On the other side of the stone are depicted seven men, all facing forward, their arms raised. Weapons are held aloft by five of them – three swords and two axes – and their clothing is distinctive. If the stone is taken as a whole, it seems to be a representation of the apocalypse, the armed men perhaps a representation of the wrath of God in corporeal form – a form that English monks would recognize. As we shall see, ecclesiastical commentators found it easy enough to imagine the Vikings as an instrument of divine justice. The stone was probably carved in the late ninth century, and there is no way of knowing whether these armed men are intended to depict Vikings rather than any other armed group, but it is hard to dispel the feeling that the trauma inflicted in Lindisfarne left psychological scars that would trouble the imaginations of generations of monks, colouring their apocalyptic visions.26
Lindisfarne was the first raid of this type to be recorded, but it was by no means the last. The years around the turn of the ninth century saw waterborne raiders attacking and pillaging poorly defended monasteries and settlements all around northern Britain and Ireland, as well as elsewhere in continental Europe, and for those on the receiving end it must have been a dreadful experience – made all the more terrifying by the primal horror that a heathen assault inspired.
Alcuin’s words, very often ripped from their context, are found at the beginning of many treatments of the Viking Age: ‘the pagans have desecrated God’s sanctuary,’ he lamented in his letter to Bishop Higbald of Lindisfarne, ‘shed the blood of saints around the altar, laid waste the house of our hope and trampled the bodies of the saints like dung in the street’. One has to wonder whether Higbald and the monks needed reminding. Indeed, one could easily forgive the torrent of Anglo-Saxon invective that we might imagine issuing from the good bishop’s lips upon reading the rest of Alcuin’s letter, for it is not – as one might think appropriate – a warm-hearted missive expressing sorrow, solidarity and offers of practical assistance. It is, instead, a lecture on the assumed defects of Higbald’s authority and the sub-par behaviour of his monks: they are accused of having asked for it through their drunkenness, vanity, lewdness, degeneracy and – most unfairly of all – lack of manliness (‘you who survive, stand like men’).27
In a similar letter to King Ethelred of Northumbria, Alcuin wrote the words which have led many to imagine the heathen storm breaking on the shores of Britain like lightning from a clear sky:
Lo, it is nearly 350 years that we and our fathers have inhabited this most lovely land, and never before has such terror appeared in Britain as we have now suffered from a pagan race, nor was it thought that such an inroad from the sea could be made. Behold, the church of St. Cuthbert spattered with the blood of the priests of God, despoiled of all its ornaments …28
Once again the expat cleric used the opportunity to castigate the monks, this time for wishing to ‘resemble the pagans’ in their ‘trimming of beard and hair’. With this stern intervention into the hairdressing habits of his former colleagues, however, Alcuin inadvertently alerts us to something potentially more significant than Northumbrian fashion trends, something which challenges and complicates the image of the North as a hellish realm and its peoples as the devil’s imps.
While learned attitudes to the North seem certainly to have emphasized the diabolic qualities of its inhabitants, comments such as Alcuin’s imply a measure of contact and even, in some cases, admiration or nostalgia for the Scandinavian world and its denizens: a contradiction at the heart of Anglo-Saxon ideas about the wider northern world. On a simplistic level, in order to copy heathen haircuts, the monks must have been exposed to and favourably impressed by them – and presumably not when ducking a swinging axe. It seems highly probable, if not yet provable, that Scandinavian traders had become a feature at some of the new trading settlements of eighth-century England (as well as, perhaps, in the Northern Isles and Pictish Scotland as well).29
It is certainly the case that the Viking Age emerged against a background of increasingly sophisticated European trade. A new type of specialized trading settlement had grown up around the North Sea during the eighth century, exploiting and facilitating long-distance trade. These settlements – known to historians and archaeologists as ‘emporia’ – included Southampton (Hamwic), London (Lundenwic), Ipswich (Gipeswic) and York (Eoforwic) in England, as well as trading settlements at Quentovic (France), Dorestad (Netherlands), Hedeby and Ribe (Denmark), Birka (Sweden) and Kaupang (Norway) among others. It seems inconceivable that every exchange of goods between Britain and Scandinavia in the eighth century was conducted through continental middlemen.
Whatever the realities of direct trading relationships in the decades leading up to the earliest Viking raids, archaeology suggests that contacts across the North Sea in the preceding centuries had been close. A famous example (referred to in the preceding chapter) serves to illustrate the point. The great masked helmet (the Old English word, rather wonderfully, is grimhelm) that was excavated from the boat grave found beneath Mound 1 at Sutton Hoo in Suffolk finds its closest parallels in the highly elaborate boat graves from the cemeteries at Vendel and, later, Valsgärde in Sweden; the parallels, in both the style of artefacts and the manner of their burial, demonstrate elements of a cultural identity that spanned the North Sea. This, and a great deal of other evidence (not least the transformation of lowland Britain from a Romano-British-speaking population to one which used the western Germanic ‘Old English’ language), broadly supports the stories which the Anglo-Saxons told about their own origins.30 On this point, the Northumbrian monk and scholar Bede – writing at Jarrow in the early eighth century – was quite explicit:
In the year of our Lord 449 […] the Angles or Saxons came to Britain at the invitation of King Vortigern in three long-ships […] They […] sent back news of their success to their homeland, adding that the country was fertile and the Britons cowardly […] These new-comers were from the three most formidable races of Germany, the Saxons, Angles, and Jutes.31
The first group, the Saxons, came from a region identified by Bede as ‘Old Saxony’ – now north-west Germany. The Angles and the Jutes originated in the Jutland peninsula, occupying land which, by the time Bede was writing, lay within the kingdom of the Danes. Quite how true this story is remains unknowable (though it is certain that significant migration from the continent did occur). But what is critical is that the Anglo-Saxons themselves believed it to be true.32
By Bede’s day, the ‘Anglo-Saxons’ had been in Britain for the best part of 300 years (by his reckoning), and had been Christian, in most cases, for several generations. By the late eighth century, they had formed a number of independent kingdoms, each with its own cultural and geographical peculiarities. Nevertheless, the tribes from whom they claimed descent were (and, in the late eighth century, remained) pagan peoples, part of a wider northern European heritage that had stood beyond the limits of Rome’s continental frontiers. As receivers of that heritage, the Anglo-Saxons were torch-carriers for traditions, tales, words and images from a legendary world. That world, though its shapes and contours grew ever more indistinct, yet blazed brightly in the imaginations of poets and storytellers. The earliest genealogical lists of Anglo-Saxon royal houses typically extend via Woden, the pagan deity equivalent to Odin (ON Oðinn) in Old Norse mythology, through Finn (a legendary Frisian king) to Geat, the eponymous ancestor of Beowulf’s own Scandinavian tribe.
Even a century of Viking attacks failed to dampen enthusiasm amongst the Anglo-Saxons for their northern heritage. By the end of the ninth century, royal genealogies had expanded to include Bældæg (the Old Norse god Balder), Scyld (the legendary progenitor of the Danes) and possibly Beowulf the Geat himself.33 Negotiating the evidence for the ways in which the Anglo-Saxons identified with this heritage is complex and sometimes bewildering. Much of what remains is reduced to the blank names of kings and heroes – names which must once have conjured great arcs of narrative, laced with the myths of the pre-Christian past, but
whose owners now stand mute guard at the entrance to pathways which can never now be trod.
The perpetuation of this fascination with the ancestral North did not, however, go unchallenged. Writing in around the year 800, our friend Alcuin was so incensed by this sort of thing that, in a letter to another Anglo-Saxon bishop, he demanded to know ‘what has Ingeld to do with Christ?’ We know only a single anecdote about Ingeld, king of the Heathobards – a gloomy story about how he burned Hrothgar’s hall, Heorot, and was thereafter a target of the Danish king’s vengeance. The story is alluded to in Beowulf and mentioned in passing in another Old English poem, Widsith. Alcuin’s reference to Ingeld pops up in a passage in which he lambasts his fellow ecclesiasts for listening to music and ‘inappropriate’ stories at dinner-time and for laughing in the courtyards (he presumably didn’t get invited to many parties). It is of particular interest, however, because it suggests that even in what should have been a thoroughly Christian environment, the old stories were still popular – and this at a time when, in Alcuin’s own words, the ‘bodies of the saints were being trampled like dung’ by the living descendants of Hrothgar and his kin.34
Rather less is known about attitudes to the ancestral North in other parts of Britain. One tradition, reported by Bede, held that the Picts – the people inhabiting the highland and island regions of what is now Scotland – had originated in ‘Scythia’. This land had been believed by classical authorities to have existed in an ill-defined region somewhere, seemingly, in northern Eurasia. Whether the Picts themselves believed this to be true – and if they did, what they thought of it – is less than clear. The Welsh, on the other hand, had their own distinct boreal traditions: to them, Hen Ogledd (‘the Old North’) referred to those parts of Britain from which their ancestors had been ejected by Anglo-Saxon incomers in the sixth and seventh centuries. It was an altogether more insular sense of northernness, and can only have compounded the sense that northern lands beyond the sea were a place whence nothing much good ever came.35
Among the English-speaking peoples, however, we are left with an apparent paradox – a set of attitudes to the North that painted it as both shining ancestral homeland and infernal monster-infested wasteland, its inhabitants as both cousins and aliens. As a result, the Viking has emerged as a Janus-faced figure, constantly at war with himself in our imaginations: poet or plunderer, merchant or marauder, berserker or boat-builder, kinsman or kin-of-Cain. The reconciliation of these themes and the resolution of these identities is in large measure the story of Viking Britain. It is a process of negotiation that continues to this day, and begins with the fundamental question of who we understand the Vikings to be.
3
Mother North
Huge warriors with golden beards and savage eyes sat or lounged on the rude benches, strode about the hall, or sprawled full length on the floor. They drank mightily from foaming horns and leathern jacks, and gorged themselves on great pieces of rye bread, and huge chunks of meat they cut with their daggers from whole roasted joints […] All the world was their prey to pick and choose, to take and spare as it pleased their barbaric fancies.
ROBERT E. HOWARD, ‘The Dark Man’ (1931)1
When I was growing up, my idea of what a ‘Viking’ should be was not, I presume, very different from that imagined by anyone else of my generation.
My grandmother – who lived in Glastonbury, Somerset – was a full-time carer and companion to a (to my young eyes) elderly disabled gentleman whom I knew only, and affectionately, as ‘Venge’. An Italian by birth, who in truth luxuriated in the name Bonaventura Mandara, Venge was an exceptionally kind and gentle man, with a love of brandy, cigars, cards and horse-racing: he was, in other words, a jolly fine fellow. He would often encourage me, sprog that I was, to clamber on to his bad leg (always propped up horizontally in front of him, encased in a steel and leather contraption that both frightened and fascinated) and read me the cartoon strips from the back of his newspaper. Only one of these left any kind of impression.
Hägar the Horrible – a comic strip drawn by the American cartoonist Dik Browne – was probably my first encounter with a Viking. The eponymous Hägar fulfilled all the stereotypes: an unruly faceful of red beard, an unashamedly horned helmet, a flagon of foaming ale, an aversion to bathing. In essence he remains the classic ‘Viking as barbarian’, essentially indistinguishable from the cartoon caveman. That was fine with me. Hägar and his frequent anachronistic assaults on large medieval stone castles fitted easily into early childhood visits to Glastonbury spent rampaging around the ruins of the medieval abbey and staring through the windows of King Arthur themed crystal shops.
When I was a little older, I remember being taught about the Vikings – the only time I ever encountered the subject in compulsory education. I must have been about eight, and although perhaps not best equipped to appreciate the significance of what I was learning, I remembered that lesson when all else had faded away. The thing that stuck, the one key message that lodged most firmly in my brain, was that no Viking ever wore, possessed – or perhaps even imagined – a horned helmet.
The absence of horns on Viking helmets invariably comes as a blow to those who aren’t prepared for it. Many is the occasion on which I have been obliged to plunge in this particular knife; it is remarkable to witness, in fully grown adults (in fact, especially in adults), the visible shrinking of the spirit that accompanies the unexpected death of an image formed in childhood. There may well be, and I apologize for it, readers of this book who are right now experiencing the bewildering combination of anger and disbelief that accompanies the detonation of this fact-bomb.
To a small boy weaned on Hägar the Horrible the news was, well, horrible. I still remember the frustration of it all – if the Vikings didn’t have horned helmets, why had I been lied to? Thankfully my young mind was still fertile enough to bounce back from this mental napalm. The blow was also softened slightly by the discovery that the helmets they did wear were almost as cool (or so I tried to convince myself) as their cornigerous surrogates. The evidence for helmets of any kind, however, is slim. Aside from scattered fragments, only one complete Scandinavian helmet of the Viking Age has ever been found. This is the famous Gjermundbu helmet (named after the place in Norway where it was buried, along with its owner), an arresting object defined by the sinister half-facemask that was intended to protect the eyes and nose. Its owl-like visage – cold, impassive and predatory – was the face presented by at least one Norwegian warrior in his battle-cladding.2
Outside Scandinavia, other helmets have been found in graves that may, on the strength of their form or contents, have been the burial places of Vikings – or, at least, of people with a cultural affinity to Scandinavia. But none of these – most of which have been found in what is now Russia and Ukraine – is distinct from the material culture of the (non-Viking) local populations. Are these Viking helmets? If the only qualification is that a person of Scandinavian extraction might once have put one of these things on his head then the answer must be yes. But these helmets are radically different to the Gjermundbu helmet: open faced, conical, distinctly eastern – and worn by all sorts of other people who were definitely not Vikings. So perhaps these were just helmets that some Vikings happened to wear – not ‘Viking’ helmets at all. Perhaps these were no more ‘Viking’ helmets than the Volga salmon they ate for dinner was ‘Viking’ fish. But, of course, that is equally true of the Gjermundbu helmet as well – simply putting it on didn’t make the wearer a Viking, and we can’t even be certain (no matter how probable it may be) that it was made by, or even worn by, someone born and bred in Scandinavia. As we shall see, material culture can be a most treacherous guide to ethnicity.
The problems lie both in the semantics (the word ‘Viking’) and in the underlying premise that ‘the Vikings’ were a ‘people’ whose characteristics can be listed like a Top Trump card or tabulated like a character-class in a role-playing game. It is fair to say that Vikings, in this sense at least
, never existed.
Most modern academics have an uneasy relationship with the term ‘Viking’, and reject the idea that it can be used as an ethnic label. Its original meaning is disputed. It could mean people who hung around in bays getting up to no good (from ON vik, meaning ‘bay or inlet’) or perhaps people who frequently showed up at trading settlements (from OE wics); there are, also, other possibilities. However, its original derivation is largely irrelevant – what is important is what people thought they meant by it when (and if) they used the word. As a common noun (in its Old Norse and Old English forms Vikingr and Wicing respectively), the word was used rarely during the Viking Age and was applied only to a minority, not all of whom were Scandinavians. In Old Norse poetry composed in praise of Viking kings (known as skaldic verse), much of which dates to the Viking period, the word was as likely to be applied to the enemies of Scandinavian kings as to home-grown marauders. Indeed, one of the rare English uses of the term is found in Archbishop Wulfstan’s lament, c. 1014, that slaves were running away from their English lords to become ‘Vikings’.3 Who the Vikings were, therefore, could be a relative concept. It was never an ethnic category, and in most cases it seems to have been used disapprovingly, suggesting that ‘Vikings’ could prove as much a menace to Scandinavians as to their victims elsewhere.4
Runestones – memorials to the dead erected during the Viking Age and inscribed in the runic alphabet that was used to render the Old Norse language in written form – also record a number of instances of the word. In most of these cases the word appears as a personal name, and this phenomenon is known from Viking Age Britain as well: a man called ‘Wicing’ was minting coins in Lydford (Devon) on behalf of King Cnut in the eleventh century.5 The implication is that the term ‘Viking’ wasn’t necessarily negative, and although we can’t know for certain if these were names given at birth, it accords well with a society in which individuals revelled in tough-guy epithets.6 Indeed, the abstract form of the noun (ON viking), particularly as encountered in later Icelandic literature, meant a seaborne mission involving adventure, violence, plunder and risk, and was a normal and honourable means by which a man might make his name.
Viking Britain- an Exploration Page 5
