by Ruth Rendell
"Has Archery ever met her?"
"Not yet, but he's making a day of it. She and her second husband live in Purley and he's got himself an invite for tea."
"You say the girl told him at Whitsun. Why has he waited so long? It must be a couple of months."
"I asked him that. He said that for the first couple of weeks he and his wife just let it ride. They thought the son might see reason. But he wouldn't. He got his father to get hold of a transcript of the trial, nagged him into working on Griswold. Of course he's an only child and as spoilt as they come. The upshot was that Archery promised to start poking his nose into it as soon as he got his fortnight's holiday."
"So he'll be back?"
"That will depend on Mrs. Painter," said Wexford.
*5*
...That they may see their children christianly and virtuously brought up. The Solemnisation of Matrimony
The Kershaws' house was about a mile from the town centre, separated from shops, station, cinema and churches by thousands of other large suburban villas. For number 20 Craig Hill was large, halfheartedly Georgian and built of raspberry red brick. The garden was planted with annuals, the lawn was clover-free and the dead heads had been nipped off the standard rose bushes. On the concrete drive a boy of about twelve was washing down a large white Ford.
Archery parked his car at the kerb. Unlike Wexford he had not yet seen the coach house at Victor's Piece, but he had read about it and it seemed to him that Mrs. Kershaw had climbed high. Sweat started on his forehead and his upper lip as he got out of the car. He told himself that it was unusually hot and that he had always been prone to feel the heat.
"This is Mr. Kershaw's house, isn't it?" he asked the boy.
"That's right." He was very like Tess, but his hair was fairer and his nose was freckled. "The front door's open. Shall I give him a shout?"
"My name is Archery," said the clergyman and he held out his hand.
The boy wiped his hands on his jeans. "Hallo," he said.
By now a little wrinkled man had come down the porch steps. The bright hot air seemed to hang between them. Archery tried not to feel disappointment. What had he expected? Certainly not someone so small, so unfinished looking and so wizened as this scrawny creature in old flannels and tieless knitted shirt. Then Kershaw smiled and the years fell from him. His eyes were a bright sparkling blue, his uneven teeth white and clean.
"How do you do?"
"Good afternoon, Mr. Archery. I'm very happy to meet you. As a matter of fact I've been sitting in the window, looking for you."
In this man's presence it was impossible not to feel hope, cheerfulness almost. Archery detected at once a rare quality in him, a quality he had come upon perhaps only half a dozen times in his life. This was a man who was interested in all things. Energy and enthusiasm radiated from him. On a winter's day he would warm the air. Today, in this heat, his vitality was overwhelming.
"Come inside and meet my wife." His voice was a hot breeze, a cockney voice that suggested fish and chips, eels and mash and East End pubs. Following him into the square panelled hall, Archery wondered how old he was. Perhaps no more than forty-five. Drive, the fire of life, lack of sleep because sleep wasted time, could prematurely have burnt away his youth. "We're in the lounge," he said, pushing open a reeded glass door. "That's what I like about a day like this. When I get home from work I like to sit by the french windows for ten minutes and look at the garden. Makes you feel all that slogging in the winter was worthwhile."
"To sit in the shade and look upon verdure?" After the words were out Archery was sorry he had spoken. He didn't want to put this suburban engineer in a false position.
Kershaw gave him a quick glance. Then he smiled and said easily, "Miss Austen certainly knew what she was talking about, didn't she?" Archery was overcome. He went into the room and held out his hand to the woman who had got up from an armchair. "My wife. This is Mr. Archery, Rene."
"How do you do?"
Irene Kershaw said nothing, but holding out her hand, smiled a tight bright smile. Her face was Tess's face as it would be when time had hardened it and finished it. In her youth she had been blonde. Now her hair, evidently set that day and perhaps in his honour, was dyed a dull leaf-brown and arranged in unreal feathery wisps about her forehead and ears.
"Sit down, Mr. Archery," said Kershaw. "We won't keep you a minute for your tea. Kettle's on, isn't it, Rene?"
Archery sat in an armchair by the window. Kershaw's garden was full of experimental rose pergolas, eruptions of rockery and stone sporting geraniums. He gave the room a quick glance, noting at once its cleanliness and the enormous mass of things which had to be kept clean. Books abounded, Readers Digests, encyclopaedias, dictionaries, works on astronomy, deep sea fishing, European history. There was a tank of tropical fish on a corner table, several model aircraft on the mantelpiece; stacks of sheet music covered the grand piano, and on an easel was a half-finished, rather charming, portrait in oils of a young girl. It was a large room, conventionally furnished with Wilton carpet and chintz covers, but it expressed the personality of the master of the house.
"We've had the pleasure of meeting your Charlie," said Kershaw. "A nice unassuming boy. I liked him." Charlie! Archery sat very still, trying not to feel affronted. Charles's eligibility, after all, was not in question.
Quite suddenly Rene Kershaw spoke. "We all like him," she said. Her accent was just the same as Wexford's. "But I'm sure I don't know how they plan to manage, what with everything being such an awful pricethe cost of living, you knowand Charles not having a job in line..." Archery felt amazement. Was she really concerned with this trivia? He began to wonder how he would broach the subject that had brought him to Purley. "I mean where will they live?" Mrs. Kershaw asked primly. "They're just babies really. I mean, you've got to have a home of your own, haven't you? You've got to get a mortgage and..."
"I think I can hear the kettle, Rene," said her husband. She got up, holding her skirt modestly down to cover her knees. It was a very suburban skirt of some permanently pleated material banded in muted blue and heather pink and of dead sexless respectability. With it she wore a short-sleeved pink jumper and around her neck a single string of cultured pearls. If cultured meant tended and nurtured, Archery thought he had never seen such obviously cultured pearls. Each night, he was sure, they were wrapped in tissue and put away in the dark. Mrs. Kershaw smelt of talcum powder, some of which lingered in the lines of her neck.
"I don't think we've got to the mortgage stage yet," said Kershaw when she had gone. Archery gave a wry smile. "Believe me, Mr. Archery, I know you haven't come here just for an in-laws' get-together over the tea cups."
"I'm finding it more awkward than I thought possible."
Kershaw chuckled. "I daresay. I can't tell you anything about Tess's father that isn't common knowledge, that wasn't in the papers at the time. You know that?"
"But her mother?"
"You can try. At times like this women see things through a cloud of orange blossom. She's never been very keen on Tess being an educated woman. She wants to see her married and she'll do her best to see nothing stands in her way."
"And you, what do you want?"
"Me? Oh, I want to see her happy. Happiness doesn't necessarily begin at the altar." Suddenly he was brisk and forthright. "Frankly, Mr. Archery, I'm not sure if she can be happy with a man who suspects her of homicidal tendencies before she's even engaged to him."
"It isn't like that!" Archery hadn't expected the other man to put him on the defensive. "Your stepdaughter is perfect in my son's eyes. I'm making the inquiries, Mr. Kershaw. My son knows that, he wants it for Tess's sake, but he doesn't even know I'm here. Put yourself in my position..."
"But I was in your position. Tess was only six when I married her mother." He looked quickly at the door, then leaned closer to Archery. "D'you think I didn't watch her, look out for the disturbance to show itself? When my own daughter was born Tess was very jealous. She
resented the baby and one day I found her leaning over Jill's pram striking her on the head with a celluloid toy. Luckily, it was a celluloid toy."
"But, good heavens...!" Archery felt the pallor drawing at his face muscles.
"What could I do? I had to go to work and leave the children. I had to trust my wife. Then we had a sonI think you bumped into him outside cleaning the carand Jill resented him in just the same way and with just the same violence. All children behave like this, that's the point."
"You never saw any moreany more of these tendencies?"
"Tendencies? A personality isn't made by heredity, Mr. Archery, but by environment. I wanted Tess to have the best sort of environment and I think I can say, with all due modesty, that she has."
The garden shimmered in the heat haze. Archery saw things he hadn't noticed at first, chalk lines on the lawn, where, regardless of herbaceous borders, the grass had been marked out for a tennis court; a shambles of rabbit hutches attached to the garage wall; an ancient swing. Behind him on the mantelpiece he saw propped against ornaments two party invitations. A framed photograph above it showed three children in shirts and jeans sprawled on a haystack. Yes, this had been the best of all possible environments for the murderer's orphan.
The door was pushed open and the girl in the portrait came in pushing a tea trolley. Archery, who was too hot and troubled to feel hungry, saw with dismay that it was laden with homebaked pastries, strawberries in glass dishes, fairy cakes in paper cases. The girl looked about fourteen. She was not so beautiful as Tess and she wore a bunchy school tunic, but her father's vitality illumined her face.
"This is my daughter Jill."
Jill sprawled in a chair, showing a lot of long leg.
"Now sit, nicely, dear," said Mrs Kershaw sharply. She gave the girl a repressive look and began to pour tea, holding the pot with curled ringers. "They don't realise they're young women at thirteen these days, Mr. Archery." Archery was embarrassed but the girl didn't seem to care. "You must have one of these cakes. Jill made them." Unwillingly he took a pastry. "That's right. I've always said to both my girls, schooling is all very well in its way, but algebra won't cook the Sunday dinner. Tess and Jill are both good plain cooks..."
"Mummy! I'm not plain and Tess certainly isn't."
"You know what I mean. Now don't take me up on everything. When they get married their husbands won't be ashamed to have anybody for a meal."
"This is my managing director, darling," said Jill pertly. "Just cut a slice off him and put it under the grill, will you?"
Kershaw roared with laughter. Then he took his wife's hand. "You leave Mummy alone." All this jollity and family intimacy was making Archery nervous. He forced a smile and knew it looked forced.
"What I really mean is, Mr. Archery," said Mrs Kershaw earnestly, "is that even if your Charlie and my Tessie have their ups and downs at first, Tess hasn't been brought up to be an idle wife. She'll put a happy home before luxuries."
"I'm sure she will." Archery looked helplessly at the lounging girl, firmly entrenched in her chair and devouring strawberries and cream. It was now or never. "Mrs. Kershaw, I don't doubt Theresa's suitability as a wife..." No, that wasn't right. That was just what he did doubt. He floundered. "I wanted to talk to you about..." Surely Kershaw would help him? Jill's brows drew together in a small frown and her grey eyes stared steadily at him. Desperately he said, "I wanted to speak to you alone."
Irene Kershaw seemed to shrink. She put down her cup, laid her knife delicately across her plate and, folding her hands, in her lap, looked down at them. They were poor hands, stubby and worn, and she wore just one ring, her second wedding ring.
"Haven't you got any homework to do, Jill?" she asked in a whisper. Kershaw got up, wiping his mouth.
"I can do it in the train," said Jill.
Archery had begun to dislike Kershaw, but he could not help admiring him. "Jill, you know all about Tess," Kershaw said, "what happened when she was little. Mummy has to discuss it with Mr. Archery. Just by themselves. We have to go because, although we're involved, it's not quite our business. Not like it is theirs. O.K.?"
"O.K." said Jill. Her father put his arm round her and took her into the garden.
He had to begin, but he was hot and stiff with awkwardness. Outside the window Jill had found a tennis racquet and was practising shots against the garage wall. Mrs. Kershaw picked up a napkin and dabbed at the corners of her mouth. She looked at him, their eyes met, and she looked away. Archery felt suddenly that they were not alone, that their thoughts concentrated on the past, had summoned from its prison grave a presence of brute strength that stood behind their chairs, laying a bloody hand on their shoulders and listening for judgment.
"Tess says you have something to tell me," he said quietly. "About your first husband." She was rolling the napkin now, squashing it, until it was like a golfball. "Mrs. Kershaw, I think you ought to tell me."
The paper ball was tipped soundlessly on to an empty plate. She put her hand up to her pearls.
"I never speak of him, Mr. Archery. I prefer to let the past be the past."
"I know it's painfulit must be. But if we could discuss it just once and get it over, I promise I'll never raise the subject again." He realised that he was speaking as if they would meet again and often, as if they were already connected by marriage. He was also speaking as if he had confidence in her word. "I've been to Kingsmarkham today and..."
She clutched at the straw. "I suppose they've buill it all up and spoiled it."
"Not really," he said. Please God, don't let her digress!
"I was born near there," she said. He tried to stifle a sigh. "A funny little sleepy place it was, my village. I reckon I thought I'd live and die there. You can't tell what life will bring forth, can you?"
"Tell me about Tess's father."
She dropped her hands from fidgeting with the pearls and rested them in her respectable blue lap. When she turned to him her face was dignified, almost ridiculously prim and shuttered. She might have been a mayoress, taking the chair at some parochial function, clearing her throat preparatory to addressing the Townswomen's Guild. "Madam chairman, ladies..." she should have begun. Instead she said: "The past is the past, Mr. Archery." He knew then that it was hopeless. "I appreciate your difficulty, but I really can't speak of it. He was no murderer, you'll have to take my word. He was a good kind man who wouldn't have harmed a fly."
It was curious, he thought, how she jumbled together old village phrases with platform jargon. He waited, then burst out: "But how do you know? How can you know? Mrs. Kershaw, did you see something or hear something...?"
The pearls had gone up to her mouth and her teeth closed over the string. As it snapped pearls sprayed off in all directions, into her lap, across the tea things, on to the carpet. She gave a small refined laugh, petulant and apologetic. "Look what I've done now!" In an instant she was on her knees, retrieving the scattered beads and dropping them into a saucer.
"I'm very keen on a white wedding." Her face bounced up from behind the tea trolley. Politeness demanded that he too should get on his knees and help in the hunt. "Get your wife to back me up, will you? Oh, thanks so much. Look, there's another one, just by your left foot." He scrambled round after her on all fours. Her eyes met his under the overhanging cloth. "My Tess is quite capable of getting married in jeans if the fancy takes her. Would you mind if we had the reception here? It's such a nice big room."
Archery got up and handed her three more pearls. When the tennis ball struck the window he jumped. The sound had been like a pistol shot.
"Now, that's quite enough, Jill," said Mrs. Kershaw sharply. Still holding the saucer full of pearls, she opened the window. "If I've told you once, I've told you fifty times, I don't want any more breakages."
Archery looked at her. She was annoyed, affronted, even slightly outraged. He wondered suddenly if this was how she had looked on that Sunday night long ago when the police had invaded her domain at th
e coach house. Was she capable of any emotion greater than this, of mere irritation at disturbance of her personal peace?
"You just can't settle to a quiet discussion with children about, can you?" she said.
Within an instant, as if at a cue, the whole family was upon them, Jill truculent and protesting, the boy he had encountered on the drive now demanding tea, and Kershaw himself, vibrant as ever, his little lined face showing a certain dry acuteness.
"Now, you're to come straight out and give me a hand with these dishes, Jill." The saucer was transferred to the mantelpiece and stuck between an Oxfam collecting box and a card inviting Mrs. Kershaw to a coffee morning in aid of Cancer Relief. "I'll say goodbye now, Mr. Archery." She held out her hand. "You've such a long way to go I know you'll want to be on your way." It was almost rude, yet it was queenly. "If we don't meet again before the great daywell, I'll see you in church."
The door closed. Archery remained standing. "What am I to do?" he said simply.
"What did you expect?" Kershaw countered. "Some sort of incontravertible evidence, an alibi that only she can prove?"
"Do you believe her?" Archery cared.
"Ah, that's another matter. I don't care, you see. I don't care one way or the other. It's so easy not to ask, Mr. Archery, just to do nothing and accept."
"But I care," said Archery. "If Charles goes ahead and marries your stepdaughter, I shall have to leave the church. I don't think you realise the sort of place I live in, the sort of people..."
"Aah!" Kershaw wrinkled up his mouth and spread his hands angrily fanwise. "I've no patience with that sort of out-dated rubbish. Who's to know? Everybody round here thinks she's my kid."
"I shall know."
"Why the hell did she have to tell you? Why couldn't she keep her mouth shut?"
