The Ghost of a Model T: And Other Stories

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The Ghost of a Model T: And Other Stories Page 23

by Clifford D. Simak


  He had been hoarding the little money that he had, for with a limited work record, with other men better qualified looking for the jobs, he realized that it might be some time before he could connect with anything. The beat-up wagon that he drove had space for sleeping, and he stopped at the little wayside parks along the way to cook his meals.

  He had almost crossed the state, and the road had started its long winding through the bluffs that rimmed the Mississippi. Ahead he caught glimpses, at several turnings of the road, of smokestacks and tall structures that marked the city just ahead.

  He emerged from the bluffs, and the city lay before him, a small industrial center that lay on either side the river. It was then that he felt and saw (if one could call it seeing) the thinness that he had seen before or had sensed before. There was about it, not exactly an alienness, but a sense of unreality, as if one were seeing the actuality of the scene through some sort of veil, with the edges softened and the angles flattened out, as if one might be looking at it as one would look at the bottom of a clear-water lake with a breeze gently ruffling the surface. When he had seen it before, he had attributed it to road fatigue and had opened the window to get a breath of air or had stopped the car and gotten out to walk up and down the road a while, and it had gone away.

  But this time it was worse than ever, and he was somewhat frightened at it—not so much frightened at it as he was frightened of himself, wondering what might be wrong with him.

  He pulled off to the side of the road, braking the car to a halt, and it seemed to him, even as he did it, that the shoulder of the road was rougher than he’d thought. As he pulled off the road, the thinness seemed to lessen, and he saw that the road had changed, which explained its roughness. The surface was pocked with chuckholes and blocks of concrete had been heaved up and other blocks were broken into pebbly shards.

  He raised his eyes from the road to look at the city, and there was no city, only the broken stumps of a place that had somehow been destroyed. He sat with his hands frozen on the wheel, and in the silence—the deadly, unaccustomed silence—he heard the cawing of crows. Foolishly, he tried to remember the last time he had heard the caw of crows, and then he saw them, black specks that flapped just above the bluff top. There was something else as well—the trees. No longer trees, but only here and there blackened stumps. The stumps of a city and the stumps of trees, with the black, ash-like flecks of crows flapping over them.

  Scarcely knowing what he did, he stumbled from the car. Thinking of it later, it had seemed a foolish thing to do, for the car was the only thing he knew, the one last link he had to reality. As he stumbled from it, he put his hand down in the seat, and beneath his hand he felt the solid, oblong object. His fingers closed upon it, and it was not until he was standing by the car that he realized what he held—the camera that had been lying in the seat beside him.

  Sitting on the porch, with the loose floor board creaking underneath the rocker, he remembered that he still had the pictures, although it had been a long time since he had thought of them—a long time, actually, since he’d thought of anything at all beyond his life, day to day, in this autumn land. It was as though he had been trying to keep himself from thinking, attempting to keep his mind in neutral, to shut out what he knew—or, more precisely perhaps, what he thought he knew.

  He did not consciously take the pictures, although afterward he had tried to tell himself he did (but never quite convincing himself that this was entirely true), complimenting himself in a wry sort of way for providing a piece of evidence that his memory alone never could have provided. For a man can think so many things, daydream so many things, imagine so many things that he can never trust his mind.

  The entire incident, when he later thought of it, was hazy, as if the reality of that blasted city lay in some strange dimension of experience that could not be explained, or even rationalized. He could remember only vaguely the camera at his eyes and the clicking as the shutter snapped. He did recall the band of people charging down the hill toward him and his mad scramble for the car, locking the door behind him and putting the car in gear, intent on steering a zigzag course along the broken pavement to get away from the screaming humans who were less than a hundred feet away.

  But as he pulled off the shoulder, the pavement was no longer broken. It ran smooth and level toward the city that was no longer blasted. He pulled off the road again and sat limply, beaten, and it was only after many minutes that he could proceed again, going very slowly because he did not trust himself, shaken as he was, to drive at greater speed.

  He had planned to cross the river and continue to Chicago, getting there that night, but now his plans were changed. He was too shaken up and, besides, there were the films. And he needed time to think, he told himself, a lot of time to think.

  He found a roadside park a few miles outside the city and pulled into it, parking alongside an outdoor grill and an old-fashioned pump. He got some wood from the small supply he carried in the back and built a fire. He hauled out the box with his cooking gear and food, fixed the coffee pot, set a pan upon the grill and cracked three eggs into it.

  When he had pulled off the road, he had seen the man walking along the roadside; and now, as he cracked the eggs, he saw that the man had turned into the park and was walking toward the car. The man came up to the pump.

  “Does this thing work?” he asked.

  Rand nodded. “I got water for the pot,” he said. “Just now.”

  “It’s a hot day,” said the man.

  He worked the pump handle up and down.

  “Hot for walking,” he said.

  “You been walking far?”

  “The last six weeks,” he said.

  Rand had a closer look at him. The clothes were old and worn, but fairly clean. He had shaved a day or two before. His hair was long—not that he wore it long, but from lack of barbering.

  Water gushed from the spout and the man cupped his hands under it, bent to drink.

  “That was good,” he finally said. “I was thirsty.”

  “How are you doing for food?” asked Rand.

  The man hesitated. “Not too well,” he said.

  “Reach into that box on the tailgate. Find yourself a plate and some eating implements. A cup, too. Coffee will be ready soon.”

  “Mister, I wouldn’t want you to think I came walking up here …”

  “Forget it,” said Rand. “I know how it is. There’s enough for the both of us.”

  The man got a plate and cup, a knife, a fork, a spoon. He came over and stood beside the fire.

  “I am new at this.” he said. “I’ve never had to do a thing like this before. I always had a job. For seventeen years I had a job …”

  “Here you are,” said Rand. He slid the eggs onto the plate, went back to the box to get three more.

  The man walked over to a picnic table and put down his plate. “Don’t wait for me,” said Rand. “Eat them while they’re hot. The coffee’s almost ready. There’s bread if you want any.”

  “I’ll get a slice later,” said the man, “for mopping up.”

  John Sterling, he said his name was, and where now would John Sterling be, Rand wondered—still tramping the highways, looking for work, any kind of work, a day of work, an hour of work, a man who for seventeen years had held a job and had a job no longer? Thinking of Sterling, he felt a pang of guilt. He owed John Sterling a debt he never could repay, not knowing at the time they talked there was any debt involved.

  They had sat and talked, eating their eggs, mopping up the plates with bread, drinking hot coffee.

  “For seventeen years,” said Sterling. “A machine operator. An experienced hand. With the same company. Then they let me out. Me and four hundred others. All at one time. Later they let out others. I was not the only one. There were a lot of us. We weren’t laid off, we were let out. No promise of going back. Not
the company’s fault, I guess. There was a big contract that fizzled out. There was no work to do. How about yourself? You let out, too?”

  Rand nodded. “How did you know?”

  “Well, eating like this. Cheaper than a restaurant. And you got a sleeping bag. You sleep in the car?”

  “That is right,” said Rand. “It’s not as bad for me as it is for some of the others. I have no family.”

  “I have a family,” said Sterling. “Wife, three kids. We talked it over, the wife and me. She didn’t want me to leave, but it made sense I should. Money all gone, unemployment run out. Long as I was around, it was hard to get relief. But if I deserted her, she could get relief. That way there’s food for the wife and kids, a roof over their heads. Hardest thing I ever did. Hard for all of us. Someday I’ll go back. When times get better, I’ll go back. The family will be waiting.”

  Out on the highway the cars went whisking past. A squirrel came down out of a tree, advanced cautiously toward the table, suddenly turned and fled for his very life, swarming up a nearby trunk.

  “I don’t know,” said Sterling. “It might be too big for us, this society of ours. It may be out of hand. I read a lot. Always liked to read. And I think about what I read. It seems to me maybe we’ve outrun our brains. The brains we have maybe were OK back in prehistoric days. We did all right with the brains we had until we built too big and complex. Maybe we built beyond our brains. Maybe our brains no longer are good enough to handle what we have. We have set loose economic forces we don’t understand and political forces that we do not understand, and if we can’t understand them, we can’t control them. Maybe that is why you and I are out of jobs.”

  “I wouldn’t know,” said Rand. “I never thought about it.”

  “A man thinks a lot,” said Sterling. “He dreams a lot walking down the road. Nothing else to do. He dreams some silly things: Things that are silly on the face of them, but are hard to say can’t be really true. Did this ever happen to you?”

  “Sometimes,” said Rand.

  “One thing I thought about a lot. A terribly silly thought. Maybe thinking it because I do so much walking. Sometimes people pick me up, but mostly I walk. And I got to wondering if a man should walk far enough could he leave it all behind? The farther a man might walk, the farther he would be from everything.”

  “Where you heading?” Rand asked.

  “Nowhere in particular. Just keep on moving, that is all. Month or so I’ll start heading south. Get a good head start on winter. These northern states are no place to be when winter comes.”

  “There are two eggs left,” said Rand. “How about it?”

  “Hell, man, I can’t. I already …”

  “Three eggs aren’t a lot. I can get some more.”

  “Well, if you’re sure that you don’t mind. Tell you what—let’s split them, one for you, one for me.”

  The giddy old lady had finished cutting her bouquet and had gone into the house. From up the street came the tapping of a cane—Rand’s other ancient neighbor, out for his evening walk. The sinking sun poured a blessing on the land. The leaves were gold and red, brown and yellow—they had been that way since the day that Rand had come. The grass had a tawny look about it—not dead, just dressed up for dying.

  The old man came trudging carefully down the walk, his cane alert against a stumble, helping himself with it without really needing any help. He was slow, was all. He halted by the walk that ran up to the porch. “Good afternoon,” he said.

  “Good afternoon.” said Rand. “You have a nice day for your walk.” The old man acknowledged the observation graciously and with a touch of modesty, as if he, himself, might somehow be responsible for the goodness of the day.

  “It looks,” he said, “as if we might have another fine day tomorrow.” And having said that, he continued down the street.

  It was ritual. The same words were said each day. The situation, like the village and the weather, never varied. He could sit here on this porch a thousand years, Rand told himself, and the old man would continue going past and each time the selfsame words would be mouthed—a set piece, a strip of film run over and over again. Something here had happened to time. The year had stuck on autumn.

  Rand did not understand it. He did not try to understand it. There was no way for him to try. Sterling had said that man’s cleverness might have outstripped his feeble, prehistoric mind—or, perhaps, his brutal and prehistoric mind. And here there was less chance of understanding than there had been back in that other world.

  He found himself thinking of that other world in the same myth-haunted way as he thought of this one. The one now seemed as unreal as the other. Would he ever, Rand wondered, find reality again? Did he want to find it?

  There was a way to find reality, he knew. Go into the house and take out the photos in the drawer of his bedside table and have a look at them. Refresh his memory, stare reality in the face again. For those photos, grim as they might be, were a harder reality than this world in which he sat or the world that he had known. For they were nothing seen by the human eye, interpreted by the human brain. They were, somehow, fact. The camera saw what it saw and could not lie about it; it did not fantasize, it did not rationalize, and it had no faulty memory, which was more than could be said of the human mind.

  He had gone back to the camera shop where he had left the film and the clerk had picked out the envelope from the box behind the counter.

  “That will be three ninety-five.” he said.

  Rand took a five-dollar bill out of his wallet and laid it on the counter.

  “If you don’t mind my asking,” said the clerk, “where did you get these pictures?”

  “It is trick photography,” said Rand.

  The clerk shook his head. “If that is what they are, they’re the best I’ve ever seen.”

  The clerk rang up the sale and, leaving the register open, stepped back and picked up the envelope.

  “What do you want?” asked Rand.

  The man shook the prints out of the envelope, shuffled through them.

  “This one,” he said.

  Rand stared at him levelly. “What about it?” he asked.

  “The people. I know some of them. The one in front. That is Bob Gentry. He is my best friend.”

  “You must be mistaken,” Rand said coldly.

  He took the prints from the clerk’s fingers, put them back in the envelope.

  The clerk made the change. He still was shaking his head, confused, perhaps a little frightened, when Rand left the shop.

  He drove carefully, but with no loss of time, through the city and across the bridge. When he hit open country beyond the river, he built up his speed, keeping an eye on the rear-vision mirror. The clerk had been upset, perhaps enough to phone the police. Others would have seen the pictures and been upset as well. Although, he told himself, it was silly to think of the police. In taking the photos, he had broken no regulations, violated no laws. He had had a perfect right to take them.

  Across the river and twenty miles down the highway, he turned off into a small, dusty country road and followed it until he found a place to pull off, where the road widened at the approach to a bridge that crossed a small stream. There was evidence that the pull-off was much used, fishermen more than likely parking their cars there while they tried their luck. But now the place was empty.

  He was disturbed to find that his hands were shaking when he pulled the envelope from his pocket and shook out the prints.

  And there it was—as he no longer could remember it.

  He was surprised that he had taken as many pictures as he had. He could not remember having taken half that many. But they were there, and as he looked at them, his memory, reinforced, came back again, although the photos were much sharper than his memory. The world, he recalled, had seemed to be hazed and indistinct so far as his e
yes had been concerned; in the photos it lay cruel and merciless and clear. The blackened stumps stood up, stark and desolate, and there could be no doubt that the imprint that lay upon the photos was the actuality of a bombed-out city. The photos of the bluff showed the barren rock no longer masked by trees, with only here and there the skeletons of trees that by some accidental miracle had not been utterly reduced by the storm of fire. There was only one photo of the band of people who had come charging down the hill toward him; and that was understandable, for once having seen them, he had been in a hurry to get back to the car. Studying the photo, he saw they were much closer than he’d thought. Apparently they had been there all the time, just a little way off, and he had not noticed them in his astonishment at what had happened to the city. If they had been quieter about it, they could have been on top of him and overwhelmed him before he discovered them. He looked closely at the picture and saw that they had been close enough that some of the faces were fairly well defined. He wondered which one of them was the man the clerk back at the camera shop had recognized.

  He shuffled the photographs together and slid them back into the envelope and put it in his pocket. He got out of the car and walked down to the edge of the stream. The stream, he saw, was no more than ten feet or so across; but here, below the bridge, it had gathered itself into a pool, and the bank had been trampled bare of vegetation, and there were places where fishermen had sat. Rand sat down in one of these places and inspected the pool. The current came in close against the bank and probably had undercut it, and lying there, in the undercut, would be the fish that the now-absent anglers sought, dangling their worms at the end of a long cane pole and waiting for a bite.

  The place was pleasant and cool, shaded by a great oak that grew on the bank just below the bridge. From some far-off field came the subdued clatter of a mower. The water dimpled as a fish came up to suck in a floating insect. A good place to stay, thought Rand. A place to sit and rest awhile. He tried to blank his mind, to wipe out the memory and the photos, to pretend that nothing at all had happened, that there was nothing he must think about.

 

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