by Ruth Rendell
Archery returned the keys to the estate agent and lingered for a while looking at the photograph of the house he had just come from. It was like looking at the portrait of a girl you had known only as an old woman, and he wondered if it had perhaps been taken thirty years before when Mrs. Primero had bought the house. Then he turned and walked slowly back to the hotel.
Half-past four was usually a dead time at the Olive and Dove. But this was a Saturday and a glorious Saturday at that. The dining room was full of trippers, the lounge decorously crowded with old residents and new arrivals, taking their tea from silver trays. Archery's heart began to beat fast as he saw his son in conversation with a man and a woman. Their backs were towards him and he saw only that the woman had long fair hair and that the man's head was dark.
He made his way between the armchairs, growing hot with trepidation and weaving among beringed fingers holding teapots, little asthmatic dogs, pots of cress and pyramids of sandwiches. When the woman turned he should have felt relief. Instead bitter disappointment ran through him like a long thin knife. He put out his hand and clasped the warm fingers ol Tess Kershaw.
Now he saw how stupid his first wild assumption had been. Kershaw was shaking hands with him now and the man's lively face, seamed all over with the wrinkles of animation, bore no resemblance at all to Roger Primero's waxen pallor. His hair was not really dark but thin and sprinkled with grey.
"Charles called in on us on his way back from town," Tess said. She was perhaps the worst dressed woman in the room in her white cotton blouse and navy serge skirt. As if explaining this, she said quickly, "When we heard his news we dropped everything and came back with him." She got up, threaded her way to the window and looked out into the bright hot afternoon. When she came back she said, "It feels so strange. I must have walked past here lots of times when I was little, but I can't remember it at all."
Hand in hand with Painter perhaps. And while they walked, the murderer and his child, had Painter watched the traffic go by and thought of the way he could become part of that traffic? Archery tried not to see in the fine pointed face opposite his own, the coarse crude features of the man Alice Flower had called Beast. But then they were here to prove it had not been that way at all.
"News?" he said to Charles and he heard the note of distaste creep into his voice.
Charles told him. "And then we all went to Victor's Piece," he said. "We didn't think we'd be able to get in, but someone had left the back door unlocked. We went all over the house and we saw that Primero could easily have hidden himself."
Archery turned away slightly. The name was now invested with many associations, mostly agonising.
"He said good-bye to Alice, opened and closed the front door without actually going out of it, then he slipped into the dining roomnobody used the dining room and it was dark. Alice went out and..." Charles hesitated, searching for a form of words to spare Tess. And, after the coal was brought in, he came out, put on the raincoat that was left hanging on the back door andwell, did the deed."
"It's only a theory, Charlie," said Kershaw, "but it fits the facts."
"I don't know..." Archery began.
"Look, Father, don't you want Tess's father cleared?"
Not, thought Archery, if it means incriminating her husband. Not that. I may already have done her an injury, but I can't do her that injury.
"This motive you mentioned," he said dully.
Tess broke in excitedly, "It's a marvellous motive, a real motive." He knew exactly what she meant. Ten thousand pounds was real, solid, a true temptation, while two hundred pounds ... Her eyes shone, then saddened. Was she thinking that to hang a man wrongfully was as bad as killing an old woman for a bag of notes? And would that too remain with her all her life? No matter which way things fell out, could she ever escape?
"Primero was working in a solicitor's office," Charles was saying excitedly. "He would have known the law, he had all the facilities for checking. Mrs. Primero might not have known about it, not if she didn't read the papers. Who knows about all the various Acts of Parliament that are going to be passed anyway? Primero's boss probably had a query about it from a client, sent him to look it up, and there you are. Primero would have known that if his grandmother died intestate before October 1950 all the money would come to him. But if she died after the Act his sisters would get two-thirds of it. I've been looking it all up. This is known as the Great Adoption Act, the law that gave adopted children almost equal rights with natural ones. Of course Primero knew."
"What are you going to do?"
"I've been on to the police but Wexford can't see me before two on Monday. He's away for the weekend. I'll bet the police never checked Primero's movements. Knowing them, I'd say it's likely that as soon as they got hold of Painter they didn't trouble with anyone else." He looked at Tess and took her hand. "You can say what you like about this being a free country," he said hotly, "but you know as well as I do that everyone has a subconscious feeling that 'working class' and 'criminal class' are more or less synonymous. Why bother with the respectable, well-connected solicitor's clerk when you've already got your hands on the chauffeur?"
Archery shrugged. From long experience he knew it was useless to argue with Charles when he was airing his quasi-communist ideals.
"Thank you for your enthusiastic reception," Charles said sarcastically. "What is there to look so miserable about?"
Archery could not tell him. A load of sorrow seemed to have descended on him and in order to answer his son, he sorted out from conflicting pain something he could express to them all.
"I was thinking of the children," he said, "the four little girls who have all suffered from this crime." He smiled at Tess. "Tess, of course," he went on, "those two sisters you sawand Elizabeth Crilling."
He did not add the name of the grown woman who would suffer more than any of them if Charles was right.
*12*
Is it not lawful for me to do what I will with mine own? The Gospel for Septuagesima Sunday
The man who was shown into Wexford's office at nine on Monday morning was small and slender. The bones of his hands were particularly fine and with narrow delicate joints like a woman's. The dark grey suit he wore, very expensive looking and very sleek, made him look smaller than he actually was. He seemed to be surrounded, even so early in the morning and away from his home, with a great many adjuncts of elegance. Wexford, who knew him well, was amused by the sapphire tiepin, the two rings, the key chain with its heavy drop of chasedamber, was it?the briefcase of some kind of reptile skin. How many years, he asked himself, was Roger Primero going to need to get used to wealth? "Lovely morning," said Wexford. "I've just had a couple of days at Worthing and the sea was like a millpond. What can I do for you?"
"Catch a con man," said Primero, "a lousy little squirt posing as a journalist." He unclipped the briefcase and flicked a Sunday newspaper across Wexford's desk. It slipped on the polished surface and fell to the floor. Raising his eyebrows, Wexford let it lie.
"Hell," said Primero. "There's nothing for you to see, anyway." His glazed eyes had a sore look in the handsome expressionless face. The man's vanity had made him rebel against glasses at last, Wexford thought, blinking slightly behind his own heavy tortoiseshell frames. "Look here, Chief Inspector, I don't mind telling you, I'm hopping mad. This is how it was. Mind if I smoke?"
"Not at all."
A gold cigarette case spilled out from his pocket, followed by a holder and a lighter in peculiar black and gold mosaic. Wexford watched this production of props, wondering when it was going to end. The man is furnished like a room, he thought.
"This is how it was," he said again. "Character rang me up on Thursday, said he was on the Planet and wanted to do an article about me. My early life. You get the picture? I said he could come along on Friday and he did. I gave him a hell of a long interview, all the dope and the upshot of it was my wife asked him to lunch." He screwed up his mouth and nose like a man smelling
something offensive. "Hell," he said, "I don't suppose he's ever seen a lunch like that in all his life..."
"But no article appeared and when you rang the Planet this morning they'd never heard of him."
"How did you know?"
"It happens," said Wexford dryly. "I'm surprised at you, sir, a man of your experience. The time to ring the Planet was Friday morning."
"It makes me feel such a frightful ass."
Wexford said airily, "No money passed, I daresay?"
"Hell, no!"
"Just the lunch, then, and you told him a lot of things you'd rather have left unsaid."
"That's the thing." His expression had been sulky, but suddenly he smiled and it was a likeable smile. Wexford had always rather liked him. "Oh, hell's bells, Chief Inspector..."
"Hell's bells, as you say. Still, you were wise to come to us, though I don't know that we can do anything unless he makes a move..."
"A move? What d'you mean, a move?"
"Well, let me give you an example. Nothing personal, you understand. Just supposing a wealthy man, a man who is somewhat in the public eye, says something a shade indiscreet to a reputable journalist. Ten to one he can't use it because he's laying his paper open to libel action." Wexford paused and gave the other man a penetrating look. "But if he says those same indiscreet things to an impostor, a confidence trickster..." Primero had grown very pale. "What's to stop the impostor following a few leads and ferreting out something really damaging. Most people, Mr. Primero, even decent law-abiding people, have something in their pasts they'd rather not have known. You have to ask yourself, if he's not on the level, what's he up to? The answer is either he's after your money or else he's crazy." He added more kindly, "In my experience nine out of ten of them are just crazy. Still, if it'll help to set your mind at rest perhaps you could give us a description. I suppose he gave you his name?"
"It wouldn't be his real name."
"Naturally not."
Primero leant confidingly towards him. During the course of his long career Wexford had found it valuable to make himself au fait with perfumes and he noticed that Primero smelt of Lentheric's Onyx.
"He seemed nice enough," Primero began. "My wife was quite taken with him." His eyes had begun to water and he put his fingers very cautiously up to them. Wexford was reminded of a weeping woman who dare not rub her eyes for fear of smudging mascara. "I haven't told her about this, by the way. I passed it off. Wouldn't want to upset her. He was well-spoken, Oxford accent and all that. A tall fair fellow, said his name was Bowman, Charles Bowman."
"A-ha!" said Wexford but not aloud.
"Chief Inspector?"
"Mr. Primero?"
"I've just remembered something. He waswell, he was extraordinarily interested in my grandmother."
Wexford almost laughed. "From what you've told me I think I can assure you there won't be any serious repercussions."
"You think he's a nut?"
"Harmless, anyway."
"You've taken a load off my mind." Primero got up, retrieved his briefcase and picked up the newspaper. He did it rather awkwardly as if he was unused to performing even so simple a service for himself. "I'll be more careful in future."
"An ounce of prevention, you know."
"Well, I won't take up any more of your time." He pulled a long, but possibly sincerely sad face. The watering eyes added to his look of melancholy. "Off to a funeral, as a matter of fact. Poor old Alice."
Wexford had noticed the black tie on which the sapphire glowed darkly. He showed Primero to the door. Throughout the interview he had kept a solemn face. Now he permitted himself the indulgence of gargantuan, though almost silent, laughter.
There was nothing to do until two o'clock except sight-seeing. Charles had been out early and bought a guide book. They sat in the lounge studying it.
"It says here," said Tess, "that Forby is the fifth prettiest village in England."
"Poor Forby," said Charles. "Damned with faint praise."
Kershaw began organising them. "How about all piling into my car..." He stuck his finger on the map "...and going down the Kingsbrook Road to Forbykeep clear of Forby Hall, eh, Charlie?have a quick look at the church, and then on to Pomfret. Pomfret Grange is open every weekday in the summerwe might have a look over itand back into Kingsmarkham along the main road."
"Lovely," said Tess.
Kershaw drove and Archery sat beside him. They followed the same route he had taken with Imogen Ide when she had come to put flowers on old Mrs. Primero's grave. As they came within sight of the Kingsbrook he remembered what she had said about the implacability of water and how, notwithstanding the efforts of man, it continues to spring from the earth and seek the sea.
Kershaw parked the car by the green with the duckpond. The village looked peaceful and serene. Summer was not as yet so far advanced as to dull the fresh green of the beech trees or hang the wild clematis with its frowsty greyish beard. Knots of cottage surrounded the green and on the church side was a row of Georgian houses with bow windows whose dark panes glistened, showing chintz and silver within. There were just three shops, a post office, a butcher's with a canopy and white colonnade, and a place selling souvenirs for tourists. The cottagers' Monday morning wash hung drying in the windless warm air.
They sat on the seat on the green and Tess fed the ducks from a packet of biscuits she had found on the shelf under the dashboard. Kershaw produced a camera and began taking photographs. Suddenly Archery knew he did not want to go any further with them. He almost shivered with distaste at the thought of trailing round the galleries of Pomfret Grange, gasping with false pleasure at the china and pretending to admire family portraits.
"Would you mind if I stayed here? I'd like to have another look at the church."
Charles glared. "We'll all go and look at the church."
"I can't, darling," said Tess. "I can't go into a church in jeans."
"Not in these trousers," Kershaw quipped. He put away his camera. "We'd better get moving if we're going to see the stately home."
"I can easily go back on the bus," said Archery.
"Well, for God's sake, don't be late, Father."
If it was going to be any more than a sentimental journey, he too would need a guide. When the car had gone he made his way into the souvenir shop. A bell rang sweetly as he opened the door and a woman came out from a room at the back.
"We don't keep a guide to St. Mary's, but you'll find them on sale inside the church door."
Now he was here he ought to buy something. A postcard? A little brooch for Mary? That, he thought, would be the worst kind of infidelity, to commit adultery in your heart every time you saw your wife wearing a keepsake. He looked drearily at the horse brasses, the painted jugs, the trays of costume jewellery.
A small counter was devoted entirely to calendars, wooden plaques with words on them in pokerwork, framed verses. One of these, a little picture on a card, showing a haloed shepherd with a lamb, caught his eye because the words beneath the drawing were familiar.
"Go, Shepherd, to your rest..."
The woman was standing behind him. "I see you're admiring the efforts of our local bard," she said brightly. "He was just a boy when he died and he's buried here."
"I've seen his grave," said Archery.
"Of course a lot of people who come here are under the impression he was a shepherd, you know. I always have to explain that at one time shepherd and poet meant the same thing."
"Lycidas," said Archery.
She ignored the interruption. "Actually he was very well-educated. He'd been to High School and everyone said he should have gone to college. He was killed in a road accident. Would you like to see his photograph?"
She produced a stack of cheap framed photographs from a drawer beneath the counter. They were all identical and each bore the legend: John Grace, Bard of Forby. Those whom God loves, die young.
It was a fine ascetic face, sharp-featured and ultrasensitive. It al
so, Archery considered, gave the impression that its owner suffered from pernicious anaemia. He had a curious feeling that he had seen it somewhere before.
"Was any of his work published?"
"One or two bits in magazines, that's all. I don't know the ins and outs of it because I've only been here ten years, but there was a publisher who had a weekend cottage here and he was very keen on making his poetry into a book when the poor boy died. Mrs. Gracehis mother, you knowwas all for it, but the thing was most of the stuff he'd written had disappeared. There were just these bits you see here. His mother said he'd written whole playsthey didn't rhyme, if you know what I mean, but they were kind of like Shakespeare. Anyway, they couldn't be found. Maybe he'd burnt them or given them away. It does seem a shame, though, doesn't it?"
Archery glanced out of the window towards the little wooden church. "Some mute inglorious Milton here may rest..." he murmured.
"That's right," said the woman. "You never know, they may turn up, like the Dead Sea Scrolls."
Archery paid five and sixpence for the picture of the shepherd and the lamb and strolled up towards the church. He opened the kissing gate and, walking in a clockwise direction, made for the door. What was it she had said? "You must never go widdershins around a church. It's unlucky." He needed luck for Charles and for himself. The irony was that however things fell out, one of them would lose.
There was no music coming from the church, but as the door opened he saw that some sort of service was in progress. For a moment he stood, looking at the people and listening to the words.
"If after the manner of men I have fought with beasts at Ephesus, what advantageth it me, if the dead rise not?"
It was a funeral. They were almost exactly half way through the service for the burial of the dead.
"Let us eat and drink for tomorrow we die..."
