by David Malouf
For all my crudeness and arrogance I had a great desire to act nobly, and in this business of the Professor I had miserably failed. I decided to cut my losses. As soon as he appeared now, and had announced his message, I would mount my bike, sling my football boots over my shoulder and pedal away. My one fear was that he might enquire what the trouble was, but of course he did not. Instead he broke off his visits altogether or passed the field without stopping, and I found myself regretting something I had come to depend on—his familiar figure hunched like a bird on the sidelines, our talks, some fuller sense of my own presence to add at the end of the game to the immediacy of my limbs after violent exercise.
Looking back on those days I see myself as a kind of centaur, half-boy, half-bike, for ever wheeling down suburban streets under the poincianas, on my way to football practise or the library or to a meeting of the little group of us, boys and girls, that came together on someone's verandah in the evenings after tea.
I might come across the Professor then on his after-dinner stroll; and as often as not he would be accompanied by my father, who would stop me and demand (partly, I thought, to impress the Professor) where I was off to or where I had been; insisting, with more than his usual force, that I come home right away, with no argument.
On other occasions, pedalling past his house among the trees, I would catch a glimpse of him with his telescope on the roof. He might raise a hand and wave if he recognised me; and sprinting away, crouched low over the handlebars, I would feel, or imagine I felt, that the telescope had been lowered and was following me to the end of the street, losing me for a time, then picking me up again two streets further on as I flashed away under the bunchy leaves.
I spent long hours cycling back and forth between our house and my girlfriend Helen's or to Ross McDowell or Jimmy Larwood's, my friends from school, and the Professor's house was always on the route.
I think of those days now as being all alike, and the nights also: the days warmish, still, endlessly without event, and the nights quivering with expectancy but also uneventful, heavy with the scent of jasmine and honeysuckle and lighted by enormous stars. But what I am describing, of course, is neither a time nor a place but the mood of my own bored, expectant, uneventful adolescence. I was always abroad and waiting for something significant to occur, for life somehow to declare itself and catch me up. I rode my bike in slow circles or figures-of-eight, took it for sprints across the gravel of the park, or simply hung motionless in the saddle, balanced and waiting.
Nothing ever happened. In the dark of front verandahs we lounged and swapped stories, heard gossip, told jokes, or played show-poker and smoked. One night each week I went to Helen's and we sat a little scared of one another in her garden-swing, touching in the dark. Helen liked me better, I thought, than I liked her—I had that power over her—and it was this more than anything else that attracted me, though I found it scary as well. For fear of losing me she might have gone to any one of the numbers that in those days marked the stages of sexual progress and could be boasted about, in a way that seemed shameful afterwards, in locker-rooms or round the edge of the pool. I could have taken us both to 6, 8, 10, but what then? The numbers were not infinite.
I rode around watching my shadow flare off gravel; sprinted, hung motionless, took the rush of warm air into my shirt; afraid that when the declaration came, it too, like the numbers, might be less than infinite. I didn't want to discover the limits of the world. Restlessly impelled towards some future that would at last offer me my real self, I nevertheless drew back, happy for the moment, even in my unhappiness, to be half-boy, half-bike, half aimless energy and half a machine that could hurtle off at a moment's notice in any one of a hundred directions. Away from things—but away, most of all, from my self. My own pres- ence had begun to be a source of deep dissatisfaction to me, my vanity, my charm, my falseness, my preoccupation with sex. I was sick of myself and longed for the world to free me by making its own rigorous demands and declaring at last what I must be.
One night,in our warm late winter, I was riding home past the Professor's house when I saw him hunched as usual beside his telescope, but too absorbed on this occasion to be aware of me.
I paused at the end of the drive, wondering what it was that he saw on clear nights like this that was invisible to me when I leaned my head back and filled my gaze with the sky.
The stars seemed palpably close. In the high September blueness it was as if the odour of jasmine blossoms had gathered there in a single shower of white. You might have been able to catch the essence of it floating down, as sailors, they say, can smell new land whole days before they first catch sight of it.
What I was catching, in fact, was the first breath of change—a change of season. From the heights I fell suddenly into deep depression, one of those sweet-sad glooms of adolescence that are like a bodiless drifting out of yourself into the immensity of things, when you are aware as never again—or never so poignantly—that time is moving swiftly on, that a school year is very nearly over and childhood finished, that you will have to move up a grade at football into a tougher class— shifts that against the vastness of space are minute, insignificant, but at that age solemnly felt.
I was standing astride the bike, staring upwards, when I became aware that my name was being called, and for the second or third time. I turned my bike into the drive with its border of big-leafed saxifrage and came to where the Professor, his hand on the telescope, was leaning out over the roof.
“I have some books for your father,” he called. “Just come to the gate and I will get them for you.”
The gate was wooden, and the fence, which made me think of a stockade, was of raw slabs eight feet high, stained reddish-brown. He leaned over the low parapet and dropped a set of keys.
“It's the thin one,” he told me. “You can leave your bike in the yard.” He meant the paved courtyard inside, where I rested it easily against the wall. Beyond, and to the left of the pine-framed house, which was stained the same colour as the fence, was a garden taken up almost entirely by the pool. It was overgrown with dark tropical plants, monstera, hibiscus, banana-palms with their big purplish flowers, glossily pendulous on stalks, and fixed to the paling-fence like trophies in wads of bark, elkhorn, tree-orchids, showers of delicate maidenhair. It was too cold for swimming, but the pool was filled and covered with a shifting scum of jacaranda leaves that had blown in from the street, where the big trees were stripping to bloom.
I went round the edge of the pool and a light came on, reddish, in one of the inner rooms. A moment later the Professor himself appeared, tapping for attention at a glass door.
“I have the books right here,” he said briskly; but when I stood hesitating in the dark beyond the threshold, he shifted his feet and added: "But maybe you would like to come in a moment and have a drink. Coffee. I could make some. Or beer. Or a Coke if you prefer it. I have Coke.”
I had never been here alone, and never, even with my father, to this side of the house. When we came to collect the Professor for an outing we had always waited in the tiled hallway while he rushed about with one arm in the sleeve of his overcoat laying out saucers for cats, and it was to the front door, in later years, that I had delivered bowls of gingerbread fish that my mother had made specially because she knew he liked it, or cabbage rolls or herring. I had never been much interested in what lay beyond the hallway, with its fierce New Guinea masks, all tufted hair and boar's tusks, and the Old Country chest that was just like our own. Now, with the books already in my hands, I hesitated and looked past him into the room.
“All right. If it's no trouble.”
“No no, no trouble at all!” He grinned, showing his teeth with their extravagant caps. “I am delighted. Really! Just leave the books there. You see they are tied with string, quite easy for you I'm sure, even on the bike. Sit where you like. Anywhere. I'll get the drink.”
“Beer then,” I said boldly, and my voice cracked, destroying what I had hoped migh
t be the setting of our relationship on a clear, man-to-man basis that would wipe out the follies of the previous year. I coughed, cleared my throat, and said again, "Beer, thanks,” and sat abruptly on a sofa that was too low and left me prone and sprawling.
He stopped a moment and considered, as if I had surprised him by crossing a second threshold.
“Well then, if it's to be beer, I shall join you. Maybe you are also hungry. I could make a sandwich.”
“No, no thank you, they're expecting me. Just the beer.”
He went out, his slippers shushing over the tiles, and I shifted immediately to a straight-backed chair opposite and took the opportunity to look around.
There were rugs on the floor, old threadbare Persians, and low down, all round the walls, stacks of the heavy seventy-eights I carried home when my father borrowed them: sonatas by Beethoven, symphonies by Sibelius and Mahler. Made easy by the Professor's absence, I got up and wandered round. On every open surface, the glass table-top, the sideboard, the long mantel of the fireplace, were odd bits and pieces that he must have collected in his travels: lumps of coloured quartz, a desert rose, slabs of clay with fern or fish fossils in them, glass paperweights, snuff-boxes, meerschaum pipes of fantastic shape—one a Saracen's head, another the torso of a woman like a ship's figurehead with full breasts and golden nipples—bits of Baltic amber, decorated sherds of pottery, black on terra-cotta, and one unbroken object, a little earthenware lamp that when I examined it more closely turned out to be a phallic grotesque. I had just discovered what it actually was when the Professor stepped into the room. Turning swiftly to a framed photograph on the wall above, I found myself peering into a stretch of the Old Country, a foggy, sepia world that I recognised immediately from similar photographs at home.
“Ah,” he said, setting the tray down on an empty chair, "you have discovered my weakness.” He switched on another lamp. “I have tried, but I am too sentimental. I cannot part with them.”
The photograph, I now observed, was one of three. They were all discoloured with foxing on the passe-partout mounts, and the glass of one was shattered, but so neatly that not a single splinter had shifted in the frame.
The one I was staring at was of half a dozen young men in military uniform. It might have been from the last century, but there was a date in copperplate: 1921. Splendidly booted and sashed and frogged, and hieratically stiff, with casque helmets under their arms, swords tilted at the thigh, white gloves tucked into braided epaulettes, they were a chorus line from a Ruritanian operetta. They were also, as I knew, the heroes of a lost but unforgotten war.
“You recognise me?” the Professor asked.
I looked again. It was difficult. All the young men strained upright with the same martial hauteur, wore the same little clipped moustaches, had the same flat hair parted in the middle and combed in wings over their ears. Figures from the past can be as foreign, as difficult to identify individually, as the members of another race. I took the plunge, set my forefinger against the frame, and turned to the Professor for confirmation. He came to my side and peered.
“No,” he said sorrowfully. “But the mistake is entirely understandable. He was my great friend, almost a brother. I am here. This is me. On the left.”
He considered himself, the slim assured figure, chin slightly tilted, eyes fixed ahead, looking squarely out of a class whose privileges— inherent in every point of the stance, the uniform, the polished accoutrements—were not to be questioned, and from the ranks of an army that was invincible. The proud caste no longer existed. Neither did the army nor the country it was meant to defend, except in the memory of people like the Professor and my parents and, in a ghostly way, half a century off in another hemisphere, my own.
He shook his head and made a clucking sound. “Well,” he said firmly, "it's a long time ago. It is foolish of me to keep such things. We should live for the present. Or like you younger people,” bringing the conversation back to me, "for the future.”
I found it easier to pass to the other photographs.
In one, the unsmiling officer appeared as an even younger man, caught in an informal, carefully posed moment with a group of ladies. He was clean-shaven and lounging on the grass in a striped blazer; beside him a discarded boater—very English. The ladies, more decorously disposed, wore long dresses with hats and ribbons. Neat little slippers peeped out under their skirts.
“Yes, yes,” he muttered, almost impatient now, "that too. Summer holidays—who can remember where? And the other a walking trip.”
I looked deep into a high meadow, with broken cloud-drift in the dip below. Three young men in shorts, maybe schoolboys, were climbing on the far side of the wars. There were flowers in the foreground, glowingly out of focus, and it was this picture whose glass was shattered; it was like looking through a brilliant spider's web into a picturebook landscape that was utterly familiar, though I could never have been there. That is the place, I thought. That is the land my parents mean when they “the Old Country": the country of childhood and first love that they go back to in their sleep and which I have no memory of, though I was born there. Those flowers are the ones, precisely those, that blossom in the songs they sing. And immediately I was back in my mood of just a few minutes ago, when I had stood out there gazing up at the stars. What is it, I asked myself, that I will remember and want to preserve, when in years to come I think of the Past? What will be important enough? For what the photographs had led me back to, once again, was myself. It was always the same. No matter how hard I tried to think my way out into other people's lives, into the world beyond me, the feelings I discovered were my own.
“Come. Sit,” the Professor said, "and drink your beer. And do eat one of these sandwiches. It's very good rye bread, from the only shop. I go all the way to South Brisbane for it. And Grken. I seem to remember you like them.”
“What do you do up on the roof?” I asked, my mouth full of bread and beer, feeling uneasy again now that we were sitting with nothing to fix on.
“I make observations, you know. The sky, which looks so still, is always in motion, full of drama if you understand how to read it. Like looking into a pond. Hundreds of events happening right under your eyes, except that most of what we see is already finished by the time we see it—ages ago—but important just the same. Such large events. Huge! Bigger even than we can imagine. And beautiful, since they unfold, you know, to a kind of music, to numbers of infinite dimension like the ones you deal with in equations at school, but more complex, and entirely visible.”
He was moved as he spoke by an emotion that I could not identify, touched by occasions a million light-years off and still unfolding towards him, in no way personal. The room for a moment lost its tension. I no longer felt myself to be the focus of his interest, or even of my own. I felt liberated, and for the first time the Professor was interesting in his own right, quite apart from the attention he paid me or the importance my parents attached to him.
“Maybe I could come again,” I found myself saying. “I'd like to see.”
“But of course,” he said, "any time. Tonight is not good—there is a little haze, but tomorrow if you like. Or any time.”
I nodded. But the moment of easiness had passed. My suggestion, which might have seemed like another move in a game, had brought me back into focus for him and his look was quizzical, defensive. I felt it and was embarrassed, and at the same time saddened. Some truer vision of myself had been in the room for a moment. I had almost grasped it. Now I felt it slipping away as I moved back into my purely physical self.
I put the glass down, not quite empty.
“No thanks, really,” I told him when he indicated the half finished bottle on the tray. “I should have been home nearly an hour ago. My mother, you know.”
“Ah yes, of course. Well, just call whenever you wish, no need to be formal. Most nights I am observing. It is a very interesting time. Here— let me open the door for you. The books, I see, are a little awkward, bu
t you are so expert on the bicycle I am sure it will be okay.”
I followed him round the side of the pool into the courtyard and there was my bike at its easy angle to the wall, my other familiar and streamlined self. I wheeled it out while he held the gate.
Among my parents’ oldest friends were a couple who had recently moved to a new house on the other side of the park, and at the end of winter, in the year I turned seventeen, I sometimes rode over on Sundays to help John clear the big overgrown garden. All afternoon we grubbed out citrus trees that had gone wild, hacked down morning-glory that had grown all over the lower part of the yard, and cut the knee-high grass with a sickle to prepare it for mowing. I enjoyed the work. Stripped down to shorts in the strong sunlight, I slashed and tore at the weeds till my hands blistered, and in a trancelike preoccupation with tough green things that clung to the earth with a fierce tenacity, forgot for a time my own turmoil and lack of roots. It was something to do.
John, who worked up ahead, was a dentist. He paid me ten shillings a day for the work, and this, along with my pocket money, would take Helen and me to the pictures on Saturday night, or to a flash meal at one of the city hotels. We worked all afternoon, while the children, who were four and seven, watched and got in the way. Then about five thirty Mary would call us for tea.
