by Dacre Stoker
“Why are you going to Marseilles, doctor?”
“I am treating a patient there.”
“What ails this patient?”
“He’s suffering from a Narcissistic Personality Disorder.”
“Qu’est-ce que c’est? ”
“It is a psychological instability causing the patient to inflict predatory, autoerotic, antisocial, and parasitic control on those around them. As well as—”
“Merci.” The conductor cut Seward off by handing him back his papers and ticket with a deft flick. He turned and addressed only the men at the next table. “Billets, s’ il vous plaît.”
Jack Seward sighed. Replacing his papers in his jacket, he checked the pocket watch again, a nervous habit. It seemed as if the interrogation had lasted hours, but only another five minutes had passed. He rolled down the fringed window shade to shield his eyes from the daylight and reclined into the plush, burgundy upholstered seat.
Oceans of Love, Lucy.
He held the beloved watch close to his heart and closed his eyes to dream.
It was a quarter century ago. Seward held the same watch up to the light the better to read the inscription: “Oceans of love, Lucy.”
She was there. Alive. “You don’t like it,” she said, and pouted.
He couldn’t break his stare away from her green eyes, soft as a summer meadow. Lucy had an odd idiosyncrasy of watching a speaker’s mouth as if trying to taste the next word before it passed by his lips. She had such a lust for life. Her smile could bring warmth to the coldest heart. As she sat on the bench in the garden that spring day, Seward marveled at how the sunlight illuminated the loose strands of red hair that danced in the breeze, haloing her face. The scent of fresh lilacs mixed with the salty sea air of Whitby Harbor. In the years since, whenever he smelled lilacs, he would remember this beautiful, bitter day.
“I can only conclude,” Seward said, clearing his throat before his voice had a chance to break, “since you wrote on the gift card ‘Dearest Friend’ rather than ‘Fiancé,’ that you have chosen not to accept my proposal of marriage.”
Lucy looked away, her eyes moistening. The silence spoke volumes.
“I thought it best that you hear it from me,” Lucy finally sighed. “I have consented to wed Arthur.”
Arthur had been Jack Seward’s friend since they were lads. Seward loved him like a brother, yet always envied how easily everything came to Arthur. He was handsome and rich, and had never in his life known worry or struggle. Or heartbreak.
“I see.” Seward’s voice sounded like a squeak in his ears.
“I do love you,” Lucy whispered. “But . . .”
“But not as much as much as you love Arthur.” Of course he could not compete with the wealthy Arthur Holmwood, nor was he as dashing as Lucy’s other suitor, the Texan Quincey P. Morris.
“Forgive me,” he went on in a softer tone, suddenly afraid he’d hurt her. “I forgot my place.”
Lucy reached out and patted his hand, as one would a beloved pet. “I will always be here.”
Back in the present, he stirred in his sleep. If he could just see the beauty in Lucy’s eyes . . . The last time he had gazed into them, that terrible night in the mausoleum, he had seen nothing but pain and torment. The memory of Lucy’s dying screams still seared Seward’s brain.
After leaving the train, Seward walked in a torrential downpour through Marseilles’s labyrinth of white buildings and cursed his timing. Of course, his quest brought him to the French Riviera in March, the only rainy month.
He slogged farther inland, glancing back to see Fort Saint-Jean standing like a stone sentinel in the indigo harbor. Then he turned about to study the Provençal city, which had been built around a 2,600-year-old village. Artifacts of the city’s Greek and Roman founders were found throughout the streets. Seward lamented that he was in this picturesque haven for such a sinister purpose. Though it would not be the first time malevolence had made its presence felt here: Over the last century, this seaside town had been marred by plague and pirates.
Seward stopped. Looming in front of him was a typical two-story Mediterranean villa with large wooden shutters and wrought-iron bars on the windows. The winter moon peering through the rain clouds cast a spectral glow on the traditional white walls. The roof was covered in red terra-cotta tiles that reminded him of some of the old Spanish houses he had seen when he visited Quincey P. Morris in Texas so many years ago. It created a decidedly foreboding ambience, even unwelcoming, for an ornate villa on the French Riviera. It appeared entirely devoid of life. His heart sank at the thought that he might be too late. Seward looked again at the address.
This was it.
Suddenly, he heard the thunderous approach of a horse-drawn carriage splashing along the cobblestones. He ducked into a vineyard across from the building. There were no grapes on the dripping, weblike branches. A black carriage with ornate gold trim sailed up the hill, pulled by two glistening black mares. The animals drew to a stop without a command. Seward looked up and, to his surprise, saw there was no driver. How was that possible?
A strapping figure emerged from the carriage. The mares nipped at each other and squealed, necks arched. Then, again to Seward’s amazement, they moved off, in perfect step, with no coachman to direct them. The figure held a walking stick aloft with one black-gloved hand, and dipped into a pocket with the other for a key, then stopped suddenly as if becoming aware of something.
“Damn,” Seward muttered to himself.
The person at the door cocked his head, almost as if he heard Seward’s voice through the rain, and turned slowly toward the vineyard. Seward felt waves of panic and adrenaline wash over him but managed to hold his breath. The gloved hand reached up to the brim of the velvet top hat and Seward choked back a gasp as he saw the top hat removed to reveal sensuous locks of black hair cascading onto the figure’s shoulders.
His mind reeled. It is she! The Benefactor had been right.
Countess Elizabeth Bathory stood at the doorway of the villa, looking exactly as she had in the portrait painted over three hundred years ago.
CHAPTER II.
Lightning danced across the sky, illuminating the raindrops like gems on black velvet cloth. Seward knew he should move for cover, but he could do nothing except stare, entranced, at the exotic—and dangerous—beauty before him. Bathory’s fair skin contrasted sharply with her midnight hair, and she moved with the silent grace of a predator. Her icy blue eyes searched for any movement in the street as another flash of lightning brightened the grounds before her. When she turned toward the vineyard, he quickly threw himself into the mud to avoid detection.
There, he held his breath, trying not to move and ignoring the cramp in his legs. He desperately longed to glance up, but the lightning flashing on his pale face would reveal him immediately, and so he remained pressed to the ground, his nose a mere inch from the mud. After what seemed like an eternity, he finally allowed himself to look up, half expecting Bathory to be waiting next to him like a cobra ready to strike. But she was nowhere to be seen.
Fighting his rising fear, Seward freed himself from the mud’s grasp with a revolting slurp. Too loud. His eyes darted. He needed to move, but he had to wait for the blood to flow back into his legs. He felt like wet burlap, with his oversized clothes weighing heavily on him.
The wind whistled, and he turned with a start. Still no one in sight. Setting his resolve, he took a determined step toward the stone building—and felt wet mud soaking his bare foot. Seward looked back to see one of his shoes stuck in the mud. He cursed under his breath and nearly toppled over while balancing to replace it. He continued, stumbling, across the marshy laneway and tripped into a palm tree. Seward was certain he was making a terrible amount of noise but hoped the rain would drown it out. At last he reached the tree adjacent to the villa. He had been good at climbing trees when he was a schoolboy, but five decades later, that was hardly likely to be the case. But there was nothing for it. He took a
deep breath and hauled himself up onto the lowest branch.
From the tree, he was able to hoist himself to the roof of the front walkway. The clay shingles were slick with rain. Seward steadied himself by gripping the decorative wrought-iron railing for support and glanced about, terrified that Countess Bathory was laughing in the shadows as he made a fool of himself. He spotted an awning over one of the second-story windows and scurried to its shadow for protection, taking a moment to catch his breath. He listened, and heard nothing except the pounding of rain beating in time with his heart.
He peered into the window and found that it overlooked what must have once been a grand ballroom. Now, devoid of life and full of shadows, it unnerved him. It was like looking into a museum at night. Or worse . . . a tomb.
His thoughts were interrupted by two glowing white figures moving across the ballroom floor. They glided effortlessly and seemed to be carrying something that resembled a crate or chest. Wary of staying in one place too long for fear of being spotted, he gripped the rails, hoisted himself from one balcony to the next, and edged his way to another window.
On this level, the only light came from a few scattered candles and the embers in the fireplace. It was enough for Seward to see that what had seemed like two spirits were in fact beautiful young women dressed in flowing, sheer white gowns. Where was Bathory? Seward still couldn’t get over the creeping dread that she was standing behind him.
His heart threatened to burst from his chest at the sound of the French doors flying open. Countess Bathory swept into the ballroom. Seward, relieved, shrank back into the shadows.
Bathory untied her cloak from around her neck and tossed it carelessly over her shoulder, revealing her full statuesque form. She was dressed in an evening jacket, complete with fitted, starched white, wing-collared shirt and black tie. In its severe lines, her tailor had found a way to accentuate her voluptuous feminine figure while projecting a masculine strength.
She strode toward the other two women. “My sweets,” she greeted them; and beneath the languorous tone of her voice, Seward detected something infinitely more sinister. He shivered as Bathory kissed each of these “Women in White” on the lips passionately.
“What toy have you brought me?”
The blond woman broke the heavy padlock on the captain’s chest with her bare hands, a shockingly casual gesture for one so delicate in appearance. She opened the lid with a flourish, like a waiter proudly presenting the main course. Inside the trunk was a young woman, bound, gagged, and clearly terrified.
Bathory reached into her boot and unsheathed a curved metal blade. Seward immediately recognized the knife: It was a medical amputation lancet.
The young woman’s eyes widened at the sight of the blade. In a movement too fast for Seward to see, Bathory sliced the lancet toward the young woman. The gag and the ropes binding her hands fell to the bottom of the chest. Bathory placed the blade’s tip under the girl’s chin. Seward gripped the handle of his silver throwing knife.
Instead of inflicting a bloody wound, Bathory used the blade to gently guide the girl out of the box. Seward relaxed his grip. The girl touched her face and wrists to feel whether the blade had cut her. There did not appear to be even the slightest scratch.
Seward watched the countess walk around the young woman, appraising her attire. She was dressed in a French teal wool dress, chastely covering her from her neck to her ankles. He felt enraged at the thought of what Bathory’s eyes must be seeing—a beautiful package just waiting to be unwrapped.
The girl kept perfectly still. The lancet sliced. Her dress and undergarments fell away like puzzle pieces, leaving her delicate skin unscathed. Despite the young woman’s frantic efforts to recover the fabric, more fell away until she was completely revealed.
Bathory’s eyes did not blink once as she drank in the sight. Shivering with fear, the girl pulled herself back into the shadows, covering her body. The Women in White laughed.
Seward moved to the next window to get a better view. Once there, he noticed Bathory’s eyes narrow. Flickering candlelight reflected from the small gold crucifix around the young woman’s neck. Bathory’s lancet flashed forward and back so quickly that Seward almost doubted it had moved at all. But there was no mistaking the ting of the cross hitting the marble floor, the broken chain gathering around it in a smooth pile. The young woman gasped in surprise—a small drop of blood glittered like a gem at the base of her throat. The Women in White leapt upon her like wild dogs.
“Mary, Mother of God, protect her,” Seward prayed, the words coming out as a plaintive whine under his breath. He watched in horror as the Women in White hoisted the naked young woman and hung her upside down by her ankles on a pulley system, suspending her from the ceiling. The dark-haired demon handed Bathory a black leather cat-o’ nine-tails, with curved metal hooks tipping each lash. The countess’s red lips curved into a humorless smile, her otherworldly eyes remaining focused on the single drop of blood now sliding down her victim’s chest. With a quick flick of her wrist, Bathory stung the flesh with the whip, watching eagerly as the blood began to flow more freely.
Seward turned away from the sight, but he could not shut out the screams. He clutched the cross around his neck, but it gave him no comfort. His instinct was to rush in to save this poor girl—but that would surely be a foolhardy decision. One old man was no match against these three. They would tear him apart.
No matter what you see or feel, nothing must distract you from your duty. That had been the last message from the Benefactor. Seward finally gathered the nerve to look again though the windowpane into the depraved insanity of the villa.
Bathory was maintaining a steady momentum now as the metal lashes whined through the air. The force of each blow caused her young victim to sway like a pendulum. The blood dripping from the young woman had turned into streams. The Women in White, meanwhile, lay upon the floor beneath her, their mouths open to catch the precious crimson drops that fell like some hellish form of rain.
Seward knew that he was witnessing true madness. When the sun rose, these three creatures would be lying in their coffins, asleep and vulnerable, and it would be his only opportunity to rid the world of their evil. He would drive the silver-plated blade into their hearts, sever their heads, stuff their mouths with garlic, and burn the remains.
Yet he felt tormented by the guilt of standing idle while this innocent girl was tortured. He curled a hand around his blade, squeezing until drops of blood seeped from between his own fingers. If he could not spare this young woman her pain, the least he could do was share it. The girl’s screams had finally quieted—but they continued to echo eerily in his head, evoking painful memories of Lucy’s second death. A death that Seward himself had helped bring about. Again, the memories came rushing back to him: the anger he had felt at the desecration of his beloved’s tomb; the shock of discovering her body still warm and rosy, apparently full of life; the sight of Arthur driving the stake into her heart, as the creature that looked like Lucy cried out in bloodcurdling screams; and the tears he had quietly shed as he stuffed the monster’s mouth with garlic and soldered her tomb closed for good. Yet none of these emotions were as shameful as the one he had hidden all these years, even from himself—the secret satisfaction of watching Arthur lose Lucy. If Seward could not have her, at least no one else would. It was a horrible emotion, and every bit of the darkness that had fallen upon his life after this was well deserved. Accepting this final mission was his act of contrition.
He was drawn swiftly back into the present by the sudden silence. In the ballroom below, the young woman had passed out from the pain. He could see her chest still heaving, so she was not yet dead. Bathory threw down her whip, as irritated as a cat when the mouse will not play after its neck is broken. Seward felt hot wetness on his face, and touched his cheek only to realize that he was crying.
“Prepare my bath!” Bathory ordered.
The Women in White propelled the young woman across the pull
ey system’s metal track and thus transported her into another room. Bathory turned to follow, purposefully stepping on the gold cross as she did so, twisting her foot and crushing it beneath her heel. Satisfied, she continued into the adjacent room, stripping off her clothes one by one as she went.
Seward leaned out over the balcony to see if there was another window looking into the adjacent room. The rain pattered to a stop. Its din would no longer hide his footfalls on the clay shingles. Slowly and cautiously, he made his way over to the next window and peered through. The pulley system ended directly above a Roman-style bath. Dozens of candles now illuminated the sight of Bathory slipping delicately out of her trousers. For the first time, Seward had a clear view of her—without a stitch of clothing. She looked nothing like the prostitutes he had encountered in the back rooms of Camden district brothels. The wanton curves of her body, white and smooth as porcelain, would have distracted most observers from ever noticing the calculating cruelty of her eyes—but not Seward. He had seen a gaze like that before.
Yet nothing in the doctor’s bleak past could have prepared him for the macabre scene he witnessed next. The young woman, pathetic gurgles issuing from her throat, was suspended above the edge of the empty mosaic bath. Bathory stood at the bottom; arms outstretched, neck arched back, magnificently naked. She turned her palms upward. It was a signal. In that instant, the dark-haired Woman in White used her fingernail to slit the young lady’s throat and pushed her to the end of the track just above where Bathory waited. Seward saw Bathory’s fanged mouth open wide as she orgasmically bathed in a shower of blood.
