by Антон Чехов
"There's no making you out . . .," says Lidotchka. "You are angry because I am not learned, and at the same time you hate learned women; you are annoyed because I have no ideas in my letter, and yet you yourself are opposed to my studying. . . ."
"You do catch me up at a word, my dear," yawns Somov, pouring out a second glass of vodka in his boredom.
Under the influence of vodka and a good dinner, Somov grows more good-humoured, lively, and soft. . . . He watches his pretty wife making the salad with an anxious face and a rush of affection for her, of indulgence and forgiveness comes over him.
"It was stupid of me to depress her, poor girl . . . ," he thought. "Why did I say such a lot of dreadful things? She is silly, that's true, uncivilised and narrow; but . . . there are two sides to the question, and audiatur et altera pars. . . . Perhaps people are perfectly right when they say that woman's shallowness rests on her very vocation. Granted that it is her vocation to love her husband, to bear children, and to mix salad, what the devil does she want with learning? No, indeed!"
At that point he remembers that learned women are usually tedious, that they are exacting, strict, and unyielding; and, on the other hand, how easy it is to get on with silly Lidotchka, who never pokes her nose into anything, does not understand so much, and never obtrudes her criticism. There is peace and comfort with Lidotchka, and no risk of being interfered with.
"Confound them, those clever and learned women! It's better and easier to live with simple ones," he thinks, as he takes a plate of chicken from Lidotchka.
He recollects that a civilised man sometimes feels a desire to talk and share his thoughts with a clever and well-educated woman. "What of it?" thinks Somov. "If I want to talk of intellectual subjects, I'll go to Natalya Andreyevna . . . or to Marya Frantsovna. . . . It's very simple! But no, I shan't go. One can discuss intellectual subjects with men," he finally decides.
NOTES
blue stocking: a woman with strong scholarly or literary interests
audiatur et altera pars: the opposite side needs to be heard
* * *
Martyrs
by Anton Chekhov
LIZOTCHKA KUDRINSKY, a young married lady who had many admirers, was suddenly taken ill, and so seriously that her husband did not go to his office, and a telegram was sent to her mamma at Tver. This is how she told the story of her illness:
"I went to Lyesnoe to auntie's. I stayed there a week and then I went with all the rest to cousin Varya's. Varya's husband is a surly brute and a despot (I'd shoot a husband like that), but we had a very jolly time there. To begin with I took part in some private theatricals. It was A Scandal in a Respectable Family. Hrustalev acted marvellously! Between the acts I drank some cold, awfully cold, lemon squash, with the tiniest nip of brandy in it. Lemon squash with brandy in it is very much like champagne. . . . I drank it and I felt nothing. Next day after the performance I rode out on horseback with that Adolf Ivanitch. It was rather damp and there was a strong wind. It was most likely then that I caught cold. Three days later I came home to see how my dear, good Vassya was getting on, and while here to get my silk dress, the one that has little flowers on it. Vassya, of course, I did not find at home. I went into the kitchen to tell Praskovya to set the samovar, and there I saw on the table some pretty little carrots and turnips like playthings. I ate one little carrot and well, a turnip too. I ate very little, but only fancy, I began having a sharp pain at once -- spasms . . . spasms . . . spasms . . . ah, I am dying. Vassya runs from the office. Naturally he clutches at his hair and turns white. They run for the doctor. . . . Do you understand, I am dying, dying."
The spasms began at midday, before three o'clock the doctor came, and at six Lizotchka fell asleep and slept soundly till two o'clock in the morning.
It strikes two. . . . The light of the little night lamp filters scantily through the pale blue shade. Lizotchka is lying in bed, her white lace cap stands out sharply against the dark background of the red cushion. Shadows from the blue lamp-shade lie in patterns on her pale face and her round plump shoulders. Vassily Stepanovitch is sitting at her feet. The poor fellow is happy that his wife is at home at last, and at the same time he is terribly alarmed by her illness.
"Well, how do you feel, Lizotchka?" he asks in a whisper, noticing that she is awake.
"I am better," moans Lizotchka. "I don't feel the spasms now, but there is no sleeping. . . . I can't get to sleep!"
"Isn't it time to change the compress, my angel?"
Lizotchka sits up slowly with the expression of a martyr and gracefully turns her head on one side. Vassily Stepanovitch with reverent awe, scarcely touching her hot body with his fingers, changes the compress. Lizotchka shrinks, laughs at the cold water which tickles her, and lies down again.
"You are getting no sleep, poor boy!" she moans.
"As though I could sleep!"
"It's my nerves, Vassya, I am a very nervous woman. The doctor has prescribed for stomach trouble, but I feel that he doesn't understand my illness. It's nerves and not the stomach, I swear that it is my nerves. There is only one thing I am afraid of, that my illness may take a bad turn."
"No, Lizotchka, no, to-morrow you will be all right!"
"Hardly likely! I am not afraid for myself. . . . I don't care, indeed, I shall be glad to die, but I am sorry for you! You'll be a widower and left all alone."
Vassitchka rarely enjoys his wife's society, and has long been used to solitude, but Lizotchka's words agitate him.
"Goodness knows what you are saying, little woman! Why these gloomy thoughts?"
"Well, you will cry and grieve, and then you will get used to it. You'll even get married again."
The husband clutches his head.
"There, there, I won't!" Lizotchka soothes him, "only you ought to be prepared for anything."
"And all of a sudden I shall die," she thinks, shutting her eyes.
And Lizotchka draws a mental picture of her own death, how her mother, her husband, her cousin Varya with her husband, her relations, the admirers of her "talent" press round her death bed, as she whispers her last farewell. All are weeping. Then when she is dead they dress her, interestingly pale and dark-haired, in a pink dress (it suits her) and lay her in a very expensive coffin on gold legs, full of flowers. There is a smell of incense, the candles splutter. Her husband never leaves the coffin, while the admirers of her talent cannot take their eyes off her, and say: "As though living! She is lovely in her coffin!" The whole town is talking of the life cut short so prematurely. But now they are carrying her to the church. The bearers are Ivan Petrovitch, Adolf Ivanitch, Varya's husband, Nikolay Semyonitch, and the black-eyed student who had taught her to drink lemon squash with brandy. It's only a pity there's no music playing. After the burial service comes the leave-taking. The church is full of sobs, they bring the lid with tassels, and . . . Lizotchka is shut off from the light of day for ever, there is the sound of hammering nails. Knock, knock, knock.
Lizotchka shudders and opens her eyes.
"Vassya, are you here?" she asks. "I have such gloomy thoughts. Goodness, why am I so unlucky as not to sleep. Vassya, have pity, do tell me something!"
"What shall I tell you ?"
"Something about love," Lizotchka says languidly. "Or some anecdote about Jews. . . ."
Vassily Stepanovitch, ready for anything if only his wife will be cheerful and not talk about death, combs locks of hair over his ears, makes an absurd face, and goes up to Lizotchka.
"Does your vatch vant mending?" he asks.
"It does, it does," giggles Lizotchka, and hands him her gold watch from the little table. "Mend it."
Vassya takes the watch, examines the mechanism for a long time, and wriggling and shrugging, says: "She can not be mended . . . in vun veel two cogs are vanting. . . ."
This is the whole performance. Lizotchka laughs and claps her hands.
"Capital," she exclaims. "Wonderful. Do you know, Vassya, it's awfully stupid of you not to ta
ke part in amateur theatricals! You have a remarkable talent! You are much better than Sysunov. There was an amateur called Sysunov who played with us in It's My Birthday. A first-class comic talent, only fancy: a nose as thick as a parsnip, green eyes, and he walks like a crane. . . . We all roared; stay, I will show you how he walks."
Lizotchka springs out of bed and begins pacing about the floor, barefooted and without her cap.
"A very good day to you!" she says in a bass, imitating a man's voice. "Anything pretty? Anything new under the moon? Ha, ha, ha!" she laughs.
"Ha, ha, ha!" Vassya seconds her. And the young pair, roaring with laughter, forgetting the illness, chase one another about the room. The race ends in Vassya's catching his wife by her nightgown and eagerly showering kisses upon her. After one particularly passionate embrace Lizotchka suddenly remembers that she is seriously ill. . . .
"What silliness!" she says, making a serious face and covering herself with the quilt. "I suppose you have forgotten that I am ill! Clever, I must say!"
"Sorry . . ." falters her husband in confusion.
"If my illness takes a bad turn it will be your fault. Not kind! not good!"
Lizotchka closes her eyes and is silent. Her former languor and expression of martyrdom return again, there is a sound of gentle moans. Vassya changes the compress, and glad that his wife is at home and not gadding off to her aunt's, sits meekly at her feet. He does not sleep all night. At ten o'clock the doctor comes.
"Well, how are we feeling?" he asks as he takes her pulse. "Have you slept?"
"Badly," Lizotchka's husband answers for her, "very badly."
The doctor walks away to the window and stares at a passing chimney-sweep.
"Doctor, may I have coffee to-day?" asks Lizotchka.
"You may."
"And may I get up?"
"You might, perhaps, but . . . you had better lie in bed another day."
"She is awfully depressed," Vassya whispers in his ear, "such gloomy thoughts, such pessimism. I am dreadfully uneasy about her."
The doctor sits down to the little table, and rubbing his forehead, prescribes bromide of potassium for Lizotchka, then makes his bow, and promising to look in again in the evening, departs. Vassya does not go to the office, but sits all day at his wife's feet.
At midday the admirers of her talent arrive in a crowd. They are agitated and alarmed, they bring masses of flowers and French novels. Lizotchka, in a snow-white cap and a light dressing jacket, lies in bed with an enigmatic look, as though she did not believe in her own recovery. The admirers of her talent see her husband, but readily forgive his presence: they and he are united by one calamity at that bedside!
At six o'clock in the evening Lizotchka falls asleep, and again sleeps till two o'clock in the morning. Vassya as before sits at her feet, struggles with drowsiness, changes her compress, plays at being a Jew, and in the morning after a second night of suffering, Liza is prinking before the looking-glass and putting on her hat.
"Wherever are you going, my dear?" asks Vassya, with an imploring look at her.
"What?" says Lizotchka in wonder, assuming a scared expression, "don't you know that there is a rehearsal to-day at Marya Lvovna's?"
After escorting her there, Vassya having nothing to do to while away his boredom, takes his portfolio and goes to the office. His head aches so violently from his sleepless nights that his left eye shuts of itself and refuses to open. . . .
"What's the matter with you, my good sir?" his chief asks him. "What is it?"
Vassy a waves his hand and sits down.
"Don't ask me, your Excellency," he says with a sigh. "What I have suffered in these two days, what I have suffered! Liza has been ill!"
"Good heavens," cried his chief in alarm. "Lizaveta Pavlovna, what is wrong with her?"
Vassily Stepanovitch merely throws up his hands and raises his eyes to the ceiling, as though he would say: "It's the will of Providence."
"Ah, my boy, I can sympathise with you with all my heart!" sighs his chief, rolling his eyes. "I've lost my wife, my dear, I understand. That is a loss, it is a loss! It's awful, awful! I hope Lizaveta Pavlovna is better now! What doctor is attending her ?"
"Von Schterk."
"Von Schterk! But you would have been better to have called in Magnus or Semandritsky. But how very pale your face is. You are ill yourself! This is awful!"
"Yes, your Excellency, I haven't slept. What I have suffered, what I have been through!"
"And yet you came! Why you came I can't understand? One can't force oneself like that! One mustn't do oneself harm like that. Go home and stay there till you are well again! Go home, I command you! Zeal is a very fine thing in a young official, but you mustn't forget as the Romans used to say: 'mens sana in corpore sano,' that is, a healthy brain in a healthy body."
Vassya agrees, puts his papers back in his portfolio, and, taking leave of his chief, goes home to bed.
NOTES
bromide of potassium: a salt used in the 19th century as an anticonvulsant and sedative
mens sana in corpore sano: Juvenal in his Satires suggests that we should pray for this; the phrase is usually translated as "a sound mind in a sound body"
* * *
THE FIRST-CLASS PASSENGER
by Anton Chekhov
A FIRST-CLASS passenger who had just dined at the station and drunk a little too much lay down on the velvet-covered seat, stretched himself out luxuriously, and sank into a doze. After a nap of no more than five minutes, he looked with oily eyes at his vis-à-vis, gave a smirk, and said:
"My father of blessed memory used to like to have his heels tickled by peasant women after dinner. I am just like him, with this difference, that after dinner I always like my tongue and my brains gently stimulated. Sinful man as I am, I like empty talk on a full stomach. Will you allow me to have a chat with you?"
"I shall be delighted," answered the vis-à-vis.
"After a good dinner the most trifling subject is sufficient to arouse devilishly great thoughts in my brain. For instance, we saw just now near the refreshment bar two young men, and you heard one congratulate the other on being celebrated. 'I congratulate you,' he said; 'you are already a celebrity and are beginning to win fame.' Evidently actors or journalists of microscopic dimensions. But they are not the point. The question that is occupying my mind at the moment, sir, is exactly what is to be understood by the word fame or celebrity. What do you think? Pushkin called fame a bright patch on a ragged garment; we all understand it as Pushkin does -- that is, more or less subjectively -- but no one has yet given a clear, logical definition of the word. . . . I would give a good deal for such a definition!"
"Why do you feel such a need for it?"
"You see, if we knew what fame is, the means of attaining it might also perhaps be known to us," said the first-class passenger, after a moment's thought. I must tell you, sir, that when I was younger I strove after celebrity with every fiber of my being. To be popular was my craze, so to speak. For the sake of it I studied, worked, sat up at night, neglected my meals. And I fancy, as far as I can judge without partiality, I had all the natural gifts for attaining it. To begin with, I am an engineer by profession. In the course of my life I have built in Russia some two dozen magnificent bridges, I have laid aqueducts for three towns; I have worked in Russia, in England, in Belgium. . . . Secondly, I am the author of several special treatises in my own line. And thirdly, my dear sir, I have from a boy had a weakness for chemistry. Studying that science in my leisure hours, I discovered methods of obtaining certain organic acids, so that you will find my name in all the foreign manuals of chemistry. I have always been in the service, I have risen to the grade of actual civil councilor, and I have an unblemished record. I will not fatigue your attention by enumerating my works and my merits, I will only say that I have done far more than some celebrities. And yet here I am in my old age, I am getting ready for my coffin, so to say, and I am as celebrated as that black dog yonder running
on the embankment."
"How can you tell? Perhaps you are celebrated."
"H'm! Well, we will test it at once. Tell me, have you ever heard the name Krikunov?"
The vis-à-vis raised his eyes to the ceiling, thought a minute, and laughed.
"No, I haven't heard it, . . ." he said.
"That is my surname. You, a man of education, getting on in years, have never heard of me -- a convincing proof! It is evident that in my efforts to gain fame I have not done the right thing at all: I did not know the right way to set to work, and, trying to catch fame by the tail, got on the wrong side of her."
"What is the right way to set to work?"
"Well, the devil only knows! Talent, you say? Genius? Originality? Not a bit of it, sir!. . . People have lived and made a career side by side with me who were worthless, trivial, and even contemptible compared with me. They did not do one-tenth of the work I did, did not put themselves out, were not distinguished for their talents, and did not make an effort to be celebrated, but just look at them! Their names are continually in the newspapers and on men's lips! If you are not tired of listening I will illustrate it by an example. Some years ago I built a bridge in the town of K. I must tell you that the dullness of that scurvy little town was terrible. If it had not been for women and cards I believe I should have gone out of my mind. Well, it's an old story: I was so bored that I got into an affair with a singer. Everyone was enthusiastic about her, the devil only knows why; to my thinking she was -- what shall I say? -- an ordinary, commonplace creature, like lots of others. The hussy was empty-headed, ill-tempered, greedy, and what's more, she was a fool.
"She ate and drank a vast amount, slept till five o clock in the afternoon -- and I fancy did nothing else. She was looked upon as a cocotte, and that was indeed her profession; but when people wanted to refer to her in a literary fashion, they called her an actress and a singer. I used to be devoted to the theatre, and therefore this fraudulent pretense of being an actress made me furiously indignant. My young lady had not the slightest right to call herself an actress or a singer. She was a creature entirely devoid of talent, devoid of feeling -- a pitiful creature one may say. As far as I can judge she sang disgustingly. The whole charm of her 'art' lay in her kicking up her legs on every suitable occasion, and not being embarrassed when people walked into her dressing-room. She usually selected translated vaudevilles, with singing in them, and opportunities for disporting herself in male attire, in tights. In fact it was -- ough! Well, I ask your attention. As I remember now, a public ceremony took place to celebrate the opening of the newly constructed bridge. There was a religious service, there were speeches, telegrams, and so on. I hung about my cherished creation, you know, all the while afraid that my heart would burst with the excitement of an author. Its an old story and there's no need for false modesty, and so I will tell you that my bridge was a magnificent work! It was not a bridge but a picture, a perfect delight! And who would not have been excited when the whole town came to the opening? 'Oh,' I thought, 'now the eyes of all the public will be on me! Where shall I hide myself?' Well, I need not have worried myself, sir -- alas! Except the official personages, no one took the slightest notice of me. They stood in a crowd on the river-bank, gazed like sheep at the bridge, and did not concern themselves to know who had built it. And it was from that time, by the way, that I began to hate our estimable public -- damnation take them! Well, to continue. All at once the public became agitated; a whisper ran through the crowd, . . . a smile came on their faces, their shoulders began to move. 'They must have seen me,' I thought. A likely idea! I looked, and my singer, with a train of young scamps, was making her way through the crowd. The eyes of the crowd were hurriedly following this procession. A whisper began in a thousand voices: 'That's so-and-so. . . . Charming! Bewitching!' Then it was they noticed me. . . . A couple of young milksops, local amateurs of the scenic art, I presume, looked at me, exchanged glances, and whispered: 'That's her lover!' How do you like that? And an unprepossessing individual in a top-hat, with a chin that badly needed shaving, hung round me, shifting from one foot to the other, then turned to me with the words:
