I was instantly abashed and angry at myself. I could not think why I had confided in her. She knew nothing about me or my past, the real or the invented one. What was she to me but an afternoon of mostly simulated passion in an overheated hotel room in a snowbound city I would never return to? I have always supposed it was those few hours in bed that had prompted the belated review she wrote of After Words. The review was a light piece, intended to be teasingly allusive; it had struck an incongruously frivolous note amid the weighty lucubrations of Débat. The letter of thanks I sent to her when the piece appeared had cost me much effort. I had sought to match her sly, arch tone, but the result was unsatisfactory in a way I could not quite make out. Her note in reply was all innocence and warm affection, with no mention of our tryst. Now I wondered uneasily if perhaps she did know more about me than she pretended, about my past, I mean, my interesting past. Well, what did it matter any more? That harpy even now on her way from Antwerp would likely be the end of me. I was, I realised, looking forward to the prospect of destruction. Yes, let it come, I thought, almost gaily, I shall welcome it! All at once, in place of the anger and self-pity of a minute ago, I had a sensation of incipient weightlessness, as if at any moment I might float upward, wingless and yet wonderfully volant, and drift away free, into air, and light, the empty, cold and brilliant blue.
"I am dying, Axel," Kristina Kovacs said.
She was looking at the floor with an almost girlish air of surprise and faint shame, as if it were some passionate secret she had blurted out. "Yes, I am dying," she said, more softly this time yet with more force, testing it, impressing on herself the incredible truth of it. I stared down at her. An aeroplane passed low above the building with a ripping rumble, and an instant later its vast shadow flashed across the glass walls. Kristina smiled, and shook her head ruefully, and said she was sorry, and that I must forget she had spoken. "Tell me about your girl," she said with awful, brave brightness. "The one who has found you out, I mean. You said it was a girl, didn't you? In the past it always was. What dreadful secret has she uncovered?" She laughed, not unkindly. I gripped the walking stick fiercely in my fist. How did she think she had the right to speak to me like this? I am Axel Vander. People do not say such things to me, with such impudence. She took a step nearer and put a hand on my arm, her grip at once urgent and infirm. I knew what was coming. I drew back from her touch. The air seemed suddenly thick, unbreathable. "Do you remember Prague?" she said. Prague, then, not Belgrade, not Budapest. I would say nothing. "So hot," Kristina murmured, her gaze blurring as she smiled into the past, "so hot, that hotel room…" This was intolerable. I looked about. Someone must rescue me. Where was that fool Bartoli, now that he was needed? "I'm sorry," I snarled, "forgive me," and wiping my mouth on my sleeve I turned from her abruptly and launched myself out across the sea-wide floor toward the door and escape. Franco Bartoli came hurrying after me, yelping. I brandished my stick, more in threat than farewell, and plunged on, a man pursued.
When she came out of the train station the street lamps were still palely burning in the dawn light and the air was the colour of dirty water. A map of the city showed her that it was not far to the hotel where he was staying. She decided to walk. A tram came lurching along its line. She liked trams, the ungainly, earnest look of them. She waited on the pavement as it passed, her bag in her hand, her raincoat over her arm. She felt like a figure from an earlier time, with that coat and bag, her plain dress and old-fashioned shoes, the eager, untried younger self of someone who in time would be famous, famously tragic, perhaps. Often she saw herself like this, in other guises, other possible lives, and so vividly it seemed she must have lived before. She shivered a little, and put on her raincoat; she had expected it would be warmer, this far south. Later the sun would come out. She had hardly slept on the train, huddled in a corner seat in a crowded compartment with her bag under her feet and her folded raincoat for a pillow. The train had kept stopping at deserted stations, and would stand for long minutes creaking and sighing in the night-deep, desolate silence, before setting off again with a series of loud clanks. Once she had pressed her face to the window and peered up and had seen that they were racing along beside a range of high, jagged mountains, whose sheer bases came to within a yard or two of the track. She had supposed they must be the Alps. She could glimpse their peaks, sparkling and unreal so high up there in the moonlight. She remembered being in the mountains once long ago with her father; he had pulled her up a slope on a sled, and afterwards had let her take a sip of his mulled wine. In the dark hour before dawn she dozed for a while; it was less like sleep than one of those fretful night fevers of childhood, and she woke repeatedly with a start, thinking one of the other passengers had touched her, or tried to interfere with her belongings. As they were arriving at last a fat man had stood up too soon and when the train stopped he had pitched forward and almost fallen on her, and to save himself had clapped a huge hand on her shoulder, hurting her. He had smelled faintly of vomit. Now, shaky and light-headed, she set off across the broad avenue. In the piazza before her the starlings were waking noisily in the trees, and a great flock of pigeons rose up, their thousand wings making a noise like derisive applause.
She did not know what she would do when she got to the hotel. It was still early, and she would have to wait at least an hour before she could think of announcing her arrival. She would not mind waiting in the lobby, but she was not sure the hotel people would even let her come inside at such an early hour. The voices in her head started up then, as she had known they would, as they always did when she was uncertain or nervous, seizing their chance. It was as if a motley and curious crowd had fallen into step behind her, hard on her heels, and were discussing her and her plight among themselves in excited, fast, unintelligible whispers. She stopped for a moment and leaned against a shuttered shop window with a hand over her eyes, but with the world blacked out the din of voices only intensified. She took a deep breath and went on.
Dozing in the train she had dreamed of Harlequin in his half-mask. Then she had roused herself and brought out her notebook, her fountain pen. H. the headman, his mask and bat. Maistre on the executioner: "who is this inexplicable being…?" Rip the mask from his face to find – another mask. Father father father.
The phantoms behind her fell back.
And now already here was the hotel, with a laurel bush in a pot at the foot of the steps. The glass door swung open automatically before her, and she wondered if instead of approaching it at the measured pace that was demanded she had run at it full tilt would it have still managed to open in time or would she have been too quick for the mechanism. She saw herself sprawled there on the marble step, amid big lances of shattered glass, the blood pumping from her throat and wrists. It struck her how like hospitals hotels are. A young man in a smart black suit behind the reception desk smiled at her non-committally. She walked past him with her gaze fixed straight ahead and her back arched, trying to look as if she had a perfect right to be there. She had never understood exactly how hotels work, or what the rules of hotel living are. For instance, how would paying guests be distinguished from the other people who would drift in and out here during the day, casual visitors, people coming for lunch, or for assignations in the bar, suchlike? Would that young man at the reception desk know she was not staying here? She had not asked him for a key, but she might have one, all the same, might have got it earlier from one of his colleagues, before he came on duty, and taken it with her when she went out. There was her bag, of course, but it was not very big, and might be a shopping bag, for all he knew. But why would she have gone out with a shopping bag at dawn, when no shops were open, and how could she be coming back now with it full?
The lobby was all gleaming marble surfaces, with hidden lighting and a low ceiling. There was a sort of pond in the middle where water splashed among ferns, soothingly. She took off her coat and sat down at one end of an uncomfortable leather couch that she knew the backs of her legs would stick to
even through her dress. A large, indifferent silence hung about her. She wondered if the ferns in the pond were real or made of plastic; they looked suspiciously genuine. She was trying not to think of the voices; often, just thinking of them was enough to set them going. The young man from the reception desk came and asked, in English, with cool politeness, if she wished for anything, some coffee, perhaps, or tea? She shook her head; she did not know what the procedure for paying would be; she imagined herself offering him money only to be met with an offended stare. He was handsome, like a film actor, dark and smooth and poised. He smiled again, this time with a shadow of irony, she thought. As he was turning away he glanced at her bag and lifted an eyebrow, in a way that told her he knew she was not a guest. She wondered enviously how he had decided. Perhaps everyone checking in was photographed in secret, and the pictures were kept in a file under the desk, and he had gone through it and not found hers. More likely he had known just by the look of her, the way she was sitting, so straight, with her knees together and her hands folded in her lap; that, and the fact that she had not gone up in the lift, to her room, the room that she did not have. She looked at her watch and sighed. A single, gloating voice began whispering in her head.
Here I am, asleep again, and dreaming. In the dream I am in an aeroplane, or on it, rather, for the cabin is open to the sky, with a metal floor and a rounded metal canopy above supported on thin steel struts. There are other passengers on board but I cannot see them, the headrests of the seats are set too high. The air is gushing against my face, wonderfully cool and mild. Far below, through breaks in the cloud, I can see fields and rivers, little puffs of green that must be trees, and houses, and highways, a whole toy world laid out and stretching off to the curved horizon on all sides. As I fly along, feather-light and free, I am myself and also someone else, and this is all right, and natural. A stewardess comes and leans over me, telling me something, but when I look up at her I see that she has a bearded, pained face, the face of a man, gentle but not effeminate, the eyes lightly closed as in death, the lids stretched like paper or silk over the bulging orbs beneath. She is handing me something, a folded sheet of paper, a letter, perhaps, which I try not to accept, but she insists, still with that gentle, kindly, suffering expression. Signore, she is saying, with soft urgency, pointing to her bearded face, signore, signore. I push at her to make her stand aside, the paper crackling in my hand, and try to rise from my seat, but cannot, my leg will not let me. I know that the plane is going to crash, I can feel it dipping out of its headlong course, can feel the metal floor shivering with the strain. The world was rushing up to meet me, the objects in it growing bigger in sudden, ratcheted expansions, like a series of photographic enlargements being laid rapidly one over the other. At last I got myself upright, my leg severing itself painlessly at the hip and releasing me, and as I hopped bleeding down the aisle I saw that it was not an aeroplane I was travelling in but the open back of a lorry that bucked and swayed as it hurtled driverless through the smoke and blare of the midday traffic. There was a cry, and someone shouted something, and I woke, cold with sweat and clutching the edge of the mattress, my teeth clenched and my legs tangled in the sheets.
I rose unsteadily and went and shut the window, seeking to block out the noise of the street. It was not yet seven and already the day was in full, clamorous swing; I thought wistfully of Arcady 's somnolent mornings. On the bedside table behind me the telephone rang. I grew up without telephones, and have never managed to become accustomed to the instrument, the way it sits there, the same in every house and hotel room, ready to break out at any moment without warning, petulant and demanding as a wailing infant. I went back and sat on the side of the bed and picked up the receiver cautiously, and cautiously applied it to my ear, and for a moment saw myself as my father, with all his wariness of the world's machinery. My father. How strange. I had not thought about him in… how long? A voice was speaking in my ear, from the reception desk, to inform me that "una persona" was waiting for me downstairs. I nodded, as if the receptionist were standing in front of me. Then I put the receiver down again, exhaling a breath. So.
I ate breakfast in my room, unhurriedly, and afterwards lay in a scalding bath for a long time. Now that she was here, now that the moment of confrontation had arrived, I had drifted into a state of lethargy and lazy contemplation. That momentary vision of my father had stirred up all manner of unexpected memories from the far past, of my childhood, of my family, of the Vander household with its many cousins, uncles, aunts. It was as if I were drowning, calmly, with my life not so much flashing before me as playing out selected scenes for me in dreamy slow motion. At length I rose and towelled myself briskly and put on my linen suit, hopelessly wrinkled now, and my stubby tie. Grimly I grinned at myself in the mirror: the drowned man dresses for his own funeral. In the corridor there was a mortal hush. The lift arrived with its clangings and mashings and I stepped into the box and descended, with one hand in my pocket rubbing a coin – the ferryman's levy! – between a finger and thumb.
Odd, that Arcady should have been the place where I ended up, so far from everything that I had once known. It was in the wrong direction entirely; by rights, I should have been borne the opposite way, like so many others, into the heart of the calamity, the toppling towers, the fire storms, the children shrieking in the burning lake. When I got to Arcady and looked back, however, I saw that everything I had done had been pushing me relentlessly toward it, as if the essays published, the addresses delivered, the honours won, had been so many zephyrs wafting me irresistibly westward, from Europe to Manhattan, to Pennsylvania, to the plains of Indiana, to bleak Nebraska – such harsh poetry in those names! – and then in a last, high leap, over the mountains and down to that narrow strip of sunlit coast where I came to rest with a soundless, dusty thump, like a spaceman stepping on to an unknown planet. Unknown, that is the apt word. The place was always alien to me, or at least I was an alien in it. The fact is, I was never there, not really. I took no part in town life, such as it was. I did not buy a car. I never went on that delicate, spindly, far-famed red bridge. Walking in Arcady's steady sunlight, that seemed trained on me always like the light of an impersonal but ever-watchful eye, I would close my mind to the present and be again in the city where I was born, and walk again in the narrow, secret streets where I walked as a child, and see again the spires and the huddled roofs and the frozen fields beyond, scattered with tiny figures at work or play, as in one of those hackneyed Dutch genre scenes of mingled labours and festivities. Oh, what would I not have given in those unvarying Arcadian days to catch even for an instant the flash of rain-light on an April road in Flanders! And yet, I should have been at ease in Arcady. There, everyone had previously been someone else, at some time, in some entirely other existence, just like me. In all the years I lived in the town I never met a single person who had been born there. Where are you from? Arcadians would ask of each other, and stand smiling, brows lifted and lips expectantly parted, anticipating a story, a history. They would confide the most intimate details about themselves and their pasts, and give that characteristic shrug, shrugging it all off. The future was their legend. I, of course, fascinated them. Unlike the comrades I had left behind in New York, they were not interested in me as a political exemplar, but flocked to me nevertheless, filled with curiosity and wonder, as if they were visiting some ancient, hallowed site of immemorial rituals, battles, bloody sacrifice. They would walk around me, viewing me from all angles, wishing they had brought their cameras and their guidebooks. I encouraged them, the most agreeable or at least the most useful of them, welcomed them, accommodated them, until I judged my authenticity had been sufficiently attested, and then I shut fast the gates and let the portcullis come crashing down, and stay down, its rivets rusted fast.
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