by Nicole Baart
As for Danica’s experiences in Alaska, I knew I couldn’t accurately capture that atmosphere without going there myself. So Aaron and I flew up to Anchorage for five days. It was a whirlwind trip but we had an amazing time. We have friends who live in the area and they were very gracious tour guides, ferrying us from the Loussac Library to Seward and through countless little airports and hangars. I was even able to go up in a Cessna over Resurrection Bay. It is an experience I will never forget, and one that hugely impacted the way I wrote Far from Here.
4. Danica’s situation is complicated from the beginning and only gets more complex as the novel progresses. What inspired you to write this story?
They say life is stranger than fiction, and in this case it’s true. My dad’s best friend disappeared in a bush plane in northern Alaska and was never found. His story always haunted me, but as a grown woman I began to consider it from the perspective of the people left behind. How could you live not knowing? The unknown can be so scary, and I tried to imagine what it would be like to live with all the questions and what-ifs. Could a person find hope even in that? I’d like to think so.
5. This novel is set in Blackhawk, Iowa, which is described as a tiny, out-of-the-way town that time (almost) forgot. Is this a real place, or based on one? What was it like writing about a small town like the one you grew up in?
There is a little village not too far from my hometown that served as the inspiration for Blackhawk. It’s tucked next to a small river in a valley that cuts between acres of rolling hills and farmland. I’ve always loved it—especially the big, white bridge that spans the river as you enter the town. However, I took some serious creative license as I dreamed up Blackhawk. The fictional town is bigger and more picturesque. A perfect Anytown, USA.
As for writing about small towns, it just feels natural to me. I’ve lived in the city and on a farm, but I’m a small-town girl at heart. There is a very unique sense of community in a small town, an unspoken understanding that we are all family—even quirky great-aunt Mildred and the guy who talks to himself next door. Everyone fits somewhere in a small town, and I wanted that sort of close-knit community for Dani.
6. Though love is an important theme in this book, it’s anything but a typical love story. Through your characters, you explore how love and marriage can change over time—how careful we must be as their caretakers. At one point, Natalie seeks to comfort Danica by telling her, “We fail each other. Every day in a million different ways” (page 224). Do you think this is true? What’s the most important thing you’ve learned about marriage?
I do think that we fail each other, but I believe even more strongly what Dani muses shortly thereafter: “Sometimes we come through for one another. Sometimes we forgive” (page 225). The truth is, we are all very selfish beings. We try to put others first, but even in the relationships that mean the most to us, we often default to elevating our own wants and perceived needs above those of the people we love. Love is a daily, sometimes hourly, choice. Even though we fail, we have to keep trying.
It breaks my heart when I hear a version of the sentiment: I love him, but I’m not in love with him anymore. What does that mean? To me, it’s just a pretty way of saying: “I don’t feel like trying anymore.” That may sound harsh, but love is hard. It can be exhausting and frustrating and heartbreaking. But I’m a romantic at heart—I believe it is always worth fighting for. I tried to communicate that through the pages of Far from Here. In spite of their differences, and in spite of all that happened, Etsell and Dani kept fighting for each other. They forgave. And in the end, I think they both chose love, even though they stumbled and fell and could have spent the rest of their lives resenting each other. I think that is the single most important thing I’ve learned about marriage: Be gracious to one another. Always.
7. The issue of adoption comes up at the end of the book. You also have adopted a child. How did that experience influence your inclusion of this plot twist in Far from Here?
Adoption is very near and dear to my heart, even if it is a hot-button topic in the world today. Some people will argue that children should remain within their context at any cost, and though I agree that the preservation of identity within a particular culture or society (even the culture of a specific community within the same state or country) is important, I believe that in an ideal world every child should experience the love of a family. Sometimes that family isn’t going to look like a “normal” family. Sometimes that family might live across the country or even across the globe. It probably sounds idealistic, but I think that love really does have the power to overcome seemingly insurmountable hardships. I wanted to address that belief with Dani’s impossible question: Could she adopt the love child of her husband and a woman with whom he had a one-night stand? Could I? Could you? The answer is going to be different for everyone—and that’s okay—but that doesn’t change the fact that a living, breathing child is the result of Etsell and Sam’s “mistake.” A child who needs a home. Who needs the miracle of adoption.
8. Tell us a little about One Body One Hope, the nonprofit you co-founded.
One Body One Hope is a nonprofit organization that works alongside a church and orphanage in Monrovia, Liberia. My husband and I met the pastor of a Liberian congregation when we were in Ethiopia bringing home our son, and it was evident in the two weeks we spent together that we simply couldn’t walk away and pretend that our lives could go on as normal. The people of Liberia had imprinted themselves on our hearts in that short time, and we left Ethiopia with the promise to do anything we could to support our new friend and his struggling community.
One Body One Hope began with basic relief work—distributing rice to starving families and providing a monthly sponsorship program for the fifty-some children in the church-run orphanage. But we’ve moved past those fledgling efforts and are passionately committed to rehabilitation and development in both the orphanage and the greater community. Liberia is still experiencing the devastating effects of a bloody civil war, and the economy is very fragile. Eighty-five percent of Liberians are unemployed. We’d like to see that change. It is our goal to walk beside our Liberian friends and offer whatever assistance and support we can to help them rebuild their country—one family, one person, one community at a time.
NICOLE BAART was born and raised in a small town in Iowa. She and her husband have three young sons. After the adoption of their infant son, Nicole discovered a deep passion for global issues and co-founded a nonprofit organization, One Body One Hope, that works alongside a church and orphanage in Monrovia, Liberia.
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2012 by Nicole Baart
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First Howard Books trade paperback edition February 2012
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Designed by Jaime Putorti
Library of Congress Cataloging-in-Publication Data
Baart, Nicole.
Far from here : a novel / Nicole Baart.
p. cm.
1. Air pilots—Fiction. 2. Missing persons—Fiction. 3. Married people—Fiction. I. Title.
PS3602.A22F37 2012
813'.6—dc222011026943
ISBN 978-1-4391-9733-2 (print)
ISBN 978-1-4391-9735-6 (eBook)
