Unless that story is not true?"
"It's perfectly true, except we think now that his launch went into orbit around the hypermass instead of falling into it. Have you seen the girl who's aboard?"
"I passed a girl, outside your cabin here. I thought . . . "
"No, I have no time for that. Her name is Lucinda, single names are the custom on her planet. She's an eyewitness of Karlsen's vanishing."
"Oh. Yes, I remember the story. But what's this about his being in orbit?"
Hemphill stood up and seemed to become more comfortable, as another man would be sitting down. "Ordinarily, the hypermass and everything near it is invisible, due to the extreme red shift caused by its gravity. But during the last year some scientists have done their best to study it. Their ship didn't compare to this one"-Hemphill turned his head for a moment, as if he could hear the mighty engines-"but they went as close as they dared, carrying some new instruments, long-wave telescopes. The star itself was still invisible, but they brought back these."
Berserker Lies Page 10
