by Clive James
Until recent times, one of Germany’s recurring troubles was that it was more integrated culturally than it was politically. A case can be made for the Jews not having been integrated at all into the political structure, although you would have to eliminate a towering figure like Walther Rathenau – which is exactly what some of the Nazi Party’s forerunners did. But from the time of Goethe up until the Anschluss the Jews were, at least in part, integrated into the culture; they made a contribution whose like had not been seen in Europe since Alfonso IX founded the University of Salamanca. Though they often aroused envy and spite among non-Jewish rivals, they aroused admiration in at least equal measure. Kant said that if the Muse of Philosophy could choose an ideal language, it would choose the language of Moses Mendelssohn. Goethe said that the Jewish contribution was vital. Nietzsche ranked the Jew Heine as the most important German poet after Goethe. The novelist Theodor Fontane, who started out as an anti-Semite, gave up on the idea when he realized that the Jewish bourgeoisie was a more cultivated audience than the aristocracy, which he had tried in vain to enlighten. Even the dreadful Wagner was ambivalent on the subject: when Thomas Mann’s Jewish father-in-law left Germany after the Nazis came to power, all he took with him were Wagner’s letters of thanks for his having helped to build the Festspielhaus in Bayreuth.
Which brings us to Thomas Mann. Here one is forced to wonder if whoever gave Goldhagen high marks for his thesis ever showed it to a literary colleague. As evidence of the all-pervading nature of eliminationist anti-Semitism, Goldhagen has the audacity to rope in, without qualification or explanation, a remark by Thomas Mann. Well, there is a grain of truth in it. In 1933, when Mann had already begun his long exile, he did indeed confide to his diary that it was a pity the new regime should include him along with some of the undesirable Jewish elements it was dealing with. But against this grain of truth there is a whole silo of contrary evidence. Thomas Mann had always disliked what he saw as the rootless Jewish cosmopolitanism (shades of his beloved Wagner there) that criticized because it couldn’t create, and thus gave rise to a bugbear like Alfred Kerr. Mann the Nobel Prize-winning eminence, the new Goethe, the walking cultural icon, had a bad tendency, quite normal among writers even at their most successful, to take praise as his due and anything less as sabotage. He thought, with some justification, that the annoyingly clever Kerr was on his case. But for Jews who, in his opinion, did create, Mann had nothing but admiration. He had it in the first years of the century, when his conservatism was still as hidebound as the snobbery he was never to overcome: his two early encomiums for Arthur Schnitzler are models of generosity. He had scores of friendships among the Jewish cultural figures of the emigration and maintained them throughout the Nazi era, often at the expense of his time, effort and exchequer. For Bruno Walter, it was always open house chez Mann, because Mann honoured Walter as the incarnation of the Germany that mattered, just as he despised Hitler as its exterminating angel. Even to allow the possibility of our inferring that Mann might have thought otherwise is to perpetrate a truly stunning libel, and one can only hope that the excuse for it is ignorance.
Nowadays it has become fashionable to mock Mann’s supposed equivocation vis-à-vis the Nazi regime in its first years, because of the time that passed before he publicly condemned it. At the time, his own children were angry with him for the same reason. We have to remember that his prestige, worldly goods and most appreciative reading public were all locked up in Germany; that he was deeply rooted in its complex society; and that at his age he did not fancy leading the very kind of rootless cosmopolitan life for which he had condemned men like Kerr. But his 1933–34 diaries (which one can safely recommend Goldhagen to read whole so that he will not in future run the risk of quoting a misleading fragment from a secondary source) reveal unmistakably, and over and over, that he loathed the bestiality of the new regime from its first hour. All Mann’s Tagebüche, through the Thirties and the war years – and hurry the day when the whole fascinating corpus is properly translated – show that he never wavered in his utter disgust at what the Nazis had done to his country. As for his opinion of what they were doing to the most defenceless people in it, he went public about that in his 1936 essay on anti-Semitism, in which he definitively penetrated, and devastatingly parodied, the unconscious logic of the Nazi mentality: ‘I might be nothing, but at least I am not a Jew.’
Historical research has by now established beyond question that the Nazi Party was principally financed not by the great capitalists of Brecht’s imagination but by the Kleinleute – the little people. Reduced to despair by inflation and by the Depression, they assigned their hopes and their few spare pennies to the cause of the man they thought might rescue them from nothingness. He did, too – so triumphantly that they didn’t suspect until the eleventh hour that he was leading them into a nothingness even more complete than the one they had come from. The Holocaust would have been unimaginable without the Nazi Party; the Nazi Party would have been unimaginable without Hitler; and Hitler’s rise to power would have been unimaginable without the unique circumstances that brought the Weimar Republic to ruin. To hear Goldhagen tell it, mass murder was all set to go: a century-long buildup of eliminationist anti-Semitism simply had to express itself. But the moment when a historian says that something had to happen is the moment when he stops writing history and starts predicting the past.
After the Second World War, the British historian A. J. P. Taylor began publishing a series of books and articles which added up to the contention that Hitler’s regime was the inevitable consequence of Germany’s border problem, and that his depredations in the East were just a harsh version of what any German in his position would have been obliged to do anyway. Hitler’s war, Taylor argued, brought Europe back to ‘reality’, out of its liberal illusions. Then, in 1951, the German historian Golo Mann – one of Thomas Mann’s three sons – made a survey of Taylor’s historical writings, and took them apart. He accused Taylor of predicting the past. The Weimar Republic, Mann pointed out, had been no liberal illusion and might have survived if extraordinary circumstances hadn’t conspired to undermine it. German nationalism was not a demon that always strode armed through the land – it was in the minds of men, and could have stayed there. This confrontation between the frivolously clever Taylor and the deeply engaged Golo Mann was a portent of the intellectual conflict that blew up in Germany more than thirty years later, when the learned historian Ernst Nolte foolishly went to print with an opinion that sounded like one of Taylor’s brainwaves cast in more turgid prose: he stated that Nazi Germany, by attacking Russia, had simply got into the Cold War early, and that Nazi extermination camps had been the inevitable consequence of tangling with an enemy who was up to the same sort of thing. This time, there were plenty of German historians and commentators ready to oppose such views, because by now the perverse urge to marginalize the Nazis had penetrated the academic world, and had been identified as a trend that needed to be stopped. Younger historians who had looked up to Nolte hastened to distance themselves from him; the glamorous Michael Stürmer, in his virtuoso summary of modern German history Die Grenzen der Macht (The Limits of Power), consigned Nolte’s theory to a dismissive passing reference. Stürmer also wrote a sentence about Hitler that is unfortunately likely to remain all too true: ‘Even today, the history of Hitler is largely the history of how he has been underestimated.’
Why is this so? Strangely, anti-Semitism has probably played a part. We tend to think of him as an idiot because the central tenet of his ideology was idiotic – and idiotic, of course, it transparently is. Anti-Semitism is a world view through a pinhole: as scientists say about a bad theory, it is not even wrong. Nietzsche tried to tell Wagner that it was beneath contempt. Sartre was right for once when he said that through anti-Semitism any halfwit could become a member of an élite. But, as the case of Wagner proves, a man can have this poisonous bee in his bonnet and still be a creative genius. Hitler was a destructive genius, whose evil gifts no
t only beggar description but invite denial, because we find it more comfortable to believe that their consequences were produced by historical forces than to believe that he was a historical force. Or perhaps we just lack the vocabulary. Not many of us, in a secular age, are willing to concede that, in the form of Hitler, Satan visited the Earth, recruited an army of sinners, and fought and won a battle against God. We would rather talk the language of pseudoscience, which at least seems to bring such cataclysmic events to order. But all that such language can do is shift the focus of attention down to the broad mass of the German people, which is what Goldhagen has done, in a way that, at least in part, lets Hitler off the hook – and unintentionally reinforces his central belief that it was the destiny of the Jewish race to be expelled from the Volk as an inimical presence.
Hannah Arendt, in her long, courageous, and much misunderstood career, had her weak moments. In her popular Eichmann in Jerusalem (first published serially in this magazine) she undoubtedly pushed her useful notion of the detached desk worker too far. But she was resoundingly right when she refused to grant the Nazis the power of their fait accompli. She declined to suppose, as Hitler had supposed, that there really was some international collectivity called the Jews. Echoing the fourth count of the Nuremberg indictment, she called the Holocaust a crime against humanity.
The Jews were the overwhelming majority among Hitler’s victims, but he also killed all the Gypsies and homosexuals he could find. He let two and a half million Russian POWs perish, most of them from the gradually applied technique of deprivation. The novelist Joseph Roth, drinking himself to death in Paris before the war, said that Hitler probably had the Christians in his sights, too. We can never now trace the source of Hitler’s passion for revenge, but we can be reasonably certain that there would have been no satisfying it had he lived. Sooner or later, he would have got around to everybody. Hitler was the culprit who gave all the other culprits their chance. To concentrate exclusively on the prejudice called anti-Semitism – to concentrate even on his anti-Semitism – is another way of underestimating him.
At the end of this bloodstained century, which has topped by ten times Tamburlaine’s wall of skulls, lime, and living men, the last thing we want to believe is that it all happened on a whim. In the Soviet Union, the liquidation of bourgeois elements began under Lenin. By the time Stalin took power, there were no bourgeois elements left. He went on finding them. He found them even within the Communist Party. They didn’t exist. They never had existed. He killed them anyway. Eventually, he killed more people than Hitler, and it was all for nothing. Far from building socialism, he ensured its ruin. His onslaught had nothing to do with social analysis, about which he knew no more than he did about biology. Unless you believe in Original Sin, there is almost no meaning that can be attached to his behaviour, except to say that he was working out his personal problems.
In China, Mao Zedong went to war against the evil landlords and the imperialist spies. Neither group actually existed. The death toll of his countrymen exceeded the totals achieved by Hitler and Stalin combined. They all died for nothing. Dying innocent, they have their eternal dignity, but there are no profundities to be plumbed in their collective extinction except the adamantine fact of human evil. In Cambodia, Pol Pot encouraged the persecution, torture, and murder of everyone who wore glasses – but enough. A country, no matter how cultured, either respects the rights of all its citizens or is not civilized. The answer to the nagging conundrum of how a civilized country like Germany could produce the Holocaust is that Germany ceased to be civilized from the moment Hitler came to power. It had been before, and it has been since – a fact that might secure for Goldhagen’s book, when it is published there, a considered reception, despite its contents. I look forward to reading the German critical press, especially if one of the reviewers is Marcel Reich-Ranicki. Of Jewish background (his book about his upbringing in the Warsaw ghetto is a minor masterpiece), Reich-Ranicki is one of the most brilliant critical writers in the world. I know just where I want to read his piece: in my favourite café on the Oranienburger Strasse, just along from the meticulously restored synagogue, whose golden dome is a landmark for the district. Two armed guards stand at the door, but this time in its defence – a reminder of what Germany once did not only to others but to itself, and need not have done if democracy had held together.
A shorter version first appeared in the New Yorker, 22 April, 1996
POSTSCRIPT TO GOLDHAGEN
The preceding review is reprinted in a form substantially different from the way it first appeared in the New Yorker. The way it looks here is much closer to the way I first wrote it. Goldhagen’s book was big news at the time, so Tina Brown very properly decided that my notice should be promoted from the ‘back of the book’ reviews department to ‘Critic at Large’ status in the middle of the magazine. This unlooked-for elevation, however, proved to be a mixed blessing, because in a position of such prominence the soi-disant Critic at Large often finds himself not as at large as he would like. Suddenly he is held to be speaking for the magazine as much as for himself, and inevitably it is decided that his personal quirks should be suppressed, in the interests of objectivity. My animadversions on Goldhagen’s prose style were held to be a potentially embarrassing irrelevance: to dispute his interpretation of factual events was going to be contentious enough, without getting into the subjective area of how he wrote his interpretation down. I didn’t think that it was a subjective area; I thought the callow over-confidence of his jargon-ridden style was a clear index of how he had been simply bound to get his pretended overview of the subject out of shape from the start; but I knuckled under or we would have all been stymied.
It wasn’t, after all, as if the editors wanted to change the main thrust of the piece. There is a fine line between being asked to say something differently and being required to say something different, but it is a clear one. When they do want you to say something different, of course, it’s time to take the kill fee and quit. But this piece was guaranteed to give me trouble whatever the circumstances. Goldhagen’s book aspires to be wide-ranging over both the political and cultural background to the Holocaust, and if you hope to show that his reach exceeds his grasp, you have to be pretty wide-ranging yourself, over a literature that it takes half a lifetime to absorb. It was probably as much a blessing as a curse that I had to write the piece against a deadline, and that I had to do much of the work on it while I was filming in Mexico City, away from my own library and any other library that held the relevant books. To a great extent I had to rely on what was in my memory. In retrospect, the restriction feels like a lucky break. Otherwise I would have ended up writing a review longer than the book, and it would have had footnotes hanging off it in festoons.
There is something to be said for being forced into ellipsis. Skimpiness, however, is inevitably part of the result. You wouldn’t know, from Goldhagen’s book, that the question of the Jewish contribution to German-speaking culture was far more complicated than he makes out. Unfortunately you wouldn’t know from my review just how complicated it was. It was elementary work to rebut his line with a few simple examples. The editing process reduced them to even fewer, but the obvious point was made. It was also fudged. Goldhagen is clamorously wrong on that particular topic, but the evidence by which he might think himself right is stronger than I had the time, the room or – less forgivably – the inclination to make out. As my admired Marcel Reich-Ranicki explains in his Der Doppelte Boden (augmented edition, Fischer, 1992), some of the Jewish writers, though they enjoyed huge public acclaim, had ample motive for feeling rejected. The novelist Jakob Wasserman, for all his success as a best-seller, despaired of social acceptance. Among Jewish artists in Germany after World War I that state of mind was not rare, and in Austria it was common. Its epicentre had been registered by Arthur Schnitzler at the turn of the century, in a key passage of his great novel Der Weg ins Freie (The Path into the Clear), where a leading character spells out the imposs
ibility of true assimilation with a mordant clarity not very different from the polemical Zionism of Theodor Herzl. There can be no doubt that Schnitzler was speaking from the heart.
The question abides, however, of whether he was speaking from a whole heart or only a part of it. Though insecurity was ever-present and outright abuse always a threat, the Jewish artists and thinkers, if assimilation to the German-speaking culture was what they wanted, had good reasons to think it was being achieved in those last years before 1933. Their influence, even their dominance, in the various fields of culture was widely acknowledged. On playbills, in concert programmes and on publishers’ lists there were Jewish names that attracted an audience totalling millions. The career of Stefan Zweig, alone, would be enough to make Goldhagen’s cultural theory look fantastic. Zweig’s books were customarily translated into about thirty languages but his sales in the German-speaking countries would have been enough on their own to make him wealthy. It shouldn’t need pointing out that his sales couldn’t have been that big if they had been confined to an audience of Jewish background, a qualification which applied to only 300,000 people in the whole of Germany. Zweig was part of the German literary landscape, together with the liberal values he professed. Hans Scholl, the master spirit of the White Rose resistance group in Munich, had already turned against his Hitler Youth upbringing, but his trajectory towards outright subversion was accelerated after one of Zweig’s books was taken away from him by a Nazi official. Scholl thought that if the Nazis were against that, they were against the Germany he cared about. (Goldhagen’s failure to so much as mention the White Rose, incidentally, is the kind of omission that makes a mockery of his scientific vocabulary. In science, the fact that doesn’t fit the theory eliminates the theory, not the other way about. Hans and Sophie Scholl were gentiles born into a household formed by liberal German culture, were well aware that Jews had helped to form that culture, and were ready to die for it rather than betray it. If Goldhagen wants to go on asking why the German population did not rise up, he might consider the manner in which those two brave young people perished. The guillotine is a big price to pay for a conviction.)
